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Olympus Has Fallen | ShotOnWhat?

Cinematographer Olympus Has Fallen (2013)

Directed by: Antoine Fuqua

Cinematography by: Conrad W. Hall

Edited by: John Refoua

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Case 39 | ShotOnWhat?

Director Of Photography: Second Unit Case 39 (2009)

Directed by: Christian Alvart

Cinematography by: Hagen Bogdanski

Edited by: Mark Goldblatt

Two for the Money | ShotOnWhat?

Director Of Photography Two for the Money (2005)

Directed by: D.J. Caruso

Cinematography by: Conrad W. Hall

Edited by: Glen Scantlebury

The Punisher | ShotOnWhat?

Director Of Photography The Punisher (2004)

Directed by: Jonathan Hensleigh

Cinematography by: Conrad W. Hall

Edited by: Jeff Gullo, Steven Kemper, John Leonetti

Tell Them Who You Are | ShotOnWhat?

Himself Tell Them Who You Are (2004)

Directed by: Mark Wexler

Cinematography by: Mark Wexler

Edited by: Robert DeMaio

Panic Room | ShotOnWhat?

Director Of Photography Panic Room (2002)

Directed by: David Fincher

Cinematography by: Conrad W. Hall, Darius Khondji

Edited by: James Haygood, Angus Wall

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Sleepy Hollow | ShotOnWhat?

Director Of Photography: Second Unit, New York Sleepy Hollow (1999)

Directed by: Tim Burton

Cinematography by: Emmanuel Lubezki

Edited by: Chris Lebenzon, Joel Negron

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Fight Club | ShotOnWhat?

Camera Operator Fight Club (1999)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: James Haygood

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

American Beauty | ShotOnWhat?

Director Of Photography: Second Unit American Beauty (1999)

Directed by: Sam Mendes

Cinematography by: Conrad L. Hall

Edited by: Tariq Anwar, Christopher Greenbury

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

A Civil Action | ShotOnWhat?

Camera Operator: Los Angeles A Civil Action (1998)

Directed by: Steven Zaillian

Cinematography by: Conrad L. Hall

Edited by: Wayne Wahrman

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Alien: Resurrection | ShotOnWhat?

Camera Operator: "a" Camera, Visual Effects Director Of Photography Alien Resurrection (1997)

Directed by: Jean-Pierre Jeunet

Cinematography by: Darius Khondji

Edited by: Hervé Schneid

Cameras: Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Larger Than Life | ShotOnWhat?

Camera Operator: Second Unit Larger Than Life (1996)

Directed by: Howard Franklin

Cinematography by: Elliot Davis

Edited by: Sidney Levin

Under Siege 2: Dark Territory | ShotOnWhat?

Camera Operator Under Siege 2: Dark Territory (1995)

Directed by: Geoff Murphy

Cinematography by: Robbie Greenberg

Edited by: Michael Tronick

Se7en | ShotOnWhat?

Camera Operator: "a" Camera Se7en (1995)

Directed by: David Fincher

Cinematography by: Darius Khondji

Edited by: Richard Francis-Bruce

Cameras: Aaton 35-III Camera, Panavision Panaflex Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

Free Willy | ShotOnWhat?

Camera Operator Free Willy (1993)

Directed by: Simon Wincer

Cinematography by: Robbie Greenberg

Edited by: O. Nicholas Brown

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Jack the Bear | ShotOnWhat?

First Assistant Camera Jack the Bear (1993)

Directed by: Marshall Herskovitz

Cinematography by: Fred Murphy

Edited by: Steven Rosenblum

Jennifer 8 | ShotOnWhat?

Camera Operator Jennifer 8 (1992)

Directed by: Bruce Robinson

Cinematography by: Conrad L. Hall

Edited by: Conrad Buff IV

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

All I Want for Christmas | ShotOnWhat?

First Assistant Camera All I Want for Christmas (1991)

Directed by: Robert Lieberman

Cinematography by: Robbie Greenberg

Edited by: Peter E. Berger, Dean Goodhill

V.I. Warshawski | ShotOnWhat?

First Assistant Camera V.I. Warshawski (1991)

Directed by: Jeff Kanew

Cinematography by: Jan Kiesser

Edited by: Debra Neil-Fisher, Carroll Timothy O'Meara

Cameras: Panavision Cameras

Class Action | ShotOnWhat?

First Assistant Camera Class Action (1991)

Directed by: Michael Apted

Cinematography by: Conrad L. Hall

Edited by: Ian Crafford

The Milagro Beanfield War | ShotOnWhat?

First Assistant Camera The Milagro Beanfield War (1988)

Directed by: Robert Redford

Cinematography by: Robbie Greenberg

Edited by: Dede Allen, Jim Miller

Tequila Sunrise | ShotOnWhat?

First Assistant Camera Tequila Sunrise (1988)

Directed by: Robert Towne

Cinematography by: Conrad L. Hall

Edited by: Claire Simpson

Black Widow | ShotOnWhat?

First Assistant Camera Black Widow (1987)

Directed by: Bob Rafelson

Cinematography by: Conrad L. Hall

Edited by: John Bloom

Ferris Bueller's Day Off | ShotOnWhat?

First Assistant Camera Ferris Bueller's Day Off (1986)

Directed by: John Hughes

Cinematography by: Tak Fujimoto

Edited by: Paul Hirsch

Cameras: Panavision Cameras

Creator | ShotOnWhat?

First Assistant Camera Creator (1985)

Directed by: Ivan Passer

Cinematography by: Robbie Greenberg

Edited by: Richard Chew

Sweet Dreams | ShotOnWhat?

First Assistant Camera Sweet Dreams (1985)

Directed by: Karel Reisz

Cinematography by: Robbie Greenberg

Edited by: Malcolm Cooke

Cameras: Panavision Cameras

Cloak & Dagger | ShotOnWhat?

Assistant Camera Cloak & Dagger (1984)

Directed by: Richard Franklin

Cinematography by: Victor J. Kemper

Edited by: Andrew London

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