[go: up one dir, main page]

Showing posts with label Argento. Show all posts
Showing posts with label Argento. Show all posts

Sunday, July 2, 2023

Shudder Sunday: Dark Glasses (2022)

 I'm a longtime fan of Dario Argento.
I make no apologies for this or his later work.

After a long absence, let's see what his latest work is like...

A young lady is a, ahem, Lady of the Night...but she also takes Clients during the day.

It's an old expression- what can I say?
Unfortunately, there is a stranger killing prostitutes- oh right, that's the other name- in Rome.

Women killed in an Argento Film- shocking, I know.
They target her, leading to a chase on foot and then in a car.

They cause her to crash- killing a nameless duo in the process- and she ends up being rendered blind.
She now has to adjust to her new condition, getting help from Rita- Dario's Daughter Asia- and tries to make amends with the kid who was in the crash.

Of course, the killer is still out there.

To find out what happens next, watch the Film now.
Is this a classic Argento Film?  Mostly no.
It has many of the hallmarks- a great Score (no Goblin though), a mysterious killer, lots of women dying violent deaths, Rome and nepotism.

That said, they made the choice here to not make our Heroine all that proactive.  The typical Giallo formula is, of course, that the common man- be it a jazz pianist, writer, tourist or blind MAN- has to solve the murders because they are a target.

In this Film, she is a target...but she mostly just is scared of the idea of the killer and they have to do all of the work.  To be fair, she wasn't exactly a Cop or anything before and she did have her life pretty much torn asunder- between the guilt, loss of lifestyle and disability- quite recently.

That said, she- is this a SPOILER really- does take a bit of a stand eventually, so you can forgive the fright and screaming.  FYI she screams a lot!  Be prepared.

In summary, Dark Glasses is a bit different than a usual Argento Film.  Mind you, he was 82 years old when this was made and he's been making Films off and on since 1970, so...he's allowed to, right?

A different kind of Argento Film- to a point.  That said, it still has his trademarks and is actually still good.

Tuesday, April 27, 2021

Quick Review: Suspiria (2018)

 After a long wait, I finally decided to see if you can do Dario Argento proud with a Remake.  Let's not dance around the issue...

In 1977, a young woman (Dakota Johnson) goes to a Ballet School in East Germany...during a conflict.  I guess there were no good ones in Syria or Palestine...

Sadly, this Version doesn't do what Dario wanted- to make the Characters under 18 for the full Fairy Tale Horror Vibe.

Instead, dank realism...and also Witches.
She finds herself loved by the Head Teacher- Tilda Swinton- and put in line to be the Lead in the next Show.

What's the catch?
Well, the Teachers are actually a Coven.  They didn't take kindly to the last girl that left- a wasted Chloe Grace Moretz) and don't take kindly to the next girl, especially when she calls them out as Witches.

Her fate is...painful.
Can an old man- also Tilda Swinton- find out the secret and help out?

Did this need to be her?
Did they need to pretend for like a year that it wasn't?
Will our Heroine find out the truth and save the day?  Will her best friend be doomed before then?
Will the finale be all about dancing or all about blood?

To find out, stream or watch the Film how you please.
A long, drawn-out Film that really wanted to be something more.  Suspiria's story is, at its heart, a Fairy Tale Horror with Witches and Ballet.  Naturally, someone saw that and said 'Let's make it set during an East German Military Conflict!'  Let's also drag every Scene out too.  The Film is over 2 hours, running about 2 hours and 35 minutes.  Yeah, you can cut alot of that.  The original Film comes in at just under 100 minutes- just for comparison.  The original is notable for its bright, garish colors designed to be a kind of augmented, surreal reality.  This Film is...dull as dish water- an intentional choice.  The original Film opens with this big Scene involving a Student trying to escape and being killed in a big, flashy way.  The 2018 Version begins with a girl going to talk to a Therapist about what happened and freaking out when she sees a book.  Right...not quite the same.  The best description I can give of this new Version is that it feels like it was Directed by a mix of Wes Anderson and Sam Raimi.  It sure thinks that it has alot to say.  I just wish it was interesting while it was trying to say it.  The sudden, dramatic gore moments feel strange here.  A big appeal of the Remake was to get 'better dancing' than the original.  That's certainly up to interpretation (as it is literally Interpretive Dance), but it just makes the Movie feel less like Suspiria and more like Staying Alive...

A well-intentioned, but uninteresting Film.  It's not fun to watch and is very bipolar to boot.

Wednesday, December 9, 2020

A Tribute to the Underrated Work of Daria Nicolodi

 2020 is a Year so rife with Bad News that you can still miss stuff!

For instance, back on November 26th, we lost a legend of Italian Cinema- Ms. Daria Nicolodi.

It is easy to see her for one thing, so let's address that first...

Depending on who you ask and when, she was either Married to Dario Argento or they were just a couple for a long time.

They are Italian, so it could be either.

That means that she was Asia Argento's Mother.

-------

There's more to her than that.  
She was also a pretty notable Writer...

While she only has 4 separate Credits (plus one for a Remake), the Films are

* The Black Cat
* Inferno
* Paganini Horror
* Suspiria

That's a good Resume!

------

On top of that, she has many, many Acting Credits in notable Films.
Many of them are in Argento Films, but there's more to it than that.

She appeared in Films by Mario Bava, Lamberto Bava, Michele Soavi and Luigi Cozzi.

One of the latter Credits is as the Narrator in Sinbad of the Seven Seas, so that's something fun for me!

***

For her integral role in so many Classic Films, she'll be missed by all of us out there that never even met her.

RIP Daria Nicolodi

Thursday, November 26, 2020

Top 10 Movies I'm Thankful For (and the Reasons Why)

 Instead of doing a bad Horror Film with a killer Turkey or something to do with Evil Indigenous People, let me try something different.

Here's a random sampling of Films from various times and places that I'm thankful for.

I have my reasons.
Here's why...

#10: The Thing (1982).

Why: It introduced me to Body Horror. 

While it certainly didn't invent the idea, John Carpenter's all-time Classic is one of the go-tos for this kind of thing.  Alongside The Fly (which I didn't see until later), the Film makes you see people...and then see them turned into something freaky.

The Film has aged like fine wine and its freaky on-screen horrors can still traumatize people today.

#9: UHF

Why: It showed me how crazy and creative you can be.

'Weird' Al's Cult Classic is a strange Film to sell- no question.  A listless, but creative man inherits a TV Station and inspires a Town.  Wheel of Fish!  The Movie has many great Film Parodies mixed in as Dream Sequences like that make the Film great.  I got to see it again in a Theater (for the first time) before all this insanity and I love it all the more.

#8. Batman (1966).

Why: It showed me what a 'Camp Film' was.

As a kid, I saw the original Batman Film with Adam West and Burt Ward.  I enjoyed the insanity of it all, from the bright outfits to the silly Acting to the whole kitschy presentation.  Watching again when I was older, I got to see it more for what it was.  Was it silly?  Yes.  Was it dated?  Yes.  Do I love it in spite of AND because of this?  Yes.

#7. Batman (1989)

Why: It showed me what a dark, nuanced Superhero Film could be.

So different and yet so much in common!  It is a study in contrast.  As a kid, I saw the Michael Keaton Batman Film and was amazed.  I obviously get more out of it watching it *now* than back then.  

Even so, I can remember seeing that Film for the first time and being blown away.  It made seeing the above Film feel all the more special, oddly enough.

#6. Deep Red/Profondo Rosso (1975)

Why: Introducing me properly to Italian Thrillers/Horror.

I don't show nearly enough love to Dario Argento on this site, I think.  Before I was blogging even here, I discovered his work.  Deep Red was the first and it is just so damn good.  It introduced me to Giallo, which is essentially Italian Pulp Thrillers (hence the name, which means 'yellow', that represents the cheap, yellowing paper of the Books).  The Maestro has many more Films, but this one started it all for me.

As a bonus, he frames a shot to match the famous 'Nighthawks' Painting.  Who does that?!?

#5. Cannibal Holocaust (1982).

Why: It's so daring and ahead of its time.

For the record, I've only seen it 3x.  Yes, that is 3x more than alot of people.  CH is not a Film that I would just sit down and watch.  It's intense.  It looks real.  It is graphic.  It is shocking.  The Film straight-up invented the Tropes that others would profit from following The Blair Witch Project.  The Film was seen as so real that actual Murder Charges were brought against its Director.  On top of that, it is a violent, anti-violence Film (e.c. Straw Dogs) that has a relevant feel over 20+ years later.

Just don't watch it while you're eating or around children, sicko.

#4. Sinbad of the Seven Seas (1989)

Why: It introduced me to the work of Luigi Cozzi.

I used to be able to hang out with my friends on the weekend back in the day and go rent Movies from places like Blockbuster or Hollywood Video.  We saw alot of crap like that.  Eventually, good (or at least crazy) Films snuck in.  This was one of them.

The Film features Lou Ferrigno as a muscle-bound hero and John Steiner as the evil Jafar.  During his adventures, Lou charms snakes into letting him tie them into a rope to escape.  He fights a swamp-based monster that shoots lasers.  He fights skeletons.  Throughout the whole thing, he always loses his sword, since he evidently couldn't sword-fight as well as he could flex.

This Film is fun (and I still own it) and it led me to other ones by Cozzi like Contamination, Hercules and, of course, Starcrash.  I own all of them too. 

#3. Battlefield Baseball (2003).

Why: It led me to seek out lots of Japanese craziness.

In that same period of time, we started to see some Foreign Films get mixed in with stuff like Shakedown or The Breed.  BB was one and I loved it.  The premise- a Baseball Team competes on the High School level and straight up kills their opponents to win.  They can do this since they bring a Ref to call it all legal- of course!

Based on a Manga, the Film isn't unique in this level of insanity.  Without seeing this, who knows if I would have seen so much like it in the ensuing years, be it Vampire Girl vs. Frankenstein Girl, Stacy or Nezulla: The Rat Monster.  Thanks!


#2. Captain America: The First Avenger.

Why: It finally gave us a good Captain America Film.

As a kid, the only Captain America options I had to see on Film/TV weren't great.  The original Reb Brown ones are really embarrassing and stiff.  The 1990 Film with J.D. Salinger's Grandson as the Lead was cheap and kind of awful.  I was big into Comics during this time and it really disappointed me to see it not realized.  

Thankfully, the MCU finally delivered on a (relative) lifetime of disappointing Films about my favorite Hero.  

#1: The Abominable Dr. Phibes (1972).

Why: It defined the absurd and surreal for me.

It's no secret that I love this Movie.  It is pure insanity.  A Triple-Doctorate thought dead uses his knowledge to ritually kill 9 Doctors- and a Nurse- to get revenge.  He speaks through a wire plugged into his neck.  He has a clockwork band.  He's gleefully nuts.

All Films that try to be so crazy that you must love them are compared to this one- period!


What Films are you thankful for?

Wednesday, June 5, 2019

Impossibly-Cool Cover Art: The Bird with the Crystal Plumage

I don't talk about Dario Argento enough.

To that end, here's a famous Poster for the American release of his first Giallo and break-out Film...
Damn!

That's intense.  That's visceral.

That's...'Remember 'Psycho?''  Really?

Stop making us look silly, 50 year old Film Poster!

Here's the original...
The colors obviously-faded over the years, so I like to think that I restored its glory.  I also added color in the obvious spot.  I make no apologies.

Wednesday, March 14, 2018

Poor Bastards of Cinema: Phenomena (Part 2)

Another poor victim in a Film full of them.  These one are especially worthy of note though.

While in Switzerland, our Heroine wants to call her Dad for help, you know, on account of all the murders.  He's unavailable, but someone will be there eventually.
So after being chased by the killer, facing all sorts of crazy stuff and escaping the killer- twice!-, she makes it to shore nearby.

Who's in that Car ahead?
It's Morris- her Dad's friend.  Finally, a happy ending after all of this...
Yeah, I saw that coming.
The bottom line: he went out of his way to try and help a young girl.  His reward- a comically-abrupt decapitation from Argento's ex-lover.

The moral: don't help Jennifer Connelly.  She knows what happens when you try.

Next time, some kills from Gang Wars/Devil's Express.  It is 1/3 random killing, so I'm good.

Saturday, March 10, 2018

Poor Bastards of Cinema: Phenomena (Part 1)

Dario Argento is one of my favorite Directors.  Phenomena is one of my favorite Films of his.  So how did I not do these?

In the Film's Opening, a Tourist Girl is left behind by her Bus and wanders around the Alps.  Just like Goldilocks- no doubt an inspiration- she wanders into a House for help.
She gets attacked by an unseen killer- for once not using Dario's hands- and runs away.
She's stabbed by scissors- the second most famous use of those in Horror- and her face smashes into some glass.  It doesn't break nicely either- ouch!
So who is the Actress playing this basically-unnamed girl who is violently-killed to start the Film?
Why does that last name seem so familiar?  Oh right- her Father.
Damn- this girl learned the hard way not to break and enter!

The lesson: don't be related to a Horror Director and/or get lost in the Alps.

Next time, Argento evens things out with a dead guy.  This one also layers on the pathos...

Friday, July 3, 2015

Rare Flix: The Wax Mask (1997)

Oh what could have been.  Today's Film is The Wax Mask, a 1997 Film that was nearly much more memorable.  In 1996, plans were made for the two biggest living Italian Horror Directors to work together- Dario Argento and Lucio Fulci.  An earlier attempt at this- with Argento and Mario Bava- gave us Inferno, so fans were optimistic.  
I actually got to see this intrigue, thanks to a Clip featured as an Extra on Cat in the Brain- which was better than the Film, really.  

Sadly, reality came calling in a bleak way and Fulci died in the same year, mere weeks before Production!  As I've discussed before, Fulci died from not taking his Insulin one night before he went to bed.  Much like Heath Ledger's tragic death, you can interpret it as an accident or suicide.  I can't speak to it either way.  

With everything ready to go, Argento stayed on to Produce the Film and a first-time Director stepped up.  It was another 7 years before he stepped up again, so make of that what you will.  

The Story is loosely-based on a French Tale, while also being similar to a series of Films like House of Wax.  Being related to Argento, this one gets a little bit crazy and unexpected.  The only Print I could find easily was Dubbed (boo), had burned in Swedish Subtitles and was a bit out-of-sync with the Audio.  (UPDATE: Far better versions exist now in 2022).  Even so, let me tell you all about it...
In the early 1900s, a crazed killer takes out a girl's father and leaves a grizzly crime scene.  He isn't caught.
Over a Decade later, this man dies of fright in a Wax Museum the day before our heroine- the girl who survived the beginning- goes to work there.
The mysterious killer is on another spree, first killing this kid after injecting him with some liquid...
A Reporter starts covering the Museum after the death and ends up working with our heroine and trying to be more than friends.

Gotta love Burned-In Subtitles, right?
He later captures a Hooker and she wakes up in a Lab.  He poses her in this metal rigging and then does some strange science to turn her into living Wax (I think)!  

He puts fake eyes over her own moving ones and she joins the Museum!
In a Flashback/Dream, we learn that our heroine was traumatized by a strange man...in a riff on the ending of House of Wax.

This time, he's burned by the Vat he falls into and is pushed there by Italian Charles Buchinsky/Bronson.  Odd.
Both her and the Reporter figure out the secret, but the former is captured and set up for an Exhibit.

Why am I not surprised to see her topless here?
He saves her and the Villain ends up on fire- naturally.  

It doesn't end there, however, as the 'skin' melts away and...
this happens.

I can't explain it (a Terminator?), but there you go.  The End.
That got weird!  To be honest, this one is kind of a glorious mess.  It has some really simple elements- mysterious killer, Wax Museum-, strikes some familiar notes- heroine haunted by trauma-, and then goes off the rails to somehow include a Robot (or two!).  How did...what in the...I don't...yeah, this is odd. 

 I like the Period Design of things and the Effects are pretty damn good.  You at least hope for the latter when a Special Effects Man makes a Film (like Tragic Ceremony).  As a Film full of bizarre spectacle, it certainly delivers!  Mad Science, Murder and Make-Up!  Where it doesn't quite deliver is on giving us a coherent Narrative.  There is enough Story there to follow, but it does that lazy trick of just Exposition Dumping at certain points to skip ahead.  We suddenly see the Dream/Flashback bit and learn the context of it in the very next Scene.  

I can  piece it all together, but not as easily as I should be able to.  Obviously, the stuff at the End is just beyond rational explanation.  Need I say anymore? 

 If you like Italian Horror and haven't seen this curious Film, it is worth a look.  It isn't great, but it is greatly-bizarre!  To give me one hour Terminator comparison, here we go...
Next up, I celebrate July 4th with a Film that fits.  It is all about our Marines...or, rather, one Marine.  Stay tuned...

Friday, May 22, 2015

Buy the DVD!: Suspiria

No Segment is dead!  Sometimes they are just sleeping...for a real long time.

As if you need a reason to own Suspiria (unless you're an Irish know-nothing), here's one.  Look under Languages-Audio Setup...
What is a THX Optimizer?  

Why do I have like 200 DVDs and only one with this?
One part runs a Test Sound through your Speakers to make sure that they are working.  

Nice.
The other part helps you adjust your Color, Sharpness and Filter Settings.  

Sure is helpful.
To be fair, I don't need this to help all that much, but it sure is nice.

It is like Sprinkles on your Ice Cream Cone.  
You don't need them, but...why not take them too?

Tuesday, May 19, 2015

Dario Reborn?: Giallo (2009)

I am curious Giallo.  Today's Film is Giallo, a Title that works on a couple of levels.  If you don't know, Giallo is the name for a Sub-Genre of Films that were very popular in the 60s and 70s.  One of the most famous Directors of this Genre- Dario Argento.  Wouldn't you know it, he Directed this one too!  Why Giallo?  Well, Giallo is the Italian word for 'yellow' (explains the opening pun, huh?) and the old, Pulp Crime Novels that inspired these Films tended to get paper that quickly turned yellow (since it was so cheap).  It is a stretch of the imagination to get there, but I don't question the Italians.  This Genre gave us many great Films and even more great Film Titles (with sub-par Films).  Highlights include The Red Queen Kills Seven Times, Black Belly of the Tarantula, The Killer Must Kill Again and The Night Evelyn Came Out of the Grave.  Good stuff.  For this Film, Giallo takes on its more literal translation as it describes the killer.  It is not the return of That Yellow Bastard- sadly.  The Story involves a yellow-ish Killer in Italy who kidnaps and kills women.  Can a Detective with a dark past and the Sister of the current victim put an end to his crime spree?  I should note that the Film is sadly more famous for a Lawsuit filed by its Star (Adrien Brody) over an alleged pay dispute.  Bummer.  Can I help turn it around?  Probably not, but here's my attempt...
A mysterious maniac is loose in the City and he kidnaps women while driving his Taxi (Van).
After catching and torturing a Japanese Tourist (diversity!), he kidnaps a Model (Elsa Pataky).

Yes, before she was the most mistreated Character in Fast & Furious Franchise (seriously, she is constantly screwed over!), she was in a Dario Argento Film.
The woman's Sister had just come into town and presses the issue of her disappearance.  She ends up meeting...
...this sad, mopey Detective (Brody).  He works alone (since you can do that in Italy, I guess) and is super-obsessed with the case.  He is initially-hesitant of working with the woman and has...
...a sad, dark back-story involving the death of his Mother in front of him and stuff I won't SPOIL.
While the killer is all sorts of crazy, he too has a dark back-story.  In his case, it is being abandoned by a Junkie of a Mother and abused by Nuns.

To add to the parallel structure of this, both roles are played by Brody.
Working about as close to outside the law as you can get, Brody and the Sister find out that the killer is yellow (due to Jaundice) and needs lots of medical treatment.  Who cares about Doctor-Patient Confidentiality after all?
Can the pair rescue the Model and bring the killer to justice?  Sorry- no SPOILERS.  The End.
Not bad at all.  Like most of his recent work, this Argento Film got alot of haters...and don't quite get it.  To be fair, it was weird to see an Argento Film which was more about already knowing the identity of the killer from the get-go.  The Story is different than what he usually does.  Mind you, there is a reason: he didn't Write it.  He apparently had some sort of dispute with the Producers and doesn't like the official Cut of the Film.  Having only seen this one, I have nothing to compare it to...so this one is fine.  Putting that aside, the Story is fine, the Acting is good and the tone is appropriately-dark.  Alot of people seem to attack this one for delving into 'Torture Porn' territory, but I disagree.  It may be closer to that idea than other Argento Films, but it isn't exactly a huge departure.  There is some freaky stuff in other Argento Films, be it the mouth-sewing in Pelts, the Barbed Wire Room in Suspiria or the super-bloody Climax to Tenebrae.  It is not like he made Disney-style Films and is now making dark stuff.  I'll also point out that alot of the really gross stuff is implied and not actually shown.  Overall, I liked the Film.  It isn't so great that I think it will dissuade Argento's haters, but it is good enough for me to defend.  Watch it and decide for yourself.  If my words don't convince you, how about an Audio Version...
Next up, I return to the Sons of Kong set with another White Gorilla movie.  This isn't Stock Footage, so it is already better.  Stay tuned...