Directed by: Oliver Hirschbiegel
Cinematography by: Rainer Klausmann
Edited by: Hans Funck
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Directed by: Phyllida Lloyd
Cinematography by: Haris Zambarloukos
Edited by: Lesley Walker
Editing System: Lightworks Editing System
Directed by: Richard Attenborough
Cinematography by: Roger Pratt
Edited by: Lesley Walker
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Lesley Walker
Directed by: Terry Gilliam
Cinematography by: Newton Thomas Sigel
Edited by: Lesley Walker
Directed by: Guy Jenkin
Cinematography by: Martin Fuhrer
Edited by: Lesley Walker
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Lesley Walker
Lenses: Angenieux Lenses, Zeiss Lenses
Directed by: Douglas McGrath
Cinematography by: Dick Pope
Edited by: Lesley Walker
Directed by: Jonas McCord
Cinematography by: Vilmos Zsigmond
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Lesley Walker
Directed by: Douglas McGrath
Cinematography by: Ian Wilson
Edited by: Lesley Walker
Cameras: Moviecam Compact Camera
Directed by: Stephen Frears
Cinematography by: Philippe Rousselot
Edited by: Lesley Walker
Directed by: Richard Attenborough
Cinematography by: Roger Pratt
Edited by: Lesley Walker
Directed by: Richard Attenborough
Cinematography by: Roger Pratt
Edited by: Lesley Walker
Directed by: Luis Mandoki
Cinematography by: Lajos Koltai
Edited by: Lesley Walker
Cameras: ARRIFLEX Camera
Directed by: Stephen Gyllenhaal
Cinematography by: Robert Elswit
Edited by: Lesley Walker
Directed by: Terry Gilliam
Cinematography by: Roger Pratt
Edited by: Lesley Walker
Directed by: Lewis Gilbert
Cinematography by: Alan Hume
Edited by: Lesley Walker
Directed by: David Green
Cinematography by: Tony Imi
Edited by: Lesley Walker
Cameras: Panavision Cameras
Directed by: James Clavell
Edited by: John Bloom
Cameras: Todd-AO 65mm Camera