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Showing posts with label trees. Show all posts
Showing posts with label trees. Show all posts

Sunday, August 04, 2019

Trees Struggle and New Character

I suck at backgrounds but every now and then I take a whack at them just out of curiosity. Here are some trees I sketched a couple days ago.
 
 

 I got frustrated with trees then tried my hand at some desert life.


Well that was none too encouraging either.

Maybe some sea life (without the damn backgrounds) might ease my frustration.


 Not so much. Well here are some heads I saw on the news.
 Hey did you ever notice that news reporters and anchors have their own unique dialogue mouth shapes? I've been wanting to study that for awhile and finally got down to it after my tree fails.


 Some even have fish lips.
Oh and here's Francie Fancy-Ass promoting my color doodles.
Fancy-Ass Color Doodles


Saturday, October 16, 2010

trees

Hans Bacher did a series of posts on trees and I pulled some of my favorites.
ALl these have not only stylish and personal finishes, but bold and distinct form under the details.














MORE TREES AND ANALYSIS BY HANS

Tuesday, July 06, 2010

Gnarly Tree Shafts

Here is the dissected anatomy of a tree shaft - it's made of subordinate tubes that cling together to make the bigger form.
Here are some good and rude trees to practice hierarchy on.


2 CONTRASTING URGES MAKE THE TREE'S FORM

Here the sub tubes are wrenched apart. The feeling I get from the form of trees is that they are constructed out of opposing forces. One major force is trying to hold all the sub forms together. For part of the tree that force is strong and binds the tubes tightly. Nearer the top of the tree, the tubes themselves have an irresistible urge to peel apart from each other. They want to escape the domination of the tree, but the power at the center is too massive to pull totally away from.

These tree tumors look fun to draw. They lack shame.
Frazetta's approach to trees and hierarchy is similar to Post's. He doesn't paint every detail. Instead he suggests the major forms and some of the sub forms that crawl along the overall shape of the trees. Also like Post, he uses liberal and pleasing negative spaces to frame the solid objects in the compositions.

Frazetta's details are wrapped around the direction and form of the twisting tortured tubes of tree meat. Smooth buttocks help set off the rugged texture of the trees.
Trees compose around characters.