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The Hate U Give | ShotOnWhat?

Sound Effects Editor The Hate U Give (2018)

Directed by: George Tillman Jr.

Cinematography by: Mihai Malaimare Jr.

Edited by: Alex Blatt, Craig Hayes

Cameras: Panavision Millennium DXL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision Primo 70 Lenses, Panavision Ultra Panatar Anamorphic Lenses

War for the Planet of the Apes | ShotOnWhat?

Fx Editor: Apes War for the Planet of the Apes (2017)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses

Logan | ShotOnWhat?

Sound Effects Editor Logan (2017)

Directed by: James Mangold

Cinematography by: John Mathieson

Edited by: Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

La La Land | ShotOnWhat?

Sound Fx Editor La La Land (2016)

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens

Dawn of the Planet of the Apes | ShotOnWhat?

Sound Effects Editor Dawn of the Planet of the Apes (2014)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Wild | ShotOnWhat?

Sound Effects Editor Wild (2014)

Directed by: Jean-Marc Vallée

Cinematography by: Yves Bélanger

Edited by: Martin Pensa, Jean-Marc Vallée

Cameras: ARRI ALEXA XT Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Super Speed Lenses

The Wolverine | ShotOnWhat?

Sound Effects Editor The Wolverine (2013)

Directed by: James Mangold

Cinematography by: Ross Emery

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera

Chasing Mavericks | ShotOnWhat?

Fx Editor Chasing Mavericks (2012)

Directed by: Michael Apted, Curtis Hanson

Cinematography by: Bill Pope

Edited by: John Gilbert

Cameras: ARRI ALEXA Camera, Red Epic Camera

Diary of a Wimpy Kid: Rodrick Rules | ShotOnWhat?

Sound Effects Editor Diary of a Wimpy Kid: Rodrick Rules (2011)

Directed by: David Bowers

Cinematography by: Jack N. Green

Edited by: Troy Takaki

Cameras: Panavision Cameras

Alvin and the Chipmunks: Chipwrecked | ShotOnWhat?

Fx Editor Alvin and the Chipmunks: Chipwrecked (2011)

Directed by: Mike Mitchell

Cinematography by: Thomas E. Ackerman

Edited by: Peter Amundson

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

X: First Class | ShotOnWhat?

Sound Editor X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Knight and Day | ShotOnWhat?

Sound Effects Editor Knight and Day (2010)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Quincy Z. Gunderson, Michael McCusker

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

X-Men Origins: Wolverine | ShotOnWhat?

Foley Editor X-Men Origins: Wolverine (2009)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Nicolas De Toth, Megan Gill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

Alvin and the Chipmunks: The Squeakquel | ShotOnWhat?

Fx Editor Alvin and the Chipmunks: The Squeakquel (2009)

Directed by: Betty Thomas

Cinematography by: Anthony B. Richmond

Edited by: Matt Friedman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses

Mother and Child | ShotOnWhat?

Sound Effects Editor Mother and Child (2009)

Directed by: Rodrigo García

Cinematography by: Xavier Grobet

Edited by: Steven Weisberg

Bride Wars | ShotOnWhat?

Fx Editor Bride Wars (2009)

Directed by: Gary Winick

Cinematography by: Frederick Elmes

Edited by: Susan Littenberg

Cameras: ARRI Cameras

All About Steve | ShotOnWhat?

Fx Editor All About Steve (2009)

Directed by: Phil Traill

Cinematography by: Tim Suhrstedt

Edited by: Rod Dean, Virginia Katz

Cameras: Panavision Cameras

Night at the Museum: Battle of the Smithsonian | ShotOnWhat?

Foley Editor Night at the Museum: Battle of the Smithsonian (2009)

Directed by: Shawn Levy

Cinematography by: John Schwartzman

Edited by: Dean Zimmerman, Don Zimmerman

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision Primo Anamorphic Lenses

Case 39 | ShotOnWhat?

Sound Effects Editor Case 39 (2009)

Directed by: Christian Alvart

Cinematography by: Hagen Bogdanski

Edited by: Mark Goldblatt

Tropic Thunder | ShotOnWhat?

Dialogue Editor Tropic Thunder (2008)

Directed by: Ben Stiller

Cinematography by: John Toll

Edited by: Greg Hayden

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Hairspray | ShotOnWhat?

Sound Effects Editor Hairspray (2007)

Directed by: Adam Shankman

Cinematography by: Bojan Bazelli

Edited by: Michael Tronick

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Master Prime Lenses

We Are Marshall | ShotOnWhat?

Dialogue Editor We Are Marshall (2006)

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Gregg London, Priscilla Nedd-Friendly

Bug | ShotOnWhat?

Effects Editor Bug (2006)

Directed by: William Friedkin

Cinematography by: Michael Grady

Edited by: Darrin Navarro

Kicking & Screaming | ShotOnWhat?

Sound Effects Editor Kicking & Screaming (2005)

Directed by: Jesse Dylan

Cinematography by: Lloyd Ahern II

Edited by: Stuart H. Pappé, Peter Teschner

Team America: World Police | ShotOnWhat?

Sound Effects Editor Team America: World Police (2004)

Directed by: Trey Parker

Cinematography by: Bill Pope

Edited by: Thomas M. Vogt

Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera

Lenses: Panavision Lenses, Panavision Primo Close Focus Spherical Lenses

The Terminal | ShotOnWhat?

Sound Effects Editor The Terminal (2004)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

S.W.A.T. | ShotOnWhat?

Sound Effects Editor S.W.A.T. (2003)

Directed by: Clark Johnson

Cinematography by: Gabriel Beristain

Edited by: Michael Tronick

Blood Work | ShotOnWhat?

Sound Effects Editor Blood Work (2002)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Star Trek: Nemesis | ShotOnWhat?

Sound Effects Editor Star Trek: Nemesis (2002)

Directed by: Stuart Baird

Cinematography by: Jeffrey L. Kimball

Edited by: Dallas Puett

The Scorpion King | ShotOnWhat?

Sound Effects Editor The Scorpion King (2002)

Directed by: Chuck Russell

Cinematography by: John R. Leonetti

Edited by: Greg Parsons, Michael Tronick

Rush Hour 2 | ShotOnWhat?

Foley Editor / Sound Effects Editor Rush Hour 2 (2001)

Directed by: Brett Ratner

Cinematography by: Matthew F. Leonetti

Edited by: Mark Helfrich, Robert K. Lambert

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Rock Star | ShotOnWhat?

Sound Effects Editor Rock Star (2001)

Directed by: Stephen Herek

Cinematography by: Ueli Steiger

Edited by: Trudy Ship

Cameras: Panavision Cameras

Lara Croft: Tomb Raider | ShotOnWhat?

Sound Effects Editor Lara Croft: Tomb Raider (2001)

Directed by: Simon West

Cinematography by: Peter Menzies Jr.

Edited by: Dallas Puett, Glen Scantlebury, Eric Strand, Mark Warner

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Crocodile Dundee in Los Angeles | ShotOnWhat?

Sound Editor: Los Angeles Crocodile Dundee in Los Angeles (2001)

Directed by: Simon Wincer

Cinematography by: David Burr

Edited by: Terry Blythe

For the Cause | ShotOnWhat?

Sound Editor For the Cause (2000)

Directed by: David Douglas, Tim Douglas

Cinematography by: Adolfo Bartoli

Edited by: Irit Raz

Shanghai Noon | ShotOnWhat?

Sound Editor Shanghai Noon (2000)

Directed by: Tom Dey

Cinematography by: Dan Mindel

Edited by: Richard Chew

The Ladies Man | ShotOnWhat?

Sound Effects Editor The Ladies Man (2000)

Directed by: Reginald Hudlin

Cinematography by: Johnny E. Jensen

Edited by: Earl Watson

The Bachelor | ShotOnWhat?

Sound Editor The Bachelor (1999)

Directed by: Gary Sinyor

Cinematography by: Simon Archer

Edited by: Robert M. Reitano, Florence Vinger

True Crime | ShotOnWhat?

Sound Effects Editor True Crime (1999)

Directed by: Clint Eastwood

Cinematography by: Jack N. Green

Edited by: Joel Cox

The 13th Warrior | ShotOnWhat?

Sound Fx Editor The 13th Warrior (1999)

Directed by: John McTiernan, Michael Crichton

Cinematography by: Peter Menzies Jr.

Edited by: John Wright

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Straight Story | ShotOnWhat?

Sound Effects Editor The Straight Story (1999)

Directed by: David Lynch

Cinematography by: Freddie Francis

Edited by: Mary Sweeney

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses

Rush Hour | ShotOnWhat?

Sound Effects Editor Rush Hour (1998)

Directed by: Brett Ratner

Cinematography by: Adam Greenberg

Edited by: Mark Helfrich

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Armageddon | ShotOnWhat?

Sound Editor Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Holy Man | ShotOnWhat?

Sound Editor Holy Man (1998)

Directed by: Stephen Herek

Cinematography by: Adrian Biddle

Edited by: Trudy Ship

Money Talks | ShotOnWhat?

Sound Editor Money Talks (1997)

Directed by: Brett Ratner

Cinematography by: Russell Carpenter, Robert Primes

Edited by: Mark Helfrich

Midnight in the Garden of Good and Evil | ShotOnWhat?

Sound Effects Editor Midnight in the Garden of Good and Evil (1997)

Directed by: Clint Eastwood

Cinematography by: Jack N. Green

Edited by: Joel Cox

Cameras: Panavision Cameras

Absolute Power | ShotOnWhat?

Sound Effects Editor Absolute Power (1997)

Directed by: Clint Eastwood

Cinematography by: Jack N. Green

Edited by: Joel Cox

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Speed 2: Cruise Control | ShotOnWhat?

Sound Editor Speed 2: Cruise Control (1997)

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Alan Cody

Telling Lies in America | ShotOnWhat?

Sound Editor Telling Lies in America (1997)

Directed by: Guy Ferland

Cinematography by: Reynaldo Villalobos

Edited by: Jill Savitt

Amistad | ShotOnWhat?

Sound Editor Amistad (1997)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Platinum Camera

Lenses: Zeiss Super Speed Lenses

Eraser | ShotOnWhat?

Sound Effects Editor Eraser (1996)

Directed by: Chuck Russell

Cinematography by: Adam Greenberg

Edited by: Michael Tronick

Cameras: Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

The Crow: City of Angels | ShotOnWhat?

Foley Editor The Crow: City of Angels (1996)

Directed by: Tim Pope

Cinematography by: Jean-Yves Escoffier

Edited by: Michael N. Knue, Anthony Redman

Star Trek: First Contact | ShotOnWhat?

Sound Effects Editor Star Trek: First Contact (1996)

Directed by: Jonathan Frakes

Cinematography by: Matthew F. Leonetti

Edited by: John W. Wheeler

Cameras: Panavision Panaflex Platinum Camera, Wescam Cameras

Lenses: Panavision C Series Anamorphic Lenses

Greedy | ShotOnWhat?

Dialogue Editor Greedy (1994)

Directed by: Jonathan Lynn

Cinematography by: Gabriel Beristain

Edited by: Tony Lombardo

Beverly Hills Cop III | ShotOnWhat?

Supervising Sound Editor Beverly Hills Cop III (1994)

Directed by: John Landis

Cinematography by: Mac Ahlberg

Edited by: Dale Beldin

Undercover Blues | ShotOnWhat?

Sound Editor Undercover Blues (1993)

Directed by: Herbert Ross

Cinematography by: Donald E. Thorin

Edited by: Priscilla Nedd-Friendly

Falling Down | ShotOnWhat?

Sound Editor Falling Down (1993)

Directed by: Joel Schumacher

Cinematography by: Andrzej Bartkowiak

Edited by: Paul Hirsch

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Sliver | ShotOnWhat?

Sound Effects Editor Sliver (1993)

Directed by: Phillip Noyce

Cinematography by: Vilmos Zsigmond

Edited by: Richard Francis-Bruce, William Hoy, Bert Lovitt

Schindler's List | ShotOnWhat?

Sound Editor Schindler's List (1993)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Editing System: Moviola Editing System

The Three Musketeers | ShotOnWhat?

Sound Editor The Three Musketeers (1993)

Directed by: Stephen Herek

Cinematography by: Dean Semler

Edited by: John F. Link

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Rich in Love | ShotOnWhat?

Sound Editor Rich in Love (1992)

Directed by: Bruce Beresford

Cinematography by: Peter James

Edited by: Mark Warner

Cameras: Panavision Cameras

The Mighty Ducks | ShotOnWhat?

Sound Editor The Mighty Ducks (1992)

Directed by: Stephen Herek

Cinematography by: Thomas Del Ruth

Edited by: Larry Bock, John F. Link

Oscar | ShotOnWhat?

Sound Editor Oscar (1991)

Directed by: John Landis

Cinematography by: Mac Ahlberg

Edited by: Dale Beldin

Hook | ShotOnWhat?

Sound Editor Hook (1991)

Directed by: Steven Spielberg

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Class of 1999 | ShotOnWhat?

Dialogue Editor Class of 1999 (1990)

Directed by: Mark L. Lester

Cinematography by: Mark Irwin

Edited by: Scott Conrad

Mr. Destiny | ShotOnWhat?

Sound Editor Mr. Destiny (1990)

Directed by: James Orr

Cinematography by: Alex Thomson

Edited by: Michael R. Miller

Pretty Woman | ShotOnWhat?

Sound Editor Pretty Woman (1990)

Directed by: Garry Marshall

Cinematography by: Charles Minsky

Edited by: Raja Gosnell, Priscilla Nedd-Friendly

Marked for Death | ShotOnWhat?

Sound Editor Marked for Death (1990)

Directed by: Dwight H. Little

Cinematography by: Ric Waite

Edited by: O. Nicholas Brown

Falling in Love Again | ShotOnWhat?

Assistant Film Editor, Editor Falling in Love Again (1980)

Directed by: Steven Paul

Cinematography by: Dick Bush, Michael Mileham, Wolfgang Suschitzky

Edited by: Jacqueline Cambas, Doug Jackson, Bud S. Smith

Cameras: ARRI Cameras

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