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Showing posts with label werner herzog. Show all posts
Showing posts with label werner herzog. Show all posts

Monday, February 3, 2020

Prestige Streaming Standard: The Mandalorian- Part 1

After all of the Episodes are now available to watch, I thought I'd try out Disney Plus and see what all the fuss was about.

Does it redeem Kathleen Kennedy in the eyes of the Internet?  Let's see...
In the wake of the fall of the Empire (following Return of the Jedi), Space is pretty lawless.  That leaves a nice opening for the titular Mandalorian, who is a Bounty Hunter.
He's hired by a mysterious Client with ties to the fallen Empire (shown by his use of Stormtroopers, albeit in beat up armor) for a big-time job.

How weird is it that the man who was once made Even Dwarves Started Small is now part of this?
It's clearly not a SPOILER at this point to reveal that his bounty was in fact the famous 'Baby Yoda.'
Yes, it is not Yoda as a baby.
Yes, it is 50 years old (not all life ages at the same rate).
Yes, it is just another of his race.

I know it.  You know it.  Your Grandma on Facebook doesn't know it, but it's also not my job to tell her.
Will the Hunter have a change of heart?  Will he fall for this little thing like everyone (including my Boss)?
Can he be more than just a Bounty Hunter?  Will he become a Hero?  Will I mention that Gina Carano is now technically in a Marvel Film, a Star Wars property and The Fast & The Furious?

Well, obviously yes to one of those.  To find out the rest, watch the Show('s first half)…
A good, solid adventure to be had.  It can't be a secret that I'm into Star Wars.  I'm White, over 30 and write about Films on the Internet- of course I am!  I'm also a bit underwhelmed by the more recent fare.  I'm not all 'Kathleen Kennedy must be hung in the Streets' like some people- just disappointed.  Thankfully, this Show (at least so far) is not disappointing.  It has been presented with MASSIVE praise over the last few Months.  In my mind, it was doomed to fail.  It 'can't be as good as people say.'  Well, it is not the greatest thing since the Baconator or Cherry M&Ms, but it is quite good.  Pedro Pascal manages to act well without showing his face.  All of the Actors do a nice job.  The Casting is so all over the place- including the Directors of Iron Man, Jojo Rabbit and Grizzly Man in this-, but it definitely works.  Yes, Baby Yoda is adorable.  What really impressed me was the subtle shift in the fourth Episode.  Now free of the main Plot (for a moment), I was curious to see what they could do.  As it turns out, quite alot.  Yes, it is just a version of Seven Samurai.  Even so, it was a nice diversion and it made me optimistic for what was to come.  Here's to keeping the quality up for the remainder and showing bits of Star Wars in a new, refreshing light...
A strong showing.  I'm curious to see if it can build a solid conclusion to this Arc and keep up the quality.

Thursday, March 7, 2019

3,900th Post Celebration: Hard to Be A God (1989)

Another 100 Posts already?!?  This time, let me do something a little different and cover a Film that was already done- sort of.  Back in 2016, I had Bob do the 2012 Film Hard to Be A God, because it looked bleak, long and pretentious.  It was all 3 things.  In one of the Comments, someone told me to check out the original Version.  I didn't know that there was such a thing!  Here we are in 2019 and I finally did it.  I was tempted to just give it to Bob again- I won't lie.  Instead, I watched it with him, giving us the mixed experience to compare.  Should he find that he has more to say after I'm done, he'll post some sort of compare-contrast piece.  The big difference here is the Language.  This one was made before 'The Wall' came down, so it is all in German- just still made by Russians.  Will a USSR Version be vastly-different?  So what is the Story?  Unlike that Remake, this one is easy to decipher.  Shocking twist- they explain everything!  Aliens are monitoring a Planet that is behind them technologically/sociologically to see more in themselves.  One of them goes down and gets too close.  Will he break the Prime Directive?  To find out, read on...
A man rides into a Village in a strange land after reports of weird lights and dragons.  His identity is called into question, but he's still allowed to see a Prisoner.
Said Prisoner is...Werner Herzog?!?  What in the what now?!?

Anyhow, he talks about how he refuses to 'observe' them and the pair talk about conspicuous stuff like 'trackers' and 'chips.'
In the very next Scene, said Prisoner is abruptly-killed (bye, Werner!) and we learn that something is clearly up with our Lead as we see...
So now the truth comes out- he's an Alien observing the Society come to find his (now dead) friend.

He decides to stay and take up the guy's work, since dead and all.
His goal- find proof that the Society will advance by way of a thinker (e.c. Aristotle).  All the while, he's being observed, so they can double-down on the Theme.
He's looking for a particular man, which is good.  You see, every other one he finds- like a man who invented a printing press or a man who made a telescope- are being killed after he meets them.
The bleak Film gets a little more fun with the arrival of a big, brutish Baron.  He was the only levity in the Remake, but he has a little less work to do here.
After things seem too bad and our Hero finally tires of his relative-non-interference, he just says 'screw it' and goes into Action-Mode.

He might as well play a Deus Ex Machina since they already think that he's a Deus.
He does his best to save everyone left by just straight-up using his technology.  His Deus Ex Machina is broken up by...another Deus Ex Machina as the others show up, knock him out and leave with him.  The End.
A bleak Film that has its moments of good storytelling and creativity.  Let's be clear- this Film is not exactly all that uplifting.  Our Hero watches everyone around him die and he can do nothing about it.  He only has one 'victory' to speak of- saving the guy he was after.  Yes, it appears that the Society might change on its own, but it's not clear.  Other than those victories, he struggles to maintain his status as a passive observer.  The conflict is an interesting one and the Film benefits from its maximizing of this idea.  We see him observing.  We see people observing through him.  We see people observing the World separate of him.  Hell, we later see that someone is observing the people as they observe him!  It's a pretty easy Theme to decipher.  The Film is an interesting contrast of look and feel.  It looks like an '80s Sword and Sandal Film- like Deathstalker, Conan, etc.- but definitely has a different take!  This look and style makes the Film more accessible, I think, than, say, stark black and white must.  It's still a weird, preachy Film in either color scale.  If you like the deeper stuff and want something weird, check this out.  Another up it has on the Remake- only doing shots like this once or twice (and for good effect)…
That sure was worth the wait, no?  Here's to whatever weird thing I'll dig up for the 4,000th Post!

Sunday, July 5, 2015

Al's Birthday Celebration: Even Dwarfs Started Small

My goodness.

It's Al's birthday again, and once again I am filled with regret at permitting him to survive another year.

Our film on this year's expedition into bizarro land is Werner Herzog's Even Dwarfs Started Small, a strange little film with a cast completely composed of little people about...I'm not quite sure, really.

Okay, so here's what I think the idea is. A group of little people live in an institution. A mysterious "Principal" is away, so they've been breaking the institution rules, and their "Instructor" (also a little person) has taken one of them hostage to try to get the others to stop, unsuccessfully.

That's basically the entire plot of the movie. This isn't so much a story as...I suppose a kind of study in human nature. There really isn't much to recount in terms of story. Rather, it's just a basic sequence of events, not really even much connected, in which the little people play pranks, explore the institution, get into places, break stuff, and engage in massive cruelty to animals (more on that later), and then occasionally run by the building the instructor is in and taunt him while he yells back or bemoans his fate to his prisoner.

That's pretty much the whole film. This is one of the easier ones to do for a birthday review in terms of plot analysis, as there's not a heck of a lot there. In terms of concept, it's a little deeper, if still not nearly so deep as to justify its roughly hour and a half runtime.

So here's the general idea. As the film starts, after a brief scene of one of the little people (known as "Hombre," not that it will ever matter, so I'm not sure why I mentioned it) being interrogated and refusing to tell anything about some past events, we go back to view said past events and see that the Instructor has Pepe, one of the...I guess I can't just say one of the little people, since the Instructor is a little person too, so let's call him one of the students. Not sure if this is a school or prison or mental institution or what, really, but we'll go with school given the other terminology used. He has one of the students tied to a chair and is threatening to hurt him unless the other students stop. The students, though, are quite sure Pepe won't be hurt because the Instructor has no guts, so they go on misbehaving.



Their play starts out reasonably innocent, with them running around and just generally laughing together, then gets a bit racy when they find some...well, not quite porno mags, but close enough. But then it starts getting destructive, cruel, and disturbing, as they start to play pranks on and then actively torment some blind little people that also live at the school, break anything they can get their hands on, recklessly play atop a moving car, and engage in various acts of animal cruelty, including beating piglets with sticks while they try to feed, killing the mother pig, throwing chickens around, holding a cockfight, mock-crucifying a monkey and marching around with him in a parody of a religious rite, and...unless I'm drawing too much implication into things...breaking a camel's front legs and laughing at it when it can't get up.


Okay...I'm going to very briefly compliment one thing here: I do get this film's general concept. Freedom, a lack of restraint, can lead to fulfillment and joy...but also to cruelty and chaos. Freed from the burdens of the rules of their institution (which...honestly...it might have been better to show a little first), the students do whatever they want. At first we're kind of with them, since they just seem to be having fun, but when they start to delve into cruelty, we start to question if we should be rooting for them...or at least happy for them, since it's hard to root for someone in a movie without a plot...after all. The film does very nicely portray that concept, albeit using a runtime at least double what it needs to do so.

But it goes really, really far to do it.




There are multiple scenes of what appears to be legitimate animal cruelty in this film. At the very least, there's cockfighting, and a scene in which the Instructor drags chickens around a room holding them up by their wings, which can't be good for them, and a scene in which a one-legged chicken hobbles away from a chicken that keeps chasing it and pecking at it, helpless to get away. I'm less sure about the pig and the camel, but if someone told me that they actually killed a pig and broke a camel's legs for this film I wouldn't be surprised at all. There's even a scene of a chicken eating a dead chicken's corpse. Even the parts that I'm pretty sure of make me feel sick for having watched it. This is at many points an animal snuff film. I caught several moments where I'm pretty darn sure I watched a chicken die. On camera.




Then of course there's the poor monkey, tied to a cross and clearly terrified out of its mind, struggling to get free. I was half expecting them to chuck the poor monkey underneath the speeding, driverless car still rolling around from an earlier scene by that point. That didn't happen, but it wouldn't have looked out of place.



It is hard to try to judge this film on any kind of artistic level. Look, I get that standards were...lax...in the old days, but come on! There's not just one but several scenes of blatant mistreatment and even deaths of animals--unless I am drastically mistaking what I've seen in this film, and I don't think I am because I'm pretty sure chickens aren't that good at acting dead all of a sudden. I'm busy trying not to be revolted by what I've just watched.


To get back off the subject of horrific maltreatment of animals...the cast is...decent. They don't really have all that much in the way of character--not that it would matter--though each kind of has a standout trait or two (like Hombre, who is constantly laughing, to the extent the poor guy ends up in coughing fits at times), but they get the mood of things appropriately, and that's pretty much all you need in a film like this. I'm not really sure how I feel about the various things the little people themselves are asked to do. Some seem pretty mean-spirited, like a scene in which a lengthy joke is played out about Hombre not being able to jump up on a bed. But...you know, none of them actually died on camera (though from what I understand, that was a near thing for one of the actors, twice!), so they're one up on the animals for this film, at least.




Look, what else do you want me to say? There's not a lot to talk about. This isn't that interesting of a film...it's just scene after scene of "little people get into mischief and/or cruelty" and occasionally an administrator waxing poetic while Pepe laughs (he laughs a lot too), interspersed with the same two musical tracks, over and over--at least not playing constantly like in some films I've watched, but still playing far too often. There's no reason this has to be anywhere near as long as it is. There's no reason it has to spend such a long time focusing on the car circling around, or chickens chasing each other, or blind guys sitting on a dead pig, or basically repeating the same scene over and over with the students taunting the Instructor. You could do this entire concept in half the time. Hell, you could do this entire concept in a quarter of the time. Maybe if there were subplots or actual interesting relationships between the students, or maybe if they actually had moral disagreements about some things, or...some kind of conflict at all, maybe then you could do this for an hour and a half. As it is, it feels like someone turned on videos of their family picnic and trimmed out any discussions that would actually reveal who anyone was, except that their family is demented and likes cockfighting.




Even Dwarfs Started Small is a bizarre, twisted little film. It is far too long for its own good, doesn't have much actual content at all, and includes a variety of scenes that made me feel physically ill. It feels like the predecessor to some Ulli Lommel films I've had the misfortune of watching--just repetitive variants on the same thing, over and over again. It's like someone trying to get your attention, and it starts out with them just being kind of annoying and poking you and saying your name and all, but in this case, next thing you know they've murdered your dog.

What an awful film.

Hey, Hombre--what authorities should we contact about this movie?