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Second Act | ShotOnWhat?

Director Of Photography Second Act (2018)

Directed by: Peter Segal

Cinematography by: Ueli Steiger

Edited by: Jason Gourson

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI Ultra Wide Zoom 9.5-18mm T2.9 Lens

Doctor Strange | ShotOnWhat?

Additional Photography Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Frau Ella | ShotOnWhat?

Cinematographer Frau Ella (2013)

Directed by: Markus Goller

Cinematography by: Ueli Steiger

Edited by: Simon Gstöttmayr

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens

Vatertage - Opa über Nacht | ShotOnWhat?

Cinematographer Vatertage - Opa über Nacht (2012)

Directed by: Ingo Rasper

Cinematography by: Ueli Steiger

Edited by: Ueli Christen

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens

Eine ganz heiße Nummer | ShotOnWhat?

Cinematographer Eine ganz heiße Nummer (2011)

Directed by: Markus Goller

Cinematography by: Ueli Steiger

Edited by: Markus Goller, Simon Gstöttmayr

Cameras: Moviecam Compact MK2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens

Nosso Lar | ShotOnWhat?

Director Of Photography Nosso Lar (2010)

Directed by: Wagner de Assis

Cinematography by: Ueli Steiger

Edited by: Marcelo Moraes

Cameras: Moviecam Compact MK2 Camera, Moviecam Superlight Camera

Lenses: Angenieux Lenses, Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Friendship! | ShotOnWhat?

Cinematographer Friendship! (2010)

Directed by: Markus Goller

Cinematography by: Ueli Steiger

Edited by: Markus Goller, Olivia Retzer

Cameras: Moviecam Compact MK2 Camera, Moviecam Superlight Camera

Lenses: Angenieux Lenses, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Do Começo ao Fim | ShotOnWhat?

Director Of Photography Do Começo ao Fim (2009)

Directed by: Aluizio Abranches

Cinematography by: Ueli Steiger

Edited by: Fábio S. Limma

Cameras: Aaton Cameras

Lenses: Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens, Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens

The Maiden Heist | ShotOnWhat?

Director Of Photography The Maiden Heist (2009)

Directed by: Peter Hewitt

Cinematography by: Ueli Steiger

Edited by: Carole Kravetz Aykanian

Cameras: Moviecam Compact MK2 Camera, Moviecam Superlight Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

10,000 BC | ShotOnWhat?

Director Of Photography 10,000 BC (2008)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: Alexander Berner

Cameras: ARRI Cameras, Moviecam Cameras

Lenses: Angenieux Lenses, Zeiss Lenses

Cinematographer Style | ShotOnWhat?

Himself Cinematographer Style (2006)

Directed by: Jon Fauer

Cinematography by: Jon Fauer, Brian Heller, Jeffrey Laszlo, David Morgan

Edited by: Matthew R. Blute

The Day After Tomorrow | ShotOnWhat?

Director Of Photography The Day After Tomorrow (2004)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: David Brenner

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Editing System: Avid Editing System

Holes | ShotOnWhat?

Director Of Photography: Splinter Unit Holes (2003)

Directed by: Andrew Davis

Cinematography by: Stephen St. John

Edited by: Thomas J. Nordberg, Jeffrey Wolf

Rock Star | ShotOnWhat?

Director Of Photography Rock Star (2001)

Directed by: Stephen Herek

Cinematography by: Ueli Steiger

Edited by: Trudy Ship

Cameras: Panavision Cameras

Just Visiting | ShotOnWhat?

Director Of Photography Just Visiting (2001)

Directed by: Jean-Marie Poiré

Cinematography by: Ueli Steiger

Edited by: Michael A. Stevenson

Cameras: Panavision Cameras

The Patriot | ShotOnWhat?

Director Of Photography: Second Unit The Patriot (2000)

Directed by: Roland Emmerich

Cinematography by: Caleb Deschanel

Edited by: David Brenner, Christopher Holmes, Julie Monroe

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Bowfinger | ShotOnWhat?

Cinematographer Bowfinger (1999)

Directed by: Frank Oz

Cinematography by: Ueli Steiger

Edited by: Richard Pearson

Austin Powers: The Spy Who Shagged Me | ShotOnWhat?

Director Of Photography Austin Powers: The Spy Who Shagged Me (1999)

Directed by: Jay Roach

Cinematography by: Ueli Steiger

Edited by: Debra Neil-Fisher, Jon Poll

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Godzilla | ShotOnWhat?

Cinematographer Godzilla (1998)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: Peter Amundson, David Siegel

Con Air | ShotOnWhat?

Director Of Photography: Second Unit Con Air (1997)

Directed by: Simon West

Cinematography by: David Tattersall

Edited by: Chris Lebenzon, Steve Mirkovich, Glen Scantlebury

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Independence Day | ShotOnWhat?

Additional Photographer Independence Day (1996)

Directed by: Roland Emmerich

Cinematography by: Karl Walter Lindenlaub

Edited by: David Brenner

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

The Long Kiss Goodnight | ShotOnWhat?

Additional Photographer The Long Kiss Goodnight (1996)

Directed by: Renny Harlin

Cinematography by: Guillermo Navarro

Edited by: William Goldenberg

Chasers | ShotOnWhat?

Cinematographer Chasers (1994)

Directed by: Dennis Hopper

Cinematography by: Ueli Steiger

Edited by: Christian Wagner

Singles | ShotOnWhat?

Cinematographer Singles (1992)

Directed by: Cameron Crowe

Cinematography by: Tak Fujimoto, Ueli Steiger

Edited by: Richard Chew

Soapdish | ShotOnWhat?

Director Of Photography Soapdish (1991)

Directed by: Michael Hoffman

Cinematography by: Ueli Steiger

Edited by: Garth Craven

The Hot Spot | ShotOnWhat?

Director Of Photography The Hot Spot (1990)

Directed by: Dennis Hopper

Cinematography by: Ueli Steiger

Edited by: Wende Phifer Mate

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