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Showing posts with label New York City. Show all posts
Showing posts with label New York City. Show all posts

Thursday, July 06, 2023

NYC Pride Notes

John in Grand Central Terminal
June 22 2023 1:25pm  Thursday.

Last fall, Mark said that I kept saying how Eugene Pride was unfulfilling and that I should just go to Pride in New York City—so here I am!  In the air and flying to NYC Pride!  I took a disco nap last night from about 8pm to 1am, but kept waking up so I'm not sure how much rest I got.  I kissed Mark goodbye, left Eugene at 2 am, and drove to PDX.  I'm traveling by myself.  

The shuttle buss was crowded. I got through security quickly and made it to my gate around 5am or earlier.  The plane was full.  Somewhere over Minnesota, I got a migraine aura, but it lasted only about an hour.  I'm guessed whacky sleep and a change in caffeine intake was to blame.  I figured I could see well enough to be able to navigate NYC MTA.

LGL will be hosting me, and there are several events planned.  We were going to attend a "Gay Mass" outside of the Stonewall Inn, which is a National Monument, but the National Park Service closed the park citing security concerns, so the mass has moved to LGL's church, St. Paul (Out At Saint Paul is an LGBTQAI+ ministry).

At some point we may go for drinks at the Eagle.  Mark said he thought that it was funny that we're going to a leather bar, and I'm wondered how much it might bother him. (He siad it didn't, but he kepts bringing it up).  We'll also visit the Stonewall and probably Flaming Saddles in addition to some shows and Sunday Pride Events. 

I'm wanting to go to the Brooklyn Museum's Egyptian Wing one day, and if we run out of Gay Things To Do, I brought my NYC Gargoyle book.  We'll also visit Mary Dwyer in Suffern (probably on Saturday, and it's possible we'll run into The Child there).


Group shot at Out at St. Paul's, NYC.

Thursday evening's Gay Mass was the first Catholic Mass I've been to.  I was able to fall into the ritual from my Episcopal upbringing, but every now and then there were changes in the wording (things like, "and with thy spirit" vs. "and also with you," and "with all the angels and archangels" vs. "with all the angels and saints"). The closest religious events to the mass that I've attended would be Radical Faerie ritual circles back in the nineties, and they're really not that close. 

As I was sitting out in the pews during communion, my eye kept returning to the Matthew 6:7 verse about not being like babbling Pagans in the service flyer, which could have been more ecumenical, but I was able to reinterpret it to "don't be ostentatious in your religious practice." 

I was surprised when the sermon turned into an interactive discussion about pride and how some folks equated it with value, or strength, or self-worth.  I'm amazed at how LGL and the others at the mass operate at the intersection of their Catholic faith and their LGBTQAI+ orientation.  

After the mass's social mingling, LGL and I went to one of his favorite bars for dinner and drinks (LGL is a networker and is on a first-name basis with practically everyone) and had a brief discussion of the effects of a transcendent God compared to immanent deity on the manifestation of the praxis of Pride vis-a-vis community vs family household.  What I had seen in the church was a community coming together for shared worship; my sense with gay Pagans is that they move in together.

We also talked about bunting in our respective cities.


Ancient Egyptian carving
June 23 - Friday - 2023

"That moment when your morning tarot card pull for NYC Pride adventures is the two of wands, reversed. I think this might be about jet lag…."

LGL had to work, and I was left to my own devices.  I had breakfast at Old John's (cue music, "No one DINES like Old John, or RECLINES like Old John, no one interlocks forks by their TINES like Old John...").  The breakfast was hearty -- although I did have to fish out a red pepper!-- and the waitress thought my pride flag shirt was cute (and called me "sweetie," which, according to LGL, is her standard modus operandi).

Wandering west of Central Park, I tried to find Eden Dragon House, but missed it (three blocks too north).  I meandered through Central Park.  It was raining, and with no sun I got turned around and ended up using Google Maps to navigate the curving paths to Fifth Avenue.

Somehow, I wound up in the Egyptian Wing of the MET. (Sticker shock on the ticket prices, which have gone up substantially since I was here last.)  Once I got into the Egyptian Wing, I tried photographing new things, but found myself re-imaging old favorites.  I did manage an image of a hippo on an ostracon for Mark.  Between photographs I had fun being an informal docent with hieroglyphs, especially with the offering prayer.  Alas, the Middle Eastern Wing was closed for renovations, and the Rooftop Garden was closed by the rain; so no art or photographs from there (except for a long-distance shot of the rooftop from outside as I was leaving).  

I got turned around in Central Park again as I returned to LGL's, but I managed to photograph Bethesda Park and gargoyles, grotesques, and decorative buildings.

Aside from wearing a Pride Progress Flag t-shirt, the day wasn't particularly gay.  I suppose one could argue Queen Hatshepsut was in drag when she wore a Pharaoh's beard, but it would be a real stretch.  

Back at LGL's, I took a disco nap, snacked, and had tea.  LGL returned later than he wanted to, but also took a disco nap for tonight's Stonewall Celebration at Hudson Yards and visit to The Eagle. 


John in a unicorn shirt.
The Stonewall Celebration was one part gala celebration, one part Word From Our Corporate Sponsors, and one part concert.  LGL (who knows everyone) managed to get us into a VIP section about forty feet the main stage.  We connected up with other folks from LGL's office. The pacing was a little odd in that a performer would get the crowd pumped to dance, and then the Vice-President of So-and-so Company would come out and make a short speech about Acceptance and Love.

Many people referenced recent legislation to ban or erase drag and trans folks, and urged the crowd "Don't fight back, fight forward!" The most moving performance was a trans activist who created a sound-scape around the sung phrase, "I'm ev'ry woman" and then read the names of trans victims murdered within the last year.  

The most professional performance was by Netta Barzilai, an Eurovision performer from Israel. The sound system had issues the entire event; these were not helped when Netta choreographed her sound box off of her outfit and couldn't re-connect to the stage's speakers.  She kept on dancing and singing as loudly as she could and during the dance bridge danced off stage and pulled a sound engineer back with her to get re-hooked up—smiling and dancing all the time.  

The most fun performance was BETTY.  LGL was familiar with them.  They struck me as an edgier, Rock-n-Rollier, New York City version of Seattle's 90's folk trio, We Three.  They started out with a Pride Anthem, then transitioned into a saucy song, "Did You Tell Her?"  

Posing for a selfie with BETTY !
By this time my hair had become a minor personality on the event's jumbotron, and apparently was visible from the stage.  When we met BETTY after the event, one of them said they'd noticed my energy from the stage, and another one wondered if we'd met before (LGL quipped that they'd mistaken me for one of the sound engineers, who also had long grey locks (although his were tied back)).

Christina Aguilera came out last and performed three songs.  The weirdest part of the show happened:  about every other person held up their mobile phone up to video the performance, so it was like a forest of techno-trees sprouted up in front of us.  They cranked up the sound system for her, and I was glad that I'd brought along some concert earplugs.  She has a nice voice, but everything was so loud and distorted that I really couldn't follow the lyrics. 

By the time the event was finished and we'd gotten a selfie with BETTY, I was starving, so we found a place to eat nearby (where my hair got asked out for a date).  

On reflection, I realized that a lot of local talent had participated in the show, and that this was one difference between NYC Pride and Eugene Pride:  NYC can support a community of professional and semi-professional singers, dancers, poets, DJ's, photographers, and videographers; most of presenters and performers at Eugene are earnest and having fun—which is fine but does contribute to a "bake sale and craft fair (and group therapy)" feel of local events.  Then we were off to The Eagle.

We opened the place up; apparently on Friday nights they don't open until 10 PM.  There used to be a stricter dress code (or is that undress code?), but they've relaxed it, so wearing jeans and T-shirts (and a leather cuff) were sufficient to get in.  There was some sticker shock at the evening's cover, but we paid it and made our way up to the rooftop part of the bar.  I ordered a margarita, and LGL and I sat back and enjoyed the skyline and the scenery.  Most of the guys were dressed like we were, with about a third (?or a fifth?)—mostly the staff—dressed in more scanty scraps of leather or shirtless (honestly, I saw more leather harnesses, jock-straps, and booty-shorts in the Sunday Pride Parade than I did in the bar).  

What I enjoyed about The Eagle was that it was mostly men, and the crowd seemed to be in their 30's or older.  You didn't need to be a gym stud with eight-pack abs to dance or socialize.  The music was something one could dance to, and I did.  (My hair got some more date offers.)  This was a nice change from trying to dance to arrhythmic soundscapes of high-pitched beeps and water being poured into a pitcher with 20-something, half-stoned Eugene kids in a mixed-use space (or not-dancing because a cos-playing person is lip-synching and wiggling for tips on the dance floor).  According to LGL, the place, especially one particular corner on the second floor, would become raunchier as the night progressed, and he pulled me off of the dance floor around 12:30.

We grabbed some matches from the bar as a souvenir for Mark and left.


John and Mary
Saturday, June 24, 2023

"Today’s Pride tarot card is the four of pentacles reversed. This is what happens when one is discussing the previous evening’s bar tab when pulling a card…"

LGL had some business in Suffern, and so I visited my mother-in-law, Mary Dwyer, and other available residents of Dwyer Manse.  There was some cognitive dissonance running into The Child, who had flown to the east coast with his mom, and who was on the East Coast Relative Circuit.  Mary looked good, and I filled her in on Gay Adventures so far.


Back in The City, we visited the Brooklyn Art Museum Egyptian Wing.  LGL was tolerant of my propensity to lecture on hieroglyphs and the Egyptian Netherworld Books as we rode the MTA to the museum.

Re at sunset.
When we entered, we ran into a sound check for a wedding taking place there in the evening.  The last time I visited, for about twenty minutes over a decade ago, I remember a long, dark room, and a silver ibis.  The galleries were different from my memories: more broken up and much lighter.  I was expecting larger statuary than the MET's, which wasn't really the case.  The galleries did not seem to be organized chronologically, and I was not able to discern any themes to how they were ordered.

There was a lot of new artifacts to see.  I was particularly drawn to the Cartonnage of Nespanetjerenpare (3rd Intermediate Period, D 22). What strikes me about this image of Re is that it is ram-headed instead of falcon headed, indicating that this is Re at sunset; and also the green, orange, and black coloring—which I'm guessing may have associations with the rejuvenating properties of the netherworld.

LGL was drawn to a mummy portrait of an Egypto-Roman man.  I'd say the Brooklyn's Egyptian collection is smaller than the MET's, with finer quality Ptolomeic pieces.  

After the museum, we went bar hopping, first to Flaming Saddles (cowboys dancing on the bar!) and The Dickens (loosely based on Charles Dickens).  Both bars were crowded, and the crowds were both younger and more mixed.  And loud.  The music was slower, and the young folks who were at The Dickens at times felt like they were there more to sing along with the songs and enact them as a mini-performance for their posse of friends (and splash their drinks onto the dance floor) than to dance to the music en mass.  

Looking back on the night, I have to say that I appreciate spaces that are enclaves for men—the local Eugene LGBTQAI+ bar hosts a lot of all-family, drag, and trans events—but does not host a "men's night" other than a monthly "bear mixer," and I'm not even sure it's a dance event, unlike their "Lesbian Dance Party."


John making a blessing sign.
"That 4:38 a.m. Pride Moment when you realize (too late) that your response to “I thought Jesus was in the (gay) bar!” should be either “Come, and I shall make you fishers of men!” Or “Pick up the receiver / I’ll make you a believer.”"


Sunday, June 25, 2023

"Today’s Pride March tarot card is the four of wands reversed. Celebration in the City! Which is fun, but it’s not my home. (Pause to miss my husband… okay, put on the sunscreen and the dance tunes!)"

After a hearty breakfast at LGL's, we made our way to the NYC Pride.  LGL had once again secured access to a VIP area, and we found ourselves at the shaded review stand near 25th Street and Fifth Avenue, with access to snacks and drinks, watching politicians queue up to begin the parade.  

A rainbow arc of balloons
I took a lot of photographs of grand marshals, and floats, and marchers, and rainbow everything.  Everyone, from Girl Scouts, to people of all races, to politicians and TV stars, to folks in their eighties, to cheerleaders, and all sorts of corporate sponsors, queued up to start their march.

When LGL's workplace's group came by, we left the review stand and joined in.  Initially, I felt like I stood out because A) I was wearing a grey T-shirt with a progress pride flag graphic on it and everyone else was wearing their corporate white T-shirts, B) everyone but me had some kind of flag to wave, and C) My Hair.  But I chanted, "Elbow-elbow-wrist-wrist-wrist" to myself and marched along Fifth Avenue with everyone.

Dancing on a Pride Float.
After a few moments, LGL (and a work friend, C), said, "C'mon! We're going to get on the float!"  The next thing I knew I was dancing to some really good music and waving at, encouraging to dance, and making eye contact with what seemed like half of New York City as they stood along the sidewalk, or leaned out of windows, or watched from fire escapes. Most people smiled and waved back, and some even started dancing to the music.

At one point it seemed like we were floating down a river of dancing rainbow flags, faces, and sparkles.  I said to someone, "Man, I wish my husband was here."  And then I stopped and thought about it for a moment and added, "Nah; he'd hate this.  And I'd want to smooch him, but he'd want space or to go on a hike."  And it was true, Mark would have been bored after about a half-hour.









John with a Gay Pride Angel.
I did not have a good sense of where we were; the parade proceeded south on 5th Avenue before heading west on 8th Street. I had to look this up later:  After crossing over 6th Avenue, the parade continued on Christopher Street and passed the Stonewall National Monument (which didn't register with me as the Stonewall when we passed it). It turned north on 7th Avenue, passing the New York City AIDS Memorial (which must have been on the other side of the float), and ended up at 16th Street and 7th Avenue.

We hopped off of the float and started walking and searching for a place to have a late lunch.  Someone from LGL's work was wearing huge white angel wings and waving a pride flag, and they graciously agreed to a selfie.  

While we were waiting for food (and drinks) with LGL's co-workers, I realized that underneath the smiling and waving and dancing, I'd unconsciously been looking for Mark in the crowds, and how wonderful it would have been if at some point the crowds could have parted and Mark could walk out onto Fifth Avenue and joined me on the float.


Monday Morning, June 26, 2023

"Today’s Pride tarot card is the Seven of Wands, reversed. Taking the long view, this could signify being beaten down by institutional homophobia, transphobia, xenophobia, and the various -isms. Or, short view, it could be about travel anxiety."

I escorted LGL to the local MTA station on 77th Street and then went for another breakfast at Old John's.  I spent the morning wandering around the 78th Street and Amsterdam area photographing gargoyles, grotesques, and dragons.  I got caught in a thunderstorm, and was glad for an umbrella.  I found what I call "The Dragons of Library Eden House," which was half under renovation scaffolding, so I was only able to take limited photographs of the dragons there.

  

5:49pm Monday, June 26, 2023

I waited for the flight out of JFK to PDX and wrote in my Book of Art.  I probably could have left LGL's apartment an hour later, but that wouldn't have left any time for train mishaps.  Luckily, taking the 1 MTA train to Penn Station, and then the Babylon Train to Jamaica Station and then the Air Train to Terminal 4 went smoothly.

LGL was worried that the thunderstorms today might make air (and train) travel extra tricky, but at 6 PM everything appeared to be on time.

Ha! LGL was right!  First my flight was delayed 90 minutes while we waited for flight attendants from other delayed flights to board the plane (which was sitting at the gate, empty).  Then, after we boarded, we taxied around on the runways while the pilots negotiated a flightpath with air control, then we parked on the tarmac, then we returned to the gate because the whole airport was shut down, and finally the flight was cancelled around 11:20.

"That NYC Pride Moment when Delta cancels your flight home, and your Wonderful Gay Husband manages to remotely find a space for you at The Box House Motel."

I took a crazy midnight taxi ride through the rain to the motel; the driver didn't know where the motel was, and navigated there with his cell phone.  The mobile's map app sent us the long way, and I  ended up paying the fare in cash to knock off $15 of what was still a steep price.


Tuesday, June 27, 2023

"And today’s post-air-flight-cancellation tarot card is the three of wands. For some reason what sprang to my mind was gratitude… although I am wondering if the merchant in the card is wishing they were on one of the ships in the distance."

Hunkered down in a (expensive!) boutique hotel, The Box House Motel, in Greenpoint, Brooklyn.  It was the only place with a room (the JFK Hilton had all of their rooms booked by other stranded travelers).  Between having fun in NYC with LGL and the room deposit for The Box House, my credit card was maxed out (this is my reward for setting my credit limit to a low amount as a preemptive method to manage credit card debt), and so I spent over an hour on the phone with the credit union to try to extend my credit and secure lodging through Thursday.

The Box House Motel had an artsy lobby with a sixties art-deco and colored glass pane feel.  Magnolia or cedar scented the air--it was not unpleasant, but strong.  Pop/swing ballads dominated the sound system--this made the open design of the space more private, but also made conversations difficult. 

I'm grabbed a (expensive!) burger at The Eagle Trading Company, a kind of indoor/outdoor cafe with glass garage doors. The clientele looked like local neighborhood folks; lots of dog walkers, mixed ages, and mostly dudes.  I asked the wait staff about place to walk (and not walk) and they said the neighborhood was a safe one.

After waiting four hours for a call back which never came, I finally managed to connect with a bank person and get my credit card straightened out.  It's was a huge relief; it's crazy how food and travel are dependent on credit-card connected apps on my iPhone.  I'd would have been in a really bad place if my iPhone (or credit card) stopped working.  

Tuesday evening:  There was only one working laundry machine in the laundry room.  I gave up on laundry for the moment and walked to the Greenleaf Cafe, where I found a bench supported by two stone griffins!  Then the music switched from sort of tribal-fusion to 70's Rock (oh well).  The Cafes and hotels here all seemed to be converted garages:  high roofs and glass garage doors, so I am imagined that rooms and houses and buildings that I write should have a history--the farmhouse with added rooms, or old carriage houses turned into living quarters, or old engine sheds turned into garages and then turned into cafes. 


Winged horse and winged lion.
Wednesday, June 28, 2023

"Today’s Post-Pride-Still-Waiting-For-Tomorrow’s-Flight Tarot Card is the Knight of Swords reversed. This is my usual significator card, so I’m interpreting it as a warning to stay focused and be aware that I’m tired of not being home yet."

I had recovered from bank negotiations and goofy non-travel sleep that I had enough energy to go on a photo safari of Mid-Manhattan.  The nearest MTA stop to the Box House Motel was about a 10 minute walk over a bridge spanning a small river (the Pulaski, which fed into the Harlem River).

Once I was on the MTA 7 train, it was a one-stop trip to Grand Central Terminal, where I photographed the building details, especially the twined dragons.  While traipsing about trying to find them, I wandered into a jewelry store, and the next thing I knew, I was helping my New Best Friend, Mars, pick out a tiger-eye bracelet.  She (or maybe they) gave me their email so I could share a link to Google photos of GCT.

Outside the station, I met a Venezuelan couple who were a little lost; I tried to help them, but we had no common language... I couldn't get a translation app on my phone, and felt inept.  In the end I could only wish them good luck.

Statue of Prometheus with Rainbow Flags
From there it was more photos of the terminal and then Rockefeller Center.  Prometheus' courtyard was surrounded on all sides by rainbow flags. And somehow I wandered into a La Madison du Chocolat.

After more wandering and photography and a cloudburst and I finally exhausted my camera's battery.  This was probably a good thing, as I managed to get back to the motel before five o'clock rush-hour trains.


Thursday, June 29, 2023

"That Post-Pride moment when you’re about to embark to JFK. No tarot card pull today, although I am envisioning the eight of wands for a completed travel and arrows of love."

Thursday morning; I had to leave the motel at 5 a.m. so I could be at JFK at 6 a.m. so I could be ready for my 8 a.m. flight.  At the airport, I bumped into an information desk where the attendant was giving away little rainbow ribbons; I ended up pinning it to my camera's pack.  My departure gate was in a sixties-industrial concourse that could only be reached by bus, so I lingered a while in the nicer main concourse.  


The floating time during the three days waiting for my Thursday flight was a contrast between the scheduled time with LGL.  Instead of having a guide and host, I was on my own; instead of having scheduled Pride events to be at, I had unscheduled tourist events.  

NYC Pride was fun and great and I managed to experience it from a place of privilege.  Marching was fun, and dancing and waving to folks from a float was fabulous.  

The only thing I'd change—aside from not having my return flight cancelled—would be the bars and venues to something where conversations could be had (all the bars and places we went to had really loud music, which made understanding folks next to impossible).

In contrasting and comparing NYC Pride with EUG Pride, I'm reminded that NYC has massive corporate sponsorship, and EUG has maybe city sponsorship.  Also NYC has a larger and more diverse community, and can have groups like the Sirens (Dykes on Bikes), and The Eagle, and Gay Water Polo Players, and Education Centers, and Latina/Latino and transgender and gay parent groups.  Eugene pride is smaller, with folks like the Unitarian Church, and Spectrum Bar—but the three community pools:  Eugene, Springfield, and the University of Oregon, don't always speak to each other.

I suppose that I need to go to PDX for Gay Dancing with Gay Men over 35.

And volunteer more.

Sunday, September 05, 2021

MET Adventure 2021

Thursday was MET day.  We got up bright and early and managed to get to Dwyer Manse by eight-twenty.  Mark had ordered tickets several weeks ago for our timed entry.  V, The Child, Mark, and I climbed into the car and we were off.  

The drive into the city was mostly uneventful -- contrary to rumor, NYC drivers are relatively nice, and will make opening in the traffic and allow one to merge.  When the NYC skyline came into view, an orangey haze smudged it.  So many new buildings that are taller than the Empire State Building and the Chrysler Building have gone up that it's difficult to see them.

We parked at the MET.  I wasn't expecting the checkpoint into the lot:  there was a little hut for the security guards, and a plate in the road angled up to prevent cars from moving forward (at least it didn't have little spikes on it).  A Very Cute and Ripped Guard came out with his Very Cute Golden Retriever and asked Mark to pop the trunk.  I was too distracted by the sheen of sweat across the top of his pectorals to read the text tattooed across them.  As the guard and dog circled around our car, he was telling the dog to look for things -- my window was closed so I didn't catch what he said, I think it was something like "Seek, Rusty, seek."  The dog looked like it was having fun.  

Since we didn't have any contraband, we got waved through.  V, Mark, and I all said something about how the Very Cute and Ripped Guard could search our car anytime, and The Child was mildly mortified. 

We were early, so there was a side-trip around a block to find a coffee.  I took a few shots of the architecture, which amused V.  Eugene is so frumpy and post-modern brutalist / farm shack that visiting New York City's Art Deco / Art Nouveau is like Dorothy Gale and Company stepping out of the dark forrest and seeing the Emerald City.  

If I had the means, I would take a year to research, locate, and photograph architectural details on New York City buildings.  While staying in a secret garret room in the MET.

Getting into the MET was hassle free.  We were all set to have to show proof of vaccination, get zapped by a heat gun, and everything.  But we simply showed our tickets and waltzed in.  Now that I think of it, I don't recall a bag check the way that we've had to go through in the past (although none of us had a backpack).

We made it to the Eighteenth Century Decorative Arts wing, and managed to stay together as a group until the Faberge Eggs, at which point Mark went off to look at portraits.  Portraits are Mark's Thing (and Madonna and Child -- he could look at Madonna and Child after Madonna and Child all morning), and he enjoys them more on his own.

In the 18C French gallery, I found a huge malachite vase with over-the-top angel handles that made me squeal loudly enough to be heard two galleries over.  V said it was fun going through the MET with someone who enjoyed it as much as -- if not more -- than she did.  Apparently I was adorable as I went from exhibit to exhibit pointing and squealing, and occasionally channeling my inner History Chanel host.  The Child was a good sport, and tolerated going along with us on our scavenger hunt fairly well.  There was a teen-level of disinterest, but every now and then he would snap a photo with his mobile. 




After an early lunch (The Child was hungry) in the cafe, we went to the Egyptian Wing.  The Middle Kingdom "Hetep di wesir" offering formula was everywhere, and I could read snatches of other inscriptions.  It was like going into a kindergarten room and being able to read "cat" and "dog," and I took a five-year-old's delight in being able to read.  

As I was pointing out bits of inscriptions to V, and stumbling a bit, this Very Tall, Handsom Black Man sidled up and began pointing out signs and sounds.  V insists that he was batting his eyes and leaning in toward me in a very flirtatious manner -- which I was totally oblivious to.  When he shared a printout of book information he was recommending (Papyrus Ebers, Die groBte Schriftrolle zur altagyptischen Heilkunst; by Popko, Lutz; Schneider, Ulrich Johannes; and Scholl, Reinhold), she almost thought he was giving me his phone number.  While I did sense there was some subtext I was missing, I mostly thought that it was a case of one exited student of Ancient Egyptian Writing meeting another.  Mark, who wasn't there, reminded me later that the flirting of my Canadian Boyfriend at Ocean City was probably overblown by his family (and that I get very focused on geometry or hieroglyphs or whatever and completely tune out social cues).



The three of us re-connected with Mark while on a quest to find George Washington Crossing the Delaware for The Child.  He regaled us with the Tale Of Blood in the Medici Exhibit (a woman tripped over the Very Low Art Barier Wire -- I think she was okay in the end, but the fall precipitated a nose bleed of titanic proportions).


We walked through more galleries, saw Edwin Church landscapes, Madame X, hookers, and Monets.  We also had to stop for a moment to visit with Mark's Lover, Captain George K. H. Coussmaker.  Mark has known Captain Coussmaker since 1985, long before he met me.  I am familiar with the captain, as a miniature of this portrait floats between various places in our home.  As we were paying our respects to the captain, we noticed Aoife's likeness in a nearby portrait.  

We took a detour through the music rooms to see The Cow, the Lamasu, and a quick browsing of the Mesopotamian Wing, and then it was time to go to the Gift Shop!

The hope while in the gift shop is that one will stumble across The Perfect Gift (on sale!), one that will encapsulate the experience of viewing  Or at least a Really Cool Book.  The trick with books is to find one that's not too introductory, not too specialized, not too secondary/trashy/sensationalist, and not too expensive.  

There was a book on Egyptian Magic that I was tempted by, but it looked too secondary.  There was a survey of a Egyptian archeological site that looked too specialized.  I wound up buying a gift book for our cat sitter, a gift book for my folks, and a bunch of other general survey books on stain glass, mechanical wonders, and The Cloisters.

The Child purchased some Egyptian cat figures for his friends; V purchased gifts and practical things like Persian rug coasters, a sweater, and fancy thank you notes. 

Then it was off to meet Lime Green Larry for a light snack outside the Hemsley Building, and afterward Mexican cuisine with Dwyer Family Friend, D (from Ireland).  


Thursday, August 08, 2019

The MET Again

I woke up earlier than I thought I would.  This was a good thing, as it allowed me enough time to drink a really big mug of tea, and then shower and gird myself for a Solo Trip Into The City.

The trip in went smoothly.  Once I was on the bus, I listed all the things I might want to do in the MET.  I used my new phone to research galleries and put those numbers in my list:  Gallery 158 (gold earring of Nike); Horn in the Hall of Music; Visit The Cow; Camera defying sarcophagus; “The Decorated Word” (Nothing); Mediaeval Instruments; Gallery 521 (hourglass); photograph jewelry; Greek Cyclades; Gallery 542; Galleries 301-303; Gallery 774 (Lantern  Clock); Gallery 532 (Sundials).   As I reviewed the list, I resolved that I would visit The Camera Defying Sarcophagus first, and then traipse through the Egyptian Wing, because I love Egyptian Stuff.

I put away my iPhone and gazed out the window at the passing cars and the skyline of New York City drawing closer.  Every so often, another bus slid by my window.  Through the tinted glass,  the silhouettes of other passengers looked down at glowing white rectangles of mobile phones and tablets.  Windows into windows into windows gliding in monochromatic motion — shadows without dimension peering at virtual light, a silent troupe, a mass of bodies, a scattering of minds.   It was weird, and made me aware of how ubiquitous mobile devices are.

I managed to find the subway (although I did have to convince a ticket machine to sell me a MetroPass).  I got to the S train just as one arrived.  The performer in the car I boarded seemed pious as he sang “This Little Light of Mine” and accompanied himself on a huge conga drum.  The drumming was fairly accomplished, if a bit loud, and I escaped at the other platform.   Then I managed to get to a 6 train just as it pulled in and found myself at 77th and Lexington Avenue at about 9:30 AM.

A short walk past La Maison du Chocolate confirmed that it wasn’t open until 10 AM, which was when the MET was going to open.  I wound my way toward Central Park and found an Honest To God Gargoyle on the side of a 1887 mansion on the corner of 79th Street and 5th Avenue.

In the back of my head, I wondered if the folks in the building wondered who I was, since I was photographing various doors and windowsills.  But I didn’t care — finding old stone work like this is gratifying, and taking close-up photos of them gives me a sense of acquisition and ownership.  There’s also a sense of participating in and appreciating the art of the craftwork when I take a good photograph.  I like the suggestion of the numinous, the sense of glimpsing a locus genii, and the over-the-top allegory of gargoyles and grotesques.

With a rising sense of urgency, I took a final photograph and crossed the street toward the MET.
I was glad I got there when I did.  With some brisk walking, I managed to get ahead of a large group of tourists and queued up for the entry.  It took something like ten minutes to go past the dancing fountains, climb up the stairs, go through security and check my camera backpack in.

In a moment, I paid admission and quickly made my way to Egypt.  All the way, to the very back of the galleries, almost to the Temple of Dendura.  I was going to finally get some descent photographs of the (Camera Defying) Sarcophagus of Harkhebit.  Every time I visit the MET, I try to get a descent photograph of Harkhebit’s Sarcophagus, and almost every time I get a bunch of blurry shots.   This is frustrating, because the hieroglyphs on it are very fine, especially the scarab beetles, the winged pectoral of Isis,  and the images of the four Canoptic Gods.   The combination of the Sarcophagus’s black granite and the gallery’s low lighting makes it impossible to get some of the side inscriptions:  I am not physically able to hold still long enough to get a clear image.   While this wasn’t the perfect photo-op, I was able to get more and clearer shots than ever before.   I had a good ten or so minutes with it to myself (and a very underwhelmed security guard) before the rest of the patrons began to osmose through the gallery.

And yes, it did cross my mind that I was taking photographs of a dead person’s coffin, and that many of the items in the Egyptian wing are funerary goods, or temple goods… or discarded or repurposed building materials.   What would Harkhebit think — does taking a picture count as coming to worship him as one of the Justified Dead?  I suppose being on display in the MET is better than having one’s sarcophagus repurposed to be a Roman bathtub.

I meandered through the Egyptian wing.  I gave into the impulse to video myself twirling like Maria VonTrapp before the statues of Hapsetshut.   I took some of the same photos I always take of various hieroglyphic inscriptions.  And I kept my eye out for jewelry photos to take.  Mark had asked for photographs of jewelry before I hopped out of the car to buy bus tickets.  So I re-shot the Tiara of a Harkonen Princess (which I wore in a past life, I’m sure).

By now I was hungry, and I went through the Mediaeval Galleries toward the cafe.  Along the way I found the hourglass I’d put on my list, along with some old mediaeval favorites:  the wind-up Artemis on a Stag, the Locksmith Masterpiece triangular lock, and the Pegasus Spherical Clock.  What I like about these pieces is that they’re precision metal craft from a time without Computer Assisted Drafting, 3-D printing, or laser etching.  Also, they’re shiny.  One new item that caught my eye was a silver ewer (Adam van Vianen I (ca. 1568/69-1627) in the shape of a European water dragon.  Then it was time for a sticker-shock lunch of a (burnt) cheeseburger, fries, and salad.

Back into the galleries, I sought out “The Decorated Word,” which I knew was somewhere in the Islamic Art galleries.  I love the zillage and metalwork , but I have to say “The Decorated Word” left me flat.  It was like looking at at calligraphic words like “wave” repeated in undulating forms until they bump into a block-letter word “keel”,  which sports a skinny “mast” poking out of the top along with the word “sail” repeated along the contours of billowing sheets.  Which have never struck my fancy.  Only in a script I can’t read.  The “Poet Turning into Heech” sculpture looked like the artist was trying to be clever and pass a penis joke off as fine art.  I think I might have received the sculpture more favorably if I could read the letters.

After enjoying the rest of the art in the Islamic wing, I wandered around the old favorites in the Ancient Near and Middle East galleries.   There were bands of “How Archeology of the Holy Land Proves the Bible” Tours going on in the Ancient Near East Gallery, which was slightly distracting — a crowd of folks would gather in front of a display while a guide would explain how the Dragon of the Ishtar Gate proved that the Ancient Babylonians’ religion was all about fertility (i.e. sex).

I found more jewelry to photograph for Mark, and rediscovered some rhytons. Rhytons fascinate me because they seem like a strangely intimate way to share drinks.  If you were an ancient host at a symposium or party, you’d walk around to the guest uncovering the hole in the bottom of the rhyton and squirting wine into a cup (?or maybe a mouth?).  It’s like if you were eating a sugar ice cream cone and bit the bottom off and offered the dripping end to your guests.  I suppose in a way they are like gargoyles, only for drinks.  

I bumped into some more cylinder seals of griffons and lions and trees from Syria and Mesopotamia.  After I photographed the seals, I had to say hi to The Cow.

In the American Arts wing, I revisited “Death Staying the Hand of the Artist.”  It’s a background screen on my laptop, so it’s a familiar image to me; this time, I spent some time focused on the face of the Young Artist instead of the entire composition.  The Artist has a look on his face which is a cross between “Seriously?” and “I’m kind of working here,” and an aside-like “that moment when you’re just getting into your work and this giant Death-Angel-Lady barges into your studio” with some “uh-oh” thrown in.

Then I went over to the staircase with angels on it because one simply cannot have too many pictures of an angel playing a triangle, or another angel blowing her horn into the backside of the showboat angel in front of her.  I also took some detail shots of a stain glass window with grape leaves, because I wanted to remember how the artist had composed the leaves and vines.

One of items on my list was photographing the MET’s pipe organ and also their display of horns.  The pipe organ photos were for my dad, who really likes pipe organs and is in the process of restoring and expanding some organ registers in his church.  The physics of how the pipes set up a standing wave of vibrating air inside them is interesting, since the fipple is essentially a fixed, wedge shaped reed.


The horns are in a stunning display radiating out of the most ancient of horns, a conch shell.  I think the best time to see it might be in the morning, as they weren’t quite as cool as I remember them.

There were still some Roman jewelry items on my list, so I went to the where they lived, passing through the Renaissance Sculpture wing, and the French Empire wing and skirted the African and Polynesian wings.   I didn’t spend as much time in the Mediaeval wings or the Classical Antiquities, Greek and Roman wings as much as I wanted to.

Next time I’ll have to start there.  Perhaps I can focus on magic charms of the ancient Mediterranean and Mediaeval worlds for my next visit.

In the final minutes of the museum, I revisited the MET shops and got some MET Cat pins for our cat sitters, and some books.  In the past I’ve had some good luck with sale books, but not so much this time.  I got a stain glass book for Mary (who does stained glass) and a book on ancient magic and another book on church architecture (research!).

After the MET, I went to Masion du Chocolate.  I think I might have looked a little dazed, because the young lady at the counter radiated an aura of slight concern.  Mark says it was probably because I plunked down a hefty amount of cash for a box of chocolates.  It turns out that there is a tea salon there, but alas, it closes when the MET does.  Chocolate in hand, I got onto the Metro and proceded to miss the S-connection at 42nd Street and had to walk from 36nd to the Port Authority Bus Terminal.

Ten years ago, I would have freaked out, but I knew the direction (sort of) that I wanted to go in, and it was a pleasant late afternoon, so I started walking.  Oddly, I managed to walk by The Morgan.  It was closed.  I walked a little farther, and found myself near the Empire State Building.   Which was funny.

I realized that my phone had a map program on it, so I spoke into it:  “How do I get to the Port Authority from here?”   Walking directions appeared on my screen (mostly confirming the way I was going), which took the second-guessing myself aspect out of the walk (mostly), and the rest of the trip went without incident.








Urn.  I love the pattern on this.











Cow figures and griffons and goah stone holder.






























  Vouging in Mesopotamia