John Burridge

As part of my Intro to Hieroglyphs class, I've made some flashcards as a memory aid to the uniliteral phonetic hieroglyphs used during the Middle Kingdom period in Egypt.  Between visits to the MET and various books I've picked up over the years, I seem to have about half of them memorized already.  For the ones that I don't know, I've had to make up little stories to remember their sounds.  

𓄡  is a mammal's belly (and tail), and makes the "ch" sound in the German word, "ich;" so I had to come up with the rhyme, "We want a pitcher, not a belly "ich"-er.   Not to be confused with

𓍿 which is a rope hobble, and makes a "tch" sound, like in "itch."  

𓐍 is something Egyptologists debate (is it a loaf of bread or a placenta?), and makes the "ch" sound in the word "loch", so I pretend this is Nessie's (the Loch Ness Monster's) eye.  

𓂝  looks like a Boston valet's arm and hand as they offer to "park the car", and it makes the ayin sound, which is broad "a" sound.

I'm not sure if I have a favorite hieroglyph.  It would be something like 𓀆 (to purify?) or 𓇽 (star) or 𓇱(night?) or  𓇰(storm?)  or 𓆈 (a gecko) or 𓆣 (scarab; to manifest ,to become)

I'll have to make flashcards for bilateral and trilateral signs next.

Here's a picture of a scarab that is a charm on my Grandmother's travel bracelet.  I'm pretty sure she got it when she went to Egypt in the mid 1960's (during a family tour).  Back then, when you went on trip, you found a local charm bracelet store and got something local to remember your visit by.

Travel charm bracelets were out of fashion by the time the 70's rolled around, so I never actually saw her wear hers.  I wish I had, and I wish if I had I would have been aware enough to ask her about each charm.  Now, whenever a photo (or the actual bracelet) comes out, we sort of do a rosary around the charms, which feels more like a table of contents than an actual story:  "This is the scarab she got in Egypt. This is the Hagia Sophia when we were in Turkey.  This is a Neapolitan Horseman..."

When I'm not writing, I play with Blender. Blender is a 3-D rendering program, sort of like AutoCad. It has a programming language, Python, that it can use to make mathematically precise models (and, goodness knows, you have to be precise when you're making 3D virtual star tiaras).

Over the winter, I've focused on geometric designs, but the latest project has been a scarab.



It turns out that Blender objects are pretty easy to export to files that MakerBot can use. So when Mark Wild said that he was going to visit the Eugene Maker Space and play with their 3D printer, I tagged along.




The setup took a little longer than we expected. But once everything started up, we were able to load a STL file of the scarab onto the MakerBot's rendering engine. Our first big surprise was how small the scarab was; we had to increase its size by four times.

Our next snag was discovering that the MakerBot G-code build (the set of instructions that actually make the MakerBot printer extrude plastic) wanted to save to my RAMstick, which I'd write-protected.  Once we figured that out, the software took about five minutes to figure out the best path for the plastic printer head to take to create the scarab.   And then another ten minutes to print it out.



The end result didn't come out as solidly as I thought it would, although it is recognizable as a scarab.


What I learned:

• The scarab design was too detailed and small. The parts that came out the best were the circular solar disk element and the dung beetle's carapace. What seemed like huge chunky bits to me when I was creating the scarab model turned out to be itty-bitty when printed. We probably would have had a cleaner print job if we'd expanded the model one more time.
  
• I should have put down a base to build upon. To make the wings' feathers stick out, I put all of them on the zero Z plane and then varied their thickness so the leading feathers were thicker than the trailing feathers. The feathers probably confused the MakerBot G-code because there were about fifteen, they overlapped, and by design they weren't all able to touch the printer's bed.
  
• I think next time rather than build a complex objects out of multiple overlapping ones, I'll see how much leverage I can get with a simpler design and one object with multiple Boolean difference "cuts" out of it. I also suspect that the procedure I followed to clean up the model didn't catch interior planes and vertices, which resulted in some, um, non-intuitive printer head paths. Or...um... use Boolean difference on the overlapping feathers.
  
• The MakerBot print head will approximate its print path in an attempt to fill an odd shape with plastic. It's not so much a limit on the printer head so much as it's a limitation of the melted plastic coming out of it. Which means you may or may not get the coverage you thought you might. An analogy would be trying to use a tube of toothpaste mounted on an etch-e-sketch to sign a check.

But, even though it looked a little like something Spiderman might make out of his webbing, I love it and have something to put on my forehead when I say, "Almighty Isis (Isis-Isis-Isis)!"