Andrew Dominik’s small scale crime saga, an uncomplicated story of a heist of a poker game and the hit man hired to track down the perpetrators, exists mostly as an exercise in style. But under Dominic’s superlative vision, the formal beauty of its imagery and his stone cold emotional tone is inseparable from the story. And look out for the best supporting performance of the year that won’t get recognized, James Gandolfini as a prostitute-addicted self-destructive hit man.
Showing posts with label Andrew Dominik. Show all posts
Showing posts with label Andrew Dominik. Show all posts
Thursday, 28 March 2013
Subscribe to:
Comments
(
Atom
)