Oct 9, 2025
Although the story itself is quite simplistic, visually it is ambitious, sometimes to its own detriment. I get it. The story serves as a mere driving force to carry the viewer from one spectacle to the next. I am sure it was a visual treat on the big screen, and it is a shame that I watched it on my laptop. Regardless, I feel that the constant need for spectacle and the tendency to clutter each frame with grandiose sequences detract from the genuine talent of the artists who made this film possible. The third act in particular is so unbelievably cluttered that instead of
...
inspiring awe, it simply becomes a mess. Every movement feels too smooth, and the action scenes lack charm because there is no real rhyme or reason behind the choreography. It is exhausting to sit through, with no room to breathe, and we never quite connect with the emotional beats because the plot rushes forward, demanding the next “cool” transformation or fight sequence. The choreography itself looks uninspired, designed to manufacture maximum overstimulation.
Despite all this, I do love the central message of the film, though I feel the story never does it justice. Can't believe I'm saying this, but I think I prefer the visually inferior prequel. Perhaps sometimes having a bigger budget is not such a blessing. Don't get me wrong: I strongly believe more money should be invested in original animated projects, but it is also worth noting that limited budgets often push filmmakers to compensate in other ways, which can result in something more substantial. I had a similar issue with the latest season of Rick and Morty, where much of the charm from the first few seasons was traded in for flashy action sequences, flexing the animation budget.
P.S. I have questions:
1. Why can Ne Zha's parents suddenly fly?
2. Um... Dragon Daddy?? Hello???
Reviewer’s Rating: 5
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