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Showing posts with label Steve Gerber. Show all posts
Showing posts with label Steve Gerber. Show all posts

Thursday, July 19, 2018

The Goofiest Cover You've Never Seen--The Phantom Zone #3 (1982)

Sometimes you've just got to say...

...WHAT THE FRAK?!?!?!?

I guess that's what happens when you let the Howard The Duck team do a pre-Crisis DC series.

Somehow, this never became one of those "iconic" covers that everyone does homages to...

Of course, all of the covers of this mini-series were pretty goofy:


And of course, this next should have taken the place of Crisis #7 in our collective imaginations...

Gerber, Colan, Phantom Zone tomfoolery...I guess I'd better go Quarter Bin searching soon...

Phantom Zone #1-4 are from 1982

Friday, October 14, 2016

Friday Night Fights--Master of Quack Fu Style!!

During this bout of Friday Night Fights, we're required to have a fight wherein characters are kicking each other during the fight.

So, I've been sitting on this one for awhile, but it feels like the right time to break it out:

Yeah, I'm going Howard The Duck on y'all.

A renegade student of kung fu teacher Master C'haaj has been terrorizing Cleveland, so Howard gets lessons from the guru...

And so...

Well, it's time for the confrontation with Count Macho and his kung fu thugs:



Woo hoo!!











Ouch, babe!!

Spacebooger wonders when Steve Gerber will his his posthumous Nobel Prize for Literature for Howard The Duck...

Maximum martial arts from Howard The Duck #3 (1976), by Steve Gerber, John Buscema and Steve Leialoha (the cover of the issue is by Rich Buckler and Leialoha)

Now is the time for you to go and vote for my fight. Why? Quack Fu, dammit--quack fu. Now go and vote!!


Thursday, May 5, 2016

Scene Least Likely To Happen In Captain America: Civil War!

I mean, I really, really hope it does happen...

...but I'm pretty sure the Lincoln Memorial won't come to life and try to beat the crap out of Cap in this movie.

Yes, that seen really happened. Gerber, man...Gerber.

From Captain America #222 (1978)

Wednesday, September 19, 2012

Great Moments In Storytelling--Marvel Spotlight #20!!

Oh, are you ready?

Are you bracing yourself for the most action-packed tale ever, a combination of words and pictures that only comic books can bring you?

Uh-oh. The Tarot. Rarely a good sign for an action-packed tale.

Well, let's put our faith in Steve Gerber and Sal Buscema, right??

Anyway, a student of Daimon Hellstrom's gal pal (a professor of parapsychology) has received a vaguely threatening Tarot card/solicitation for a free reading in the mail, and they decide to investigate the mysterious Madame Swabada.

Daimon insists on getting his reading first, because, well, Son Of Satan, you know?




Thank heavens they showed the shuffling, along with the instructions for shuffling!! Please, more detail!!

Wait a minute...are they seriously going to show us the entire reading, card-by-card, panel-by-panel?

Yes...but not panel by-panel:


Ah, just what we needed...a lengthy typeset essay, in the easily-readable white print on black background (click to embiggen to full lecture size)!! Followed a splash page of angsty floating heads looking at cards!! That will make a Tarot reading interesting to comic readers!!

Of course, this isn't the only time Steve Gerber resorted to illustrated essays in a comic book. And, in complete fairness, there's some pretty cool stuff later in the issue.

But man, what a way to bring your story to a screeching halt, just 4 pages into the issue. I wonder how many readers just gave up...

Perhaps there ought to be a rule: if Sal Buscema can't find a way to illustrate your bit in an exciting way, it's time for a re-think.

From Marvel Spotlight #20 (1975)

Friday, March 16, 2012

Friday Night Fights--Dreaded Deadline Doom Style!!

Well, this Friday Night Fight is going to take some explainin'.

You see, back in 1977, Steve Gerber found himself running way behind on a lot of things. So far behind, that he didn't get the synopsis for Howard The Duck #16 (1977) to Gene Colan in time for the issue to finished by deadline.

And back then, Marvel did NOT miss ship dates. EVER. If the creators didn't have the book done in time, there was no delay, no slippage on the dates--they just put in a reprint and sent that puppy to the printers.

So, it looked as if Howard #16 was going to be a rerun. Until, at the eleventh hour, Gerber had the "inspiration." Instead of a lousy stinking rerun, he would craft a book length essay--yes, an essay. As Gerber described it, "all about the relationship between a boy and his Duck. And comics in general. And living at the precipice, playing the Balance Game over the cosmic chasm filled with lime jello."

Yeah, it sounds crazy, but in his defense, he had just finished having KISS fight Doctor Doom, so a lot of odd things make sense once you've done that.

Somehow, Marvel went along with this, and Gerber managed to get a bunch of Bullpenners to produce, with zero time to spare, a series of double-page spreads, over which appeared Gerber's typewritten--typewritten!!--essay/conversation with his character/stream of consciousness/critique of the medium/public display of a mental breakdown. He included, at the end, a faux letter to the editor from himself, criticizing the issue.

It was, unquestionably, the oddest comic book ever published by the Big Two up to that point, and pretty darned controversial. And little 13 year old snell had his mind completely blown. Which explains an awful lot about me today.

But back to our Friday Night raison d'etre. Chock in the middle of this, this, this thing that was Howard The Duck #16, was this:




Yes, really.

And how did this fight end up?

And there's your fight!

FYI, here's what the entire page looked like:

Poor Spacebooger is pulling his hair out trying to figure out how to describe this fight on the ballot this week...

Steve Gerber and Tom Palmer presented this CLASH OF THE TITANS, this BRAIN-BLASTING BATTLE SCENE of an ostrich and a Las Vegas Chorus girl against a killer lampshade. In case you were wondering who was responsible for my turning out the way I am.

So, now has come the time for you to go and vote for this fight. Why mine? Well, I can fairly safely assert that no one else has a fight quite like this one this week (or any week, for that matter). So vote.

Sunday, December 7, 2008

Marvel 1978 Week--Avengers #178

Well, it's been a while since we've had a special week around here, and as the clock is ticking down on 2008, we should take another peek back into Marvel's past. But this time, instead of hopping back forty years, let's settle on 30 years--to the halcyon days of 1978!!

This is especially exciting for me, as I got into comics big-time in 1976, so (most) of these I'm presenting this week were comics that I read "live" at the time--so I can see how they've aged for me.

December 1978 was a weird month for Marvel...it almost could have been called "Fill-In Month," as 2 (or 3, depending on how you count) of the 7 comics we'll be looking at were fill-in stories.

In the past few years, Marvel had been forced to run reprints in a number of their magazines when writers and artists ran afoul of the "Dreaded Deadline Doom" (leave it to Stan to make "not getting your job done" sound awesome and portentous). Jim Shooter had just become editor-in-chief, and instituted a "no reprints" policy. If a writer and artist weren't going to be done on time, he'd replace one of them for the month...or he'd just run a "fill-in issue," a story by another team entirely, usually not connected to the current run. Shooter preferred to call them "inventory" stories, commissioning stories for virtually every title to have on hand in case of deadline problems, or to fill the gaps between creative teams. And he was always ready to use them to keep Marvel comics shipping on time. Quite the contrast to 2008, eh?

Which leads us to Avengers #178:

Issue takes place in a tasty meringue base...An obvious rush-job by of a cover by John Buscema, basically a collage of stuff Shooter had told him was going to be in the story, with marginal coherence and no background. And the insides?

Our creatorsYup, a fill-in all right. The Avengers had just wrapped up the epic "Korvac/Michael" storyline, and the title had some time to kill until David Michelinie and John Byrne were ready to start their run. So Shooter put the surprise team of Steve Gerber and Carmine Infantino in the driver's seat for one of the oddest one-offs in Avengers history. Gerber and Infantino?? Strap yourselves in, kids...

We start with one of the Marvel Universe's most self-evident premises: the ladies love Hank McCoy:

Lionel Ritchie sooo stole this!!One of the more human patrons doesn't take kindly to striking out with those same ladies, though, so...

Brother, you weren't scoring either way
Is punching an Avenger EVER a good idea?Well, it ends predictably enough, with Hank whooping him after a series of anti-mitant, anti-monkey and anti-Avenger slurs. His evening ruined, Hank skulks off into the stormy night, moping about his life, when he's confronted by an odd apparition:

Uhhh...
Errrr...
Uhhh...
????OK, you don't see that everyday...Hank, quite naturally, freaks the hell out...and skedaddles back to Avengers Mansion, where he finds that his "friends" are none-too-helpful:

Seriously...she never sits upright the entire scene!!So Simon calls him a drunk, and Jan can't even be bothered to stop reclining in her comfy chair. Gee, it's really too bad she "died," isn't it?

His experience has McCoy growing increasingly cranky with his fellow Avengers...

oooh, snap!!...and even is wrecking his love life...

Oh, get over yourself!!
Hank McCoy--fun date!!Well, all this philosophizing with a women we've never met before (and as far as i know, will never meet again) leads her to ask him an unusual favor...but it's all a set-up!!

Likelihood of all this working,0%Hmmm...who the hell is this costumed buffoon selling "mind-control" to a bunch of crime lords?

Gerber + Infantion = nightmare fuelWhy, he's the two-faced (literally!) Manipulator. Don't ask too many questions, because I don't have any answers...as far as I know, he never appeared anywhere again!! [CORRECTION: As commentator Menshevik noted, the Manipulator DID appear again, in Captain America #242 (1980), yet another fill-in issue where it was revealed that he was a robot (although he didn't know it!) Cap #249 it was revealed that that he was a creation of Machinesmith.]

Anyhoo, they entrap the Beast, and trick him into looking inside the MacGuffin box, and...

Dude, you NEVER open the box!!
Straight trippingWhich leads, of course, to the famous panel I teased last month:

Worth repeatingWell, the dons are impressed by the ability to brainwash crime fighters, so they promptly hand over $10 million (in a check!!)...but it won't turn out well!!

Uh...paper trail, dudes!!Why would he betray them??

One issue of the condorOf course, the CIA...you've got to remember, kids, in 1978 we thought the CIA was responsible for every bad thing ever...and it's all a 28-year-old set-up for the Civil War:

Yeah, like when Norman Osborn takes over the government!Surprisingly enough, it turns out that this has all been a very beneficial experience for Hank McCoy, as he recovers from the dancing and stream-of-consciousness poetry...

Finish the song, dammit!!...and feels better than 10 years of psychotherapy!!

Much better than when Xavier brainwashes me!!So it's all's well that ends well?? What about our CIA operatives? Well, they're about to experience a little bit of CHEAP IRONY THEATER:

Ta wubba huh???O......K.....And so endeth a fill-in issue. No real ties to current continuity, which also means that it would never be followed up on in the future, so we'll just have to wonder to ourselves about the Manipulator's two-faces and odd-ass costume.

But it also shows that, in the right hands, a fill-in issue could be so much more...weird and funky and fun, focusing on heroes who might not be getting enough spotlight, and ideas that are just...weird.

ELSEWHERE IN THE MARVEL UNIVERSE:

It was all-dinosaurs, all the time. First we lead off with the end of an era: the final issue of Devil Dinosaur!!

Cover inked by John Byrne!!Don't worry, though, as Devil (and Moon Boy!!) would get a guest-starring role in this fella's comic in a few months:

Yes, Dum Dum Dugan was in charge of catching Godzilla. Really.Ah, Doug Moench and Herb Trimpe, what a delightfully silly series. In this issue, Dum Dum Dugan uses Pym particles to shrink Godzilla down to manageable size...so they can take him back to New York City for study!!! SPOILER ALERT: That wasn't a good idea...

And finally, we have (also by Moench and Trimpe!!) Shogun Warriors #11--featuring giant Japanese toy-based robots beating up multi-headed giant lizard-thingies.

Truly, a golden ageMan, when I was 14, the Marvel Universe was the coolest place EVER!!!