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Juana la Loca

  • 2001
  • R
  • 1 Std. 55 Min.
IMDb-BEWERTUNG
6,5/10
4174
IHRE BEWERTUNG
Pilar López de Ayala in Juana la Loca (2001)
Mad Love Scene: Getting Married
clip wiedergeben3:17
Mad Love Scene: Getting Married ansehen
5 Videos
15 Fotos
Period DramaTragic RomanceBiographyDramaHistoryRomance

Die Liebesgeschichte, die aus Juana, Königin von Spanien, Juana "die Verrückte" machte. Eine Geschichte voller Leidenschaft, Lügen und Eifersucht mit einem politischen Kampf im Hintergrund.Die Liebesgeschichte, die aus Juana, Königin von Spanien, Juana "die Verrückte" machte. Eine Geschichte voller Leidenschaft, Lügen und Eifersucht mit einem politischen Kampf im Hintergrund.Die Liebesgeschichte, die aus Juana, Königin von Spanien, Juana "die Verrückte" machte. Eine Geschichte voller Leidenschaft, Lügen und Eifersucht mit einem politischen Kampf im Hintergrund.

  • Regie
    • Vicente Aranda
  • Drehbuch
    • Vicente Aranda
    • Antonio Larreta
    • Manuel Tamayo y Baus
  • Hauptbesetzung
    • Pilar López de Ayala
    • Daniele Liotti
    • Rosana Pastor
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,5/10
    4174
    IHRE BEWERTUNG
    • Regie
      • Vicente Aranda
    • Drehbuch
      • Vicente Aranda
      • Antonio Larreta
      • Manuel Tamayo y Baus
    • Hauptbesetzung
      • Pilar López de Ayala
      • Daniele Liotti
      • Rosana Pastor
    • 32Benutzerrezensionen
    • 29Kritische Rezensionen
    • 55Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 14 Gewinne & 12 Nominierungen insgesamt

    Videos5

    Mad Love Scene: Getting Married
    Clip 3:17
    Mad Love Scene: Getting Married
    Mad Love Scene: Mad Because I Love You
    Clip 2:52
    Mad Love Scene: Mad Because I Love You
    Mad Love Scene: Mad Because I Love You
    Clip 2:52
    Mad Love Scene: Mad Because I Love You
    Mad Love Scene: Going To Be Wed
    Clip 1:37
    Mad Love Scene: Going To Be Wed
    Mad Love Scene: Kill Her
    Clip 2:00
    Mad Love Scene: Kill Her
    Mad Love Scene: The Kind Is Unfaithful
    Clip 2:06
    Mad Love Scene: The Kind Is Unfaithful

    Fotos15

    Poster ansehen
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    + 9
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    Topbesetzung41

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    Pilar López de Ayala
    Pilar López de Ayala
    • Juana
    Daniele Liotti
    Daniele Liotti
    • Felipe
    Rosana Pastor
    Rosana Pastor
    • Elvira
    Giuliano Gemma
    Giuliano Gemma
    • De Veyre
    Roberto Álvarez
    Roberto Álvarez
    • Admiral
    Eloy Azorín
    Eloy Azorín
    • Álvaro de Estúñiga
    Guillermo Toledo
    Guillermo Toledo
    • Capitán Corrales
    Susi Sánchez
    Susi Sánchez
    • Reina Isabel
    • (as Susy Sánchez)
    Chema de Miguel
    Chema de Miguel
    • Don Juan Manuel
    Andrés Lima
    • Marqués de Villena
    Cipriano Lodosa
    • Marliano
    Manuela Arcuri
    • Aixa-Beatriz
    Carolina Bona
    Carolina Bona
    • Inés
    Jorge Monje
    • Hernán
    Sol Abad
    • Mucama
    Cristina Arranz
    • Ana
    Cristina Perales
    Cristina Perales
    • María
    María Ballesteros
    • Catalina
    • Regie
      • Vicente Aranda
    • Drehbuch
      • Vicente Aranda
      • Antonio Larreta
      • Manuel Tamayo y Baus
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen32

    6,54.1K
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    Empfohlene Bewertungen

    egue1968

    Beautiful setting, shrill movie

    What starts out as a sumptuous setting, with intricate period pieces and soft light cinematography, is quickly tainted by a very poor script. True, Pilar López de Ayala does give an envigorating rendering of this misfortunate queen, but after the first scene, it's all the same shrillness, over and over again. Even though the movie takes place over 10 years, the roles don't mature, either outwardly or inwardly, and the result are wooden characterizations that don't give any depth (or generate interest, for that matter) to the roles. The result is an inane, one-dimensional film that could have easily resembled similar period pieces such as La reine Margot or Elizabeth. Instead, it wallows in its own misery.
    8ccmiller1492

    True story of "the mad queen of Castile...

    True story of "the mad queen of Castile" focuses on the innocent daughter of Ferdinand and Isabella contracted into marriage with the infamous Hapsburg heir of the Holy Roman Empire. Juana becomes so enamored of her young libertine husband that her jealously makes her emotionally unstable. Between the faithlessness of her husband and the treachery of her unscrupulous father King Ferdinand she is declared mad and forced into incarceration for most of her life. For a clearer understanding of the events leading to this, read Lawrence Schoonover's intriguing biographical novel "The Prisoner of Tordesillas." How ironic that Juana's younger sister Caterina (Katherine of Aragon) was also betrayed by a ruthless philandering husband (Henry VIII of England) and incarcerated unto death.
    10MacNessa

    A sad story wonderfully told

    Prior to seeing this film , the fact that it was in Spanish and in Spain(therefore no English sub-titles), gave me the worrying feeling that I would miss the main outline of the story. Now this would have happened were the film slow and psychological. Fortunately this was not the case. The fim was beautifully shot and acting was incredible. Pliar Lopez as Juana La Loca was so believable. You really should look at the paintings of the period to understand what I mean. But for me the best element was the story. In fact there are two stories. The first the historical one tells of Juana, daughter of Isabel, Queen of Castille(spain)(one of the most important figures in history) who is arranged to be married to Philippe of Flanders, heir to the Holy Roman Empire, which consisted of Germany, Flanders and northern Italy. Here you can see the machinations and the politics which went into the building of the greatest power of its day. Juana's son Charles would later rule most of the world, but that is later. The second story is the personal one. Juana falls totally in love for Philipe and it is such an extreme and jealous love that it reminds me of Catherine in Wuthering Heights. To avoid spoiling I'll leave it at that, but to conclude, this was a really worthwhile film, and I cannot wait to see it in its sub-titled version.
    9frojavigdis

    "Mad" or sexually liberated?

    I can't believe this film has such a low rating. Every time I see it in the video store, I think, "I wish I could erase my memory of it so I could see it again for the first time."

    The viewer gets an intimate look at life as a female member of a royal family during the 16th century. Unable to control with whom she spends her life or make basic choices, Juana is confined in a woman's role, yet has sexual passion fit only for men in her time. And possibly still in ours. It is up to the viewer to decide is she is "mad" or simply craves intimacy.

    An unpredicable, controversial, and beautifully filmed period film, don't pass this one up.
    7ma-cortes

    Historical and solid film dealing with jealousy , passions , treason and political intrigues

    This is the historic tale with a politic fight behind , concerning a deep love story who transformed Juana, Queen of Spain, into Juana "The mad" in which Pilar Lopez De Ayala did a powerful interpretation of the nutty queen . Juana is married off by her pious parents , the two famous Catholic kings : intelligent Fernando of Aragon (Héctor Colome) and sensible Isabella of Castille (Susi Sanchez) , to ally Spain , united by their marriage, to the Burgundian and other Habsburg heritage of archduke Maximilian and Maria's son Philip (Daniel Liotti) . As in 1496, Juana De Castilla, daughter of the Catholic Kings, travels to Flandes to marry the Archduke Felipe De Austria, known as 'El Hermoso' or The Handsome . When they meet, it's love at first sight, for her all-consuming, for him one of many happy bed partnerships as she later figures out . Deaths in her family soon make Juana Isabella's heir , but Ferdinand suggests she inherited her grandmother's craziness and supports Philip's ambition to govern instead , which becomes the stakes of political maneuvering in the Cortes and then multiple drama is inevitable . Combined with Philip's relentless infidelity , which includes a Moorish whore-princess (Manuela Arcuri) , and other lovers as the things go awry when Juana uncovers his treason . As mental health Juana starts getting worse and Felipe makes the Burgos Court , nobility-dominated parliament , declare the incurable insanity of Juana and confines her in the monastery of Las Huelgas, proclaiming himself as the king . Finally , Juana is locked at a convent in the city of Tordesillas , Valladolid .

    Juana "The mad"concerns a peculiar story of love , lies and jealousy with a political confrontation behind . This interesting as well as intimate story is a passionate retelling and a touching drama , including strong sex scenes . Vicente Aranda also writes the script along with Antonio Larreta based on a story by Manuel Tamayo and being filmed in his usual formal and stylistic scholarship , without leaving a trace the thought-provoking issues , in terms of dramatic and narrative excitement . Extraordinary acting by main star , Pilar Lopez De Ayala , she steals the show at a portentous acting who won several awards . The secondary actors were very intelligent chosen and they all did a marvelous performance . As support cast is frankly magnificent such as Rosana Pastor , Giuliano Gemma , Roberto Álvarez , Eloy Azorín , Guillermo Toledo , Susi Sánchez , Héctor Colome and many others . Original and evocative Music by José Nieto , Vicente Aranda's ordinary . The settings are awesome and the palaces and castles are a right manner to show the life style of those days along with the gowns , royal activities , aristocracy , the Middle Age way of life and mentality of those days . Perfect clothing and costumes by Javier Artiñano . Spotless pictorial cinematography by Paco Femenia , he carries out a photography with juicy atmosphere , being filmed on location in Burgos , Castelo de Guimarães, Portugal El Paular, Madrid, Guimarães, Portugal , Huelva, Andalucía, León, Castilla y León , Sigüenza, Guadalajara,Talamanca del Jarama, Madrid . Cameraman Paco Femenia is deemed to be one of the best Spanish cameraman with a long and prestigious artistic career .

    The motion picture was lavishly produced by two great producers , Pedro Costa and Enrique Cerezo ; being professionally directed in his particular style by veteran filmmaker Vicente Aranda . He directed a series of award-winning movies firmly establishing him as one of the best Spanish filmmakers . His usual film editor is own wife , Teresa Font . Vicente is an expert on literary adaptations , he has been working from the 60s with ¨Fata Morgana¨ , Las Crueles¨ , ¨Novia Ensangrentada¨ , ¨Clara es el Precio¨ , among others . His greatest successes were intense dramas with plenty of sex such as ¨Amantes¨, ¨Pasion Turca¨ , ¨Si Dicen Que Cai¨ , ¨Intruso¨ , ¨Tiempo De Silencio¨ , ¨Carmen¨ , along with a delinquency tale : ¨El Lute¨I and II starred by Imanol Arias , his fetish actor and specially this historical story titled ¨Juana La Loca¨.

    Other retelling about this known story based on the play by Manuel Tamayo Y Baus are the followings : A silent version (1909) by Ricardo Baños ; the Spanish classic ¨Locura De Amor¨(1948) by Juan De Orduña with Aurora Bautista as Doña Juana , Fernando Rey as Felipe El Hermoso , Sara Montiel as Aldara , Jorge Mistral as Capitán Don Alvar ; a comical rendition titled ¨Juana La Loca De Vez En Cuando¨ by Jose Ramon Larraz with Lola Flores as Reina Isabel I 'La Católica' , Beatriz Elorrieta as Infanta Doña Juana De Castilla , Jaime Morey as Felipe 'El Hermoso' , Manolo Gómez Bur as Cardenal Cisneros and Quique Camoiras as Fray Tomás de Torquemada .

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    Handlung

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    • Wissenswertes
      Juana la Loca (2001) is not an accurate portrayal of historical events, taking many liberties with the facts. Some character and plot devices are completely fictional, most notably the Moorish lover of Phillip. Some scenes were loosely based on the stage play The Madness of Love (Teatro del Príncipe, Madrid, 12 January 1855) by the dramatist Manuel Tamayo y Baus (1829-1898) that inspired several films with the same subject.
    • Verbindungen
      Referenced in Liebe braucht keine Ferien (2006)
    • Soundtracks
      Gallarda
      Composed by Luis de Milán

      Adapted by Pepe Rey

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 28. September 2001 (Spanien)
    • Herkunftsländer
      • Spanien
      • Italien
      • Portugal
      • Frankreich
    • Offizielle Standorte
      • juanalaloca.com
      • Sony Pictures Classics
    • Sprache
      • Spanisch
    • Auch bekannt als
      • Mad Love
    • Drehorte
      • Burgos, Burgos, Castilla y León, Spanien
    • Produktionsfirmen
      • Canal+ España
      • Enrique Cerezo Producciones Cinematográficas S.A.
      • Eurimages
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 4.800.000 € (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 280.046 $
    • Eröffnungswochenende in den USA und in Kanada
      • 23.869 $
      • 1. Sept. 2002
    • Weltweiter Bruttoertrag
      • 9.306.362 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 55 Minuten
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

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