Directed by: Renny Harlin
Cinematography by: Stephen F. Windon
Directed by: Richard Donner
Cinematography by: Andrzej Bartkowiak
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Richard Donner
Cinematography by: John Schwartzman
Directed by: Stuart Baird
Cinematography by: Alex Thomson
Directed by: Renny Harlin
Cinematography by: Peter Levy
Directed by: Deran Sarafian
Cinematography by: Oliver Wood
Directed by: John McTiernan
Cinematography by: Dean Semler
Cameras: Panavision Panaflex Gold II Camera
Directed by: Renny Harlin
Cinematography by: Alex Thomson
Edited by: Frank J. Urioste
Cameras: Panavision Cameras
Directed by: Paul Verhoeven
Cinematography by: Jan de Bont
Edited by: Frank J. Urioste
Cameras: Panavision Panaflex Camera
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Cameras: ARRIFLEX Camera
Lenses: Zeiss Lenses
Directed by: John McTiernan
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Gold Camera
Lenses: Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses
Directed by: Paul Verhoeven
Edited by: Frank J. Urioste
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
Directed by: Robert Harmon
Cinematography by: John Seale
Edited by: Frank J. Urioste
Directed by: David Anspaugh
Cinematography by: Fred Murphy
Edited by: Carroll Timothy O'Meara
Cameras: ARRI Cameras
Directed by: Jack Smight
Cinematography by: Philip H. Lathrop
Edited by: Frank J. Urioste
Directed by: Richard Fleischer
Cinematography by: Richard H. Kline
Edited by: Ralph E. Winters
Directed by: Brian De Palma
Cinematography by: John A. Alonzo
Directed by: Stanley Kubrick
Cinematography by: Geoffrey Unsworth
Edited by: Ray Lovejoy
Cameras: Super Panavision-70 Camera