Den som dræber

Bit apprehensive at first to watch a movie with subtitles again but these type of movies/series you really need to watch in it's original language (its actually fun trying to understand words, you'll be surprised how much you'll actually pickup). It's a very good series, believable in many ways. There are nut cases out there indeed, maybe not as sophisticated as these in the series but it's filmed in a believable way. It's not about all guns blazing, it's about characters, mistakes, reality which is what makes this so good. If you're after action, car chases, explosions, machine gun fire, you're in the wrong place. If you like mystery, bit of love, bit of human relations, bit of thriller, watch it. It's not a 10 as I think there is some acting that could be improved on and maybe conclusions are sometimes a bit far fetched/too easy found, but a 9 is pretty damn high I would think.

I now get why this show was cancelled after just 1 season. The lead character is insufferable, and the mysteries easy to solve.

The show has a tendency to tell, not show. We are repeatedly told Katrine is "the brightest" cop, but she never does anything remarkable. Any break she gets on a case is directly due to a male colleague's efforts; never her own. She CONSTANTLY makes bad decisions - costing innocent people's lives - yet her boss only gives her a slap on the wrist. In reality, cops like her would be fired.

That isn't a character people will want to root for. I understand the aim of the creators is to write a complicated, screwed-up character. But Katrine can barely function in some scenes. And when she isn't having a mental breakdown, she's acting horribly towards her friends.

We're supposed to empathise with her trauma, even when it is jeopardising her work and the people around her. She is defiant and arrogant towards anyone against her (often flawed, inexperienced) opinion or anyone who genuinely advises her to go to therapy. In her personal life, she is selfish (displayed in the final episode when a workmate decides to quit for valid, personal reasons).

It doesn't help that the actress is not good during vulnerable or nuanced scenes. The mysteries every episode also tend to go out of the bounds of logic - such as when the lead's partner uses a child to trap a serial killer or how said partner appears out of nowhere at the house of a murdered victim (just for the shock effect of him being there during an opening scene). As said, the mysteries themselves tend to be paper-thin, though told enthrallingly for 1 hour episodes. You can often deduce the murderer's identity within the first 15 minutes. There's also much to be said for the cheesy, usually inappropriately timed background music.

Overall, a mediocre show to help pass the time. Seasoned crime show fans will probably be disappointed, while casual fans may be more entertained.

It has been revealed that this show will be renewed with a whole new cast and story. Let's hope the writers actually get it right this time.

After seeing the first episode, I've thought that it's going to be another amazing Scandinavian TV series, in vein of Bron/Broen and Borgen (although the latter one is different genre). But after the second episode I've realized that I just don't care for the main characters. Or to be precise - I'm indifferent about Thomas and I dislike Katrine. OK, she's not supposed to be colorful and amazing person (albeit also asocial) as Saga Noren, I get that, but having a plain, boring and always angry copy of Sarah Lund doesn't help much either. Still, it's very watchable and solid show, but it could have been much more if they had stronger leads (not in the term of acting, they're fine).

Recommended and indeed gifted to me by my brother, "Those Who Kill" is another Nordic Noir series putting together a male and female lead to hunt down serial killers in Denmark.

I've just watched the first episode bringing together Katrine Jensen, a young, rebellious and ambitious detective and an outside profiler turned lecturer, Thomas Schaeffer, with unsatisfactory experience of working with Katrine's Super on previous cases. I can't think why, when in this episode, one relatively minor mistake apart, he uses his instincts to track down the murderer just in time to rescue Katrine from his clutches.

The man/woman detective duo fronting the show isn't original, especially in this field neither is the plotting which sees the killer victimising, breaking down and torturing his female prey and Katrine then quickly becoming his next target. The visual style is hardly different from its predecessors either with grisly crime scenes and the pitting of wits between good and evil filmed in a grey, grimy backdrop.

I found the story rather raced to its conclusion and took too many giant leaps in the continuity process with some unaccountable actions by all the major participants. That said, if was grittily realistic and reasonably gripping throughout. I'm sort of hoping there will be no romantic entanglement between the two leads to distract from the detective work although to be fair, this didn't happen in "The Killing" or "The Bridge". I like that the leads too seem to have less "strange cargo" to carry too. I don't mind a bit if background shading but really just want to watch a thrilling mystery show without the sometimes obligatory emotional baggage.

I've the rest of the first series to watch and will do so soon, going by what I saw here.

Much as I like Danish crime dramas, for me, Those Who Kill, has some conspicuous flaws that can not be overlooked.

Perhaps the biggest is how easily the criminologist who supports the key female lead in the first episode is "blamed and written off", by her boss when things turn pear shaped. This is in spite of the fact he leads the team to the killer's lair in the first episode and he's in no way to blame for what transpires, thereafter. This is explained somewhat in latter episodes but still, it all seems a bit of a stretch.

There are other examples that are implausible too, such as intentionally taking a child into a dangerous armed hostage situation.

That's not to say Those Who Kill is not watchable. It's well acted and and directed. Some of the episodic stories premises are novel too. That said, those positives are let down to a degree by some not insubstantial weaknesses in the back story.

Six out of ten from me.