Monster

Monster draws on a long tradition of Nordic family sagas to weave a tale of a contemporary investigation into the murder and ritualistic burial of a young member of a religious cult.

Hedda Hersoug is a police officer on leave in her home town. She's there to look after her ailing father (and escape her ailing marriage), but is drawn into the murder investigation. Soon, another team of investigators arrive to assist with the inquiry. Hedda clashes with Joel Dreyer who is dismissive of her credentials and her local knowledge.

Hedda and Joel eventually manage to work together, only to reveal a connection between the present-day murders and the unexplained disappearance of Hedda's mother when she was a child.

The series explores the entanglements of family and community and the efforts to preserve and avenge family honour, often--as in the sagas--by violent means. The performances are understated and powerful and mirrored in the stark landscape where silence, like snow, blankets much. The character of Margot, a local crime matriarch, played by Goruld Mauseth, was a stand-out for me.

Monster seems to fall under a sub-genre of Scandinavian noir that I've run into far too often: A crime drama set in rural Finland or Norway or Sweden that involves an ultra religious sect. Invariably, these shows have a large number of unlikable, damaged characters doing unlikable things. As a result, it becomes almost impossible to identify with or root for most of the characters. In Monster, even the detectives are hard to root for, with all their flawed and destructive behavior.

I quickly realized that I was getting little enjoyment out of watching the series. Yet, I somehow felt an obligation to see it through to the end. It was like a bad medicine that I had to take in the hopes of finally getting a payoff at the end. When I finished the final episode, I felt like I had run a marathon. I did in fact like the ending, but the journey there it was so filled with bleak and cynical characters that it was a joyless ride.

I watched the series on the PBS Masterpiece platform. Another strange thing about it was that the episode previews that would appear as you start each new episode were often inaccurate in their descriptions of the episode. Strange. While Monster wasn't terrible, I gave it a 6 and would not recommend.

Monster or as I have come to know it, "mord i vildmarken" (murder in the wildernes). Is a Norwegian thriller, that unfolds in the remote, northern reaches of Norway, somewhere near the Russian border. It's a small, isolated community, maybe not as tight-knit, as one might think. With secrecy, religion and more. After a young girl goes missing, the police gets their hands full. And we, the viewers, soon gets introduced to alot of new characters. Everyone with their own story and even agenda, it could seem. And it is surely a challenge, to try and figure out how the whole story fits together, with past events and current stories all entangled. Alot of the story, being told, aren't even important for the actual plot in the story. But then again, that all adds to the mystery and oddness. The cinematography ain't bad, the scenery is convincing and there is a general eerie feel to this story in the arctic north. There are none of the characters that you will "root for", and I'm sure it's intended that way. It adds to the whole story. However, I don't really think any of the characters performed outstandingly, but they weren't bad either. There are certain slower sequences, but not to a point where you start to get bored. I gave this 6 stars, which is typically my cutoff for something worth watching, with so much other on offer. In all, this series has enough to offer, to be worth a watch, good camerawork, decent performances and a mysterious thriller with alot of extra oddness added.

It is a little difficult to know where to start with this review. There are seven episodes in total of this Norwegian-noir. By the end I think I had just about managed to work out who had killed whom and why, but in the process I had also slightly lost the will to live!

As other reviewers have already observed, seven episodes is far too many for this drama. There probably was potential for a decent thriller here but, sadly, this was sabotaged by a convoluted storyline including the now well worn trope of strange religious and ritual practices, plus some very odd directing choices.

There are a few positives. Despite mixed performances, the actress who plays Hedda is very good, and snowy Norwegian landscapes are always beautiful to look at. I must also commend two actors for their sheer bravery in filming a post-sauna scene outside (not what you might be thinking!).

One final thought. I am still trying to comprehend why two of the younger characters leave with each other right at the end, as friends, to begin a new future for themselves after one essentially tortured the other in an earlier episode. All very strange - much like the entire series of Monster.

Monster tries to make the most of the brilliant, mystical Artic circle, but in the end, for me, the script and pace was a massive let down. Monster is the starts with a missing persons investigation. The lead investigators are a combative couple - a prodigal daughter with a curious past who has returned to care for her ailing father, and a young detective battling his own personal demons. Missing turns to murder and the body count rapidly multiplies as the layers of the small community are peeled away to reveal infidelity, religious zealotism, drug trafficking and more. The investigators flounder as the looping plotlines entangle them and they push up against their own inadequacies (at a certain point one concedes that they are pretty hopeless at the job of detecting). The cinematography is lovely and some of the performances are compelling, but the pace is inconsistent and neither the undercurrent of mysticism nor the tightening circle of a murder investigation are fully realised. As the plot tangents multiplied, my suspension of disbelief was challenged by a few too many convenient coincidences, not to mention police work that would make the Keystone Cops feel like an elite force. I'm pretty sure that a 21st century Norwegian police force, even a small one, in the remote northern reaches, wouldn't settle for repeated crime scene violations and un-bagged, unsecured evidence being traipsed about the countryside. I swear I'm not being pedantic. It's those kind of details that serve as a huge distraction, particularly when the plot itself is at risk of sinking. I think Monster tries too hard to do too much, and in the end become so muddied that none of the storylines feel satisfactorily told.