Directed by: David Mackenzie
Cinematography by: Barry Ackroyd
Edited by: Jake Roberts
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision Lenses
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Directed by: Timur Bekmambetov
Cinematography by: Oliver Wood
Editing System: Avid Editing System
Directed by: F. Gary Gray
Cinematography by: Matthew Libatique
Cameras: Red Epic Dragon Camera
Directed by: Patricia Riggen
Cinematography by: Checco Varese
Edited by: Michael Tronick
Directed by: Baltasar Kormákur
Cinematography by: Oliver Wood
Edited by: Michael Tronick
Cinematography by: Shane Hurlbut
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Platinum Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Michael Tronick
Cameras: ARRI ALEXA Camera
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Christian Wagner
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Directed by: Bruce Hendricks
Edited by: Michael Tronick
Directed by: Bruce Hendricks
Edited by: Michael Tronick
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Directed by: Adam Shankman
Cinematography by: Michael Barrett
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Directed by: Ben Affleck
Cinematography by: John Toll
Edited by: William Goldenberg
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Michael Tronick
Directed by: Clark Johnson
Cinematography by: Gabriel Beristain
Edited by: Michael Tronick
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Directed by: Boaz Yakin
Cinematography by: Philippe Rousselot
Edited by: Michael Tronick
Directed by: Les Mayfield
Cinematography by: David Eggby
Edited by: Michael Tronick
Directed by: Martin Brest
Cinematography by: Emmanuel Lubezki
Directed by: Mick Jackson
Cinematography by: Theo van de Sande
Directed by: Chuck Russell
Cinematography by: Adam Greenberg
Edited by: Michael Tronick
Directed by: Geoff Murphy
Cinematography by: Robbie Greenberg
Edited by: Michael Tronick
Directed by: Gregg Champion
Cinematography by: Dean Semler
Edited by: Michael Tronick
Directed by: Tony Scott
Cinematography by: Jeffrey L. Kimball
Directed by: Martin Brest
Cinematography by: Donald E. Thorin
Directed by: Jerry Rees
Cinematography by: Donald E. Thorin
Directed by: Tony Scott
Cinematography by: Ward Russell
Directed by: Michael Lehmann
Cinematography by: Dante Spinotti
Directed by: Tony Scott
Cinematography by: Ward Russell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Martin Brest
Cinematography by: Donald E. Thorin
Directed by: Arthur Hiller
Cinematography by: David M. Walsh
Edited by: Tom Rolf
Cameras: Panavision Cameras
Directed by: Tony Scott
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: John McTiernan
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Cameras
Cinematography by: Jan de Bont
Directed by: Richard Attenborough
Cinematography by: Ronnie Taylor
Edited by: John Bloom
Directed by: Walter Hill
Cinematography by: Andrew Laszlo
Directed by: Bob Fosse
Cinematography by: Sven Nykvist
Edited by: Alan Heim
Directed by: Arthur Hiller
Cinematography by: David M. Walsh
Edited by: John C. Howard
Directed by: Walter Hill
Cinematography by: Ric Waite
Directed by: Garry Marshall
Cinematography by: Donald Peterman
Edited by: Dov Hoenig
Directed by: Jerry Belson
Cinematography by: Philip H. Lathrop
Edited by: Billy Weber
Directed by: Hal Ashby
Edited by: Lisa Day
Directed by: Jean-Claude Tramont
Cinematography by: Philip H. Lathrop
Edited by: Marion Rothman
Directed by: Warren Beatty
Cinematography by: Vittorio Storaro
Cameras: Technovision Cameras
Lenses: Technovision Lenses
Directed by: Michael Crichton
Cinematography by: Paul Lohmann
Edited by: Carl Kress
Directed by: Robert Greenwald
Cinematography by: Victor J. Kemper
Edited by: Dennis Virkler
Directed by: Bob Fosse
Cinematography by: Giuseppe Rotunno
Edited by: Alan Heim
Cameras: Panavision Cameras
Directed by: Timothy Galfas
Cinematography by: Gary Graver
Edited by: Herbert H. Dow
Editing System: Moviola Editing System