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Showing posts with label 70s. Show all posts
Showing posts with label 70s. Show all posts

Thursday, May 17, 2018

Have I Mentioned That 1970s Spider-Man Was The Best Spider-Man?

Why was 1970s Spider-Man the best Spider-Man?

Two words: Ross Andru.



OK, three more words: "and Mike Esposito," as he was almost always Andru's inker on Amazing.

This is in no way to throw shade at any other Spider artist, before or after. But Ross Andru was the guy drawing Spider-Man when I started reading it, and to my eyes he will always be *the* Spider-Man artist. His creative page & panel layouts, his ability to capture how ridiculously fast and inhuman Spidey's movements must have looked...

Yeah, yeah, nostalgia and all that. I cop to it.

But for, Ross Andru is a big reason that 1970s Spider-Man was the best Spider-Man.

From Amazing Spider-Man #153 (1976)

Sunday, June 18, 2017

Clark Kent--Not As Popular As John Travolta!!

Do you know why 1970s Superman was the best Superman?

Because of this:

Clark Kent's fan club (!!) has shanghaied him to a nearby disco...



Sorry...part of that panel was cut out...perils of the Quarter Bin!

Clark is going to judge a disco dancing contest!!

But of course...

...an employee from a rival disco (!!!) has planted a bomb!!

And, now that he's stuck judging this contest, he can't stop the bomb!!


Well, there is only one solution:



And now, the greatest moment in comic book history:

O. M. G.

Well, you'd think that such a stunt might imperil his secret identity...or at least his meek and mild-mannered image:

Fortunately, fame is fleeting...



But Clark still has one fan:

Awww....

From Superman Family #196 (1979)

Sunday, November 20, 2016

Riverdale High Finds Inner Peace!

Strange things are afoot at Riverdale High...




Oh, Archie Comics, it's another wry jab at a pop-culture phenomena that you really don't understand, isn't it?






I'm pretty sure that this is exactly the opposite of what gurus suggest you do to find inner peace...

Oh, not you, too, Jughead?!?





So, at Riverdale, rather than shedding all wants from the physical world, completely giving in to them is the way to attain a blissful trance.

Which explains a lot about how the Baby Boomer screwed up the world...

From Betty and Veronica #221 (1974)

Tuesday, November 1, 2016

The Radically Chic Hulk!!

The late 1960s/early 1970s were pretty crazy for the way politics and culture swirled around each other, and of course, comics books picked up on that, too.

At one point, Leonard Bernstein hosted a high-society soiree and fund-raiser for the Black Panthers. "New Journalism" writer Tom Wolfe was there, and wrote a fairly scathing piece on it for New York magazine titled "These Radical Chic Evenings," critiquing and satirizing the social elite for using support for radical causes as a means of gathering social cachet and notoriety.

And Roy Thomas read it.

This New York Times article notes a letter in the New York Public Library's Tom Wolf Archive:
A writer from Marvel Comics wrote to ask whether Mr. Wolfe would be interested in collaborating on a comic book about “a fictitious bunch of ‘Radical Chic’ social leaders who align themselves with a militant (nonblack) group which turns out to be bent on world domination.”
Man, I'd love to read that letter. Anyone have a NYPL card? I would have also have loved to have seen the original concept, with New York's social elite getting duped into supporting A.I.M. or Hydra or The Secret Empire or some such.

But whatever the original idea and subsequent discussion were, this comic was the result:

Yeah, it doesn't look particularly "radical chic."

But then there's this credit:

In the story, the Hulk has come to New York, and he's sleeping on the Statue of Liberty!! No one wants to drive him away, as they're afraid that the Hulk would damage the icon in any tussle.

Ah, but don't underestimate the abilities of New York's Cafe Society!




Well, it's not working, until their lovely daughter Samantha sweet-talks the Jade Giant:

And so...


The party is ON!!

That blonde guy center background? That's Tom Wolfe!!

And the party is everything you could hope for!



(We'll talk about Tom Wolfe's other Marvel cameo later today...)


I ran this page the other day, but here it is in context...

But the whole purpose of a fund-raiser is to raise funds, so...





Ungrateful cad!!

Any, at this point the Enchantress transforms Samantha into the Valkyrie, who attacks the Hulk for taking attention/money away from her cause (women's' liberation). You can read about that fight here.

And as the damage piles up in the swanky residence:

Tom Wolfe via Roy Thomas...sticking it to The Man!! Who said comics were just for kids?!?!

From Incredible Hulk #142 (1971)