DAILY FILM DOSE: A Daily Film Appreciation and Review Blog: Mike Judge
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Showing posts with label Mike Judge. Show all posts
Showing posts with label Mike Judge. Show all posts

Wednesday, 30 December 2009

Extract

Extract (2009) dir. Mike Judge
Starring: Jason Bateman, Mila Kunis, Ben Affleck, Kristin Wiig

*1/2

By Alan Bacchus

Unfortunately ‘Extract’ is a near disaster of a comedy, but such is the nature with comedies – the riskiest of genres. It comes from Mike Judge who has created many of the pop culture benchmarks ‘Beavis & Butthead’, ‘King of the Hill’ and ‘Office Space’. While some individual moments tease us with the sharp deadpan situational comedy from ‘Office Space’, ultimately its very tenuous premise and a near irredeemable main character doom the picture.

Jason Bateman plays Joel, the owner of a bottled soft drink company called Extract. He has a laundry list of problems from his deadbeat employees, to his obnoxious neighbour, to his wife who never sleeps with him. The latter causes him the most distress – symbolized by a funny gag about his wife’s jogging pants which once they’re on, never ever come off. And Joel never seems to come home before those jogging pants come on.

Meanwhile, running around town disrupting the community is Cindy (Mila Kunis) a petty con artist who has latched onto the arm of a former Extract employee on worker’s comp, and who now targets Joel’s company for even more money. Things get complicated when Joel, in lieu of sleeping of his wife, desires to sleep with Cindy. So at the advice of his deadbeat bar buddy, Joel enacts a plan to pay a pool boy to sleep with his wife, thus allowing him to reciprocate and sleep with Cindy without guilt.

There’s about four interesting comedies in that synopsis alone – four different pictures with different tones. And so, Mr. Judge trying to make everything work results in a sloppy mess with inconsistent humour, nefarious characters whom we never really figure out with an aimless and meandering narrative direction which goes nowhere.

If the film were about Joel’s silly plan to get the poolboy to sleep with his wife, there may be movie there – a very black comedy of errors perhaps in the vain of ‘A Fish Called Wanda’. But there’s also elements of Judge’s deadpan tone of social satire, doing for working class factory life what he did for suburban office culture. I’ve worked at a bottling plant before and there’s much humour to be mined from that oddball environment, but it all feels untapped.

The only moments which work is David Koechner’s annoying neighbour character, who pesters Joel in the most inopportune times for a $120 cheque to cover a prix-fixe dinner table reservation Joel never wanted in the first place. Koechner, a great comedic character actor, combines the patheticness of both Judge’s Milton and Lumbergh’s characters from ‘Office Space’.

And other than Ben Affleck, who provides some decent stoner humour, everything else is a wash. But cudos to Judge for giving it a go, because if he needs to make 2 or 3 'Extracts' to make one 'Office Space' it's worth it.

‘Extract’ is available on DVD and Blu-Ray from Walt Disney Studios Home Entertainment

Tuesday, 24 February 2009

OFFICE SPACE


Office Space (1999) dir. Mike Judge
Starring: Ron Livingston, Jennifer Anistan, Gary Cole, David Herman

****

“Office Space” holds a special place in my heart. In 1999 when I saw the film in the theatres I was about the same age as the characters in the film, grew up amidst the same suburban office wasteland and then working in an office environment with all the same idiosyncrasies of Mike Judge’s razor sharp satirized soul-sucking IT company Initech. It's the 10th Anniversary of "Office Space" and despite two other equally funny office satires on television, Mike Judge's film still feels relevant and holds up as one of the great comedies over the last decade.

The opening scene is so simple, something which could have been a sketch bit on Mr. Bean, Peter Gibbons (Ron Livingston) Judge’s 20-something everyman,  driving to work. His frustration is palpable as he struggles against the deadening commuter traffic, inching his way along the highway slower than a crippled elderly man walking on the sidewalk. Peter works for Initech, an unspecific IT company amongst an army of moderately paid and exploited university grads who don’t have the balls to quit or do something positive with their lives. Among them are Michael Bolton (David Herman), a constant complainer who thinks he’s smarter then everyone and Samir (Ajay Naidu) an immigrant who doesn’t get why no one can pronounce his name correctly – Nagheenanajar.

When Peter gets hypnotized by a psychiatrist to be happy at work, he finds himself with a freedom he’s never experienced. He can show up late to work and not care, and without fear he even asks out the hot waitress (Jennifer Aniston) from the local watering hole. But when the smug ball-busting company President Bill Lumbergh (Gary Cole) hires a consultant to locate the layoffs Peter and his pals decide to take revenge and rob the company of millions of dollars in a backdoor financing scam, like ‘Superman 3’.

The film is not particularly cinematic, arguably it's a series of situational and observational sketch gags strung together against a screenplay template. But these gags, characters, situations, and jargon are now part of the modern pop lexison - the super chirpy gal who phrases "a bad case of the Mondays", the ‘flare’ Joanna is loathe to wear at her franchised family restaurant, the “O-Face” which the office fratboy demonstrates to entertain his pals with, Lumbergh’s generic bureaucratic TPS reports, and the symbol of Peter’s repetitive petty annoyance, ‘didn’t you get the memo?’. Though Ron Livingston is the hero, he serves not to convert punchlines but as our entry point into Judge's satirical world of corporate culture. It's the supporting characters who prop up the comedy and steal every scene.

Modern shows like “The Office”, and “How I Met Your Mother” offer a similar male-centric take on the twenty-something yuppie demographic – a rom com about males' relationship with other males. Judge precisely nails this distinct middle class male psyche - men who barely have grown up since childhood, who live vicariously through other people’s lives, and exert career envy and frustration with passive aggressive transference.  Like most dudes, we all have schemes and dreams of grandeur. Like Michael's hip-hip gangsta fetish, Peter’s admiration for his laid back construction worker neighbour, and who could forget the pathetic Tom Symkowski who tries to impress his young colleagues with his ‘jump to conclusions mat’.

Everyone in “Office Space” is pathetic. Mike Judge’s spot-on satire of office life is applicable to anyone’s lives and the frustration, fear, regret and self-loathing we all feel about our own careers. And yes, I have moved from that Initech job from 1999, but I can bring it all back with each viewing of "Office Space".

“Office Space” is available on Blu-Ray from 20th Century Fox Home Entertainment