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Showing posts with label Ray Bradbury. Show all posts
Showing posts with label Ray Bradbury. Show all posts

Thursday, September 10, 2015

Hot Dogs and Ray Bradburry

Friday afternoon I made the mistake of eating two hotdogs at The Child's Talent Show on the Last Day of Summer Camp.  The downside of this was that by Friday evening it was clear I should have fasted.  I still felt poorly Saturday morning:  it was sort of like I'd eaten a Deadly Red Pepper.  It seemed wiser to stay at home, so I did, and missed the Hike to the Mountains we had planned with some friends.  (So I missed The First Snowball of Summer, when the hikers discovered snow on the mountain.)

The upside was that I was able to get some writing in, and also to read a great portion of Ray Bradbury's "The Illustrated Man."  I had thought that the book was a novel, but it's a collection of short stories loosely book-ended by the eponymous Illustrated Man's story.  As near as I can tell, a Ray Bradbury story features the following,
  • manly soldiers torn from their families by the seductive beauty of the stars, 
  • the women who love them tragically, and 
  • the sons who are participant-observers of their parents' misplaced loves.  
  • Society is a homogeneous character, and  
  • usually atomic war is a background feature.  

Mars, Venus, and the other planets are the habitable backdrops standing in for Prince Valiant style islands, filled with rain forest jungles, proud warriors, and priests exploring the nature of extraterrestrial sin.  And this is cool; instead of researching the planets, Spacemen simply go there, and Martians simply live there, and, like Swift, Mr Bradbury can take his readers to an Other Place in order to explore a question about the human condition.

I think what I've learned from Mr. Bradbury is that, even after six decades, the more things change, the more they stay the same.  Writers still write about writing, Science Fiction Heroes are still typically plucky young males who win the girl at the end, and still what is wild and good in humankind will fail before the banal powers of Hollywood, keeping-up-with-the-Joneses, and labor-saving technology.  

Monday, August 24, 2015

Ray Bradbury Method

This weekend, smoke from fires on the other side of the Cascades blew into the valley and the air quality index shot up past 200.  The worst of it was probably late Saturday afternoon and night.  It was marginally better Sunday.  Not the best air to be out in; I felt stuff on the back of my throat and walking to the store felt a little like trying to dance in a very smokey bar.  My lungs did not like it.  The sun was blood red for several hours after rising, as was the quarter moon.  There's a very thin layer of brownish-grey ash all over everything; not so much as you would notice a puff of ash when you go walking, but enough to leave streaks on car windshields when you run your fingertip over it.  Everyone wishes the rains would come, but typically, we've got a few more dry weeks in front of us.  

Writing:  I've been feeling stuck lately, so I thought I'd try Ray Bradbury's method of free-associating nouns to jump-start writing.  It seems to work in terms of getting the words to flow.  It seems to work less well on the story about Venus I'm trying to write, because it's harder to free-associate when you're trying to focus on a particular setting and the urge to free associate fights with the desire to stay focused.  And then you end up writing some other story, maybe a better story than the one that you were trying to work on because it's what's percolating in your brain.  In my case, two haiku poems popped out.



Cold, but no ice forms. /
I am unable to etch /

the reflected clouds.



It's called a slush pile /
How fragile, each snowflake in /

the eternal drift.


Working out:  I suppose 2 minutes of aerobic dancing, some random planks and a few rounds of free weights at home counts.  Right?