DAILY FILM DOSE: A Daily Film Appreciation and Review Blog: Dance
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Showing posts with label Dance. Show all posts
Showing posts with label Dance. Show all posts

Friday, 7 January 2011

Only When I Dance

Only When I Dance (2010) dir. Beadie Finzi
Documentary

***

By Alan Bacchus

Beadie Finzi's inspiring documentary charts the journeys of two ballet dancers, both from 'slums' of Rio de Janeiro, where their supreme artistic talents has allowed them to rise up out of poverty and into the competitive world of dance.

Irlan is a teenaged boy who is characterized as the most promising young ballet dancer in the country. Isabella is a spry young girl with immense talent but unfortunately doesn't have the exact type of body world class ballerina posses. Both come from the notorious favelas of Brazil, the same violent place where City of God is set in. Both are also black, which, unfortunately like in many places in the world, means they have to work even harder than everyone else to be noticed.

Finzi takes us on a year long journey where we see Irlan and Isabella receive scholarships to the renowned Centro de Dance Rio, one of the most rigorous and prestigious ballet schools in Brazil, a stepping stone which will take them to New York City where the world's best dance companies recruit their new talent.

It’s heartbreaking to see the anguish on Isabella’s face when she tells us of the pressure to keep her wight down. The poor girl, barely 15 and with a beautiful slim body, but not slim enough for international competition. The emotion is up front and raw and uninhibited. For Irlan, he is a near flawless dancer, and the suspense comes from his parents' struggle to pay for the necessary travel arrangements where his opportunities lay.

The competition is fierce and Beadie rings out as much suspense as she can from the judge's deliberation and eventually dramatic decision announcements. The dancing is superb. I don’t know ballet from Adam but Irlan’s final dance routine in Switzerland, channelling the soul of Nijinsky, the edgy torture Russian dancer controversial for his new style of dance, is truly awesome.

Watching Irlan and Isabella travel the world is also a thrill. Like Irlan trying to catch snow on his tongue in Switzerland, or Isabella mesmerized by the Times Square light show. Seeing the world for the first time through their eyes is as triumphant as their work on the stage. If anything I only wish we saw more of the kids, both on stage and experiencing these new vibrant worlds. At 79mins, there's much room to flesh out some of these tender and intimate moments.

Otherwise, Only When I Dance, should serve as a credible rousing and real world alternative to the manufactured American Idol or other similar TV reality song and dance shows. This is the real deal.

Only When I Dance is available on DVD from Film Movement, the December DVD of the Month Selection. Click HERE for more info.

Saturday, 26 April 2008

HOT DOCS - "Planet Bboy"


Planet B-Boy (2008) dir. Benson Lee
Documentary

***1/2

There are four core elements to the influential art form known as Hip-Hop:  Rap, DJing, Graffiti, and Bboying (aka breakdancing). Since the late 70’s/early 80’s Rap has come to dominate Hip-Hop leaving the other elements behind and out of the pop culture loop. And while Rap has become a huge money making and marketing machine, the dance form of the culture - Bboying - has gone stayed true to its roots.

Benson Lee’s exhilarating documentary reveals to the average layman the explosive worldwide phenomenon of the underground bboying scene and how the passion for this highly expressive form of art unites youth around the world.

At the top Lee gets the housekeeping done first and quickly. In a fast-paced 5 mins sequence Lee quickly summarizes comprehensively the history of bboying from its origins and influences to its status today. Lee then gets down to the real showcase and the focal point of the film - the annual 'Battle of the Year' competition. Every year Germany holds a bboying competition which sees the 18 of baddest international crews battle it out to be the best in the world. 

Lee criss-crosses the globe at breakneck speed to cover four of the most promising crews competing - Korea, Japan, France, U.S. Each of the dancers from the crews become the characters in the film. The more we learn about the backgrounds of the dancers the more Lee reveals their commonality across their different cultures. Whether it’s a Korean teen who continually seeks the approval of his single father, or a 12 year old French boy whose discovers her mother’s latent racism, Lee, in humourous and emotional ways, shows how the passion to dance, compete, and entertain allow them to rise above the poverty, discrimination or domestic problems in their lives.

In addition to these great characters, Lee captures some of the most phenomenal dancing you will ever see – period. The Battle of the Year begins with a choreography round where the crews perform a routine as a group. As each crew takes the stage we get to witness astounding feats of acrobatics, complex leg, arms and body movements and uniquely creative choreography. The final round is the traditional crew vs. crew battle. The two crews that compete in the end go through a series of jaw-dropping one-manships that had the Hot Docs audience shaking their heads in unison. The results best anything seen on "Dancing With the Stars".

So if bboying is so much fun to watch, why hasn't television hasn’t tapped into this. The dance is inherently a freestyle form of expression, and without traditional rules and conventions mainstream media has never been able to find a way to bottle and package this energy. But the dancers wouldn't have it any other way. Bboys continually push their bodies and minds to the limit because there is no rulebook, no manual to learn from, no school to teach it. It’s still a self-taught discipline and an unruly artistic force of nature.

Go and see this film, it’s currently playing in selected cities in the U.S. and in Canada in May.




Tuesday, 29 May 2007

DIRTY DANCING


Dirty Dancing (1987) dir. Emile Ardolino
Starring: Patrick Swayze, Jennifer Grey

***

What better way to help kick off the summer than a trip down memory lane and revisit “Dirty Dancing”. Lions Gate Films and Maple Pictures have released a special edition DVD to commemorate its 20th anniversary. Finally the veil behind the controversial film will be lifted… just kidding, “Dirty Dancing” is still as saccharine as it was 20 years ago, but it’s also still the entertaining formula-driven film that we all grew up with, and holds up today a good ol' slice of forgettable entertainment.

Baby (Jennifer Grey, daughter the dancing legend Joel Grey), and her family, Mom, Dad and big sister, are on their way for summer vacation in the Catskills. It’s the 1960’s and a time before traveling abroad was popular, they instead spend their days at a Mountain resort – like a habited version of the hotel in “The Shining”. The environment is dull and completely uninteresting to the young and disaffected Baby. After a boring old demonstration of the Fox Trot, her eyes become transfixed on the hulking and rebellious figure of Johnny Castle (Patrick Swayze). Johnny is as tough and brooding as his name, but he’s also an expert dancer.

At night Baby is brought into the forbidden staff quarters where she discovers the underground world of ‘dirty dancing’ (imagine the ‘Fight Club’ of 60’s dancing). The sweaty red-lit dancers, their body movements and sexual gyrations turn Baby on, especially when she’s given a personal tutorial by Castle himself. Baby gets roped into dancing with Castle at a show, for which his usual partner, the equally aloof Penny (Cynthia Rhodes) can’t perform due to her unplanned pregnancy. Castle has to train Baby in the ways of competitive dancing in order win the contest. At first they’re at odds with each other because of her lack of skills, but eventually they fall in love. But its forbidden love as Baby's father (Jerry Orbach) obviously disapproves of the relationship.

The affair continues secretly, and as this happens Castle’s confident persona breaks away revealing to Baby a vulnerable and scared man fearful of his own future. Baby turns the tables and teaches Castle the power of personal courage, positive thoughts and standing up for oneself. In the end, all plotlines are wrapped up nicely during the final talent show and the classic “Time of Your Life” finale.

“Dirty Dancing” could have been a traditional musical, but it was made at a time when that genre was completely out of style. And the success of the stage play today is indicative of that. As mentioned the story is formulaic and recycles virtually every musical every made. But the formula works for a reason, especially when the film is cast right. Swayze and Grey compliment each other perfectly. Grey personifies the naïve and innocent awkwardness of Baby, and Swayze has enough rough edges and pussy-cat soft interior to create depth to Castle. The dancing is choreographed and shot perfectly. With the current popularity of celebrity dancing on TV, “Dirty Dancing” would have made even more money today.

Rare for the 80’s, the film was 100% independently financed – through the now-defunct Vestron Pictures. Its success was tremendous, pulling in over $170 million equivalent dollars to today in box office and even more on video. Despite the enormous profit, the company couldn’t repeat the performance with its subsequent films and eventually is folded in 1991.

The popularity of the film has only increased since then. In fact, “Dirty Dancing” was recently named the most popular film among women in a survey by UK Broadcaster Sky Movies.

So kick off the summer with a helping of “No one puts Baby in the corner” and rewatch “Dirty Dancing”. Enjoy.

Buy it here: Dirty Dancing (20th Anniversary Edition)