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Showing posts with label dan o'bannon. Show all posts
Showing posts with label dan o'bannon. Show all posts

Saturday, December 31, 2011

Wrapping Things Up: The Return of the Living Dead

Please don't hate me, Internet!  1985's The Return of the Living Dead is considered a cult classic by just about everyone.  I'm not here to dispute that.  I am, however, going to talk about it since I've already covered the subsequent four films.  I'm all about being a completionist, after all.  If you don't know about the series, here's the gist of it: gas makes zombies and jokes ensue.  There's more to the story to that, but I think it's a pretty good summary.  It's an interesting mix of reality and fantasy, as it implies that Night of the Living Dead was based on real events.  So much for a crossover between them.  Mind you, Halloween is shown as a film in Halloween III, so I guess anything goes.  The point is that this series takes its own path, although it does go into silly territory by the fourth and fifth films, just like Romero's series (Land of the Dead, Diary of the Dead).  In Dan O'Bannon's hands, the film manages to work in a lot of ways that it shouldn't.  To find out more, read on...
The gas that can reanimate the dead gets free thanks to one guy being an idiot and slapping the canister.  It's the end of the world as we know it and...it's all due to you being a moron.
If a naked, yellow man ever runs at me, that's probably the face that I'll make.  Yowza!
Tar Man is here, making his first appearance.  Look at that- he actually is kind of important here.  Who would have guessed?
Linea Quigley brings a certain thing to this movie.  If only I could point them out...without stars everywhere.
Oddly, being exposed to the gas in the beginning slowly kills the two men and turns them into zombies.  I don't follow that science one bit...but I'm probably not supposed to.
Another key aspect of this zombie film that's different- zombies talk.  They seem pretty talkative actually.  Yes, they do say 'brains' a lot, but they also have a pretty big vocabulary.
My favorite scene- the Coroner being chased by a leg-less zombie, played here by a midget.  That's random...and I love it!  Why doesn't this 'guy' get more screen-time?
The remaining cast manage to get back to one of the film's four locations- budget limitations galore!- and all seems well.  I'm sure that they'll be just...
...dead.  On the plus side, they won't come back as zombies...right?  The End.
You're still the undead one.  The plot of this movie is fun, fresh and frenetic.  Alliterations aside, the movie makes the most of its silly premise.  They strain things a bit early on when they get into details about how the film is different from reality, but the story hits its stride soon enough.  I don't quite get why they were trying to be so precise about a fictitious narrative and a made-up story within the movie.  When the movie really gets going, the site gags and gore are top-notch.  As anyone who's read any of my writing before knows, I' m all about practical effects.  You may also know that I'm a major stickler for details and can't spot wires from a mile away.  I didn't really notice any major gaffes or effects mishaps here, so kudos to the filmmakers there.  The acting is quite good here, although it leans more towards comedy for certain characters.  Broad stereotypes aside, I loved the characters who were very 'matter of fact' like John Gulager's Owner and the Coroner.  They're like 'Well, zombies are trying to kill us- what do we do now?'  I'd like to think that I'd be 'that guy' in a zombie apocalypse, but I'd probably be the guy who locks his friends outside.  Sorry, theoretical people.  The bottom line: this movie is a classic.  It may not appeal to everyone with its silly comedy, but I liked it most out of the whole series.  For the record though, I still don't hate Part II- sue me!  Take us away, ironic lying...
Next up, the year-end review of a British Horror film.  Oddly, it's set around Christmas, despite the title.  Stay tuned...

Friday, June 5, 2009

I Drink Your Blood: Lifeforce *UPDATED*

I don't know what to say about this movie. Is it a horror film? Is it a science-fiction film? Is it a suspenseful character study? Is it a floor wax? Okay, it definitely is not the last one. This film is definitely a product of its times and is very unique. What other film has naked Space Vampires?  If you can name another film...I really need to see it. In the meantime, here is this...
The film begins in outer space, leading us towards the sci-fi conclusion. A group of astronauts are on a mission when Haley's Comet flies by. They detect something in its tail and, naturally, go to investigate it. A trio of them float onto the giant freaky ship, but don't suspect anything. They discover a trio of naked people (one of them female) in tubes. This gives us the first disparagement of the film: the lady is shown in full-frame, but the men are covered. Not that I want to see that or anything, but it still feels weird. Some freaky stuff happens and all communication is lost.

After a bit of chaos, the pod from the spaceship crashes in the ocean, leaving only one living man. The rest of the bodies, save for the trio of naked people, are gone. The government has a lot of questions, but the astronaut has few answers. I thought we already knew that we could not trust astronauts! Shortly thereafter, the woman awakens and escapes the building, leaving some plastic bodies in her wake. This happens a lot & we quickly learn that the mysterious beings suck the life energy out of people. Life energy- if only I had a better way to say that. The men awaken as well, but prove to be 'killable' with enough bullets (roughly 1,000). Movie over?

No, it seems that the woman is hard to track down. I repeat- the naked space vampire lady is hard to track down. She proves to be more powerful than the men and able to transfer her consciousness into other people. Only one man can find her: crazy Astronaut man! He has some weird psychic connection to her, due to their previous interaction, and can feel her. I guess he's part Highlander. They track her down to a psychiatric facility run by Captain Picard and think that she is in a fat guy. Astronaut Jones sees through this facade and takes 'Picard' with them. Unfortunately, he explodes in a giant splash of blood. No, really.

The whole thing builds to a really strange climax. Naked space vampire lady causes lots of lights to flash in the skies around London. Our hero/crazy man tracks her down and, um, tries to negotiate. Yeah, it's sex.  A lot of blue lights go off and, um, something happens. They never really bother to explain what. We know that both people are gone and the threat is over. Um yea? The End.

This movie is definitely a guilty pleasure. You get flash effects, exploding corpses and a naked lady. Did I mention her yet? Okay, good. Oddly, this film is directed by Tobe Hooper, the man behind The Texas Chainsaw Massacre and Body Bags. Even if you view him as the guy who made Poltergeist, this still seems weird. Maybe the similarity between just how many blue lights and smoke he creates is all we can hope for. If you can accept all the silly effects and nudity, you just might have a good time.
Let's keep the vampire theme going with...a woman lusting after a pre-teen? Stay tuned...