Countdown to 2026: Day 9 – Fairy lights

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Day 9 – Fairy lights
something magical

Calypso

📚 Calypso,
by Oliver K. Langmead
Scifi poetry!
2024
224 pages
Read for my Bookbound project

This was a big discovery for me, probably my most unique book of the year:
a kind of vast science-fiction fresco between the creation of the world in Genesis, and The Odyssey, AND all in free verse!
Absolutely magical.

MY VERDICT:
A unique sci-fi boundary-pushing verse epic: ancient myth meets futuristic engineering, challenging readers to navigate humanity’s choice between technological dominance and ecological stewardship.
A compelling reading experience I will not easily forget.

Click on the cover to read my full ecstatic review

WHAT’S YOUR LAST MAGICAL BOOK?

PLEASE GIVE ME YOUR LINK
IF YOU’RE PARTICIPATING IN THIS MEME.

OR JUST TELL ME YOUR BOOK
THAT
WOULD WORK FOR THIS PROMPT.
SEE YOU TOMORROW!

Book review: West Wind

West Wind

📚 West Wind,
by Mary Oliver
Poetry / Nature
1997
80 pages
It counts for #Nonficnov 2025

I have been reading all of Mary Oliver’s collections in chronological order.

I love this collection by Mary Oliver, as once again here in West Wind, she highlights a deep connection with nature and life.

Her poems are simple but powerful, helping you find peace and calm.
They allude to the changing seasons, life, and death, and they remind you to slow down and appreciate the small, quiet moments around you.

Oliver’s words often make you feel like you are really part of the natural world, noticing plants, animals, and the landscape in a very close way.
The poems encourage you to stop worrying about little things and instead focus on what truly matters—living fully and loving deeply.

A great invitation to enjoy the beauty around you and to think about how precious life is, inspiring you to live with more awareness and love.

Something that is unique – I have already read many collections of poems by Mary Oliver, and this is the first time I see it, is the way she structures several poems in this collection.
Here is an example:

Rain Tree_Mary Oliver

I liked it a lot: it gives a great flexibility and movement to the poem, as you are invited to read it both going down and sideways at the same time.

I’d like to share other passages I really enjoyed.
The meadowlark is one of my favorite birds, so I loved this:

The meadowlark is a spirit, and an epiphany, if I so desire it.

In this same prose poem entitled Three Songs, she has powerful passages about writing and language:

Language is, in other words, not necessary, but voluntary. If it were necessary, it would have stayed simple; it would not agitate our hearts with ever-present loveliness and ever-cresting ambiguity; it would not dream, on its long white bones, of turning into song.

And:

Mary Oliver_13

MY VERDICT:
A gentle invitation to slow down, connect deeply with nature, and find peace in life’s quiet moments.

Eiffel-Tower#5Eiffel-Tower#5Eiffel-Tower#5Eiffel-Tower#5Eiffel-Tower#5

What do you think?
Who’s your favorite poet?

Noncfiction November 2025

#ParisinJuly2025: A unique French poetry book

Paris in July 2025

#ParisinJuly2025: A unique French poetry book

📚  📚 📚

Today, I’m presenting what might be the most unique poetry book you have ever heard of!

Cent mille milliards de poèmes

📚 Cent mille milliards de poèmes,
by Raymond Queneau
Poetry
1961
38 pages
Available in English as
A Hundred Thousand Billion Poems
Reading for #20booksofSummer2025

I really enjoy Raymond Queneau (1903-1976), the co-founder of the Oulipo movement.

What is Oulipo?
Oulipo (pronounced “oo-lee-po”) stands for Ouvroir de Littérature Potentielle, which translates to “Workshop of Potential Literature.” It is a literary movement founded in France in 1960 by a group of writers and mathematicians.
These writers’characteristic is that they create literature using self-imposed constraints.
The most famous example is the Lipogram, that is, writing a text without using a certain letter at all. Georges Perec’s novel La Disparition / A Void was written entirely without the letter “e”!
I really love this author, as well as another famous Oulipo member, from Italy: Italo Calvino.

I wanted to read Cent mille milliards de poèmes, and realized there was no way I could find it here in the US, but suddenly I found a website with the list of all the verses and I can play with it.
I’m using a lot of data from that website, translating it in English for you.

Raymond Queneau was the creator of a form of poetry called combinatorial poetry. It consists of creating on the fly a large number of poems based on a set of pre-written verses. Cent mille milliards de poèmes is based on this idea, hence the unicity of it!

According to Queneau’s own words in his preface

This little work allows anyone to compose at will one hundred thousand billion sonnets, all regular of course. It is, all in all, a sort of machine for making poems, but in limited number; it is true that this number, although limited, provides reading for nearly two hundred million years (reading twenty-four hours a day).

Queneau’s book-object offers the reader “a machine” (as he calls it) that allows you to combine verses in order to compose poems that conform to the classical form of the regular sonnet: two quatrains followed by two tercets, making fourteen verses.

The book contains 10 pages, each cut into 14 horizontal strips representing the 14 lines of a sonnet (see this short video). The front of each strip contains a single line. By turning the strips separately, you can therefore compose any of the 10¹⁴ poems! Obviously, the rhyme scheme is perfectly respected for all the poems that can be formed.

The website Emusicale.free.fr gives you all the verses (10 verses in 14 sets), and allows you to click on a verse in each set to make you own poem, and then print it.
You can also click on a button at the end of each set, to create a random poem without you choosing the verses!

Here is the poem I created today. I have tried several these past few days, and they all end up rather pessimistic, and hilarious!:

C’était à cinq o’clock que sortait la marquise
Pour consommer un thé puis des petits gâteaux
Sur la place un forain de feu se gargarise
Il chantait tout de même oui mais il chantait faux

Je me souviens encor de cette heure exquise
Quand se carbonisait la fureur des châteaux
Nous regrettions un peu ce tas de marchandise
Lorsqu’on voyait au loin flamber les arbrisseaux

Le brave a beau crier ah cré non saperlotte
Comme à Chandernagor le manant sent la crotte
Les croque-morts sont là pour se mettre au turbin

Cela considérant ô lecteur tu suffoques
Comptant tes abattis lecteur tu te disloques
Toute chose pourtant doit avoir une fin

I asked Claude.ai for an English translation. They managed to make it rime, but more like a Shakespearian sonnet. Still, brilliant!

It was at five o’clock the marquise went out
To consume some tea and petit fours so sweet
On the square a fire showman gave a shout
He sang all the same but his tune was not meet

I still remember that hour without doubt
When castle fury burned in summer heat
We regretted a bit that merchant’s route
When we saw distant shrubs in flames compete

The brave man cries in vain “ah blast and flout!”
Like Chandernagor where peasants smell of peat
The undertakers come to work throughout

Considering this, reader, you retreat
Counting your limbs, reader, you’re knocked about
Yet everything must find its end complete

  Eiffel-Tower#5Eiffel-Tower#5Eiffel-Tower#5Eiffel-Tower#5Eiffel-Tower#5

What do you think?
What is the most unique book you have ever read?
Please leave the link to your own post,
so I can visit.