Neo Ranga

Neo Ranga is one of those ‘great shows that no one’s heard of’, only this time it’s underrated as well as overlooked. According to MAL, only one of my friends has seen the show (and he's seen everything) and only a small number of total members as well. What’s more, the collective score is only 6.63, and the results are similar on ANN. Why? How could a show so great get so overlooked? Actually, I’m pretty sure I know.

Neo Ranga is, without a doubt, one of the outright strangest anime I’ve seen. Which is funny, because at the same time, it’s not very far off ... from other anime of it’s length – the plot progression, general themes, and especially the ending are all pretty familiar to anime fans, but the presentation is totally unique. Neo Ranga is composed of 48 half-length episodes (effectively a 24-ep series) which are paced like a raging fucking tornado. The best way to describe the sheer speed and deftness of events in Neo Ranga is ‘brutal’, and this is the series’ greatest strength, right up until the end. What’s more, the series is utterly unexpected in the way it handles it’s themes and wordview, which is to say, it takes them really seriously. …Or does it?

Neo Ranga’s pace takes some real getting used to. The series begins with Neo Ranga itself, an enormous kaiju, stomping through Tokyo, with exactly the kind of reactions and presentation you’d expect from a Godzilla movie. As it turns out, Neo Ranga is a god, and three parentless Japanese girls are the ‘owners’ of this god, thanks to the fact that their older brother, who left home 10 years ago, became the king of a souteat Asian autonomous kingdom called Barou which had worshiped the god to this point. And then we get a whole smorgasbord of themes presented in the most flawless method imaginable.

Neo Ranga covers everything. Military politics, religious politics, psychology, ambitions, morals, the minds and actions of each of it’s characters, social issues, world issues – everything. It starts off with a huge maelstrom of emotions and actions as the whole world has to deal with the sudden appearance of a god and, more importantly, three young women have to deal with being it’s masters. However, it’s not like this show is stiff and serious – on the contrary. The show’s drama is met with an equal force of comedy, tongue-in-cheek, and lightheartedness, but because of the ingenious presentation, it never lessens the blow of the drama. Actually, it enhances it, because it humanizes it. The drama of politics can sometimes seem like a silly and overblown game, but it’s effects are still very real, and something that can seem comically-timed one moment can turn out to have gruesome consequences the next. And this show never, ever ignores the consequences of it’s actions.

This is, however, what makes the show hard to get into at first, because it demands you be attentive and not take anything at face value. This is the point where I feel I should tell you that it’s taken me around 2 and a half years to finish Neo Ranga. The first time I tried watching it, I got through 7 episodes before the stream I was watching fucked up, and I was unable to continue. The second time, I downloaded the series, and I watched 18 episodes of it before I stopped, and while I had never stopped liking the series a lot, I didn’t feel a huge urge to continue. My reason was that I was finding the series terribly confusing. I mistook the constant changing between what felt like serious scenes and comedic scenes to be the series’ simple quirkiness and didn’t look for anything deep in it, so I just took it as one of those series that is memorable for the same reasons it is flawed, sort of like Futakoi Alternative (no to knock that great show, but it’s pacing is an issue just as it is an asset.) However, now that I’ve finally watched all of Neo Ranga on the box set I bought some time ago, I can safely say that I was wrong about my initial impression.

Neo Ranga requires attention. It is so fast, so merciless, and demands such an extent of ability from the viewer to understand what is going on, that it requires real concentration. Unfortunately, though, this incredible strength is also what magnifies the series’ biggest weakness. As I made my way through Neo Ranga, I began to wonder why it was that this show never got to be remembered as a ‘classic.’ I knew it wouldn’t have had a chance to be an Eva-level classic, even though I think it was easily presented as well as Evangelion, but I would have thought it could at least have reached Martian Successor Nadesico-level cult status. And then I got to the ending. Neo Ranga has one of the most disappointing endings I’ve ever seen in anime. In truth, there was a point during the last 8 episodes wherein I thought ‘if it ends right here, it can still be totally satisfying’, but Neo Ranga does a stupefying move in using the last four episodes to rush through a truckload of new twists and plot points that drained all of my interest and eventually had me begging for it to hurry up and end before it got any worse. The last episode doesn’t even have time to provide a resolution to the series, leaving a horrible taste in my mouth.

However, this should not have been enough to defeat the series. Even Martian Successor Nadesico had a pretty disappointing ending (albeit still better than Neo Ranga’s) and there are series like the infamous Escaflowne who fucked their pacing throughout the entire second half of the series and swan-dove into an unbelievably terrible ending, but still got remembered as a classic. There is definitely a lot more to like about Neo Ranga than there was about Escaflowne, and that’s saying a lot.It’s possible that the series never got big in America simply because it aired between 1998 and 1998, and from what I’ve heard, there is a sort of vacuum from 98 to 02 that for some reason, many of the shows that came out in that period in Japan went totally unknown here. someone help me if that’s true of this show.

As per my usual methods of dissecting what I love about a show, I’ll start with the presentation itself. Neo Ranga is the kind of show that could only be some creator’s darling lovechild, and the viewer will certainly notice original creator and writer Sho Aikawa’s (no, not that Sho Aikawa) name all over the place. Indeed, Neo Ranga is spectacularly directed, animated, and storyboarded, but I think the writing is the true force of greatness in this show. The script and the way that events are sequenced have an airtight, brilliant cinematic quality, as if the show was more intent on being a live-action movie or series all along (a fact that seems even more pertinent when you consider the segments in next episode previews wherein characters sometimes talked about how they ‘filmed’ certain scenes.) A lot of the early episodes heavily involve yakuza, which is why I guess it’s no surprise that they are directed like Battles Without Honor or Humanity. This is definitely a show that I think cinemaphiles can get into.

Actually, one movie that I think makes a great comparison to at least the early episodes of Neo Ranga is my favorite movie, The Dark Knight. They are similar in that they are directed like gangster films and deal with all sorts of socio-political issues, from an angle wherein completely overblown entities exist and ideals are blasted around with full force and wide-open hearts.

I think what I really wanted from Neo Ranga was for it to last much, much longer. I loved the way that it studied socio-politics from right in the thick of it, and how it ran these issues through the minds of it’s characters, developing them with each new occurrence. The reason that the ending was so disappointing wasn’t just because it came so suddenly and ham-handedly, but because there was so much left for this series to cover. The characters had made progress, but there was still so much more they needed to learn, and do, and become. There were a ton of potential relationships in this show that were left totally open-ended. Every character had something that they were missing, that they were trying to find, and in the end, we not only didn’t get to see anyone to the end of their path, but we didn’t even get a solid view of where they’d be going.

Did Aikawa know this? Did he intend for his series to be much longer, but couldn’t afford it? Neo Ranga was apparently split into two separate seasons, divided at the 24 episode mark. I want to say that while the entire series was great, the first half had just a bit of an edge over it the second. There were fewer of those moments of sheer brilliance in the second half, even if it continued to be great until it’s sudden, rushed, and botched ending. Was Aikawa disappointed? Did he half-heartedly try to get as many of his points across as he could before having to end his series? Did he purposefully cram the ending into the last few episodes because he wanted more time to flesh out the things that mattered in the series? I can’t ask him, and with the amount of recognition that Neo Ranga has after 12 years since it finished airing, I doubt anyone cares enough to fight for an answer. That’s what makes Neo Ranga the epitome of a ‘cult classic’. It never got the chance to be a fully-realized epic, so all we have left is to take the great things that it gave and try to use our own imagination to see what it could have been.

Yeah, I can see why this doesn't get much fanfare after seeing it years later when I bought it for my collection. Pretty much, Neo Ranga is focused on how the presence of Ranga makes the lives of the Shimabara sisters turn upside-down when they inherit a kingdom from their dead brother. The first half of the series is mostly a mix of social satire and slice-of-life comedy focused on how Ranga's presence effects the neighborhood in which the Shimabaras live in and how this invites figures like crooked politicians, the mass media, yakuza and the military to get entangled in the hijinks. From how ... I interpreted things, Neo Ranga was apparently poking fun of the cultural divide between those embracing Western influences and those trying to uphold the older traditions of Japan's past. While the humor was a bit hit or miss for me, the show's first half was structured well enough where it knew what it wished to focus on and things appeared to be getting interesting when the secret society called the Kyoshin Council made their move to gain influence in Japan.

Sadly, the second half to Neo Ranga takes a big hit in quality as the show got too experimental for its own good in what it wanted to focus on. The focus seemed to have shifted on the tensions between the Shimabaras and the Kyoshin Council at first, but the series decided to return to its slice-of-life/ social satire mix for a bit with the addition of "monster of the day" plot setups compliments of the Kyoshin Council as this mixture was a bit of a miss. Some of the themes focused on with Christmas and filming for TV specials were quite outlandish compared to the first half's focus on poking fun of more influential elements of Japanese society. The series then decides to go back to being more serious for the show's final episodes with the actions of the Kyoshin Council, a third faction that gets poorly introduced and hardly any depth and attempting to philosophize the worth of freedom and worship of gods. However with the sloppy handling of these developments and not being consistent with the tone of Neo Ranga's first half, these elements for the show's finale lack the punch they could have delivered if consistently delivered throughout the title's complete run.

Another area that Neo Ranga tends to be weak in is character depth. The series tacked on many of its prominent character with simple personalities such as Yuuhi being rebellious and pampered, Ushio being the heroic tomboy and Minami their stressed-out surrogate mother/ sister. While the simplicity was fine for much of the show's first half, Neo Ranga's attempts to incorporate more serious plot development and complex themes required more depth for these characters introduced. With exception to a few notable characters whose roles are expanded upon from the first half, the Shimabara sisters and most other characters don't get much depth given to their characters and their characters don't evolve too much throughout the show's run.

Visual-wise, Neo Ranga does make use of cel-shaded animation in the designs of scenery and character designs which looked solid to a great extent throughout the show's run as many shots featured a great amount of detail put into the designs of scenery and monster designs. The animation isn't the title's best highlight, but it gets the job done in depicting character movement and battle scenes.

Overall, I'm not really sure what drew my mind to come back to this show when I put it on hold years ago. Neo Ranga was seemingly experimenting with differing ways in which to explore its themes as its first half had a solid focus with its mix of slice-of-life and social satire while the second half became quite a mess in its overall focus. While it explores some interesting themes related to Japanese society at large, the series didn't seem to be sure how it wanted to implement them effectively while maintaining a consistent focus and tone. I suppose your mileage could vary on how well you enjoy Neo Ranga.

Neo Ranga is the biggest anime let down and a click bait I've ever seen so far and I HAVE seen quite a few anime.

Propably majority fans got into this anime throught the trailer - three girls with red body paint flowing in the air. It all looks so dynamic and catchy. So you start watching the animie expecting them to be some tribal mahou shoujo. WRONG. Go watch Chikyuu shoujo Arjuna then.

The nice outfits we have seen in the trailer are worn only in th op and ed. You never see then in any of the 48 episodes. Yes, you don't. The whole anime ... is a slice of life with 3 sisters being rulers of some distant tribal nation in Malaysia. But they live in Japan. RIght in episode 1 a robot- I mean a mecha thing with propably some soul (because its mechanial eyes switch to creepy biological ones from time to time) comes to their hometown. The girls realize they can control him and the rest (48 episodes) is about how the city accepts or rejects them and the robot.

If anything, the designs are quite good. Yet the ost is also terrible. It consists of one or two tones repeating over and over. I hope the composer didn't get paid for this and you not want to be credited in the anime in their place tbh.