Random Longbox

TITLE: Avengers Spotlight #40

PUBLISHER: Marvel Comics

COVER DATE: January 1991

COVER PRICE: $1.00

22 pages


WHAT I REMEMBER...

I think my love for this title is entirely based on the premise of what it could have been, rather than what it ended up being. On paper, this seemed like a sure thing. You have what is essentially a Hawkeye solo-series mashed together with a second story featuring past and current Avengers who didn't have their own title.

All right, on second thought maybe that isn't necessarily the text book example of what a hit series could be. Hawkeye solo series don't have a track record of lengthy runs, with this title being the exception to the rule. As for the second story, whether you call them co-features or two-in-ones or anthologies, there's just no getting around the "not necessary" or "filler" label that so often plagues them.

No matter...in my perfect world this title would've just celebrated its 250th issue. But it didn't make it to its sestercentennial issue, it only made it to number forty.

That's right, this issue was the last one for Avengers Spotlight. The last four issues of the title broke format slightly and where single issue stories about characters other than Hawkeye. This particular one focuses on my all-time favorite Avenger, the Vision!

The fact that I don't remember anything about it other than the awesome cover by Steve Lightle doesn't bode well for this issue. Let's get reading and see what's up.

Re/Vision

• Story: Len Kaminski and Carrie Barre
• Penciller: Gavin Curtis
• Inker: Dan Panosian
• Letterer: Chris Eliopoulos
• Colorist: Renee Witterstaetter
• Editor: Mark Gruenwald
• Editor in Chief: Tom DeFalco

Three pages of pseudo-computer tech speak is not necessarily the best way to set the excitement for what I'm sure is coming. We did learn two things, however. First, the vision can store about a terabyte worth of audio visual data. That seems woefully insufficient for a state-of-the-art android Avenger, but I suppose twenty years ago it was pie in the sky, wishful thinking.

Second, everything checks out okay except for this lack of purpose thing. I guess that's where we're heading with this story, to find a purpose for the Vision.

Who better to turn to when you need a little pep talk than Captain America. The man practically bleeds selfless leadership and guidance.

Then again, I guess he has a hot date to go antiquing.

An Avenger always has a backup plan, and for the Vision it's newspaper advice columns.

The Vision takes Ann Landers' advice to heart, and seeks out the counsel of a therapist to help him figure out his purpose. In this case, he seeks out the help of Miles Lipton, the pre-eminent researcher in artificial intelligence and consciousness theory.

His verdict? Use a handy-dandy holographic image inducer to go out into society and interact with real people.

On a sidenote, whatever happened to holographic image inducers? They used to be everywhere in the 80's and 90's, but have seemed to have faded away since then. I guess we really are a more tolerable society, eh?

While we pondered that bit of trivia, the Vision completed his assignment and is the process of checking back in with the good doctor to talk about what he observed when his programming hits a glitch.

Luckily for the doctor, the Visions internal systems can be accessed by a couple of stray blue wires hanging out of his back. It makes you wonder why Ultron never thought to do that...slacker.

Back at his lab, Miles figures out what is wrong with Visions programming. Ever since he was disassembled, wiped clean, and reassembled, the Vision has been without a human brain pattern to provide the non-linear aspect of his personality. In a bout of incredible coincidence, Miles just happens to have a brain pattern template saved on a floppy disk that he can use to help the vision.

The pattern belongs to his son, who has recently passed away under mysterious circumstances. And since his son is no longer alive, the Vision will not be conflicted about copying another living persons brain patterns. Just as they begin the process to download them, they are interrupted by the sudden appearance of some mobsters. It would appear that they where involved with his sons death, and they're coming back to put some more pressure on Miles to stop snooping around.

Seizing an opportunity when they see it, they "convince" the doctor to come with them and reprogram the now comatose Vision to work for them. He agrees, but unknown to them, he plans on doing the old "double-cross" with the programming while using the brain patterns of his murdered son to help the Vision find purpose.

Once online, the two hatch a plan to put a stop to the mobster's mad-cap scheme. And here, the Vision does something I don't think I've ever seen him do before. He turns as intangible as he can get and enters the body of one of the gangsters and takes control of his central nervous system?

Jumping from body to body, the Vision manages to put all of the gangsters out of commission and gets a confession from the head honcho that he is responsible for killing Miles' son in the first place. Hopefully the Vision spared a gigabyte or two to record the confession.

In the end, all's well that ends well as the Vision takes the first steps towards learning to function with human brain patterns again and Miles gets back to living his life knowing that justice has been done for his son.

SO, WHAT DID WE LEARN

I now realize why the only thing I could remember about this issue was the cover...and damn, that's a nice looking cover. It's really about the only thing worth mentioning.

The story itself was an interesting concept, but the execution just seemed a bit obvious and a tad too reliant on coincidences. I'll definitely give it a solid B+ for effort, but it just seemed to limp along from scene to scene without much drama. Same goes for the art, as it did what it needed to, but not much else.

I guess I can also understand why the series petered out after forty issues...there just wasn't much life to this issue. Although maybe that was an intentional meta-reference on the nature of programming versus emotion.

Yeah, probably not.

TITLE: The Mighty Thor #365

PUBLISHER: Marvel Comics

COVER DATE: March 1986

COVER PRICE: $0.75

22 pages


WHAT I REMEMBER...

My first comic book collecting obsession was with The Avengers, so I have a lot of love for Thor. It took me a while, however, to begin reading his own title on a monthly basis. I started around issue #390, so I unfortunately just missed out on reading one of the best comic book runs of all time as it was coming out.

Or at least that's what I've always heard. I had every intention of picking up those back issues, but for some reason I never did. I blogged earlier about a collection from a friend of one of my in-laws that was given to me, and in that collection was about a dozen issues of Walt Simonson's run of Thor. I still haven't gotten around to reading any of them yet, but rest assured the Walter Simonson Thor Omnibus will be mine once it's released.

So long story short...The issue we're reading today is from that collection and I haven't read it yet, nor do I know what happens in it. I guess the only thing to do now is to read it!

Guess Who's Coming To Dinner or It's Not Easy Being Green!

• Art & Story by Walter Simonson
• Lettering by John Workman
• Colors by Max Scheele
• Editing by Ralph Macchio
• Editor in Chief Jim Shooter

So as it turns out, we have a bit of a special issue here and I didn't even realize it...it's the issue where Thor is a frog!

Throg!?

Did that name ever catch on? If the Clone Thor from Civil War got a cool nickname (Clor, obviously), I think it's only fair that Thor Frog should get one too.

Since it's a special occasion and all, let's break format and live a little. Download "Ain't Got No Home" by Clarence Brown and put it on your iPod and let's live blog this frog!

10:03 pm (page 1 panel 1) As the issue opens up, Thor is already a frog and is hopping through the sewers of New York being inexorably drawn to a pied piper and his soothing tunes.

10:06 pm (page 2 panel 2) Through the magic of thought balloons (take that, modern comics) we find out that Loki has transformed Thor into a frog, but he has nothing to do with the fellow playing flute.

Thor being Thor, he takes matters into his own hands and frog smacks the piper in the face and runs off with his flute!

10:09pm (page 3 panel 4) I think Walter Simonson is some sort of mad genius. I submit as proof this shot of a frog holding a magic flute in his mouth while kicking a dead rat into the gaping jaws of an alligator!


10:14pm (page 5 panel 1) So back in the surface world, it appears that we're in the middle of a battle between a pack of rats and a reservoir of frogs? And it appears to be played rather straight...seriously.

10:17pm (page 5 panel 3) The lead rats name is Ratso!

10:20pm (page 6 panel 1) Back up in Asgard, another altogether different battle wages as the citizens of Asgard gather to pick who will lead them during Odin's absence. To Loki's surprise, in walks Thor! After all, didn't he just turn him into a frog on Midgard?

10:22pm (page 6 panel 3) Loki manages to get the althing delayed for a week, enough time for him to investigate this fake Thor and to use his arrival to his advantage.

10:26pm (page 8 panel 1) Loki follows Thor and Heimdall to their private chambers, where he turns himself into a fly to better spy on them unseen.


10:27pm (page 8 panel 5) Am I the only one seeing a problem with Loki turning himself into a fly while Thor is currently in the body of a frog? Granted, they're on two different planes of reality, but I still question your judgement Loki.

10:31pm (page 9 panel 2) Back on Earth, the rats are on the offensive against the frogs for the control of Central Park.

And there's another rat named Rizzo...I should've seen that coming.

10:33pm (page 10 panel 2) They're in for a surprise however, as the alligators from the alley have followed Thor to the surface and have decided to feast on the rats.

10:36pm (page 11 panel 5) While currently trapped in the body of frog, Thor is still the hero and now he must find a way to alert the authorities that there are a bunch of alligators in Central Park before any innocents get hurt.

Unfortunately for him, the piper has found him and soon has his flute back and Thor on the run (or hop, so to speak).


10:42pm (page 13 panel 2) Back in Asgard, Loki has discovered the true identity of the impostor Thor. It is Harokin, working in concert with Heimdall, trying to stall the meeting until they can find the real Thor and bring him back to Asgard.

10:45pm (page 14 panel 5) On Earth, Thor catches a break as the Piper recognizes in this wild frog a kindred spirit. Taking his flute, he begins to play and leads the alligators back into the sewers, leaving the frogs in control of Central Park.

Is it me, or does the Piper look a little like a certain writer/artist named Walter Simonson?

10:51pm (page 17 panel 1) The council of frogs soon gather and unanimously elect Thor to be their king after his successful guidance helped them defeat the rats.

Unfortunately for them, Thor is destined to lead a different species.

10:56pm (page 18 panel 3) Thor soon finds his way back to his two faithful goats, Toothgnasher and Toothgrinder, who have stood watch over might Mjolnir during his absence.

10:59pm (page 19 panel 7) Urged on by Toothgnasher, he hops over to his hammer, determined to lift it and reclaim his birthright.

At just the same time, two of the wayward rats return seeking revenge on the frog who bested them.

11:01pm (page 21 panel 2) And here's the money shot we were all waiting for...

The Mighty Throg in all his resplendent glory!

11:03pm (page 22 panel 2) Did I mention that Simonson was a mad genius? Who else could get away with a shot of a frog dressed in Thor's armor while driving a chariot pulled by two flying goats?

Glorious stuff.

SO, WHAT DID WE LEARN...

The big thing we learned from this issue is that I was fool for letting this run stay unread for so long. I've always loved Walter Simonson's work, and this issue was the work of a man at the top of his game.

His Thor, while trapped in the body of a frog, was both majestic and heroic while his Loki was conniving and deceitful. What more could you want in a Thor comic?

It took twenty-some pages to get the return of Thor, so to speak, and the visual payoff was worth the whole price of admission. I wonder how easy of a sell it was for him to convince the editors to let him turn Thor into a frog, much less do it in a straight-faced manner that is remembered fondly by the readers, not jokingly.

Like I said, the man's a mad genius as he was also the same creator that replaced the members of the Fantastic Four with the likes of Wolverine, Spider-Man, Hulk, and Ghost Rider...and it worked just as well.

Unfortunately, this is the last issue of his Thor run that I have. To say that reading this issue has increased my anticipation of the upcoming Walter Simonson Thor Omnibus is a bit of an understatement.

TITLE: Doctor Strange #2

PUBLISHER: Marvel Comics

COVER DATE: August 1974

COVER PRICE: $0.25

18 pages


WHAT I REMEMBER...

I love me some good Doctor Strange. Unfortunately, for as long as he's been around there's been a lot more chaff than wheat. Luckily for us, that Randomizer gave us a heaping helping of the good stuff. This was Doctor Strange's first self-titled series, and the first couple of dozen issues are some of my favorites.

The icing on the cake? The first half a dozen of those featured some truly epic art by Frank Brunner. There are three people that tackled the good doctor, that in my opinion are the holy trinity of Doctor Strange artists. Steve Ditko set the stage for Doc and his world in the Silver Age. Frank Brunner then came on and amped things up for the Bronze Age. And for the Modern Age, it doesn't get any better than Jackson Guice. That right there is about all you need as far as Doctor Strange is concerned.

The best of the crop from the 70's run are the issues that verged on the trippy. This issue falls squarely in that category as Doc is trapped in the Orb of Agamotto, fighting for his astral life while his body lies mortally wounded in the real world. The main protagonist for this particular story is the less than threatening Silver Dagger, but he's sidelined for the most part, as Strange desperately searches for a way out of the Orb.

Let's not waste any more time talking about it, and read it already...

A Separate Reality

• Co-Plotters: Steve Englehart and Frank Brunner
• Author: Steve Englehart
• Artist: Frank Brunner
• Inker: Dick Giordano
• Colorist: Frank Brunner
• Lettering: John Costanza
• Editor: Roy Thomas

And for those of you coming in late to the party, here's a recap of what happened last issue, right on page one.

So maybe the Silver Dagger stabbed him in the back instead of beheading him, but the dramatization is for the benefit of Clea who was taken prisoner by Silver Dagger last issue. It's his hope that seeing her beloved mistreated in this fashion, will break her spirit. Clea may be new to the realm of sorcery, but she's no dummy. She knows that if anyone can defeat the Silver Dagger, it's Doctor Strange.

Speaking of Doctor Strange, let's check in with him within the realm of the Orb of Agamotto.

Yikes...a winged, soul sucking space worm! Good thing Clea can't see this, as her confidence in Stephen would be sorely tested as his soul gets sucked up and swallowed whole.

What she doesn't know, is that Doc is about to get some help from some unlikely allies. First among them? The Silver Surfer.

So while the Surfer thinks he has arrived too late to save another victim of the Soul-Eater, what he doesn't realize is that the victim was Doctor Strange. Even without a mortal body, he is far from defenseless. Attacking the central nervous system of the creature, he manages to get himself vomited back to what passes for reality inside the orb.

Curiously, the Surfer does not recognize Doctor Strange. Since they've been team mates for the last two years, that can only mean that the Orb is pulling images from Doc's mind and making them manifest in its realm to interact with him. Their first task? Find his body, which has decided to go on a bit of a walkabout after having the soul sucked from it by the Soul Eater.

Following it's rambling footprints, they trail the mortal shell to a strange castle. What's even stranger is what they find inside the castle.

All right all you heroes, it's time to get crazy drunk on some off the Hulk's tea. And you don't turn down a cup of Hulk's tea, as that would make him angry...and you wouldn't like him very much when he's angry.

Reunited with his body, Doctor Strange is willing to throw caution to the wind and not only refuse Hulk's tea, but decides to leave the party early as well. Bad move, Doc.

Doctor Strange manages a spell or two of obfuscation that has the Defenders attacking phantom versions of himself. That leaves them wide open for a whammy of a spell that knocks 'em all unconscious, right as the Soul-Eater returns.

Luckily for Doctor Strange, not all of orb-created manifestations were quite as reactionary. With the help of the Silver Surfer and Valkyrie, they deduce that the Soul-Eater will keep on coming as Doc is the only one in the orb with an actual soul. To save himself, he must confront death itself at the center of the orb. Only then will he be able to free himself and return to the mortal world to save his beloved Clea.

With Valkyrie's winged horse as his guide, Doctor Strange closes out the issue heading right for the center of the Orb of Agamotto...sure of himself, and his actions, for the first time in a long time.

SO, WHAT DID WE LEARN...

First and foremost, never turn down tea with the Hulk. If he doesn't get his regular dose of caffeine, look out!

Do you think he favors green tea or gray? I guess it depends on what his skin color at the time is. Do they have red tea?

Steve Englehart and Frank Brunner craft a well done tale, putting Doctor Strange through a series of challenges where he must use his mind in a world where the reality is a warped version of his memories. It allows just the right amount of trippyness, while giving him plenty of foes to battle, both familiar and bizarre.

I always love a good Doctor Strange story where he's essentially fighting himself, or manifestations pulled from his consciousness or powers, and this one doesn't disappoint. The use of the Defenders as visualizations of the superhero world as seen through the twisted lens of the Orb is the perfect meta-commentary on the team itself. Strange, bizarre, and seemingly thrown together at random with nothing but a vague sense of camaraderie (or Hulk's tea) holding them together.

Frank Brunner's artwork is just as good as I remember, truly shining when he gets to let loose with dimensions and perspective inside the surreal world of the Orb. It's a shame that we only got five or six issues with him on the art, but it's a testament to his talent that they loom so large in my memory.

All in all, this was a heckuva book and definitely one of the highlights of the Bronze Age. I only wish that they could capture this sense of what makes a good Doctor Strange story and apply it to today's Doctor Strange.

TITLE: Wolverine #125

PUBLISHER: Marvel Comics

COVER DATE: June 1998

COVER PRICE: $2.99

40 pages


WHAT I REMEMBER...

So here's a first for me (and it's also something I completely forgot about until earlier today). This post will actually be the second time that I've written an on-line review for this very issue. The sharper readers among you are all ready to point out that this is the first issue of Wolverine that we've reviewed here...and didn't I just mention that very same fact a post or two ago?

Well you're right, and to find that first review we're going to have to go way back to ye olden days of the internet. Back when we used to have to walk uphill in three feet of snow to access our dial-up modems in all of their 56 kbit/s glory. The year was 1998 and my isp was AOL. I can't quite remember too clearly, but they used to offer some sort of limited, five-page website/myspace like thing. Being the vanguard of the internet frontier that I was, I thought I could use it to throw up a review or two.

Also at this time, Claremont was making his first return to the X-Verse after his rather abrupt departure after relaunching X-Men back in 1991. What better issue to kick off my new review site with than this one?

Obviously, nothing ever amounted to that first foray into internet stardom, as I think I may have written three reviews before moving on. Who knows how different the internet would be today if I had stuck with it, eh? If I get some time this week, I'm going to do some digging to see if I can unearth a copy of that review. It's got to be on an old floppy disk somewhere, but the hard part is going to be able to find a computer that still has a floppy drive in this USB flash drive world.

So what did I think of the issue back then? I remember really liking it, and you know what? It still holds up pretty well upon rereading.

Logan's Run!

• Writer: Chris Claremont
• Penciller: Leinil Francis Yu
• Inker: Edgar Tadeo & Gerry Alanguilan
• Colors: Jason Wright
• Letters: Richard Starkings & Comicraft/EM
• Editor: Mark Powers
• Editor in Chief: Bob Harras

Here's the thing...I've been pondering over how to approach this review for over a week. As I said earlier, it's a pretty good issue that still holds up, but for some reason I'm having a hard time getting a handle on making this an entertaining review.

I could do a straight summary but this issue is forty pages, and these are forty pages written in Chris Claremont's wonderfully wordy style. To make matters worse, the first ten pages are a dream sequence! Nothing makes me lose interest more quickly than having to read or watch somebody else's dream.

On top of that, Wolverine doesn't even show up until over halfway through the issue. What we have instead is sort of a This Is Your Life-like trip through the ladies of Logan's love life, with Jubilee as our guide.

Haunted by dreams of Logan in trouble, it's up to Jubilee to keep him safe from his pursuers. Who are the people chasing him? None other than all of the ladies that Logan has been close to over the years...Jean Gray, Rogue, Yukio, Psylocke, Tyger Tiger, Jessica Drew, and Shadowcat.

They're all decked out in Viper green, which makes you think that maybe she has something to do with all of this. Spoiler alert...she does, and it's up to Jubilee and Shadowcat to find out what it is and keep Wolverine safe at the same time.

So why does this issue work so well?

Let's find out, but here's the thing, I don't think I'm going to convert anyone over to being an X-Fan with this review. I completely understand why some people aren't and have no interest in being one. Hell, it's been six or seven years since I've considered myself one. But I cut my teeth on Claremont in the mid-80's, so I've always allowed Claremont (and his excesses) a rather long leash.

Instead, I'm just gonna take a rather stream of consciousness trip through this issue and point out what I did enjoy.

CHRIS CLAREMONT

This man is responsible for some of the most enjoyable comics in my collection. The 80's was a glorious time to be an X-Fan, and a big part of that can be laid of the feet of this man. Unfortunately, his track record since leaving the X-Men for the first time has been rather lackluster at best.

The Randomizer did us a favor and actually picked one of the highlights from this period for us to read. There's something about Wolverine that just seems right in the hands of Chris Claremont. I've never been that big of a Wolverine fan, but there's something about a Claremont Wolverine story that appeals to me.

That dialogue just shouldn't work when being read with a straight-face. There's a fine line between corny and bad-ass, but somehow he manages to straddle it with no problem.

It also makes his eventual reveal in this issue send chills up my spine.

You see, you read that dialogue in a vacuum and it's just gonna fall falt. But if you put it in a dialogue box with the arrow pointing at Wolverine...it's game, set and match! It also doesn't hurt to have the image drawn by Leinil Francis Yu. And speaking of...

LEINIL FRANCIS YU

I remember this guy starting out on Wolverine about a year before this issue came out, and he really had a style that stood out and made me a fan right away. Following Adam Kubert and Marc Silvestri on Wolverine is no easy feat, but Yu's style was very complimentary to what had come before, while at the same time being a little slicker and less aggressive.

From the opening shot of Jubilee on the run--

--to the debut of a couple of deadly ladies--

--to the Jubilee and Shadowcat fashion show--

--to the big throwdown between Viper and Logan--

--he gets it right every time.

JUBILEE & KITTY PRYDE

The Dick Grayson and Tim Drake to Wolverine's Bruce Wayne.

Wolverine needs a sidekick like Batman needs a Robin. He doesn't actually, but the fact that he has one humanizes him and brings him back down to earth. Some of my favorite Wolverine stories have also involved either Jubilee or Kitty Pryde. Throw 'em both together, and it's winner winner, chicken dinner!

SO, WHAT DID WE LEARN

I make no apologies here, but I don't think we've learned too much here except for the identity of a few of my biases towards what makes a good Wolverine story. Your mileage may very, and I'm pretty sure it probably does. I haven't read a new issue of a comic with Wolverine in it since Rucka's run, maybe? Somebody's enjoying them though, as he's what...in about a dozen different books these days?

That right there makes me glad that I have issues like these in my longbox collection to fall back on.

Now that I think of it, I think there is one thing that I've learned while rereading this. Even with all of the books that Wolverine's in, I think there is actually room for one more that I would actually read. Give me a Wolverine/Shadowcat/Jubilee team book, similar to a Birds of Prey type thing, written by Chris Claremont and I just might be tempted to break my current Marvel embargo.

TITLE: The Avengers #150

PUBLISHER: Marvel Comics

COVER DATE: August 1976

COVER PRICE: $0.25

18 pages


WHAT I REMEMBER...

As I mentioned on the last post, I just recently reread this issue so the events are pretty fresh in my mind. It doesn't help, that this issue serves as a vehicle for reprinting bits and pieces of stories that any Avengers or Marvel fan should know by heart. And honestly, if you don't know what happened in Avengers #4, you should probably just hang it up.

I'll cut the non-Avenger reader some slack if they're unfamiliar with Wonder Man's introduction in #9, and I might even be lenient about ignorance with the first big wholesale line-up change in issue #16 if you catch me on a good day.

And you know what? Today is a good day, because this issue reprints those exact issues. So while we don't get a new Avengers line-up until the next issue, we are treated to some highlights of the first year and half of Avengers history, courtesy of Messrs. Lee and Kirby. If that wasn't enough, we also get a framing sequence by Steve Englehart and George Perez.

Let's get right to it, and in the interest of still having something to say when and if the Randomizer picks issue #9 or 16, I'm going to forgo the full on review and just geek out for the remainder of this issue and soak up all that Lee, Kirby and Perez have to offer.

Since this was the anniversary of 150 issues of The Avengers, let's see if I can find 150 things to geek out about in these eighteen pages. Everybody synchronize your watches, and we're off...

1. Awesome cover by Ron Wilson and Frank Giacoia! That right there is just about the perfect Avengers line-up. Swap out Hawkeye for Hellcat, and I could read about these guys all day long.


2. It only cost two bits!


3. Great issue title. Avengers Assemble! It's also a great catch-phrase, but why does it work as well as it does? It's not like assemble is the most action-packed verb around, and it definitely doesn't translate to other super-hero teams nearly as well. Champions Congregate! Fantastic Four Forgather! Metal Men Muster! It's a true mystery for the ages.


4. Stan Lee


5. Jack Kirby


6. George Perez

I'm probably cheating by listing the creative team separately, but I gotta get to 150 somehow. Besides, those guys are legends and deserve the honor. And while I've acknowledged that I'm playing fast and loose with the rules, these guys ain't nothing to sneeze at either...


7. Steve Englehart


8. John Tartag


9. Duffy Vohland


10. Dick Ayers


11. Denise Wohl


12. Artie Simek


13. I love time travelling villains


14. Irene Vartanoff


15. Archie Goodwin


16. Avengers Trope #41: The assembled mass of people and reporters outside of Avengers Mansion. I love this visual, as it really drives home the accessibility of these heroes. You couldn't do this with a moon base.


17. Yellowjacket. You can keep your Ant-Man, Giant-Man, Goliath, Wasp, Scientist Supreme, or Dr. Pym identities. To me, Hank Pym will always be Yellowjacket (although I do kinda like the sound of that Scientist Supreme one).


18. Crazy wild coincidence! That just happens to be the 150th different costume that the Wasp has worn in her tenure with the Avengers so far.


19. Another crazy wild coincidence! I think I may have just made that last fact up out of thin air.


20. It's not named here, but one can only wonder if that is Korr that Yellowjacket is riding on.


21. The Wasp's fiery streak! She's come a long way in the past 118 issues.


22. A bonus shout out for referencing continuity from the previous year...and in a Marvel book, no less. Those were the days.


23. Jarvis' striped pants and tails. There's a butler who dresses for success.


24. Avengers Trope #81: Monogrammed chairs! Nothing says super-hero headquarters like monogrammed chairs.


25. Although, for each of them supposedly having chairs "especially reserved for them", it would appear that the Beasts and Hellcats are pretty interchangeable. One can only assume that their decals are waiting if they make the cut into the new line-up.


26. Appropriate that Iron Man's symbol is that of both iron and man.


27. Avengers Trope #68: Overly dramatic resignations!
    
    But I guess when you're dealing with the god of thunder, you should expect a little bluster every now and again.


28. Thor's abrupt announcement leads us to our first flashback to Avengers #1 and the formation of the team, helpfully recapped by the local newscaster reporting from outside. It was pretty awesome that the news station had Kirby on staff to provide some artist's renderings of the action.


29. It turns out, it's actually George Perez that they had on staff. I just checked the panels that I assumed were reprinted from Avengers #1 with the actual issue, but they're not the same. So there you go, a little Perez after Kirby for you. Here's another...


30. I like how Iron Man keeps his options open. You know, just in case this whole Avengers thing doesn't pan out.


31. This was obviously the Hulk from his more verbose, catch-phrase spewing youth.


32. Overly officious membership by-laws.


33. Wait a minute...isn't everyone here? Couldn't you just do a show of hands and get the new chairman installed with an actual mandate behind him? We all know what happens when a leader gets appointed, rather than elected.


34. Here's Perez' take on Kirby's classic scene of a frozen cap from Avengers #4.


35. Followed shortly by a nice Perez ala Heck re-imagining.
    
    
36. There's something right about George Perez drawing Wonder Man. He's one of the few that can make his myriad of questionable costumes seem not quite so questionable.


37. With the flashbacks coming this quickly, it's only a matter of time until we're at the formation of the new Avengers in Avengers #16. And with it, our first glimpse of actual Kirby art.
    
    And not a moment too soon, as the old Avengers seem to be in a spot of trouble!


38. Avengers Trope #92: Nothing says let me onto your team more than an "I just kicked your teams ass" introduction!



39. Hawkeye!


40. Flashbacks within flashbacks. Were there no editors back then. But it's Hawkeye, so we'll give him a pass.
    
    


41. And what of old Jarvis tied up in the corner? No hard feelings I'm sure, but we'll see how quickly your tea and biscuits gets delivered the next time your feeling a bit peckish, eh Hawkeye?


42. ZZZZZZZIT!


43. TWANNNNNG!


44. SSSSSSST!


45. Three arrows loosed from the same bow at the same time, and only one of them sounds like an actual arrow. Although in all fairness, I think that last sound effect is actually coming from the snake that Hawkeye used to tie up Jarvis' legs with, so we're all good. It's probably a good thing he was around to get that snake before something drastic happened, eh?


46. More by-laws! Good thing there's an employee manual to get the new members up to speed.


47. Watch that wandering eye, Jan! You know your man is a bit of a loose cannon, right?


48. One reformed villain joined up, so why not offer a spot to Namor, The Sub-Mariner?


49. Denied!


50. He'd come around in about a hundred issues or so, and end up palling around with the Avengers for a good few years. I actually have a lot of love for Namor in the Avengers as his arrival came right around the time I started reading the books on a regular basis.


51. Don't fret Iron Man, there's plenty of b-list villains hanging around that are just dying to join up.


52. Old-timey social networking at its finest. I long for the days when you could have a membership drive using the want ads.


53. Quicksilver's hair, the beta-testing for Logan's hairdo.


54. Self-deprecating Stan.
    
    I guess even Stan gets tired of Magneto boasting in those early issues, as we have yet another flashback in a flashback dealing with the origin of Quicksilver and The Scarlet Witch.


55. Old-timey social networking at its finest, part two.
    
    I guess the equivalent today would be tweeting your request for membership to #avengersmemberdrive.


56. Quicksilver has lovely penmanship for someone who, and I'm only assuming here, writes really fast.


57. Captain America fighting jungle beasts! Why? Who cares, as we've had a real lack of action in this issue.


58. If only he would've fought a gorilla, we would've come full circle from our last post.


59. I guess this is still early in Cap's career, as he hasn't mastered the art of ricocheting his shield back to him with every throw. There's nothing more foolish than a super-hero picking his shield up off the ground.


60. Back in the states, Cap is still on his jungle high and looks to avoid the assembled reporters in true, man of action style.
    
    Surely there has to be a secret door somewhere, eh?


61. Reunions!
    
    Just because the other Avengers are kid-sized to Giant-Man, shouldn't give him permission to treat them as such.


62. Time-travelling villains! Although isn't there some sort of paradox being violated by having two disparate versions of the same character commenting about the same thing in real time?


63. Did I mention that I love time-travelling villains? Maybe I'll go back in time and mention it there too!


64. The drama...oh, the drama!


65. Really Rick Jones? I mean really? (with apologies to Seth and Amy)


66. Tip for Rick Jones on getting into the Avengers. Try robbing a bank or subjugating mankind first. It seemed to work out all right for the new line-up.


67. I think Tony Stark is the poster child for personal reasons.


68. Overly dramatic exits...


69. ...and new beginnings!

And that brings the 150th issue extravaganza to a close. Let's see how we did on our quest to find 150 interesting things about Avengers #150. After totaling up the judges scores, it looks like we got to 69...so close, so close.

Lucky for you, you won't be going home empty-handed. That's right, along with the home version of the Random Longbox board game, every reader will also be going home with the identity of the new line-up that was teased in this very issue, but never revealed.

Here it is, enjoy...

(oh, and spoilers I suppose, for those of you not up on your 34 year old continuity)

As far as line-ups go, it doesn't get much better than that.