The
Quarter Bin is often terribly educational, enlightening us to
forgotten bits of comic book history. For example:
The top brass at the secret headquarters of
PI (
Police International) or a bit depressed, because they're not keeping up with the vast amount of crime out there:
What?!?
It turns out, he wasn't kidding:
Yes, welcome to the
oddest period in
Mickey Mouse's long history:
New art and new adventures, indeed!
For a brief time in
1966, Mickey and
Goofy became secret agents, working for an
U.N.C.L.E.-like organization, fighting crime and taking down spies.
First, they get blind-folded and taken to the top secret HQ...
...and they're given a job as crack agents!!
And they're given combat training, and gadgets, and the whole
James Bond shtick!
Now, as you look at this artwork, your brain is probably
screaming at you how wrong this all is...
All of the art is by
Dan Spiegle--the figures, the backgrounds, everything--
except Mickey and Goofy, who are drawn by
Paul Murry.
I can't tell which came first--Spiegle drew the panel, leaving room for Mickey and Goofy, who were added in later, or vice versa--but it clearly creates some occasional
problems with perspective and composition:
There's also the
theory of the "uncanny valley," which posits that when something that looks close to, but not quite, human--like a robot, or computer animation--people brains start to scream at them there is something wrong, creating an odd feeling of revulsion and eeriness (
Polar Express, I am looking at you!!).
For me, at least, something similar seems to be going on here. The juxtaposition of the "
realistic" people and the funny animals--particularly in a realistic environment--is causing my mind to do somersaults to process what's going on. Or maybe it's just me...
Also, these were
not funny animal stories. These were straight spy stories--in the heightened reality of James Bond, to be sure, but with one foot firmly planted in the "
real" world. No other talking animals, no cartoon world physics, no getting hit on the head with an anvil and surviving. Heck, in a kiddie comic, we even had "real" humans chasing Mickey, firing
real bullets at him!
Odd,
odd stuff!
This apparent attempt to cash in on the secret agent craze of the mid-60s continued for a couple of more issues...
...but after the third issue, it was back to standard
Disney funny animal hijinks...
...and the attempts to put Mick and the Goofster into the "real" world with "real" art were soon forgotten.
Forgotten until the
Quarter Bin coughed up this little piece of history, that is!!