Recent Acquisitions: January 2011 Amazon.com Order

Well, OK, technically, I don’t have them in hand yet, but I thought I’d mention an Amazon.com order I placed the other day. It’s a rather large one, but that’s because I had a Christmas gift certificate from two dear friends, another Amazon credit I received from the credit card I use which gives me money back to use on Amazon, and a $20 LivingSocial gift certificate that I bought for only $10. I ended up getting $76 worth of books for only $16, including shipping.

In any case, here’s what I got:

  • BPRD, Volume 9: 1946: The next graphic novel trade paperback in one of my favorite series (set in the Hellboy universe).
  • Lobster Johnson: The Satan Factory: A novel, also set in the Helboy universe, and the first about the eponymous pulp hero.
  • The Amulet of Samarkand: Young adult fantasy, first in the Bartimaeus trilogy.
  • Chasm City: I really enjoyed the first book in the Revelation Space series, so I’m hoping this one is as good.
  • Sandman Slim: I have heard nothing but great things about this horror/urban fantasy novel, and I believe there’s a sequel out as well.
  • The Ruins of Gorlan: Another young adult fantasy, and another first in a series. This one is first in the Ranger’s Apprentice series. I’ve been wanting to check this one out for a while now.
  • Pax Britannia: The Ulysses Quicksilver Omnibus: First three novels (and some short stories?) in a steampunk series. Sounds neat, but I don’t know anything about it, so I’m taking a bit of a chance here.
  • The Spider vs. The Empire State Omnibus (Black Police Trilogy from 1938): The three-novel Spider arc in which a Nazi Party analogue takes over New York State and the Spider — one of my favorite adventure pulp heroes — must organize the resistance and take back New York from crypto-Nazis.

Looks like I’ve got some great reading ahead of me. Comments on any of these books are welcome as always.

The Challenges of Ebooks and the Future of Books

Pretty grandiose title, isn’t it?

Tim Spalding of LibraryThing fame has posted some interesting thoughts on the future of ebooks, the publishing industry, and ownership of books. There’s some interesting speculation here that I won’t rehash, but the short version is that I agree with a lot of what Tim says here. I do have profound worries about what the publishing and book retail industries over the course of, say, the next 5, 10, 15 years. I really am a book geek and am also worried about the future of book/reading culture, I have to admit. I’ve gone on record as saying I have almost no interest in ebooks and no plans to purchase an ebook reader. And no way am I ever going to purchase a book that I don’t retain full ownership over. Having said all that — and risking a reputation as a Luddite — I think that digital technologies are very exciting and offer some wonderful opportunities for books and reading culture, not the least of which are the amazing potentials of both print-on-demand technologies and the digitization of public domain literature (and of course the marriage of these two capabilities as well). As bibliophiles, we live in interesting times (in the Chinese curse sense).

In a tangentially-related piece, here’s an interesting NYT article on the struggles of independent booksellers as they seek new strategies to stay relevant — and open for business — in the twenty-first century.

Comments, as always, are welcome.

(Oh and I will be resuming my more frequent posting schedule, having successfully crossed a major hurdle in my academic/professional life today.)

Book Review: Kris Longknife: Mutineer (Book 1) by Mike Shepherd

This is the first volume in what has become (as of this writing) a nine-volume military science fiction series. It follows the adventures of a twenty-two year old female space navy ensign named Kris Longknife, who happens to be the daughter of a high-ranking politician and heir to a vast fortune. Sadly, the protagonist is little more than a cardboard cutout, and worse, she’s a physical, mental, and most importantly, moral paragon who can do no wrong while all those around her are either lazy, weak, evil, or otherwise imperfect and have to be shown the error of their ways or soundly defeated by the heroine. She has one small defect and that’s that she abused alcohol as a teenager, but over the course of the novel discovers that she’s not really an alcoholic and has beaten her former alcohol problem through sheer willpower and can now drink again with no problems.

Mild plot spoilers below.

The book opens strongly with Kris leading a rescue mission of a kidnapped child that’s reminiscent of her own brother’s kidnapping as a child (though why exactly is a boot ensign with no combat experience leading a hostage rescue of a high-ranking politician’s daughter when a team of special forces specialists is clearly required? Better not to ask, I suppose). Kris does well, but is put out to pasture on half-pay then recalled to duty and sent to a colony world where the local government has collapsed and she must deal with a large refugee population. Fortunately, Kris Longknife possesses the moral courage, the common sense, and the vast wealth needed to save the starving colony, largely by dealing with bureaucratic obstacles and paying off locals to help her. She then gets involved in a painfully transparent attempt to instigate a war between Earth and Kris’ home world and its allies.

There’s clearly a major war brewing (I assume this is where the next sequel takes us), with lots of political (and presumably, military) fights going on, but the actual politics themselves of Earth, its colonies, and all the other places where humans have settled are only hastily sketched and introduced gradually and piecemeal. Imagine a typical American watching, say, the Indonesian equivalent of C-SPAN and you’d have a similar level of understanding and interest in the various political factions described in the novel. The politics are important, but are poorly described and just plain boring. And that’s really the book’s worst sin – even worse than the “Mary Sue” protagonist – is that it’s boring. It’s a trite storyline with cartoon villains and an unbelievable protagonist who can do no wrong while all those around her consistently fail or show weakness.

Also, while the book is nominally science fiction and set in either the twenty-fourth or twenty-fifth century (the text contradicts itself on this account), human society seems to have been not particularly affected by several hundred yeas worth of technological developments. In fact, other than faster-than-light spaceships and vehicles that are made out of “smart metal” and can change configurations, all the technology used in the novel could pretty much be found today or in the next decade. For a “science fiction” story, it sure is light on actual science fictional elements.

I can’t in good conscience recommend this one, and give it 2 stars out of 5. I realize that I’m in the minority here, based on the many positive reviews of this series floating around, but I didn’t like it and have no plans to continue the series. I enjoy military SF, so in some respects, I really am the target audience, but then again, I don’t care for the uber-protagonist-driven series like Honor Harrington and Miles Vorkosigan either. Fans of those series might very well enjoy this one far more than I did.

Review copyright 2011 J. Andrew Byers

Book Review: Choice Words, edited by Robert Reginald

This collection’s subtitle describes it as “The Borgo Press Book of Writers Writing about Writing,” and that’s as good a description of it as any I might come up with. The collection contains nineteen essays on writing, plus the introduction and an unusually thorough index. Most of the essays concern themselves with advice from veteran authors on general fiction writing, but there are also essays on poetry, the craft of screenplay writing, translations, collaborations, science fiction writing, and writing sex scenes, among others. This is truly an eclectic collection, to say the least!

Several essays by the likes of Ardath Mayhar, Robert Reginald, Victor J. Banis, and Charles Allen Gramlich, among many others, offer anecdotes, discussion, tips, and dispatches from the trenches on how working writers go through the process of churning out coherent, enjoyable, and perhaps most importantly, publishable prose. I don’t want to give a complete run-down on a score of essays – that might test the patience of even the most dedicated review-reader – but I’d like to highlight just a few of the essays that hit particular chords for me.

I found “A Few Words, a Very Few Words, on Writing” by Robert Reginald to be a poignant piece in which he describes an experience he had with systematically deconstructing another author’s body of work for a guide he wrote on that author’s universe (I’m pretty sure I know which one he’s talking about here, but I won’t spoil it here). The exercise of doing this showed him exactly how the stories were constructed, and he’s learned to apply this to other works of film and fiction. In the process, though, it’s spoiled many of them because he can now see where most plots are headed well before they get there. Alas – with wisdom comes a loss of innocence, I suppose. “Love, Anyone? or, How to Write Sex Scenes,” by William Maltese provides what seems to me some excellent advice on writing sex (not romance) scenes through a series of lengthy prose examples. It’s also hilarious, and makes me want to read more by Mr. Maltese. And “Preparing and Writing,” by Charles Allen Gramlich, Y. Du Bois Irvin, and Elliott D. Hammer is an excerpt from their larger book-length work on publishing in academic venues, and echoes some very good advice I’ve encountered elsewhere on time management for writers.

I give this one 4 stars out of 5, with the sheer eclecticism of the collection the only element holding it back from a full five stars, and highly recommend it to fiction writers of all stripes in particular, though there are certainly useful essays here for poets, playwrights, and translators as well.

Review copyright 2011 J. Andrew Byers

Massive Night Shade Books Sale

Night Shade Books is having their huge 50% off sale, with all current and planned books eligible. The only catch is that you have to order at least four books to qualify. The sale lasts from now until midnight January 23. Use coupon code 50NSB2011 at checkout. I’ve ordered from these guys previously and can vouch for their service and quality.

I will probably place an order myself. I have my eye on some of the Glen Cook editions (yes, I have the original paperback editions already, just don’t tell my wife); the Clark Ashton Smiths; the second William Hope Hodgson volume; and possibly that new dystopia anthology Brave New Worlds and the Foglios’ Agatha H prose novel (their graphic novels are lots of fun).

Interesting piece on Stieg Larsson

Here’s a link to an interesting piece from the New Yorker with the subtitle of “Why do people love Stieg Larsson’s books?” I don’t think that the author even begins to answer that question, and she’s far more critical of Larsson’s writing than I am, but it’s an interesting discussion nevertheless. Please note that this article very badly spoilers all of Larsson’s books, so if you haven’t read them or if you plan to do so in the future, do yourself a favor and don’t click on that link. I actually enjoyed his Millennium Trilogy quite a bit (my review of the third book in that series is here, for your reference) and regret that we’ll likely never see any of the purportedly seven (!) additional books Larsson had planned.

Books as decorations

After a long hiatus because of the holidays and a research trip I had to undertake, I am back and will resume blogging. Reviews will resume within the next week (I don’t have any drafted and ready to go right now but that should change in a few days).

Here’s an interesting piece from the NYT on services that supply particular kinds of books for collectors. I’m more than a little appalled that people want services to select books from them based on, say, the color of their dust jackets, or that some of these services remove the original dust jackets and replace them with “custom” dust jackets, but I guess I should be surprised that, for some, books are merely aesthetic objects rather than sources of information or collectibles in and of themselves. I certainly don’t deny that books can be very aesthetically-pleasing and a great way to decorate a home or office, but I hate to see them reduced to “mere” decorations. See the 12-image slideshow linked from the article for examples of what we’re talking about.

(I’m not sure if the NYT is subscriber-only or not, so if you want to read the article but don’t want to sign up for a free online subscription there, contact me and I’ll get you a copy of the article.)