Directed by: Adam Wingard
Cinematography by: David Tattersall
Edited by: Louis Cioffi
Cameras: Panasonic VariCam 35, Panasonic VariCam Camera
Directed by: Kirk Jones
Cinematography by: Jim Denault
Edited by: Mark Czyzewski
Cameras: Red Epic Dragon Camera
Directed by: Woo-Ping Yuen
Cinematography by: Newton Thomas Sigel
Edited by: Jeff Betancourt
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Bernat Vilaplana
Cameras: ARRI ALEXA XT Camera
Directed by: Jay Roach
Cinematography by: Jim Denault
Edited by: Alan Baumgarten
Cameras: ARRI ALEXA XT Camera
Directed by: Matthew Weiner
Cinematography by: Chris Manley
Edited by: Tom Wilson
Directed by: Matthew Weiner
Cinematography by: Chris Manley
Edited by: Christopher Gay
Directed by: Jared Harris
Cinematography by: Chris Manley
Edited by: Tom Wilson
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Chris Figler
Directed by: Jennifer Getzinger
Cinematography by: Chris Manley
Edited by: Christopher Gay
Directed by: Scott Hornbacher
Cinematography by: Chris Manley
Edited by: Tom Wilson
Directed by: Michael Uppendahl
Cinematography by: Chris Manley
Edited by: Chris Figler
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: JC Bond
Editing System: Avid Editing System
Directed by: Matthew Weiner
Cinematography by: Chris Manley
Edited by: Christopher Gay
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Chris Figler
Directed by: Chris Manley
Cinematography by: Don Devine
Edited by: Tom Wilson
Directed by: Scott Hornbacher
Cinematography by: Don Devine
Edited by: Christopher Gay
Directed by: Chris Manley
Cinematography by: M. David Mullen
Edited by: Chris Figler
Directed by: Michael Uppendahl
Cinematography by: Don Devine
Edited by: Tom Wilson
Directed by: Scott Hornbacher
Cinematography by: Chris Manley
Edited by: Christopher Gay
Directed by: James Ponsoldt
Cinematography by: Jess Hall
Edited by: Darrin Navarro
Cinematography by: Steven Douglas Smith
Edited by: Sam Seig
Cameras: ARRI ALEXA Camera
Directed by: Brian Helgeland
Cinematography by: Don Burgess
Cameras: Red Epic Camera
Editing System: Avid Editing System
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Cinematography by: Bruno Delbonnel
Cameras: ARRICAM Lite (LT) Camera
Editing System: Adobe Premiere Editing System, Final Cut Pro Editing System
Cinematography by: John Bailey
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA Camera
Directed by: John Carney
Cinematography by: Yaron Orbach
Edited by: Andrew Marcus
Cameras: Red Epic Camera
Editing System: Adobe Premiere Editing System
Directed by: John Wells
Cinematography by: Adriano Goldman
Edited by: Stephen Mirrione
Directed by: Matthew Weiner
Cinematography by: Chris Manley
Edited by: Christopher Gay
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Chris Figler
Directed by: Jennifer Getzinger
Cinematography by: Chris Manley
Edited by: Tom Wilson
Directed by: John Slattery
Cinematography by: Chris Manley
Edited by: Christopher Gay
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Chris Figler
Directed by: Michael Uppendahl
Cinematography by: Chris Manley
Edited by: Tom Wilson
Directed by: John Slattery
Cinematography by: Chris Manley
Edited by: Christopher Gay
Directed by: Jennifer Getzinger
Cinematography by: Chris Manley
Edited by: Chris Figler
Directed by: Chris Manley
Cinematography by: Don Devine
Edited by: Tom Wilson
Directed by: Michael Uppendahl
Cinematography by: Jeffrey Jur
Edited by: Christopher Gay
Directed by: Jon Hamm
Cinematography by: Chris Manley
Edited by: Chris Figler
Directed by: Scott Hornbacher
Cinematography by: Chris Manley
Edited by: Tom Wilson
Directed by: Scott Hornbacher
Cinematography by: Chris Manley
Edited by: Tom Wilson
Directed by: Greg Nicotero
Cinematography by: Rohn Schmidt
Edited by: Nathan Gunn
Directed by: Ernest R. Dickerson
Cinematography by: Rohn Schmidt
Edited by: Hunter M. Via
Directed by: Stefan Schwartz
Cinematography by: Rohn Schmidt
Edited by: Julius Ramsay
Directed by: David Boyd
Cinematography by: Rohn Schmidt
Edited by: Hunter M. Via
Directed by: Tricia Brock
Cinematography by: Rohn Schmidt
Edited by: Nathan Gunn
Directed by: Greg Nicotero
Cinematography by: Rohn Schmidt
Edited by: Julius Ramsay
Directed by: Seith Mann
Cinematography by: Rohn Schmidt
Edited by: Hunter M. Via
Directed by: Lesli Linka Glatter
Cinematography by: Rohn Schmidt
Edited by: Julius Ramsay
Directed by: Lorene Scafaria
Cinematography by: Tim Orr
Edited by: Zene Baker
Cameras: ARRI ALEXA Plus Camera
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Cameras: ARRI ALEXA Camera
Directed by: John Hillcoat
Cinematography by: Benoît Delhomme
Edited by: Dylan Tichenor
Cameras: ARRI ALEXA Camera
Directed by: Jason Moore
Cinematography by: Julio Macat
Edited by: Lisa Zeno Churgin
Cameras: ARRI ALEXA Camera
Directed by: Andrew Dominik
Cinematography by: Greig Fraser
Lenses: Panavision HS50 50 mm T1.1 Lens
Directed by: Gary Ross
Cinematography by: Tom Stern
Editing System: Avid Editing System
Directed by: Anthony Hemingway
Cinematography by: John B. Aronson
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera
Editing System: Lightworks Editing System
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Steven Weisberg
Cameras: ARRI ALEXA Camera
Cinematography by: Tristan Oliver
Edited by: Christopher Murrie
Cameras: Canon EOS-5D Mark II Camera
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Directed by: Marcus Dunstan
Cinematography by: Sam McCurdy
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses
Directed by: Daniel Barnz
Cinematography by: Roman Osin
Edited by: Kristina Boden
Cameras: ARRICAM Lite (LT) Camera
Directed by: David O. Russell
Cinematography by: Masanobu Takayanagi
Directed by: Chris Manley
Cinematography by: Don Devine
Edited by: Christopher Gay
Directed by: Matthew Weiner
Cinematography by: Chris Manley
Directed by: Phil Abraham
Cinematography by: Don Devine
Edited by: Tom Wilson
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Tom Wilson
Directed by: Scott Hornbacher
Cinematography by: Chris Manley
Edited by: Christopher Gay
Directed by: Michael Uppendahl
Cinematography by: Chris Manley
Edited by: Leo Trombetta
Directed by: Michael Uppendahl
Cinematography by: Chris Manley
Edited by: Leo Trombetta
Directed by: Scott Hornbacher
Cinematography by: Chris Manley
Edited by: Christopher Gay
Directed by: John Slattery
Cinematography by: Chris Manley
Edited by: Tom Wilson
Directed by: Matt Shakman
Cinematography by: Chris Manley
Edited by: Leo Trombetta
Directed by: Jon Hamm
Cinematography by: Chris Manley
Edited by: Tom Wilson
Directed by: Jennifer Getzinger
Cinematography by: Chris Manley
Edited by: Christopher Gay
Directed by: Jennifer Getzinger
Cinematography by: Chris Manley
Edited by: Christopher Gay
Directed by: Billy Gierhart
Cinematography by: Rohn Schmidt
Edited by: Nathan Gunn
Directed by: Daniel Sackheim
Cinematography by: Rohn Schmidt
Edited by: Hunter M. Via
Directed by: Guy Ferland
Cinematography by: Rohn Schmidt
Edited by: Robert Bramwell
Directed by: Guy Ferland
Cinematography by: Rohn Schmidt
Edited by: Julius Ramsay
Directed by: Greg Nicotero
Cinematography by: Rohn Schmidt
Edited by: Nathan Gunn
Directed by: Daniel Attias
Cinematography by: Rohn Schmidt
Edited by: Robert Bramwell
Directed by: Billy Gierhart
Cinematography by: Rohn Schmidt
Edited by: Nathan Gunn
Directed by: Ernest R. Dickerson
Cinematography by: Rohn Schmidt
Edited by: Julius Ramsay
Directed by: Ernest R. Dickerson
Cinematography by: Rohn Schmidt
Edited by: Julius Ramsay
Directed by: Guy Ferland
Cinematography by: Rohn Schmidt
Edited by: Hunter M. Via
Directed by: Greg Nicotero
Cinematography by: Rohn Schmidt
Edited by: Julius Ramsay
Directed by: Ernest R. Dickerson
Cinematography by: Rohn Schmidt
Edited by: Nathan Gunn
Directed by: Billy Gierhart
Cinematography by: Rohn Schmidt
Edited by: Hunter M. Via
Directed by: Clark Johnson
Cinematography by: Rohn Schmidt
Directed by: Wes Craven
Cinematography by: Peter Deming
Edited by: Peter McNulty
Cameras: Panavision Cameras
Directed by: Bruce Robinson
Cinematography by: Dariusz Wolski
Edited by: Carol Littleton
Lenses: Zeiss Ultra Prime Lenses
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Cameras: Panavision Panaflex Platinum Camera
Directed by: Oren Moverman
Cinematography by: Bobby Bukowski
Edited by: Jay Rabinowitz
Cameras: ARRI ALEXA Camera
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Directed by: Michel Hazanavicius
Cinematography by: Guillaume Schiffman
Cameras: ARRIFLEX 435 ES Camera
Editing System: Avid Editing System
Directed by: Gavin O'Connor
Cinematography by: Masanobu Takayanagi
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Editing System: Avid Editing System
Directed by: Michelle MacLaren
Cinematography by: Rohn Schmidt
Edited by: Julius Ramsay
Directed by: Guy Ferland
Cinematography by: Rohn Schmidt
Edited by: Nathan Gunn
Directed by: David Boyd
Cinematography by: Rohn Schmidt
Edited by: Hunter M. Via
Directed by: Billy Gierhart
Cinematography by: David Boyd
Edited by: Julius Ramsay
Directed by: Phil Abraham
Cinematography by: David Boyd
Edited by: Hunter M. Via
Directed by: Ernest R. Dickerson
Cinematography by: David Boyd
Edited by: Nathan Gunn
Cinematography by: David Boyd
Directed by: Florian Henckel von Donnersmarck
Cinematography by: John Seale
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Directed by: John Wells
Cinematography by: Roger Deakins
Edited by: Robert Frazen
Directed by: Paul Haggis
Cinematography by: Stéphane Fontaine
Edited by: Jo Francis
Cinematography by: Don Burgess
Edited by: Cindy Mollo
Cameras: Red One Camera
Directed by: Richard Levine
Cinematography by: Nancy Schreiber
Edited by: Pam Wise
Directed by: Andrew Jarecki
Cinematography by: Michael Seresin
Directed by: Greg Nicotero, Michael E. Satrazemis, Ernest R. Dickerson, David Boyd, Guy Ferland, Billy Gierhart, Jeffrey F. January, Michelle MacLaren, Tricia Brock, Seith Mann, Michael Slovis, Rosemary Rodriguez, Alrick Riley, Gwyneth Horder-Payton, Daniel Sackheim, Julius Ramsay, Jennifer Lynch, Kari Skogland, Dan Liu, Larry Teng, Michael Cudlitz, Frank Darabont, Johan Renck, Phil Abraham, Daniel Attias, Clark Johnson, Lesli Linka Glatter, Jeremy Podeswa, Stefan Schwartz, Michael Uppendahl, Larysa Kondracki, Stephen Williams, Avi Youabian, Darnell Martin, John Polson, Daisy von Scherler Mayer, Laura Belsey, Meera Menon, Millicent Shelton, Liesl Tommy
Cinematography by: Michael E. Satrazemis, Stephen Campbell, Rohn Schmidt, Duane Manwiller, David Boyd, Paul Varrieur, David Tattersall
Directed by: Guy Ferland
Cinematography by: David Boyd
Edited by: Hunter M. Via
Directed by: Ernest R. Dickerson
Cinematography by: David Boyd
Edited by: Julius Ramsay
Directed by: Johan Renck
Cinematography by: David Boyd
Edited by: Sidney Wolinsky
Directed by: Gwyneth Horder-Payton
Cinematography by: David Boyd
Edited by: Hunter M. Via
Directed by: Michelle MacLaren
Cinematography by: David Boyd
Edited by: Julius Ramsay
Directed by: Frank Darabont
Cinematography by: David Tattersall
Edited by: Hunter M. Via
Directed by: Rob Zombie
Cinematography by: Brandon Trost
Cameras: ARRI Cameras
Directed by: John Hillcoat
Cinematography by: Javier Aguirresarobe
Edited by: Jon Gregory
Cameras: ARRICAM Lite (LT) Camera
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Directed by: Henry Selick
Cinematography by: Pete Kozachik
Editing System: Avid Editing System
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Cara Silverman
Directed by: Joel Schumacher
Cinematography by: Darko Suvak
Edited by: Mark Stevens
Directed by: David R. Ellis
Cinematography by: Glen MacPherson
Edited by: Mark Stevens
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Directed by: Renny Harlin
Cinematography by: David Boyd
Edited by: Brian Berdan
Directed by: Kirk Jones
Cinematography by: Henry Braham
Edited by: Andrew Mondshein
Cinematography by: Xavier Grobet
Directed by: F. Gary Gray
Cinematography by: Jonathan Sela
Edited by: Tariq Anwar
Lenses: Cooke S4 Lenses
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Directed by: Burr Steers
Cinematography by: Tim Suhrstedt
Edited by: Padraic McKinley
Cameras: Panavision Panaflex Platinum Camera
Directed by: Miguel Arteta
Cinematography by: Chuy Chávez
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Directed by: Todd Graff
Cinematography by: Eric Steelberg
Edited by: John Gilbert
Cameras: Panavision Cameras
Directed by: Kenny Ortega
Cameras: Red One Camera
Directed by: Barry Levinson
Cinematography by: Stéphane Fontaine
Edited by: Hank Corwin
Cameras: Aaton 35-III Camera, ARRICAM Lite (LT) Camera
Editing System: Avid Editing System
Cinematography by: Jeffrey Jur
Edited by: Patrick Lussier
Directed by: Jeff Lowell
Cinematography by: John Bailey
Edited by: Matt Friedman
Directed by: Kent Alterman
Cinematography by: Shane Hurlbut
Directed by: Charlie Kaufman
Cinematography by: Frederick Elmes
Edited by: Robert Frazen
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Cinematography by: Stuart Dryburgh
Edited by: Stuart Levy
Cameras: Panavision Cameras
Directed by: Ed Harris
Cinematography by: Dean Semler
Edited by: Kathryn Himoff
Directed by: Rawson Marshall Thurber
Cinematography by: Michael Barrett
Edited by: Barbara Tulliver
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Jeff Buchanan
Directed by: Noam Murro
Cinematography by: Toby Irwin
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Jeff Freeman
Directed by: Gil Kenan
Cinematography by: Xavier Grobet
Directed by: Michael Patrick King
Cinematography by: John Thomas
Edited by: Michael Berenbaum
Directed by: Gavin O'Connor
Cinematography by: Declan Quinn
Directed by: Michael Campus
Cinematography by: Robert Brinkmann
Edited by: Don Brochu
Directed by: Stephen Daldry
Edited by: Claire Simpson
Lenses: Zeiss Master Prime Lenses
Directed by: John Madden
Cinematography by: Caleb Deschanel
Directed by: James Gray
Cinematography by: Joaquín Baca-Asay
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
Directed by: Guillermo Arriaga
Cinematography by: Robert Elswit
Edited by: Craig Wood
Cameras: Panavision Cameras
Directed by: Yann Samuell
Cinematography by: Eric Schmidt
Edited by: Anita Brandt Burgoyne
Directed by: Eric Brevig
Cinematography by: Chuck Shuman
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Elliot Graham
Directed by: Andrew Stanton
Cinematography by: Martin Rosenberg
Edited by: Stephen Schaffer
Directed by: Matthew Weiner
Cinematography by: Chris Manley
Edited by: Malcolm Jamieson
Directed by: Andrew Bernstein
Cinematography by: Chris Manley
Directed by: Lesli Linka Glatter
Cinematography by: Chris Manley
Directed by: Andrew Bernstein
Cinematography by: Chris Manley
Edited by: Christopher Nelson
Directed by: Tim Hunter
Cinematography by: Chris Manley
Directed by: Frank Oz
Cinematography by: Oliver Curtis
Edited by: Beverley Mills
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Directed by: Franc. Reyes
Cinematography by: Frank Byers
Edited by: Tony Ciccone
Cinematography by: Matthew F. Leonetti
Directed by: Philip G. Atwell
Cinematography by: Pierre Morel
Edited by: Scott Richter
Directed by: Joel Schumacher
Cinematography by: Matthew Libatique
Edited by: Mark Stevens
Directed by: Chris Weitz
Cinematography by: Henry Braham
Directed by: Les Mayfield
Cinematography by: David Franco
Edited by: Michael Matzdorff
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Directed by: Ira Sachs
Cinematography by: Peter Deming
Edited by: Affonso Gonçalves
Directed by: Beth Schacter
Cinematography by: Harlan Bosmajian
Edited by: Benjamin Meyer
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Edited by: Peter Boyle
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Directed by: Jon Poll
Cinematography by: Paul Sarossy
Edited by: Alan Baumgarten
Directed by: Gregory Hoblit
Cinematography by: Kramer Morgenthau
Edited by: David Rosenbloom
Directed by: Zach Helm
Cinematography by: Roman Osin
Directed by: Gabor Csupo
Cinematography by: Michael Chapman
Edited by: John Gilbert
Cameras: Panavision Cameras
Directed by: Kasi Lemmons
Cinematography by: Stéphane Fontaine
Edited by: Terilyn A. Shropshire
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Michael Tronick
Directed by: D.J. Caruso
Cinematography by: Rogier Stoffers
Edited by: Jim Page
Cameras: Panavision Panaflex Platinum Camera
Directed by: Mark Helfrich
Cinematography by: Anthony B. Richmond
Edited by: Julia Wong
Directed by: Gavin Hood
Cinematography by: Dion Beebe
Edited by: Megan Gill
Directed by: Tyler Perry
Cinematography by: Toyomichi Kurita
Edited by: Maysie Hoy
Cinematography by: Terry Stacey
Edited by: Robert Pulcini
Directed by: Craig Gillespie
Cinematography by: Adam Kimmel
Edited by: Tatiana S. Riegel
Lenses: Cooke S4 Lenses
Directed by: Sunu Gonera
Cinematography by: Matthew F. Leonetti
Edited by: Billy Fox
Cameras: Moviecam Compact Camera
Directed by: Richard Shepard
Cinematography by: David Tattersall
Edited by: Carole Kravetz Aykanian
Directed by: Phil Abraham, Michael Uppendahl, Jennifer Getzinger, Matthew Weiner, Scott Hornbacher, Lesli Linka Glatter, Tim Hunter, John Slattery, Andrew Bernstein, Alan Taylor, Chris Manley, Jon Hamm, Ed Bianchi, Paul Feig, Barbet Schroeder, Daisy von Scherler Mayer, Lynn Shelton, Matt Shakman, Jared Harris
Cinematography by: Chris Manley, Don Devine, Phil Abraham, Steve Mason, Frank G. DeMarco, Bill Roe, Jeffrey Jur, M. David Mullen
Edited by: Tom Wilson, Malcolm Jamieson, Christopher Gay, Leo Trombetta, Christopher Nelson, Chris Figler, David Siegel, Cindy Mollo, Pattye Rogers, Conrad Smart, Patricia Rafferty
Editing System: Avid Editing System
Cinematography by: Robert Anderson
Edited by: Darren T. Holmes
Directed by: Matthew Weiner
Cinematography by: Steve Mason
Edited by: Malcolm Jamieson
Directed by: Alan Taylor
Cinematography by: Steve Mason
Edited by: Christopher Nelson
Directed by: Tim Hunter
Cinematography by: Steve Mason
Edited by: David Siegel
Directed by: Tim Hunter
Cinematography by: Bill Roe
Edited by: Malcolm Jamieson
Directed by: Paul Feig
Cinematography by: Bill Roe
Edited by: David Siegel
Directed by: Phil Abraham
Cinematography by: Steve Mason
Edited by: Leo Trombetta
Directed by: Tim Hunter
Cinematography by: Frank G. DeMarco
Edited by: David Siegel
Directed by: Andrew Bernstein
Cinematography by: Phil Abraham
Directed by: Tim Hunter
Cinematography by: Phil Abraham
Edited by: Malcolm Jamieson
Directed by: Lesli Linka Glatter
Cinematography by: Frank G. DeMarco
Edited by: Leo Trombetta
Directed by: Ed Bianchi
Cinematography by: Phil Abraham
Edited by: David Siegel
Directed by: Alan Taylor
Cinematography by: Phil Abraham
Directed by: Nicholaus Goossen
Cinematography by: Mark Irwin
Edited by: Tom Costain
Directed by: Victor Salva
Cinematography by: Sharone Meir
Edited by: Ed Marx
Directed by: Bob Dolman
Cinematography by: Richard Rutkowski
Cinematography by: Adam Biddle
Edited by: Brian Berdan
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: Chris G. Willingham
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Edited by: Robert Frazen
Directed by: Christophe Gans
Cinematography by: Dan Laustsen
Edited by: Sébastien Prangère
Directed by: David Zucker
Cinematography by: Thomas E. Ackerman
Cameras: Panavision Genesis Camera
Directed by: David R. Ellis
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Directed by: Wil Shriner
Cinematography by: Michael Chapman
Edited by: Alan Edward Bell
Directed by: Isaac Florentine
Cinematography by: Ross W. Clarkson
Edited by: Irit Raz
Directed by: Todd Field
Cinematography by: Antonio Calvache
Edited by: Leo Trombetta
Directed by: Doug Atchison
Cinematography by: M. David Mullen
Edited by: Glenn Farr
Directed by: Nick Cassavetes
Cinematography by: Robert Fraisse
Edited by: Alan Heim
Directed by: Michael Apted
Cinematography by: Remi Adefarasin
Edited by: Rick Shaine
Cameras: ARRI Cameras
Directed by: John Dahl, Steve Shill, Keith Gordon, Marcos Siega, Ernest R. Dickerson, Romeo Tirone, Michael Cuesta, Tony Goldwyn, S.J. Clarkson, Stefan Schwartz, Robert Lieberman, Nick Gomez, Tim Hunter, Michael Lehmann, Holly Dale, Alik Sakharov, Adam Davidson, Jeremy Podeswa, Brian Kirk, Milan Cheylov, Seith Mann, Michael C. Hall
Directed by: Michael Cuesta
Cinematography by: Terry Stacey
Edited by: Elena Maganini
Directed by: Michael Cuesta
Cinematography by: Romeo Tirone
Edited by: Elena Maganini
Directed by: Michael Cuesta
Cinematography by: Romeo Tirone
Edited by: Elena Maganini
Directed by: Robert Lieberman
Cinematography by: Romeo Tirone
Edited by: Scott K. Wallace
Directed by: Robert Lieberman
Cinematography by: Romeo Tirone
Edited by: Scott K. Wallace
Directed by: Tony Goldwyn
Cinematography by: Romeo Tirone
Edited by: Elena Maganini
Directed by: Steve Shill
Cinematography by: Romeo Tirone
Edited by: Padraic McKinley
Directed by: Tony Goldwyn
Cinematography by: Romeo Tirone
Edited by: Scott K. Wallace
Directed by: Adam Davidson
Cinematography by: Romeo Tirone
Edited by: Elena Maganini
Directed by: Michael Cuesta
Cinematography by: Romeo Tirone
Edited by: Padraic McKinley
Directed by: Keith Gordon
Cinematography by: Romeo Tirone
Edited by: Scott K. Wallace
Directed by: Michael Cuesta
Cinematography by: Romeo Tirone
Edited by: Elena Maganini
Directed by: John Dahl
Cinematography by: Peter Menzies Jr.
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: John Gatins
Cinematography by: Fred Murphy
Edited by: David Rosenbloom
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Directed by: F. Gary Gray
Cinematography by: Jeffrey L. Kimball
Edited by: Sheldon Kahn
Directed by: Rob Zombie
Cinematography by: Phil Parmet
Edited by: Glenn Garland
Directed by: Richard Shepard
Cinematography by: David Tattersall
Edited by: Carole Kravetz Aykanian
Directed by: Griffin Dunne
Cinematography by: William Rexer
Edited by: Allyson C. Johnson
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Directed by: David Dobkin
Cinematography by: Julio Macat
Edited by: Mark Livolsi
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Directed by: Mark Cowen
Cinematography by: Sean MacLeod Phillips
Edited by: Billy Schinski
Directed by: Craig Brewer
Cinematography by: Amy Vincent
Edited by: Billy Fox
Cameras: Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera
Lenses: Zeiss Ultra Prime Lenses
Directed by: Bille Woodruff
Cinematography by: Theo van de Sande
Edited by: Michael Jablow
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Directed by: Don Roos
Cinematography by: Clark Mathis
Edited by: David Codron
Editing System: Final Cut Pro Editing System
Directed by: Jonathan Hensleigh
Cinematography by: Conrad W. Hall
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Andrew Hulme
Directed by: Nick Hamm
Cinematography by: Kramer Morgenthau
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Directed by: Rowdy Herrington
Cinematography by: Tom Stern
Edited by: Pasquale Buba
Cameras: Panavision Cameras
Directed by: Peter Chelsom
Cinematography by: John de Borman
Cameras: ARRI Cameras
Directed by: Nick Cassavetes
Cinematography by: Robert Fraisse
Edited by: Alan Heim
Directed by: Danny Leiner
Cinematography by: Bruce Douglas Johnson
Edited by: Jeff Betancourt
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Nicholas Beauman
Directed by: David Zucker
Cinematography by: Mark Irwin
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Editing System: Final Cut Pro Editing System
Directed by: Bruno Barreto
Cinematography by: Affonso Beato
Directed by: Troy Miller
Cinematography by: Anthony B. Richmond
Edited by: Lawrence Jordan
Directed by: Jon Favreau
Cinematography by: Greg Gardiner
Edited by: Dan Lebental
Cameras: Panavision Cameras
Directed by: Ronny Yu
Cinematography by: Fred Murphy
Edited by: Mark Stevens
Directed by: James Foley
Cinematography by: Juan Ruiz Anchía
Edited by: Stuart Levy
Directed by: James Cox
Cinematography by: Michael Grady
Edited by: Jeff McEvoy
Directed by: Guy Jenkin
Cinematography by: Martin Fuhrer
Edited by: Lesley Walker
Directed by: Robert Benton
Cinematography by: Jean-Yves Escoffier
Edited by: Christopher Tellefsen
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Cameras: Panavision Cameras
Directed by: Danny DeVito
Cinematography by: Anastas N. Michos
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Sarah Flack
Cameras: Canon XL1S Camera
Editing System: Final Cut Pro Editing System
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Luis Mandoki
Edited by: Gerald B. Greenberg
Directed by: Andrew Gurland
Cinematography by: Fred Murphy
Edited by: Troy Takaki
Directed by: Andrew Niccol
Cinematography by: Edward Lachman
Edited by: Paul Rubell
Directed by: Roger Avary
Cinematography by: Robert Brinkmann
Edited by: Sharon Rutter
Cameras: ARRIFLEX 535 Camera
Editing System: Final Cut Pro Editing System
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Lenses: Panavision Lenses
Directed by: Kevin Bray
Cinematography by: Glen MacPherson
Edited by: Suzanne Hines
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Richard Pearson
Directed by: Jean-Jacques Annaud
Cinematography by: Robert Fraisse
Directed by: Jessie Nelson
Cinematography by: Elliot Davis
Edited by: Richard Chew
Directed by: Victor Salva
Cinematography by: Don E. FauntLeRoy
Edited by: Ed Marx
Directed by: Terry Zwigoff
Cinematography by: Affonso Beato
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Directed by: Kenneth A. Carlson
Cinematography by: Curt Apduhan
Edited by: Jeff Werner
Directed by: George Zaloom
Cinematography by: Jacek Laskus
Edited by: J. Kathleen Gibson
Directed by: John Ottman
Cinematography by: Brian Pearson
Directed by: Rob Sitch
Cinematography by: Graeme Wood
Edited by: Jill Bilcock
Directed by: Roger Spottiswoode
Cinematography by: Pierre Mignot
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Directed by: Robert Redford
Cinematography by: Michael Ballhaus
Edited by: Hank Corwin
Directed by: Steven Brill
Cinematography by: Theo van de Sande
Edited by: Jeff Gourson
Cameras: Panavision Cameras
Directed by: Steven Soderbergh
Cinematography by: Edward Lachman
Edited by: Sarah Flack
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Cameras: Panavision Cameras, Pathé Cameras
Lenses: Panavision Lenses
Directed by: Willard Carroll
Cinematography by: Vilmos Zsigmond
Edited by: Pietro Scalia
Cameras: Panavision Panaflex Platinum Camera