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Thor: Ragnarok | ShotOnWhat?

Director Of Photography: Second Unit Thor: Ragnarok (2017)

Directed by: Taika Waititi

Cinematography by: Javier Aguirresarobe

Edited by: Zene Baker, Joel Negron

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

San Andreas | ShotOnWhat?

Director Of Photography: Australia, Second Unit San Andreas (2015)

Directed by: Brad Peyton

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Mad Max: Fury Road | ShotOnWhat?

Director Of Photography: Second Unit Mad Max: Fury Road (2015)

Directed by: George Miller

Cinematography by: John Seale

Edited by: Margaret Sixel

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Avid Editing System

Stealth | ShotOnWhat?

Additional Photographer Stealth (2005)

Directed by: Rob Cohen

Cinematography by: Dean Semler

Edited by: Stephen E. Rivkin

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Beyond Borders | ShotOnWhat?

Director Of Photography: Second Unit Beyond Borders (2003)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Nicholas Beauman

The Quiet American | ShotOnWhat?

Additional Photographer The Quiet American (2002)

Directed by: Phillip Noyce

Cinematography by: Christopher Doyle

Edited by: John Scott

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Crocodile Hunter: Collision Course | ShotOnWhat?

Director Of Photography The Crocodile Hunter: Collision Course (2002)

Directed by: John Stainton

Cinematography by: David Burr

Edited by: Suresh Ayyar, Bob Blasdall

Crocodile Dundee in Los Angeles | ShotOnWhat?

Director Of Photography Crocodile Dundee in Los Angeles (2001)

Directed by: Simon Wincer

Cinematography by: David Burr

Edited by: Terry Blythe

Vertical Limit | ShotOnWhat?

Additional Photographer Vertical Limit (2000)

Directed by: Martin Campbell

Cinematography by: David Tattersall

Edited by: Thom Noble

Komodo | ShotOnWhat?

Cinematographer Komodo (1999)

Directed by: Michael Lantieri

Cinematography by: David Burr

Edited by: Michael Fallavollita

Flash | ShotOnWhat?

Director Of Photography 'The Wonderful World of Disney' Flash (1997)

Television Episode, Television Movie

Directed by: Simon Wincer

Cinematography by: David Burr

Edited by: Corky Ehlers

Beyond Rangoon | ShotOnWhat?

Director Of Photography: Second Unit Beyond Rangoon (1995)

Directed by: John Boorman

Cinematography by: John Seale

Edited by: Ron Davis

Bad Boy Bubby | ShotOnWhat?

Contributing Cinematographer Bad Boy Bubby (1993)

Directed by: Rolf de Heer

Cinematography by: Ian Jones

Edited by: Suresh Ayyar

Cameras: Technovision Cameras

Lenses: Technovision Lenses

Till There Was You | ShotOnWhat?

Director Of Photography: Second Unit Till There Was You (1991)

Directed by: John Seale

Cinematography by: Geoffrey Simpson

Edited by: Jill Bilcock

The Mosquito Coast | ShotOnWhat?

Camera Operator: Second Unit Photography The Mosquito Coast (1986)

Directed by: Peter Weir

Cinematography by: John Seale

Edited by: Thom Noble

Mesmerized | ShotOnWhat?

Camera Operator Mesmerized (1985)

Directed by: Michael Laughlin

Cinematography by: Louis Horvath

Edited by: Petra von Oelffen

Escape 2000 | ShotOnWhat?

Camera Operator Turkey Shoot (1982)

Directed by: Brian Trenchard-Smith

Cinematography by: John R. McLean

Edited by: Alan Lake

The Pirate Movie | ShotOnWhat?

Camera Operator The Pirate Movie (1982)

Directed by: Ken Annakin

Cinematography by: Robin Copping

Edited by: Ken Zemke

Cameras: Panavision Cameras

Gallipoli | ShotOnWhat?

Focus Puller Gallipoli (1981)

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: William M. Anderson

Cameras: Panavision Cameras

Breaker Morant | ShotOnWhat?

Focus Puller Breaker Morant (1980)

Directed by: Bruce Beresford

Cinematography by: Donald McAlpine

Edited by: William M. Anderson

The Club | ShotOnWhat?

Focus Puller The Club (1980)

Directed by: Bruce Beresford

Cinematography by: Donald McAlpine

Edited by: William M. Anderson, David Wu

Fatty Finn | ShotOnWhat?

Focus Puller Fatty Finn (1980)

Directed by: Maurice Murphy

Cinematography by: John Seale

Edited by: Robert Gibson

My Brilliant Career | ShotOnWhat?

Focus Puller My Brilliant Career (1979)

Directed by: Gillian Armstrong

Cinematography by: Donald McAlpine

Edited by: Nicholas Beauman

The Getting of Wisdom | ShotOnWhat?

Focus Puller The Getting of Wisdom (1977)

Directed by: Bruce Beresford

Cinematography by: Donald McAlpine

Edited by: William M. Anderson

Don Quixote | ShotOnWhat?

Clapper Loader Don Quixote (1973)

Directed by: Robert Helpmann, Rudolf Nureyev

Cinematography by: Geoffrey Unsworth

Edited by: Anthony Buckley

Cameras: Mitchell BNC Camera

Lenses: Angenieux 24-240 mm f2.6 Zoom Lens

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