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Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts

Tuesday, July 30, 2024

Paperback 1097: A Holiday for Murder / Agatha Christie (Bantam 20968-X)

 Paperback 1097: Bantam 20968-X (28th ptg, 1980)

Title: A Holiday for Murder
Author: Agatha Christie
Cover artist: Tom Adams

Condition: 8/10
Value: $8

[Little Free Library outside the cafe I go to on Sundays]


Best things about this cover: 
  • Look at this freak show. God I love weird covers. "What if the screaming head of Ebenezer Scrooge were flying through the air just bleeding holly berries, his voice shattering a wine glass that happens to be nearby for some reason?" "... That's it?" "Uh, no, no ... there's ... there's also a chair!" "Hmmm..." "And a statue!" "OK, sold!" 
  • The great thing about Christie (well, one of them) is that she was such a guaranteed seller, such a book-moving juggernaut, that you could collect *only* Christie paperbacks and have no hope of ever "completing" your collection. And her career traverses all of paperback cover styles. She's a design universe unto herself.
  • Murder for Christmas is better, not sure what they think they're doing on the retitle here.
  • I pulled four Christies from the LFL (Little Free Library) outside Batch Coffee in Binghamton—that's the other great thing about Christie: like Gardner, her books are Everywhere. I read an early one, The Secret of Chimneys (1925), which featured not Poirot or Marple but someone named Superintendent Battle. He was a recurring character, appearing in five (!) of her novels between '25 and '44. The book was genuinely hilarious, closer to slapstick than most conventional  detective fiction. I honestly don't remember Christie being that funny. In fact, I recently read the much later At Bertram's Hotel, and it wasn't that funny. Funnyish, but nothing like the whizbang near-goofiness of The Secret of Chimneys.

Best things about this back cover: 
  • "Violent Night, Holey Night" ('cause you're full of holes ... from all the bullets or stab wounds ... OK, OK, I'll work on it)
  • Cannot believe they're just wasting all this valuable space. Why not make the font big and stupid, or add some of the old man's dumb kids? Something, anything. You can't get visually upstaged by barcodes, man! Come on.
Page 123~
"Perhaps it is better to speak frankly.”
It is the formal position of this blog that it is always better to do Everything "frankly." 

~RP

[Follow Rex Parker on Twitter and BlueSky]

Monday, June 3, 2019

Paperback 1040: Inflamed Trio / Charles Fay (Emerald Reader 107)

Paperback 1040: Emerald Reader 107 (PBO, 1964)

Title: Inflamed Trio
Author: Charles Fay
Cover artist: photo cover

Condition: 8/10 (unread, square, bright, but some scuffing, and w/ pub. page torn out??)
Estimated value: $15-20

[Newest addition to the Doug Peterson Collection]

EmeraldReader107
Best things about this cover:

  • It's hard to find a good nostril model.
  • Nude Model Museum Rugby is a rough sport. This player has clearly hurt her knee and will have to come out.
  • Is it really a good idea to lean against the painting like that? After all, that's an original [squints] Rubano?
  • Wow, those are ... some words.
  • Don't discriminate against backs. Be a friend to backs. Be a back ally.
  • What the hell is "Sinports" even a pun on?? Car ports? Imports? Sun porch?
  • They've playfully covered up the "Inflamed Trio," i.e. her nipples and the patch of eczema above her right elbow.

EmeraldReader107bc
Best things about this back cover:

  • "Which do you think would look better on my business card: 'Artist in Sin' or 'Sin Artist By Choice'? Oh never mind, I'll ask my mom. Hey, MOM! ..."
  • Honestly, I've seen scores of these tag line / ellipsis / nonsense cover copy / ellipsis / tag line back covers—they are a staple of '60s sex fiction back covers—but this one is the first to exhaust me. It's like being bludgeoned with nonsensically bad grammar. Good luck making it all the way to the IGNITED CARNALITY
  • "As a simile from another story herein" ... if you have any idea what this sentence means, let me know. It's as confusing as a simile.
  • LOL "trio"—did they just scare-quote the book's own title. That's pretty meta.

Page 123~
A few well dressed agents with bulging client books and nervous, hopeful clinets at their sides, glanced at Ronald with interest.
I know it looks like I've made some typing errors in transcribing that quotation, but I assure you I have not. Not a one. I'm imagining "clinets" as a kind of medium-sized, reclusive panda-cat. It's too bad only one clinet can get the part. Good luck, clinets! I hope you land that well [space] dressed agent!

~RP

[Follow Rex Parker on Twitter and Tumblr]

P.S. there are typos on like every page of this book. Also, the font, my god:

"traffice?" that's onsense!

Sunday, May 24, 2015

Paperback 884: Dagger of the Mind / Kenneth Fearing (Bantam 93)

Paperback 884: Bantam 93 (1st ptg, 1947)

Title: Dagger of the Mind
Author: Kenneth Fearing
Cover artist: "Galdone" (signature, lower right)

Estimated value: $15-20

Bant93
Best things about this cover:
  • Weird. That dagger of the mind looks a lot like an actual dagger.
  • The artist was right to stab this painting. It's terrible.
  • Art colonies were a weird source of fascination for pulpy writers of the '40s-'50s. There was probably some presumption of casual nudity and free love, although Zombie Veronica here looks well and properly dressed.
  • "Bye bye, painting. I'll miss you."

Bant93bc
Best things about this back cover:
  • OK, that's a pretty persuasive first sentence. I like the idea of her husband running at her with a dagger and her just ... stepping aside. Like some weird torero.
  • "Need more be said?" Yes, it need. It need be more said.
  • That little sketch of the woman is pretty pathetic, but these endpapers are pretty boss!:
Bant93endpapers-1

Page 123~

I said, rubbing my head, "Don't ask me riddles. I want some borscht, shaslik, and about two quarts of iced coffee."

Hey, that's *my* hangover remedy. Wait, what's "shaslik"? Sounds like something Mork would say to Orson.

~RP

[Follow Rex Parker on Twitter and Tumblr]

Sunday, May 17, 2015

Paperback 881: Please Write For Details / John D. MacDonald (Gold Medal R1922)

Paperback 881: Gold Medal R1922 (unknown ptg, 1968)

Title: Please Write for Details
Author: John D. MacDonald
Cover artist: Uncredited [Mitchell Hooks]

Estimated value: $5-8

[Donation to the collection courtesy of L. Gagne]

GM1922
Best things about this cover:
  • Love how all those dorky guys are checking her out, but she's swiveled around to face you because, well, you're doing the same thing, big boy. She has the best "Like what you see?" face ever.
  • I am not familiar with MacDonald's comedy writing. Most everything else I have by him is Travis McGee stuff.
  • This book takes place at a "Mexican art colony," in case you're looking at the dorky guys and going "WTF?"

GM1922bc
 Best things about this back cover:
  • "Why, yes. Yes, I *do* enjoy those three things. You've piqued my interest. I *will* write for details. Thanks for your help."
  • That first sentence is an epic, loony, self-parodying masterpiece. Can you hitch your starload to a bent?
  • Great hyphen confusion. I read "love-lies" as "lies one tells about love"; but it's just "lovelies."
  • John D. MacDonald, still staring down that fly on the ceiling.

Page 123~

Torrigan had the usual ideas, all right, but he was a lot easier to handle. Hinting you could be a real hell of a painter if he'd let you learn all about Life from him. Always trying to load your drinks. And that tired game that goes I've-just-got-my-arm-around-you-because-I'm-just-a-big-friendly-guy. No trick in handling him.

Nothing like a good, withering take-down of a leering phony. I like the knowing, implicitly female perspective. This seems like it might be worth reading.

~RP

[Follow Rex Parker on Twitter and Tumblr]
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