Directed by: Michael Apted
Cinematography by: Jaime Reynoso
Edited by: Dorian Harris
Directed by: Michael Apted
Cinematography by: Robert McLachlan
Edited by: Lynne Willingham
Directed by: Mikael Håfström, Todd A. Kessler, Ed Bianchi, Michael Morris, Jean de Segonzac, Johan Renck, Daniel Zelman, Mario Van Peebles, Daniel Attias, Adam Bernstein, Simon Cellan Jones, Tate Donovan, Carl Franklin, Alex Graves, Dennie Gordon, Stephen Williams, Michael Apted, David Manson
Edited by: Josh Beal, Naomi Geraghty, Deborah Moran, Louise Innes, Lynne Willingham, Dorian Harris, Justin Krohn, Ravi Subramanian, Aaron Kuhn, Jill Paget
Cameras: Sony PMW-F55 Camera
Directed by: Michael Apted
Cinematography by: Matthew Jensen
Edited by: Peter B. Ellis
Directed by: John Dahl, Michael Uppendahl, Tucker Gates, David Hollander, Allen Coulter, Daniel Attias, Colin Bucksey, Guy Ferland, Michael Apted, Lesli Linka Glatter, Phil Abraham, Liev Schreiber, Robert McLachlan, Daisy von Scherler Mayer, Stephen Williams, Zetna Fuentes, Daniel Minahan, Jeremy Podeswa, Greg Yaitanes, Ed Bianchi, Tricia Brock, James Whitmore Jr., Carl Franklin, Denise Di Novi, Tarik Saleh, Joshua Marston
Cinematography by: Robert McLachlan, Matthew Jensen, Loren S. Yaconelli, Roy H. Wagner, David Franco, Tim Nagasawa, Dan Stoloff
Edited by: Lynne Willingham, Harvey Rosenstock, John Axness, Peter B. Ellis, Sidney Wolinsky, Tanya M. Swerling, Susan Godfrey, Amy Colla, Garret Donnelly, John Duffy, Miriam Kim
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Cinematography by: Bill Pope
Edited by: John Gilbert
Cameras: ARRI ALEXA Camera, Red Epic Camera
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Directed by: Michael Apted
Cinematography by: Remi Adefarasin
Edited by: Rick Shaine
Cameras: ARRI Cameras
Cinematography by: George Jesse Turner
Edited by: Kim Horton
Directed by: Michael Apted
Cinematography by: Seamus McGarvey
Edited by: Rick Shaine
Cameras: Panavision Panaflex Camera
Directed by: Michael Apted
Cinematography by: Adrian Biddle
Edited by: Jim Clark
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Jim Clark
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Directed by: Francis Ford Coppola
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 535 Camera
Directed by: Michael Apted
Cinematography by: Roger Deakins
Edited by: Ian Crafford
Cameras: ARRI Cameras
Directed by: Michael Apted
Cinematography by: Conrad L. Hall
Edited by: Ian Crafford
Directed by: Michael Apted
Cinematography by: John Seale
Edited by: Stuart Baird
Cameras: ARRIFLEX 35 BL4s Camera
Directed by: Thomas Rickman
Cinematography by: Jan Kiesser
Edited by: Steve Mirkovich
Directed by: Michael Apted
Cinematography by: Ralf D. Bode
Edited by: Dennis Virkler
Cameras: ARRI ARRIFLEX Series Cameras, J-D-C Camera
Directed by: Michael Apted
Cinematography by: John Bailey
Edited by: Dennis Virkler
Directed by: Michael Apted
Cinematography by: Ralf D. Bode
Edited by: Arthur Schmidt
Directed by: Michael Apted
Cinematography by: Dennis C. Lewiston
Edited by: John Shirley
Directed by: Michael Apted
Edited by: Andrew Page
Directed by: Michael Apted
Edited by: David Naden
TV Short
Directed by: Paul Almond
Edited by: Lewis Linzee