Cinematography by: Renato Falcão
Directed by: James Wan
Cinematography by: John R. Leonetti
Edited by: Kirk M. Morri
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Directed by: John Whitesell
Cinematography by: Anthony B. Richmond
Edited by: Priscilla Nedd-Friendly
Cinematography by: Matthew F. Leonetti
Edited by: Sam Seig
Directed by: Mark Mylod
Cinematography by: James M. Muro
Edited by: Julie Monroe
Directed by: Mikael Håfström
Cinematography by: Ben Davis
Edited by: David Rosenbloom
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Peter Honess
Directed by: Nanette Burstein
Cinematography by: Eric Steelberg
Edited by: Peter Teschner
Directed by: Thor Freudenthal
Cinematography by: Jack N. Green
Edited by: Wendy Greene Bricmont
Cameras: Panavision Cameras
Directed by: Michael Patrick King
Cinematography by: John Thomas
Edited by: Michael Berenbaum
Cameras: Panavision Panaflex Platinum Camera
Directed by: Shawn Levy
Cinematography by: Dean Semler
Edited by: Dean Zimmerman
Cameras: Panavision Genesis Camera
Directed by: Edward Zwick
Cinematography by: Steven Fierberg
Edited by: Steven Rosenblum
Directed by: Tom Dey
Cinematography by: Greg Gardiner
Edited by: Don Zimmerman
Cinematography by: Shawn Maurer
Edited by: Peck Prior
Cameras: Moviecam Compact Camera
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Directed by: Elizabeth Allen Rosenbaum
Cinematography by: John Bailey
Edited by: Jane Moran
Directed by: Samuel Bayer
Cinematography by: Jeff Cutter
Edited by: Glen Scantlebury
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Master Prime Lenses
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Bruce Green
Directed by: Michael Lembeck
Cinematography by: David Tattersall
Edited by: David Finfer
Directed by: Jim Field Smith
Cinematography by: Jim Denault
Edited by: Dan Schalk
Directed by: John Hamburg
Cinematography by: Lawrence Sher
Edited by: William Kerr
Directed by: Brandon Camp
Cinematography by: Eric Alan Edwards
Edited by: Dana E. Glauberman
Directed by: Chris Columbus
Cinematography by: Phil Abraham
Edited by: Peter Honess
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
Cinematography by: Daniel Landin
Cameras: Panavision Cameras
Directed by: John Schultz
Cinematography by: Don Burgess
Edited by: John Pace
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Cara Silverman
Directed by: James Cameron
Cinematography by: Mauro Fiore
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Directed by: Shawn Levy
Cinematography by: John Schwartzman
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Directed by: Scott Teems
Cinematography by: Rodney Taylor
Directed by: Phil Traill
Cinematography by: Tim Suhrstedt
Cameras: Panavision Cameras
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Paul Tothill
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Directed by: Grant Heslov
Cinematography by: Robert Elswit
Edited by: Tatiana S. Riegel
Cameras: Panavision Panaflex Platinum Camera
Directed by: Gary Winick
Cinematography by: Frederick Elmes
Edited by: Susan Littenberg
Cameras: ARRI Cameras
Directed by: Burr Steers
Cinematography by: Tim Suhrstedt
Edited by: Padraic McKinley
Cameras: Panavision Panaflex Platinum Camera
Directed by: Betty Thomas
Cinematography by: Anthony B. Richmond
Edited by: Matt Friedman
Lenses: Cooke S4 Lenses
Directed by: Karyn Kusama
Cinematography by: M. David Mullen
Edited by: Plummy Tucker
Directed by: Tom Vaughan
Cinematography by: Matthew F. Leonetti
Edited by: Matt Friedman
Cameras: Panavision Cameras
Directed by: Nicholas Stoller
Cinematography by: Russ T. Alsobrook
Edited by: William Kerr
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Peter Cattaneo
Cinematography by: Anthony B. Richmond
Directed by: Kent Alterman
Cinematography by: Shane Hurlbut
Directed by: Carter Smith
Cinematography by: Darius Khondji
Edited by: Jeff Betancourt
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Directed by: Seth Gordon
Cinematography by: Jeffrey L. Kimball
Directed by: Doug Liman
Cinematography by: Barry Peterson
Cameras: Panavision Cameras, Red One Camera
Cinematography by: Stuart Dryburgh
Edited by: Stuart Levy
Cameras: Panavision Cameras
Directed by: Mark Waters
Cinematography by: Caleb Deschanel
Edited by: Michael Kahn
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Lenses: Cooke S4 Lenses, Cooke Varotal Lenses
Editing System: Avid Editing System
Directed by: Gil Kenan
Cinematography by: Xavier Grobet
Directed by: Michael Patrick King
Cinematography by: John Thomas
Edited by: Michael Berenbaum
Directed by: Gavin O'Connor
Cinematography by: Declan Quinn
Directed by: Kimberly Peirce
Cinematography by: Chris Menges
Edited by: Claire Simpson
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Directed by: Timur Bekmambetov
Cinematography by: Mitchell Amundsen
Edited by: David Brenner
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Directed by: Scott Derrickson
Cinematography by: David Tattersall
Edited by: Wayne Wahrman
Cameras: Panavision Cameras
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Cameras: ARRIFLEX 435 Camera, Phantom HD Camera
Lenses: Cooke S4 Lenses
Directed by: Malcolm D. Lee
Cinematography by: Greg Gardiner
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Cinematography by: Matthew F. Leonetti
Directed by: Akiva Schaffer
Cinematography by: Andrew Dunn
Edited by: Malcolm Campbell
Directed by: Joel Schumacher
Cinematography by: Matthew Libatique
Edited by: Mark Stevens
Directed by: Peter Berg
Cinematography by: Mauro Fiore
Directed by: Ira Sachs
Cinematography by: Peter Deming
Edited by: Affonso Gonçalves
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Edited by: Joe Hutshing
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Cinematography by: Daniel Pearl
Edited by: Dan Zimmerman
Directed by: Jon Poll
Cinematography by: Paul Sarossy
Edited by: Alan Baumgarten
Directed by: Gregory Hoblit
Cinematography by: Kramer Morgenthau
Edited by: David Rosenbloom
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Michael Tronick
Directed by: D.J. Caruso
Cinematography by: Rogier Stoffers
Edited by: Jim Page
Cameras: Panavision Panaflex Platinum Camera
Directed by: Susanne Bier
Cinematography by: Tom Stern
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Directed by: Gavin Hood
Cinematography by: Dion Beebe
Edited by: Megan Gill
Directed by: Judd Apatow
Cinematography by: Eric Alan Edwards
Cameras: Panavision Cameras
Directed by: Antoine Fuqua
Cinematography by: Peter Menzies Jr.
Directed by: Craig Gillespie
Cinematography by: Adam Kimmel
Edited by: Tatiana S. Riegel
Lenses: Cooke S4 Lenses
Directed by: Billy Ray
Cinematography by: Tak Fujimoto
Edited by: Jeffrey Ford
Cameras: Panavision Cameras
Directed by: David L. Cunningham
Cinematography by: Joel Ransom
Cameras: Panavision Cameras
Directed by: David Silverman
Edited by: John Carnochan
Editing System: Final Cut Pro Editing System
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Directed by: Alexandre Aja
Cinematography by: Maxime Alexandre
Edited by: Baxter
Directed by: Dennis Dugan
Cinematography by: Thomas E. Ackerman
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Don Zimmerman
Directed by: Sylvester Stallone
Cinematography by: Clark Mathis
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses: Zeiss Master Prime Lenses
Directed by: Peyton Reed
Cinematography by: Eric Alan Edwards
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: Michael Jablow
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Edited by: Peter S. Elliot
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Directed by: Ridley Scott
Cinematography by: Philippe Le Sourd
Cameras: ARRICAM Lite (LT) Camera
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Edited by: Robert Frazen
Directed by: John Whitesell
Cinematography by: Mark Irwin
Directed by: David R. Ellis
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Directed by: Wil Shriner
Cinematography by: Michael Chapman
Edited by: Alan Edward Bell
Directed by: John Whitesell
Cinematography by: Mark Irwin
Edited by: Priscilla Nedd-Friendly
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
Directed by: Todd Phillips
Cinematography by: Jonathan Brown
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: David Rennie
Directed by: Michael Apted
Cinematography by: Remi Adefarasin
Edited by: Rick Shaine
Cameras: ARRI Cameras
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Cameras: Panavision Cameras
Directed by: Betty Thomas
Cinematography by: Anthony B. Richmond
Edited by: Matt Friedman
Directed by: Iain Softley
Cinematography by: Dan Mindel
Edited by: Joe Hutshing
Directed by: Curtis Hanson
Cinematography by: Terry Stacey
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Directed by: Wes Craven
Cinematography by: Robert McLachlan
Directed by: Judd Apatow
Cinematography by: Jack N. Green
Edited by: Brent White
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
Directed by: F. Gary Gray
Cinematography by: Jeffrey L. Kimball
Edited by: Sheldon Kahn
Directed by: Jesse Dylan
Cinematography by: Lloyd Ahern II
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Moviola Editing System
Cinematography by: Steve Mason
Directed by: David Dobkin
Cinematography by: Julio Macat
Edited by: Mark Livolsi
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Directed by: John Polson
Cinematography by: Dariusz Wolski
Edited by: Jeffrey Ford
Directed by: Wayne Wang
Cinematography by: Karl Walter Lindenlaub
Edited by: Deirdre Slevin
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: Michael McCusker
Directed by: Hideo Nakata
Cinematography by: Gabriel Beristain
Edited by: Michael N. Knue
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Editing System: Avid Editing System
Directed by: Pieter Jan Brugge
Cinematography by: Denis Lenoir
Edited by: Kevin Tent
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Directed by: Tony Scott
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Donald Petrie
Cinematography by: Victor Hammer
Edited by: Debra Neil-Fisher
Directed by: Luke Greenfield
Cinematography by: Jamie Anderson
Edited by: Mark Livolsi
Directed by: John Hamburg
Cinematography by: Seamus McGarvey
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Directed by: Joseph Ruben
Cinematography by: Anastas N. Michos
Edited by: Richard Francis-Bruce
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Don Zimmerman
Directed by: Jessy Terrero
Cinematography by: Jonathan Sela
Edited by: Michael R. Miller
Directed by: Zack Snyder
Cinematography by: Matthew F. Leonetti
Edited by: Niven Howie
Directed by: Robert Luketic
Cinematography by: Peter Lyons Collister
Edited by: Scott Hill
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Peter Amundson
Directed by: Adam McKay
Cinematography by: Thomas E. Ackerman
Edited by: Brent White
Directed by: Jay Chandrasekhar
Cinematography by: Lawrence Sher
Edited by: Ryan Folsey
Directed by: Bart Freundlich
Cinematography by: Julio Macat
Edited by: Stuart Levy
Directed by: Kevin Bray
Cinematography by: Glen MacPherson
Directed by: Gary Winick
Cinematography by: Don Burgess
Edited by: Susan Littenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Peter Chelsom
Cinematography by: John de Borman
Cameras: ARRI Cameras
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Directed by: Peter Hewitt
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Directed by: Rawson Marshall Thurber
Cinematography by: Jerzy Zielinski
Cameras: Panavision Cameras
Directed by: Robert Zemeckis
Directed by: Alexander Payne
Cinematography by: Phedon Papamichael
Edited by: Kevin Tent
Cameras: Panavision Panaflex Platinum Camera
Directed by: Glen Morgan
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Directed by: David Zucker
Cinematography by: Mark Irwin
Directed by: Gary Fleder
Cinematography by: Robert Elswit
Edited by: William Steinkamp
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Richard Pearson
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Vadim Perelman
Cinematography by: Roger Deakins
Edited by: Lisa Zeno Churgin
Lenses: Cooke S4 Lenses
Directed by: Peyton Reed
Cinematography by: Jeff Cronenweth
Edited by: Larry Bock
Cameras: Panavision Panaflex Platinum Camera
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Directed by: Mark Steven Johnson
Cinematography by: Ericson Core
Directed by: Jon Favreau
Cinematography by: Greg Gardiner
Edited by: Dan Lebental
Cameras: Panavision Cameras
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Directed by: Todd Phillips
Cinematography by: Mark Irwin
Edited by: Michael Jablow
Directed by: John Singleton
Cinematography by: Matthew F. Leonetti
Lenses: Cooke S4 Lenses
Directed by: Ang Lee
Cinematography by: Frederick Elmes
Edited by: Tim Squyres
Cameras: ARRIFLEX 535 B Camera
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Directed by: Chris Rock
Cinematography by: Donald E. Thorin
Edited by: Stephen A. Rotter
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Cameras: Panavision Cameras
Directed by: Michael Tollin
Cinematography by: Don Burgess
Cameras: Panavision Cameras
Directed by: Ron Shelton
Cinematography by: Barry Peterson
Edited by: Paul Seydor
Cameras: Panavision Panaflex Camera
Directed by: Harald Zwart
Cinematography by: Denis Crossan
Edited by: Jim Miller
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Joel Schumacher
Cinematography by: Matthew Libatique
Edited by: Mark Stevens
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Directed by: John Stockwell
Cinematography by: David Hennings
Edited by: Emma E. Hickox
Directed by: Doug Liman
Cinematography by: Oliver Wood
Edited by: Saar Klein
Directed by: Curtis Hanson
Cinematography by: Rodrigo Prieto
Lenses: Zeiss Ultra Prime Lenses
Directed by: Malcolm D. Lee
Cinematography by: Tom Priestley Jr.
Edited by: William Kerr
Directed by: Andrew Gurland
Cinematography by: Fred Murphy
Edited by: Troy Takaki
Directed by: Simon Wells
Cinematography by: Donald McAlpine
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Directed by: Kevin Donovan
Cinematography by: Stephen F. Windon
Edited by: Craig Herring
Directed by: Gregory Hoblit
Cinematography by: Alar Kivilo
Edited by: David Rosenbloom
Directed by: John McTiernan
Cinematography by: Steve Mason
Directed by: Jay Roach
Cinematography by: Peter Deming
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Lenses: Panavision Lenses
Directed by: Adrian Lyne
Cinematography by: Peter Biziou
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Directed by: Mark Romanek
Cinematography by: Jeff Cronenweth
Edited by: Jeffrey Ford
Directed by: Rob Cohen
Cinematography by: Dean Semler
Directed by: Rick Famuyiwa
Edited by: Dirk Westervelt
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Directed by: Wych Kaosayananda
Cinematography by: Julio Macat
Lenses: Cooke S4 Lenses
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Edited by: Jill Bilcock
Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Lightworks Editing System
Directed by: Bob Dolman
Cinematography by: Karl Walter Lindenlaub
Edited by: Aram Nigoghossian
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Edited by: Craig Wood
Editing System: Final Cut Pro Editing System
Edited by: John Carnochan
Directed by: Elizabeth Allen Rosenbaum
Cinematography by: Matthew Jensen
Directed by: Peter Howitt
Cinematography by: John Bailey
Edited by: Zach Staenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Michael Cristofer
Cinematography by: Rodrigo Prieto
Edited by: Eric A. Sears
Directed by: Ernest R. Dickerson
Cinematography by: Flavio Martínez Labiano
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Cinematography by: John Bailey
Directed by: Henry Selick
Cinematography by: Andrew Dunn
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Paul Martin Smith
Directed by: Rod Lurie
Cinematography by: Shelly Johnson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Tony Goldwyn
Cinematography by: Anthony B. Richmond
Edited by: Dana Congdon
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Directed by: Gary Fleder
Cinematography by: Amir Mokri
Directed by: John Dahl
Cinematography by: Jeffrey Jur
Directed by: Iain Softley
Cinematography by: John Mathieson
Edited by: Craig McKay
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Directed by: John Pasquin
Cinematography by: Daryn Okada
Edited by: David Finfer
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Directed by: Irwin Winkler
Cinematography by: Vilmos Zsigmond
Edited by: Julie Monroe
Directed by: Peter Chelsom
Cinematography by: John de Borman
Edited by: Christopher Greenbury
Cinematography by: Russell Carpenter
Edited by: Christopher Greenbury
Directed by: Ron Howard
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Editing System: Avid Editing System
Directed by: Michael Mann
Cinematography by: Emmanuel Lubezki
Directed by: Tom Green
Cinematography by: Mark Irwin
Edited by: Jacqueline Cambas
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: ARRI / Zeiss Lenses
Directed by: Keenen Ivory Wayans
Cinematography by: Steven Bernstein
Directed by: Brett Ratner
Cinematography by: Matthew F. Leonetti
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Sally Menke
Cameras: Panavision Cameras
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Cameras: Panavision Cameras
Directed by: Sam Weisman
Cinematography by: Anastas N. Michos
Cameras: Panavision Cameras
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Edited by: Craig Wood
Cameras: Panavision Cameras
Directed by: Steve Carr
Cinematography by: Daryn Okada
Edited by: Craig Herring
Directed by: Danny Leiner
Cinematography by: Robert M. Stevens
Edited by: Kimberly Ray
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Directed by: Janusz Kaminski
Cinematography by: Mauro Fiore
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Directed by: Peter MacDonald
Cinematography by: Bernd Heinl
Edited by: Mike Murphy
Directed by: Alan Rudolph
Cinematography by: Jan Kiesser
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Directed by: James Gray
Cinematography by: Harris Savides
Edited by: Jeffrey Ford
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Directed by: Todd Phillips
Cinematography by: Mark Irwin
Edited by: Sheldon Kahn
Directed by: George Tillman Jr.
Cinematography by: Anthony B. Richmond
Lenses: Cooke S4 Lenses
Directed by: Matt Williams
Cinematography by: Richard Greatrex
Edited by: Ian Crafford
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Directed by: Robert Redford
Cinematography by: Michael Ballhaus
Edited by: Hank Corwin
Directed by: Harold Ramis
Cinematography by: Bill Pope
Edited by: Craig Herring
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Directed by: Christopher McQuarrie
Cinematography by: Dick Pope
Edited by: Stephen Semel
Directed by: Jay Roach
Cinematography by: Peter James
Cameras: Panavision Panaflex Platinum Camera
Directed by: Tarsem Singh
Cinematography by: Paul Laufer
Directed by: Steven Soderbergh
Cinematography by: Edward Lachman
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Directed by: Ben Younger
Cinematography by: Enrique Chediak
Edited by: Chris Peppe
Directed by: John Frankenheimer
Cinematography by: Alan Caso
Cameras: Panavision Cameras, Spacecam Aerial Cameras
Directed by: Scott Silver
Cinematography by: Ellen Kuras
Edited by: Dorian Harris
Directed by: Frank Oz
Cinematography by: Ueli Steiger
Edited by: Richard Pearson
Directed by: Jan de Bont
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael Kahn
Cameras: Panavision Cameras, VistaVision Cameras
Lenses: Panavision Lenses
Directed by: David Koepp
Cinematography by: Fred Murphy
Edited by: Jill Savitt
Directed by: Robert Iscove
Cinematography by: Francis Kenny
Edited by: Casey O. Rohrs
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: David Rennie
Directed by: Jay Roach
Cinematography by: Ueli Steiger
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Doug Liman
Cinematography by: Doug Liman
Edited by: Stephen Mirrione
Directed by: Alexander Payne
Cinematography by: James Glennon
Edited by: Kevin Tent
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Phillip Noyce
Cinematography by: Dean Semler
Edited by: William Hoy
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Edited by: Bob Ducsay
Cameras: Panavision Panaflex Platinum Camera
Directed by: Jonathan Kaplan
Cinematography by: Newton Thomas Sigel
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Directed by: Michael Cristofer
Cinematography by: Rodrigo García
Edited by: Eric A. Sears
Directed by: John Bruno
Cinematography by: David Eggby
Edited by: M. Scott Smith
Directed by: Norman Jewison
Cinematography by: Roger Deakins
Edited by: Stephen E. Rivkin
Lenses: Cooke S4 Lenses
Directed by: Ron Howard
Cinematography by: John Schwartzman
Directed by: Raja Gosnell
Cinematography by: Alex Nepomniaschy
Directed by: Joe Johnston
Cinematography by: Fred Murphy
Edited by: Robert Dalva
Directed by: Scott Hicks
Cinematography by: Robert Richardson
Edited by: Hank Corwin
Cameras: Panavision Panaflex Platinum Camera
Directed by: Milos Forman
Cinematography by: Anastas N. Michos
Directed by: Hugh Wilson
Cinematography by: Donald E. Thorin
Edited by: Don Brochu
Directed by: Joel Schumacher
Cinematography by: Declan Quinn
Edited by: Mark Stevens
Directed by: Rupert Wainwright
Cinematography by: Jeffrey L. Kimball
Directed by: Kinka Usher
Cinematography by: Stephen H. Burum
Edited by: Conrad Buff IV
Directed by: Wes Craven
Cinematography by: Peter Deming
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Directed by: Michael Patrick Jann
Cinematography by: Michael Spiller
Directed by: Bronwen Hughes
Edited by: Craig Wood
Cameras: Panavision Cameras
Directed by: Andy Tennant
Cinematography by: Caleb Deschanel
Edited by: Roger Bondelli
Cameras: Panavision Cameras
Directed by: David Lynch
Cinematography by: Freddie Francis
Edited by: Mary Sweeney
Cameras: Panavision Panaflex Gold II Camera
Directed by: James Foley
Cinematography by: Juan Ruiz Anchía
Edited by: Howard E. Smith
Directed by: Peter Medak
Cinematography by: Matthew F. Leonetti
Edited by: Richard Nord
Directed by: Steve Miner
Cinematography by: Daryn Okada
Edited by: Patrick Lussier
Directed by: Chris Columbus
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Directed by: Charlie Peters
Cinematography by: Richard Crudo
Edited by: Carroll Timothy O'Meara
Directed by: Willard Carroll
Cinematography by: Vilmos Zsigmond
Edited by: Pietro Scalia
Cameras: Panavision Panaflex Platinum Camera
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Edited by: Steven Weisberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: David Dobkin
Cinematography by: Eric Alan Edwards
Edited by: Stan Salfas
Directed by: Warren Beatty
Cinematography by: Vittorio Storaro
Directed by: Brett Ratner
Cinematography by: Adam Greenberg
Edited by: Mark Helfrich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Mark Christopher
Cinematography by: Alexander Gruszynski
Edited by: Lee Percy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Daisy von Scherler Mayer
Cinematography by: Jean Lépine
Directed by: Dean Semler
Cinematography by: Stephen F. Windon
Edited by: Derek Brechin
Cameras: Panavision Cameras
Directed by: Bob Saget
Cinematography by: Arthur Albert
Edited by: George Folsey Jr.
Directed by: Betty Thomas
Cinematography by: Russell Boyd
Edited by: Peter Teschner
Directed by: Kevin Rodney Sullivan
Cinematography by: Jeffrey Jur
Edited by: George Bowers
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Arthur Schmidt
Cameras: ARRIFLEX Camera
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Moviola Editing System
Directed by: Martin Brest
Cinematography by: Emmanuel Lubezki
Directed by: Richard Linklater
Cinematography by: Peter James
Edited by: Sandra Adair
Directed by: Gus Van Sant
Cinematography by: Christopher Doyle
Edited by: Amy E. Duddleston
Directed by: Steven Soderbergh
Cinematography by: Elliot Davis
Edited by: Anne V. Coates
Directed by: Harold Becker
Cinematography by: Michael Seresin
Edited by: Peter Honess
Directed by: David Nutter
Cinematography by: John S. Bartley
Edited by: Randy Jon Morgan
Directed by: Boaz Yakin
Cinematography by: Adam Holender
Edited by: Arthur Coburn
Directed by: Rob Bowman
Cinematography by: Ward Russell
Edited by: Stephen Mark
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Directed by: Dean Semler
Cinematography by: Stephen F. Windon
Edited by: Jack Hofstra
Directed by: John Dahl
Cinematography by: Jean-Yves Escoffier
Edited by: Scott Chestnut
Directed by: Forest Whitaker
Cinematography by: Caleb Deschanel
Edited by: Richard Chew
Cameras: Panavision Cameras
Directed by: Jack N. Green
Edited by: Michael Ruscio
Directed by: Carl Reiner
Cinematography by: Steve Mason
Edited by: Richard Halsey
Directed by: Adrian Lyne
Cinematography by: Howard Atherton
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Directed by: Quentin Tarantino
Cinematography by: Guillermo Navarro
Edited by: Sally Menke
Cameras: Moviecam Compact Camera
Lenses: Zeiss Super Speed Lenses
Directed by: Bryan Spicer
Cinematography by: Buzz Feitshans IV
Edited by: Russell Denove
Directed by: Martha Coolidge
Cinematography by: Lajos Koltai
Edited by: Anne V. Coates
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Alan Cody
Directed by: Robert Townsend
Cinematography by: Bill Dill
Edited by: Patrick Kennedy
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Lenses: Zeiss Super Speed Lenses
Directed by: Jean-Pierre Jeunet
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Directed by: Mick Jackson
Cinematography by: Theo van de Sande
Directed by: Jon Avnet
Cinematography by: Karl Walter Lindenlaub
Edited by: Peter E. Berger
Directed by: Gus Van Sant
Cinematography by: Jean-Yves Escoffier
Edited by: Pietro Scalia
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Directed by: Lee Tamahori
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Directed by: Pat O'Connor
Cinematography by: Kenneth MacMillan
Edited by: Ray Lovejoy
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Jim Clark
Directed by: Betty Thomas
Cinematography by: Walt Lloyd
Edited by: Peter Teschner
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Directed by: George Tillman Jr.
Cinematography by: Paul Elliott
Edited by: John Carter
Directed by: Guy Ferland
Cinematography by: Reynaldo Villalobos
Edited by: Jill Savitt
Directed by: Wim Wenders
Cinematography by: Pascal Rabaud
Edited by: Peter Przygodda
Directed by: Bill Duke
Cinematography by: Frank Tidy
Edited by: Harry Keramidas
Cameras: Panavision Cameras
Directed by: Jonathan Lynn
Cinematography by: Peter Sova
Edited by: Tony Lombardo
Directed by: David S. Ward
Cinematography by: Victor Hammer
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Directed by: David Koepp
Cinematography by: Newton Thomas Sigel
Edited by: Jill Savitt
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Freeman A. Davies
Directed by: Albert Pyun
Cinematography by: George Mooradian
Directed by: Richard Pearce
Cinematography by: Fred Murphy
Edited by: Mark Warner
Cinematography by: William A. Fraker
Directed by: Reb Braddock
Cinematography by: Steven Bernstein
Edited by: Mallory Gottlieb
Directed by: James Foley
Cinematography by: Ian Baker
Edited by: Mark Warner
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven
Directed by: Tom Holland
Cinematography by: Kees Van Oostrum
Directed by: Gilbert Adler
Cinematography by: Tom Priestley Jr.
Edited by: Stephen Lovejoy
Directed by: John Dahl
Cinematography by: Jeffrey Jur
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Directed by: Bob Rafelson
Cinematography by: Newton Thomas Sigel
Edited by: Steven Cohen
Directed by: James Foley
Cinematography by: Thomas Kloss
Edited by: David Brenner
Directed by: Edward Zwick
Cinematography by: Roger Deakins
Edited by: Steven Rosenblum
Directed by: Matt Reeves
Cinematography by: Robert Elswit
Edited by: Stan Salfas
Directed by: Howard Franklin
Cinematography by: Elliot Davis
Edited by: Sidney Levin
Directed by: Tim Pope
Cinematography by: Jean-Yves Escoffier
Directed by: Tom Hanks
Cinematography by: Tak Fujimoto
Edited by: Richard Chew
Directed by: Baz Luhrmann
Cinematography by: Donald McAlpine
Edited by: Jill Bilcock
Cameras: Panavision Panaflex Gold Camera
Editing System: Lightworks Editing System
Directed by: Ken Kwapis
Cinematography by: Peter Lyons Collister
Edited by: Jon Poll
Cameras: Panavision Cameras
Directed by: Michael Goldenberg
Cinematography by: Adam Kimmel
Edited by: Jane Kurson
Cameras: Panavision Cameras
Directed by: Michael Lehmann
Cinematography by: Robert Brinkmann
Edited by: Stephen Semel
Cameras: ARRIFLEX 535 Camera
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Directed by: John Woo
Cinematography by: Peter Levy
Cameras: Panavision Cameras
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Directed by: John McTiernan
Cinematography by: Peter Menzies Jr.
Edited by: John Wright
Directed by: Ron Howard
Cinematography by: Dean Cundey
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Joe Hutshing
Cameras: Panavision Panaflex Camera
Directed by: Melanie Mayron
Cinematography by: Willy Kurant
Edited by: Christopher Greenbury
Directed by: David Fincher
Cinematography by: Darius Khondji
Edited by: Richard Francis-Bruce
Directed by: Andy Tennant
Cinematography by: Kenneth Zunder
Edited by: Roger Bondelli
Directed by: Forest Whitaker
Cinematography by: Toyomichi Kurita
Edited by: Richard Chew
Directed by: James Foley
Cinematography by: Juan Ruiz Anchía
Edited by: Howard E. Smith
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Peter Honess
Directed by: Kevin James Dobson
Cinematography by: Ross Berryman
Edited by: Stephen Butler
Directed by: Mel Gibson
Cinematography by: John Toll
Edited by: Steven Rosenblum
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Paul Dixon
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Freeman A. Davies
Directed by: Jocelyn Moorhouse
Cinematography by: Janusz Kaminski
Edited by: Jill Bilcock
Cameras: Panavision Cameras
Directed by: Barry Levinson
Cinematography by: Peter Sova
Edited by: Jay Rabinowitz
Directed by: Hart Bochner
Cinematography by: Reynaldo Villalobos
Edited by: Nicholas C. Smith
Directed by: John McPherson
Cinematography by: David Geddes
Edited by: Virginia Katz
Directed by: Ben Stiller
Cinematography by: Emmanuel Lubezki
Directed by: Jon Avnet
Cinematography by: Geoffrey Simpson
Edited by: Debra Neil-Fisher
Directed by: Ivan Reitman
Cinematography by: Adam Greenberg
Directed by: Jonathan Kaplan
Cinematography by: Ralf D. Bode
Edited by: Jane Kurson
Directed by: Les Mayfield
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Roger Donaldson
Cinematography by: Peter Menzies Jr.
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Robert Allan Ackerman
Cinematography by: Ralf D. Bode
Edited by: Rick Shaine
Directed by: Russell Mulcahy
Cinematography by: Stephen H. Burum
Edited by: Peter Honess
Directed by: Michael Lehmann
Cinematography by: John Schwartzman
Edited by: Stephen Semel
Directed by: Bob Clark
Cinematography by: Stephen M. Katz
Edited by: Stan Cole
Directed by: Alex Proyas
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 35 BL4 Camera
Lenses: Zeiss Lenses
Directed by: Jonathan Lynn
Cinematography by: Gabriel Beristain
Edited by: Tony Lombardo
Directed by: Penelope Spheeris
Cinematography by: Richard Bowen
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Jim Clark
Directed by: Gregg Champion
Cinematography by: Dean Semler
Edited by: Michael Tronick
Directed by: John Bailey
Cinematography by: Willy Kurant
Cameras: Panavision Cameras
Directed by: Jan de Bont
Cinematography by: Andrzej Bartkowiak
Edited by: John Wright
Directed by: Brian Levant
Cinematography by: Dean Cundey
Edited by: Kent Beyda
Cameras: Panavision Cameras
Directed by: Penelope Spheeris
Cinematography by: Robert Brinkmann
Edited by: Ross Albert
Cameras: ARRIFLEX 535 B Camera
Directed by: Roger Avary
Cinematography by: Tom Richmond
Edited by: Kathryn Himoff
Cameras: Moviecam Compact MK2 Camera
Editing System: K.E.M. Editing System
Directed by: Steve Kloves
Cinematography by: Philippe Rousselot
Edited by: Mia Goldman
Directed by: Michael Ritchie
Cinematography by: Gerry Fisher
Edited by: Eric A. Sears
Directed by: Fred Schepisi
Cinematography by: Ian Baker
Edited by: Peter Honess
Directed by: Michael Gottlieb
Cinematography by: Peter Stein
Directed by: Gene Quintano
Cinematography by: Peter Deming
Edited by: Christopher Greenbury
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Directed by: Fred Dekker
Cinematography by: Gary B. Kibbe
Edited by: Bert Lovitt
Directed by: Chris Columbus
Cinematography by: Donald McAlpine
Edited by: Raja Gosnell
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Directed by: Tony Bill
Cinematography by: Jost Vacano
Edited by: Mia Goldman
Directed by: Mel Brooks
Cinematography by: Michael D. O'Shea
Edited by: Stephen E. Rivkin
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Moviola Editing System
Directed by: Marshall Herskovitz
Cinematography by: Fred Murphy
Edited by: Steven Rosenblum
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Editing System: Steenbeck Editing System
Directed by: Barry Sonnenfeld
Cinematography by: Oliver Wood
Edited by: Jim Miller
Directed by: George Sluizer
Cinematography by: Peter Suschitzky
Edited by: Bruce Green
Directed by: Sam Shepard
Cinematography by: Jack Conroy
Edited by: Bill Yahraus
Directed by: Robert Klane
Cinematography by: Edward Morey III
Edited by: Peck Prior
Directed by: Robert Townsend
Cinematography by: John A. Alonzo
Cameras: Panavision Panaflex Gold Camera
Directed by: Philip Kaufman
Cinematography by: Michael Chapman
Directed by: Fran Rubel Kuzui
Cinematography by: James Hayman
Directed by: Ron Shelton
Cinematography by: Russell Boyd
Directed by: Michael Ritchie
Cinematography by: Gerry Fisher
Edited by: Don Zimmerman
Directed by: Howard Franklin
Cinematography by: Peter Suschitzky
Directed by: Keith Gordon
Cinematography by: Tom Richmond
Edited by: Don Brochu
Cameras: ARRIFLEX Camera
Directed by: Christian Duguay
Cinematography by: Jeffrey Jur
Edited by: Christopher Greenbury
Directed by: Chris Columbus
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Cameras: Panavision Panaflex Platinum Camera
Directed by: Norman René
Cinematography by: Stefan Czapsky
Edited by: Stephen A. Rotter
Directed by: Bill Duke
Cinematography by: Bojan Bazelli
Edited by: John Carter
Directed by: David Seltzer
Cinematography by: Jan de Bont
Edited by: Craig McKay
Directed by: Lizzie Borden
Cinematography by: Jack N. Green
Directed by: Frank Oz
Cinematography by: John A. Alonzo
Edited by: John Jympson
Directed by: Uli Edel
Cinematography by: Douglas Milsome
Edited by: Thom Noble
Cameras: ARRIFLEX Camera
Lenses: ARRI Lenses
Directed by: Jonathan Kaplan
Cinematography by: Jamie Anderson
Edited by: Curtiss Clayton
Directed by: Paul Michael Glaser
Cinematography by: Elliot Davis
Edited by: Michael E. Polakow
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Directed by: Jonathan Lynn
Cinematography by: Peter Deming
Directed by: Jonathan Kaplan
Cinematography by: Ralf D. Bode
Edited by: Jane Kurson
Directed by: Andrew Bergman
Cinematography by: William A. Fraker
Edited by: Barry Malkin
Directed by: Danny DeVito
Cinematography by: Stephen H. Burum
Directed by: Sidney J. Furie
Cinematography by: Dan Burstall
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Mark Warner
Cameras: Panavision Cameras
Directed by: Irwin Winkler
Cinematography by: Tak Fujimoto
Edited by: David Brenner
Cameras: Panavision Cameras
Directed by: James Foley
Cinematography by: Juan Ruiz Anchía
Directed by: John Singleton
Cinematography by: Charles Mills
Edited by: Bruce Cannon
Cameras: ARRI Cameras
Lenses: ARRI / Zeiss Lenses
Directed by: Michael Bortman
Cinematography by: Tak Fujimoto
Edited by: Richard Francis-Bruce
Directed by: Ron Underwood
Cinematography by: Dean Semler
Edited by: O. Nicholas Brown
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Directed by: Lili Fini Zanuck
Cinematography by: Kenneth MacMillan
Edited by: Mark Warner
Directed by: Sam Pillsbury
Cinematography by: Johnny E. Jensen
Directed by: Jonathan Wacks
Cinematography by: Oliver Wood
Edited by: Tina Hirsch
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Cameras: Panavision Panaflex Gold Camera
Directed by: Sidney J. Furie
Cinematography by: Frank E. Johnson
Edited by: Antony Gibbs
Directed by: Michael Apted
Cinematography by: Conrad L. Hall
Edited by: Ian Crafford
Directed by: Joel Schumacher
Cinematography by: Juan Ruiz Anchía
Directed by: David S. Ward
Cinematography by: Kenneth MacMillan
Edited by: John Jympson
Directed by: Craig R. Baxley
Cinematography by: Alexander Gruszynski
Directed by: Steve Rash
Cinematography by: Amir Mokri
Edited by: Patrick Kennedy
Directed by: Rod Daniel
Cinematography by: Bruce Surtees
Edited by: Jack Hofstra
Directed by: Russell Mulcahy
Cinematography by: Peter Levy
Edited by: Peter Honess
Directed by: Chris Columbus
Cinematography by: Julio Macat
Directed by: Alan Rudolph
Cinematography by: Elliot Davis
Edited by: Tom Walls
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Directed by: Jon Avnet
Cinematography by: Geoffrey Simpson
Edited by: Debra Neil-Fisher
Directed by: Kathryn Bigelow
Cinematography by: Donald Peterman
Edited by: Howard E. Smith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Alan Parker
Cinematography by: Gale Tattersall
Edited by: Gerry Hambling
Cameras: Panavision Cameras
Directed by: Frank Marshall
Cinematography by: Mikael Salomon
Edited by: Michael Kahn
Directed by: Dennis Hopper
Cinematography by: Ueli Steiger
Edited by: Wende Phifer Mate
Directed by: Roger Donaldson
Cinematography by: David Gribble
Edited by: Richard Francis-Bruce
Directed by: Richard Pearce
Cinematography by: Roger Deakins
Edited by: Bill Yahraus
Directed by: Richard Benjamin
Cinematography by: Richard H. Kline
Directed by: Chris Columbus
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Lenses: Cooke Speed Panchro Lenses, Zeiss Lenses
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Cinematography by: Russell Carpenter
Edited by: Richard Trevor
Directed by: Renny Harlin
Cinematography by: Oliver Wood
Directed by: Carl Reiner
Cinematography by: Reynaldo Villalobos
Edited by: Bud Molin
Directed by: Tom Ropelewski
Cinematography by: Dennis C. Lewiston
Edited by: Michael Jablow
Directed by: Peter Israelson
Cinematography by: Ronald Víctor García
Edited by: Conrad Buff IV
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Directed by: Kevin Costner
Cinematography by: Dean Semler
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: John Schlesinger
Cinematography by: Amir Mokri
Cameras: ARRI Cameras
Directed by: Gus Van Sant
Cinematography by: Robert D. Yeoman
Directed by: Jonathan Kaplan
Cinematography by: John Lindley
Edited by: Jane Kurson
Directed by: Jay Levey
Cinematography by: David Lewis
Edited by: Dennis M. O'Connor
Directed by: Stan Dragoti
Cinematography by: Donald Peterman
Edited by: Dov Hoenig
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
Edited by: Ian Crafford
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Directed by: Rob Reiner
Cinematography by: Barry Sonnenfeld
Edited by: Robert Leighton
Directed by: Christopher Guest
Cinematography by: Jeffrey Jur
Edited by: Martin Nicholson
Directed by: Steve Miner
Cinematography by: David Eggby
Edited by: David Finfer
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Cinematography by: Phedon Papamichael
Cameras: ARRIFLEX Camera
Directed by: James Cameron
Cinematography by: Mikael Salomon
Directed by: Jim McBride
Cinematography by: Affonso Beato
Cameras: Panavision Cameras
Directed by: Danny DeVito
Cinematography by: Stephen H. Burum
Edited by: Lynzee Klingman
Cameras: Panavision Cameras
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Bill Pankow
Directed by: Richard Benjamin
Cinematography by: Richard H. Kline
Edited by: Jacqueline Cambas
Directed by: Alan Parker
Cinematography by: Peter Biziou
Edited by: Gerry Hambling
Cameras: Panavision Panaflex Gold Camera
Directed by: Graham Baker
Cinematography by: Adam Greenberg
Edited by: Kent Beyda
Cameras: ARRIFLEX Camera
Lenses: ARRI / Zeiss Lenses
Directed by: Christopher Cain
Cinematography by: Dean Semler
Edited by: Jack Hofstra
Directed by: Robert Towne
Cinematography by: Conrad L. Hall
Edited by: Claire Simpson
Directed by: John McTiernan
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Gold Camera
Lenses: Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses
Directed by: Dwight H. Little
Cinematography by: Peter Lyons Collister
Edited by: Curtiss Clayton
Directed by: Julien Temple
Cinematography by: Oliver Stapleton
Edited by: Richard Halsey
Directed by: Daniel Petrie
Cinematography by: Jost Vacano
Edited by: Melody London
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Cameras: Panavision Panaflex Gold Camera
Directed by: Ridley Scott
Cinematography by: Steven Poster
Edited by: Claire Simpson
Cinematography by: Jan de Bont
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Gold Camera
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Carol Littleton
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Godfrey Reggio
Cinematography by: Ron Fricke
Cameras: ARRIFLEX 16S Camera, ARRIFLEX 35 IIC Camera
Lenses: Canon Lenses
Directed by: Nobuhiko Ôbayashi
Cinematography by: Yoshitaka Sakamoto
Edited by: Nobuo Ogawa