Book Review: Life on the 64 Bus by Brad C. Hodson

Life on the 64 Bus

Brad C. Hodson

JournalStone Publishing (August 6, 2021)

Reviewed by Andrew Byers

I’m glad I read Life on the 64 Bus. It’s not my typical sort of book, with most of my fiction-reading consisting of horror, or at least horrific, fiction but I do enjoy crime novels, and I’d kinda sorta describe this one as a novel with crime elements. I must confess that Life on the 64 Bus is hard to categorize, but don’t let my inability to fit this novel neatly into a categorical box prevent you from reading it.

Here’s roughly what it’s about, then I’ll tell you why I think you should read it.

Keats is a young American guy whose life has collapsed in disaster: he’s got some fairly significant mental illnesses and his love life is in ruins, with a recent divorce and a breakup with a girlfriend still raw. Hoping to try to somehow connect with his dead mother who spent time in Rome, he travels there, not knowing what else to do with his life. On his first day in Rome, Keats has his wallet and passport stolen by a con artist while traveling on the 64 Bus, the route on which most tourists travel to see the sights. Keats tracks down the thief, who turns out to be a woman named Shelley with whom he promptly falls in love. Shelley (and soon Keats) are part of a band of thieves and con artists, led by a madman called the Carny, who live under the city in the catacombs. Keats soon becomes embroiled in a life of petty crime and gets tangled up in disputes with rival criminal gangs and the Mafia. Along the way, he tries desperately to (1) survive, (2) regain his sanity/equilibrium/happiness, and (3) navigate a bunch of passionate and complex relationships with Shelley, the Carny, and others. Oh and the Carny is spiraling into madness, which places them all at grave risk, so he’s got to deal with that too.

Why I think you should read it: Life on the 64 Bus has got wonderfully detailed characters, both major and secondary, who come alive. These aren’t cardboard cutouts, Keats, Shelley, the Carny, and others all seem like real people with complicated hopes, dreams, goals, and problems. Despite his many flaws—and he’d be the first one to admit them—Keats is a likeable guy; you want him to make the right decisions. It’s also got a fast-paced plot with good action. Hodson knows how to write about the complexities and challenges of mental illness, including the anger issues that all too frequently emerge from struggles with mental illness, and the toll that all of those issues take on interpersonal relationships. There were times that these struggles felt uncomfortably familiar, and I suspect that I won’t be alone in that among Hodson’s readers. This is a novel that makes you think.

I’ve never been to Rome, though after reading Life on the 64 Bus, I very much want to visit. I’ll keep a close eye on my wallet though, and I don’t think I’ll plan to take the 64 Bus. Life on the 64 Bus was a fun ride, and I highly recommend it.

This review originally appeared in Hellnotes.

Book Review: Crime Seen by Michaelbrent Collings

cfrimeseenMichaelbrent Collings has built a reputation for himself as an extremely prolific author of mostly fast-paced thrillers steeped in horror. He continues that tradition in CRIME SEEN, a short novel about a police detective pursuing his wife’s murderer. Because it’s a Michaelbrent Collings novel, though, you can be sure that nothing is exactly as it seems.

Evan White and his partner, the hard-nosed Angela Listings, are pursuing leads to the brutal murder of Evan’s wife when they come across the madman who probably did it. There’s a problem though: it appears that the killer can’t be stopped with mere bullets and can disappear or reappear in the blink of an eye. How exactly does a ghost – if that is indeed what he is – kill people, and why is he taunting Evan, daring Evan to catch him? Coming to question his own sanity at times, Evan has no choice but to follow the tantalizing clues the killer leaves. The path leads Evan to Tuyen, a young Vietnamese-American woman who runs a mystical trinket shop and is somehow involved. The deeper Evan gets into his investigation, the more the weirdness begins to mount, especially once all the evidence points to the murderer already being dead, raising the question “How do you kill a man who’s already dead?” That’s all I want to say about the plot and resolution of the novel, as the premise requires a gradual series of revelations about the characters and the nature of the crimes and I don’t want to ruin it for other readers.

CRIME SEEN begins as a straight-forward police procedural hunt for a murderer, but weird elements – things that can only be supernatural – start playing an important role almost immediately. These are genuinely creepy at times and lend a real sense of menace to the proceedings. What initially seems a straight-forward, linear kind of mystery is anything but. While there aren’t a great many characters in the novel, Evan and his partner Angela are aptly drawn, and it’s interesting watching their relationship develop and be revealed. CRIME SEEN is a short novel that is fast-paced and doesn’t take long to finish. You’ll have to allow yourself to go with the flow in CRIME SEEN. Be patient – wait for events and revelations to play out. The pay-off is worth the wait. Recommended, especially if you are looking for a quick read and enjoy supernatural elements mixed in with your police procedurals.


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Review copyright © 2014 J. Andrew Byers

Book Review: Smoking on Mount Rushmore by Ed Lynskey

17228169I was a little worried when I began reading this new short story collection from Ed Lynskey because while I’ve enjoyed three of his stand-alone novels (reviewed HERE, HERE, and HERE), I have never read either his short fiction or the crime series for which he is famous. I need not have worried, as I was able to slip right into the groove with these stories.

Mild plot spoilers follow, but as these are mystery/crime tales, I promise not to ruin any of them for you.

SMOKING ON MOUNT RUSHMORE includes sixteen stories, ranging from gritty crime to almost-cozy-type mysteries, to slice of life tales. That makes for a shifting tone across the stories, but I thought that added some enjoyment to the collection, as I never knew what to expect when I began a new story. For example, “The Thief of Hearts” was a low-key lead-in to the collection about a young female college student who falls for the wrong guy. The stories then shift to some darker, more noirish tales. As with much of Lynskey’s fiction, most of these stories are set in the gritty and rural byways of Northern Virginia and surrounding areas, and that sense of place is one of the strongest features of Lynskey’s prose.

The majority of these stories have previously appeared in other anthologies (from 2000-2010), but it’s always nice to see single-author collections appear. Two of the stories in SMOKING ON MOUNT RUSHMORE – two of the longer pieces in fact – are all new: “Sins of the Father?” and “Juror Number Three.” The latter story, about a woman serving on a sequestered jury whose marriage is falling apart, was especially strong. A number of Lynskey’s iconic characters featured in their own series appear here. The private investigator Frank Johnson shows up in five of the stories, including one with an especially good title: “How to Defuse a Terrorist.” Johnson’s bounty hunter sidekick Gerald Peyton also appears in two stories here, and Lynskey’s female P.I. Sharon Knowles also makes an appearance in one story.

The title story, which closes out the collection, is especially strong. Derek has been called up for active duty and is set to be shipped off to Iraq in three days. He convinces his young wife Cerise to indulge him in one last fantasy before he has to deploy: he wants her to give him a striptease on top of Mount Rushmore. So begins a roadtrip for the couple in which we find that Derek, Cerise, and their marriage are a lot more complicated than they first appear.

While I think I prefer Lynskey’s novels to his short fiction (though to be fair that’s my view of most authors), this collection serves as a very good introduction to Lynskey’s work. If you like his characterization, dialogue, and plotting in these shorts, then I’m sure you’d like his longer work, as Lynskey’s novels seem to play out similarly.


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Review copyright © 2013 J. Andrew Byers

Book Review: Strip by John Bruni

Strip_John Bruni-799965I’ve always loved novels and films about heists. They always include a fun cast of various losers, misfits, and thugs who embark on an audacious get-rich-quick scheme that never quite turns out the way they expect. If it’s a light-hearted kind of farce, like OCEAN’S ELEVEN, then everything mostly turns out fine in the end. STRIP isn’t that kind of happy-go-lucky tale, and John Bruni has not given us a fairly tale ending where the heist team strolls off into the sunset rich and happy. Quite the opposite.

Mild plot spoilers follow.

Any good heist tale starts with a cast of miscreants, their scheme to get rich beyond their wildest dreams, and complications. Lots and lots of complications. STRIP is no different. Here we have a mafia-owned strip club as setting and target for the heist. The members of the heist team are memorable, including: the not-so-lovable strip club DJ who despite being such an odious loser manages to sleep with a shockingly large number of women in the novel; a loose cannon bodybuilder who has taken a few too many steroids for his own good; a brutally efficient mastermind and planner who doesn’t seem nearly as capable as his reputation might suggest; and a meth head getaway driver with a fetish for samurai swords. Of course we understand from the start that things are going to go horribly, violently wrong. Complications include a healthy dose of Murphy’s Law – everything that can go wrong truly does here, even before the heist officially begins – and an undercover cop posing as a stripper to take down the local mob operation.

There are lots of minor characters to flesh the whole thing out, nearly all of whom are as entertaining as the protagonists. This is a truly fast-paced novel that was a lot of fun to read. It’s filled with relatively graphic violence and sex throughout, so don’t give this one to your grandmother who would probably prefer to read a cozy mystery set in a knitting shop. There are a few chapters in the middle of STRIP, during the siege of the strip club when the remaining members of the heist team are holed up inside and not really sure how to proceed, where the action bogs down. I suppose that’s probably almost inevitable in a novel about a hostage situation, but STRIP would have benefited with some trimming there. With a little tweaking, I think this could even be filmed as a break-out cult classic kind of indy film that casts Steve Buscemi somewhere in the mix.

STRIP is, unabashedly, a heist novel in the noir tradition. It has all the inevitability of a Greek tragedy, as one would expect. It is a story about losers, with big dreams, who are willing to go to great lengths and commit acts of tremendous violence to achieve those dreams. Those involved are willing to do almost anything except get a regular job to make it big. Indeed, it’s almost a running joke that Will, the strip club DJ, could have averted the whole mess by simply being willing to pick up a part-time job when his hours at the club were cut. But we know from the opening pages that nothing good will come of these dreams. There will be no happy endings for the characters of STRIP.

If you like modern-day noir, especially heist novels, I would highly recommend STRIP. Sure, the ending is a bit over-the-top – maybe unbelievable is a better term – but the sleazy characters who populate STRIP are a great bunch of lowlifes and the action is mostly non-stop. To fully appreciate STRIP, I think you have to accept a story about bad people doing bad things, mostly to other bad people, but also one in which innocent people get caught up in terrible events and suffer the consequences. If you like the idea of a noir-ish heist, you’re going to enjoy STRIP.


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Review copyright © 2013 J. Andrew Byers

Book News Round-up, January 21, 2013

I used to do more reporting on cool news related to publishing, writing, book retail, etc., but I’ve moved away from that in the last year or two because time didn’t allow it. I’m not that much less busy than I have been, but I’ve decided to make a more concerted effort to share some interesting articles and tidbits I come across. The tentative goal is to do a short weekly post that provides some links and commentary. This weekly round-up is not intended to be comprehensive — that would never be possible without having a full-time staff and this is a one-man, unpaid show — and will necessarily be idiosyncratic. Here are some of the interesting book-related things I’ve come across in the last week or so:

SCANDINAVIAN CRIME FICTION: It’s all the rage now. Of course, English-language publishers are trying desperately to find the next GIRL WITH A DRAGON TATTOO, just like they did with HARRY POTTER-esque themed books a few years back. But I’ve read some of the Scandinavian neo-noir, and I like what I’ve seen of it. But it’s hard to know where to begin, because in several of the major series, they have been published out of publication or chronological order in the English-language markets. Here’s a lengthy summary of the major Scandinavian crime novels available in English, along with booklists, original publication orders, and pronunciation guides.

HOW TO WRITE A PULP WESTERN: This is a piece from February 2012, but I just happened upon it, so here you go: a guide to writing pulp western novels by prolific author Ben Haas. I must admit that I have not yet caught the Western bug — the genre has just never resonated with me, and it’s one of the few genres that I can say that about (romance would be another). But a lot of what Haas suggests here resonated with me as a writer, so I wanted to share it. There are many interesting comparisons we could probably make with Lester Dent’s classic pulp novel writing guide. (If you haven’t seen that, you owe it to yourself to at least take a look.) Both Haas and Dent offer very particular formulas for writing pulp fiction. Sure, many consider authors like this “hacks,” a charge I find to be unfair, but say what you will, these guys knew how to churn out books. “Hack” writing doesn’t have to be bad writing.

BAEN EBOOKS TO BE SOLD BY AMAZON: I don’t nearly read as much of Baen Books’ output as I used to — they publish a great deal of fun, military SF — but I was always impressed by their dedication to eBooks. They were one of the first major publishers (and maybe the very first) to embrace eBooks in a serious way. They always emphasized eBooks as a low-cost option, with no annoying DRM that doesn’t deter pirates and just irritates legitimate customers. They always offered lots of free books as well, something we can all appreciate, as well as low-cost book bundles. They are now going to allow Amazon to sell their eBooks. Baen has taken down many of their free offerings as a result of the deal, though they promise to add some new ones in the future. Further evidence of Amazon’s growing monopoly on the sale of eBooks. They’ve practically cornered the market. Should be interesting to see what the eBook market shares are like in a couple years.

NEW LIMITED EDITION STEPHEN KIND PRE-ORDER: Stephen King has a new project that will be releasing this year in a very special limited edition. It’s titled GHOST BROTHERS OF DARKLAND COUNTY and sounds very interesting. It will be sold as a slipcover, leather-bound hardcover bundled with two CDs and a DVD for $50 from Cemetery Dance. Their Stephen King stuff always increases in value, plus it’s a neat item for completists (I admit that I am a Stephen King completist myself, despite my preference for vintage over recent King).

Book Review: Blood Diamonds by Ed Lynskey

We’ve all heard the saying “there’s no honor among thieves.” We get to see that old chestnut play out in Ed Lynskey’s new action-packed crime thriller, BLOOD DIAMONDS. It follows the adventures of life-long conman Jonas Blades who has settled down into a fairly sedate lifestyle as an IT drone uncomfortably working for a harpy of a boss. Jonas isn’t terribly happy, despite – or perhaps because of – his life in the suburbs, especially since there’s some unpleasant, unresolved business in his past. You see, about nine years before the start of BLOOD DIAMONDS, Jonas was the wheelman in a diamond heist. And that heist didn’t go exactly as planned: Jonas double-crossed his fellow crooks and ended up with the diamonds, tucked away in a safe deposit box. And now Jonas’ former girlfriend and betrayed heist partner is finally getting out of prison and she’s sure to come looking for the diamonds and some payback.

BLOOD DIAMONDS begins in the present, quickly establishes the characters and their current woes, then flashes back to show how Jonas and Jacquie met and takes us through the heist and double-cross. It then returns to the present to resolve the storyline. Of course there’s plenty of action. As with most crime/heist thrillers, BLOOD DIAMONDS must succeed or fail on the strength of its characters. I’m happy to report that it succeeds handily in characterization and dialogue. Jonas is an intriguing character: he seems pretty low-key, and like all too many of us, he seems to be pretty complacent in his life of “quiet desperation.” Jonas is a man who’s been sitting on millions of dollars of stolen diamonds for years now. He’s seemingly reluctant to fence them, but he’s not the kind of guy who would just turn them (or himself) over to the police either. So he simply waits, knowing that his past is going to catch up with him some day. It’s an interesting character study. Every member of the cast of characters is a crook of one sort or another, ranging from Jonas himself, to his ex-partner, the dangerous Jacqui Mantooth, to Jacquie’s thuggish brother, to her new boyfriend, to Jonas’ new girlfriend Rita Jo. Most of these folks are more than they appear, and betrayals are a constant. And because we’re talking about several million dollars’ worth of diamonds, these folks aren’t too shy about doing whatever it takes to get their grubby mitts on the gems.

I won’t spoiler you on how this all turns out. On initial read, I was just a little dissatisfied with the ending, but after a moment’s reflection, I liked Lynsey’s closing. Your mileage may vary, but I was surprised to discover I didn’t mind being left where Lynskey’s ends the tale. We could certainly see several of these folks appear in future DC suburban crime fiction.

I’ve reviewed another of Lynskey’s crime novels set in a thinly-veiled fictional version of the Northern Virginia – my old stomping grounds – and BLOOD DIAMONDS is also set here. (See here for Lynskey’s discussion of his own personal setting.) For those of you familiar with the area, I’d place BLOOD DIAMONDS mostly in the sketchy southern end of Route 1: heading south from Alexandria and into Fairfax county going down to the Fort Belvoir area. It’s an area that’s seen better days, though is close enough to plenty of more upscale places, so it’s a good setting for criminal shenanigans.

Recommended for those who have enjoyed Ed Lynskey’s other crime fiction – you certainly won’t be disappointed here – as well as those with an interest in stories about heists and crooks betraying their fellow crooks. It’s a quick, fun read that carries you right along to a catastrophic climax.


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Review copyright 2012 J. Andrew Byers

Book Review: Before Sherlock Holmes: How Magazines and Newspapers Invented the Detective Story by Leroy Lad Panek

Leroy Lad Panek, professor emeritus of English, has set out to explore the detective stories and serialized novels of the nineteenth century with which most twenty-first century readers are entirely unfamiliar. Sure, we all understand that Poe is often credited with creating the genre with “The Murders in the Rue Morgue” and his detective C. Auguste Dupin in 1841. We also know that interest in the genre really took off after Arthur Conan Doyle published his first Sherlock Holmes tale in 1887. But we may be less familiar with the detective stories that came before the first Dupin story, as well as the wealth of such stories written in the United States and Great Britain in the 1840s-1870s. Panek seeks to fill in some of the blanks.

I wish that Panek had spent more time analyzing the obscure, nineteenth-century detective stories and novels that he has kindly located for the reader. Lengthy discussions of common elements, themes, tropes, etc. would have been very welcome. What do these stories look like? How do they differ from the later stories (Sherlock Holmes and beyond) with which we are familiar? What kinds of crimes were commonly depicted? What was the level of violence? How were criminals portrayed? Victims? The detectives themselves? What role did nineteenth-century ideas about race and ethnicity play in these stories? What was the readership of detective stories? To what extent did readers initiate correspondence with publishers on individual stories? What was the relationship of detective fiction with the growing interest in “true crime” stories (many of which bore little resemblance to fact), also published in the nineteenth century? How did the detective genre fit into the growing field of “popular fiction,” dime novels, and the like?

Sadly, this kind of analysis is almost entirely lacking from the manuscript. Unfortunately I don’t feel able to answer these questions in detail, despite having just read BEFORE SHERLOCK HOLMES. We get a little of this in the chapters discussing the detective/crime stories of Charles Dickens and Wilkie Collins, but not for any of the more obscure works and authors. I’d have liked to see Panek spend much more time on the obscure stories he’s managed to uncover by scouring nineteenth-century newspapers and magazines. I would have also liked to see Panek connect his analyses to larger issues in American society at the time. For example, we have one brief, tantalizing mention of Anthony Comstock’s censorship. How much did the work of Comstock and other moralists affect the content of detective stories?

It may seem petty to mention this on top of my other criticisms, but I also didn’t find Panek’s prose to be particularly engaging. This is a topic that could have been fascinating. Instead, much of Panek’s narrative is leaden and plodding.

This is not to say that BEFORE SHERLOCK HOLMES is wholly without merit. The history of American magazines and newspapers was useful, and I found it interesting to read about how nineteenth-century British and American magazines and newspapers routinely plagiarized fiction from each other to reprint. Panek makes the useful point that the availability of a growing number of nineteenth-century newspapers and magazines in academic databases makes possible a thorough study of these early stories and serialized novels. Panek is at his best in opening the door to future conversations about what the world of pre-Holmesian detective stories looked like. This is an introduction to the genre and period; it is by no means the final word on the subject.

I hesitate to recommend this one to casual readers. It’s not a particularly fun or exciting read. Having said that, literary scholars interested in exploring some of the “pre-history” of the detective genre in the mid-nineteenth century might find it useful. Obviously a great deal of work remains in exploring this early history of the detective genre. We can certainly thank Panek for opening the door to this discussion, for doing some initial research on the topic, and for reminding us that there is a fascinating history to be written about early detective stories.


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Review copyright 2012 J. Andrew Byers

Book Review: Ask the Dice by Ed Lynskey

This isn’t your typical hitman story. I had only read one previous crime novel by Ed Lynskey –LAKE CHARLES (see my review here) – but like that first novel, I enjoyed ASK THE DICE immensely. Much like Elmore Leonard, and I mean this comparison very favorably, ASK THE DICE relies on a small cast of interesting, off-beat characters who engage in a healthy mix of witty repartee and furious action.

Please note: some plot spoilers follow, though I promise not to wreck every twist and turn in the novel.

Tommy Mack Zane is a professional hitman who has been loyally working for Watson Ogg, a Washington, DC crime lord for the past couple decades. Tommy Mack is now late middle-aged and more than a little tired of cleaning up Ogg’s dirty work, to the point that he has begun contemplating retirement. Before he can fade off into the sunset, Tommy Mack is inexplicably framed for the murder of one of Ogg’s two nieces. The word quickly goes out on the street that Tommy Mack is a marked man and he must flee for his life. He’s also got to figure out why he was framed and, perhaps, exact a measure of revenge. Through the course of the story, we also see Tommy Mack’s past slowly unfold as we learn how a pretty likeable guy ended up spending his adult life as a contract killer. There’s plenty of furious action and chases throughout, as well as a final confrontation with Ogg and his “dark suits” (goons), resulting in a very nice resolution to the plot.

There was one very minor pet peeve in the story, and it’s one I freely admit would not bother most readers: I lived in the Washington, DC and Northern Virginia area for twelve years and love it. The unique geography of the city and its environs, especially as used by other local authors like crime novelist George Pelecanos, allows for some fascinating use of setting. To be sure, Lynskey generally does a good job with DC, mentioning real places like Adams Morgan, Annandale, and Baltimore. But he has chosen to insert some fictitious locations too – Old and New Yvor Cities, in particular — and much of the action takes place there. For me, that creates a jarring effect that breaks my suspension of disbelief. Where are these places? Somewhere down Route 1? What are they like? I assume they are kind of decaying and sketchy, but I don’t really know. To be fair to Lynskey, he explains why he did this in his blog, and I respect that decision, I just wish that he’d used a few more real locations.

I should also add that Tommy Mack is a poet, and in several places in the novel we are treated to some of his poems. I wouldn’t ordinarily describe myself as a lover of poetry (sorry, folks), but I actually really enjoyed these pieces, so I wanted to mention that specifically here. (The poems are apparently previously published pieces by Lynskey, but fit in very neatly here as, I think, exactly the kind of poems Tommy Mack would write.)

I recommend ASK THE DICE highly. Lynskey’s use of setting is one of the strongest aspects of the book (it doesn’t hurt that the book is set in my old stomping grounds) and I salute him for delving into a real sense of place that too many other novelists only gloss over. If you are looking for a tight crime novel with spare but engaging prose, look no further than ASK THE DICE.


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Review copyright 2012 J. Andrew Byers

Book Review: The Black Stiletto by Raymond Benson

In the past few decades we’ve seen a number of efforts to showcase what superheroes in the “Real World” might look like: of course there is Alan Moore’s pathbreaking WATCHMEN comic series (1986-87), along with the 2009 movie version; the long-running WILD CARDS series (1987-present); and the HEROES TV series (2006-10), among many others. For those of us who enjoy stories about superheroes, it’s always fun to imagine what our own world might be like if superheroes were “real.” Raymond Benson, one of the authors selected to write some additional James Bond novels after Ian Fleming’s death, has written THE BLACK STILETTO as his own entry in this sub-genre.

THE BLACK STILETTO is set during the late 1950s and follows the adventures of a small-town girl, Judy Cooper, who travels from a broken home to New York City and ultimately becomes the world’s first (and only) costumed vigilante/superhero. The book is told from three perspectives. The first are entries from Judy’s diary. Her voice in the diary entries is fairly convincing. Judy is a young, simple girl, without much education, and is new to the big city. She is a kind of naïf, and while that works for story purposes, her prose is not as engaging as a more sophisticated narrator’s might be. My only qualm about this kind of perspective is that it drains some of the immediacy of the action and excitement from the story as they are later retellings of things that happened to Judy, who later records them in her diary when safe back home. As we’re reading, we know that everything turns out fine for Judy, or else she wouldn’t be calmly writing about them. We gain a little reflection from Judy on why she did things and how she feels about them later, but I’m not sure that the trade-off is worth it. It’s an interesting narrative device in any case.

While Judy’s chapters are contemporaneous with her ‘50s adventures, the remaining two perspectives are from the present day. The first is Judy’s son Martin, who is a bit of a nebbish. We need Martin’s perspective to give us some context in the present-day because Judy is, sadly, no longer in a position where we can speak for herself: she is in a nursing home suffering from Alzheimer’s. Judy worked under her secret identity for an undetermined period of time, then retired to a relatively normal life to raise her son, all without the public ever discovering who was behind the Black Stiletto’s mask. The final perspective, and the one with the fewest number of chapters, is Roberto Ranelli, a mafia hitman Judy tangled with early in her career. She was responsible for killing his twin brother (also a Mafioso) and putting him in prison. He gets out fifty years later and comes back for revenge. Roberto is a pretty twisted, evil guy, and provides some much-needed tension for the modern-day portion of the story. These chapters hold a real sense of menace that is missing from some of the other parts of the book, and this present-day plotline is wrapped-up nicely, if just a little unsatisfactorily. I was actually a little surprised that Judy’s granddaughter Gina didn’t end up kicking butt in the finale. I was pretty sure that Benson was setting Gina up to take up Judy’s crimefighting in the modern day, but that didn’t happen. Oh well, maybe in the sequel, as this seemed a lost opportunity.

I’d actually have liked to see Judy’s abilities played up a little more strongly, and hope that happens in the sequels. She has a number of minor abilities – enhanced speed, fighting prowess, strength, hearing and vision, healing abilities – none of which are superhuman per se, but they give her edges that the ordinary bad guys she encounters don’t have. Does she have actual super powers? Well, that’s never made clear. I’d say it’s strongly implied, but never spelled out.

I give this one 3.5 stars out of five. I really, really wanted to like this one. The premise is terrific and has lots of potential, but I was left wanting more. Much more. It ended being just a little clichéd and without much substance. This is fairly light action fodder, without a great deal of depth. I will watch for the sequel, as I understand that an entire series is eventually planned, but I do sincerely hope that the next installment is better – the next needs to be more engagingly written and faster paced.


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Review copyright 2011 J. Andrew Byers

Ed Lynskey interview

As a follow-up to my review of Ed Lynskey’s new “Appalachian noir” novel Lake Charles the other day, I’d like to provide a link to a good interview with Lynskey posted on the Out of the Gutter (OOTG) magazine blog. If you’re not familiar with OOTG, it describes itself as “pulp fiction and degenerate literature,” and I think that sums it up nicely It contains some interesting, foul stuff you won’t find elsewhere. I heartily approve of the mag and have been a fan since issue #1.

In any case, check out the interview, and check out Out of the Gutter!