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The Grass is Greener

I’m home now from my spring break road trip, so this is part two: the way home. Looking through my photographs, all I could think of was green. You know I’m a die-hard New Englander, but the mid-atlantic and southern states simply have better springs, period. All is green rather than brown. We’ll get that green, but it won’t be for a while. Picking up where I left off with my last post, I drove south from Mount Vernon into Virginia, stopping at Fredericksburg, Richmond, Williamsburg and Yorktown before turning north towards home. I was still following my George Washington route, and Fredericksburg is really GW-central, with his childhood, mother’s and sister’s home located there, as well as his brother’s house, which is now a tavern. Everything was great, Fredericksburg is a really nice town, but the world kind of slowed down for me when I walked through the doors of Kenmore, the house of his sister and her family. It immediately became my favorite house, displacing Gardner-Pingree here in Salem and last year’s spring break highlight, the Read House in New Castle, Delaware. I’m never loyal, there’s always a new favorite house around the corner, but wow, this 177os house is something: it experienced the typical Colonial Revival restoration and then a later one and is primarily known for its elaborately-designed stucco ceilings, crafted by the same anonymous “Stucco Man” (presumably an enslaved or indentured servant) who worked on Mount Vernon.

It’s quite a house, representing a significant investment of money and labor. Betsy Washington Lewis (pictured in this last photo) and her husband Fielding were both patriots and slaveowners, representing and presenting the typical Virginia conundrum. The interpretation at Kenmore emphasizes both aspects of its owners’ lives, including the financial hardships incurred by their contributions to the cause and the life and work of the over 130 enslaved persons who inhabited the Lewis plantation. The Civil War experience of what was once a working plantation but now seems like a stately townhouse in the midst of Fredericksburg, presents another dichotomy: that beautiful dining room pictured above served as a surgery and there are both Union and Confederate cannonballs embedded in its brick exterior.

I spent so much time at Kenmore that I slighted the rest of charming Fredericksburg, which seemed to me like a perfect town for tourists and residents alike—-I didn’t get to the Civil War history or even to the James Monroe Museum, went quickly through Mary Washington’s house (much more humble than that of her daughter’s, the charming garden is above) and then I was off to see my sisters-in-law in Richmond. The following day was the best: Richmond really has it all for the heritage tourist. First off, it is a city that has made a thoughful and engaging (and likely expensive) commitment to public history: only Arthur Ashe remains on Monument Avenue and on the waterfront, adjacent to the new American Civil War Museum, is a poignant statue commemorating emancipation as well as a creative installation on the fall of Richmond in April of 1865 on a bridge/dam walk across the James River. There are well-marked heritage trails within the historic districts of the city, and mansions outside. And the Poe Museum, located in a cluster of buildings which include Richmond’s oldest house! You really can have it all. We went to an amazing performance (??? lecture??? I wouldn’t call it a tour) at St. John’s Episcopal Church, where Patrick Henry gave his give me liberty or give me death speech, and now I am a complete Henry fan.

Richmond! Brown’s Island, Liberty Trail, Agecroft Hall and the Virginia House, Poe Museum.

In my last few days, I drove down to Surry, Virginia to see Bacon’s Castle, a very rare and beautifully restored Jacobean plantation house with outbuildings (including an 1830 slave dwelling) and gardens: this was a nice tidewater comparison to the Sotterly plantation I had seen in Maryland just days before. Then if was across the river (by ferry!) to Williamsburg and Yorktown, to finish the George Washington tour. I had been to both places before, so no surprises, but I was trying to look at all of the places that I visited on this trip (my Jersey stops, Annapolis, Alexandria, as well as Fredericksburg and Richmond) as more of a tourist than an historian, so that I could try to look at Salem the same way and perhaps become a bit more comfortable with its evolution into a year-round tourist destination. Could smooth brick sidewalks, plentiful public bathrooms and parking, a diverse array of shops, and aesthetic and informative signage be in our future? Fixed-in-time Colonial Williamsburg is certainly an unrealistic and unfair comparison, but there were more robust tourist infrastructures nearly everwhere I went.

Bacon’s Castle, the Nelson House at Yorktown and Whythe House in Williamsburg on Palace Green, where General Washington was headquartered before Yorktown. Dream garden—ready to go.


The Road to Mount Vernon

We have spring break this week, so I’m on one of my road trips, loosely following the footsteps of George Washington. I always feel like I need a theme beyond “interesting old houses” but often I find one along the way which replaces my original intention. Not this year though: George has been pretty present! I started out in northern New Jersey, where I visited a house that I’d long wanted to see because I love Gothic Revival architecture and it looked like the ultimate GR cottage, but it turned out to be much older with a Washington connection: the Hermitage in Ho-Ho-Kus. General Washington was headquartered here following the Battle of Monmouth and during the court martial of General Charles Lee in the summer of 1778, in the company of his aide Alexander Hamilton and the Marquis de Lafayette. Aaron Burr was there too, and a secret romance was initiated between the future Vice-President/duelist and the lady of the house, Theodosia Prevost, who happened to be married to a British officer. At the close of the war and after the death of Theodosia’s husband, the two were married. Decades later this very strategic house was “gothicized” and acquired its present appearance.

Not too far away is a house where Washington and his men spent much more time: the Dey Mansion in Wayne, New Jersey, which served as the General’s headquarters for several months in 1780. This is a beautiful property, maintained and interpreted by Passaic County, which acquired the house in 1934 after which it underwent an extensive restoration. A very knowledgeable guide took me all around the house, even into the atttic, which was absolutely necessary as I couldn’t understand how so many people could have lived in this house during the General’s residence: the Dey family did not vacate! You’re not going to see the house’s gambrel-esque roof that accomodates all this space because I didn’t have a drone with me, but check out the website. It’s a stately house for sure, but the spacious attic made everything clear. Washington, of course, was given the two best rooms, a large parlor/office on the first floor and a bedroom just above, by the master of the house, Colonel Theunis Dey.

The Dey Mansion: the first photos above—all the way down to the blue parlor—are rooms used by George Washington and his aides, including Alexander Hamilton. Then there’s the semi-detached restoration kitchen, and the spacious attic.

So at this point and place, if you really want to do the Washington tour, you should probably drive to Morristown, Trenton, Princeton, east to the Monmouth Battlefield, west to Valley Forge. But I’ve been to all those places several times, so I drove to the General’s last Jersey and last period headquarters in Franklin Township, a rather isolated farmhouse called Rockingham. No Pennsylvania for me; I headed south into Maryland to Annapolis, where Washington resigned his commission at the beautiful State House (obviously my chronology is all over the place, but these two stops did dovetail). I just really wanted to go to Annapolis in any case; George was just an excuse.

Rockingham: Washington’s last headquarters—and on to Annapolis.

A bronze George in the old Senate Chambers of the Maryland State House (Harriet Tubman and Frederick Douglass are just across the way); Hammond-Harwood, Shiplap and row houses in Annapolis.

On to Alexandria, where Washington touchstones abound, given its proximity to Mount Vernon. Like Annapolis, but MORE, Alexandria is full of beautiful townhouses: I started in the center of the Old Town and made my Washington stops—his church, his townhouse (actually a reproduction thereof) his pub—and then walked the streets taking photographs of doorways and wreaths, myriad details, spite and skinny houses. A bright sunshiney day: you almost can’t see this bronze Washington, sitting on a bench outside Duvall’s Tavern, where he was feted after his great victory.

From my parking place on North Washington Street, I drove straight out to Alexandria to Mount Vernon, mere miles away, along the George Washington Memorial Parkway. It definitely felt kind of like a pilgrimage at this point! I have been to Mount Vernon before, but have no vivid memories—an obligatory school trip, I think. It’s one of those houses that looks much bigger on the outside than the inside: it feels quite intimate within, especially as one side was closed off for renovations. I signed up for the “in-depth” tour so I could get some interpretation–and up into the third floor. While the mansion is a must-see, I think you can actually learn more about Washington from the many outbuildings on the estate: he was “Farmer George” and for all of his heroism he was also a slaveowner who seemed to have no regrets in that capacity. There are a lot of Washington contradictions, and there are a lot of Mount Vernon contradictions: while the subject of slavery is addressed up front the overall impression—reinforced especially at the museum adjacent to the orientation center—is of a “great man.” It was a bit too ra-ra for me, but I’m still headed to Yorktown for the last leg of my trip.

Mount Vernon: a house with 10 bedrooms and no bathrooms: the white-canopied bed is in the bedroom where Washington died. The presidential desk, parlor and dining room, key to the Bastille (a gift from Lafayette), greenhouse and garden, and view of the Potomac from the porch.


Lafayette, You are Here!

I’ll drive down to Newport, Rhode Island for any occasion, and Bastille Day seemed like a good one as French expeditionary forces landed there in 1780 as part of their formal and personal commitment to the American Revolution, a commitment that is honored today by the “French in Newport” festivities on the second weekend of July. From the Rhode Island perspective, the French “occupation” of Newport is the beginning of the end, the road to Yorktown and independence started there. A friend had lent me the Newport Historical Society’s Winter/Spring 2023 issue of its journal, Newport History, which is entirely focused on the French in Newport, so I was well prepared by articles on “The Washington Rochambeau Revolutional Route National Historic Trail,” (from Newport to Yorktown of course), “Forging the French Alliance in Newport,” and “A New Look at how Rochambeau Quartered his Army in Newport.” I arrived just in time for the comte de Rochambeaut’s proclamation, wandered about checking in on my favorite Newport houses and others in which the French were quartered, and then returned to Washington Square to hear the Marquis de Lafayette give an amazing little talk on how he was inspired to cross the Atlantic and join the American ranks. I was quite taken with the Marquis, and as he was speaking an extremely precocious boy yelled out of the window of a passing car “Lafayette, you are here!”

 Print depicting the arrivl of Rochaembeau’s troops in Newport in July 1780, Daniel Chodowiecki, The Society of the Cincinnati, Washington, DC.

Rochambeau and General Washington got on very well, and had lots of planning to do during that fateful year, so Washington was in Newport too for a bit, staying, I believe, at the Count’s headquarters at the William Vernon House. George Washington 2023 was not in Newport, but a replica of his field tent was, as part of the Museum of the American Revolution’s “First Oval Office” initiative. It was rather intimate to go in there—I’ve really got to go and see the real thing, the ultimate “relic” of the Revolution—in Philadelphia. While the French rank and file seemed to be on duty, the officers were relaxed and conversational, underneath their own tent on in the Colony House nearby, wearing light floral banyans when not in uniform. I had not been in the Colony House for a while and had forgotten how grand it is. Certainly worthy of Newport.

A cool (actually very hot) bakehouse on site with an enormous clay (???) oven in back from which you could buy a toasted slice of bread with salt pork butter………

The Colony House, a private home on Spring Street where Francois-Jean de Chastellux, the liasion officer between Washington’s and Rochambeau’s armies, lived while in Newport, one of my favorite Newport houses which must go into every Newport post, and the tricolore.


Delaware River Towns

With the new book contract, I won’t be traveling anywhere for quite a while so I guess our trip down to New Jersey last week was my last road trip! My husband is from the Jersey shore, and so we go down once or twice a year. I’m not really a beach person, so in the summers, I generally take the days that we are there to explore and come home for dinner with everyone: I think my husband’s family thought this was odd at first but now they seem quite adjusted to my behavior. I’m just very curious about Jersey: it’s one of those states I have always driven through and seldom explored thoroughly, and there’s a lot to see. This time I was set on visiting Lambertville on the Delaware River, just about due west from where we were on the Shore, and I also wanted to go south (and west) to the other Salem, New Jersey, to see the Nicholson House: I made it to the former but not the latter, so next time. But I thoroughly enjoyed Lambertville, a really cool historic city which is also the antiques hub of New Jersey, as well as its adjacent towns on both sides of the Delaware River. This is a perfect road trip if you are not too far from the region: just drive up NJ Route 29 from Trenton to through Lambertville to Frenchtown, then cross over to Pennsylvania, and travel south along Route 32 through New Hope to the Washington Crossing Historic Park. Here’s my trip.

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20200628_104548How perfect is Lambertville? Clean, every storefront filled, an interesting array of houses, perfect SIGNAGE, and city-council candidates who run on a platform of stopping overdevelopment!

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20200628_120911Still in New Jersey, heading north on 29 past the John Prall House and Mill, now a wonderful public park, into Frenchtown.

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20200628_143358Route 32 in Pennsylvania, past the Thompson-Neely House, where Washington’s troops waited to cross over the river prior to the Battle of Trenton, into Upper Makefield, site of the Washington Crossing Historic Park, ending up back in Jersey at the Johnson Ferry House. Obviously there was a lot more to see in Buck’s County, but I had to make it back to the Shore for dinner!


The Needle’s Currency

I’ve been meaning to do a post on embroidery for a while. Needlecraft hardly seems new, or current, but I have students knitting in class, I follow a great twitter account (#womensart & also a great blog) which features amazing textile artists regularly, and the instagram hashtags #slowstitching  and #needlepainting yield an abundance of extraordinary examples of embroidery art nearly every day. I think we’re in the midst of another “golden age” of embroidery—although I also think I’m late to this party, as usual (as this 2016 My Modern Met post will confirm). Certainly embroidery is not as central a part of society, or women’s lives, as it was during the early modern era when the Water Poet John Taylor published The Needles Excellency or the Federal era when Salem girls crafted samplers at Sarah Stivour’s famous school, but it is clearly a popular practice and a vibrant art form which often mixes traditional artistry with contemporary themes, in creations that are quite literally bursting out of the hoop.

Needles Excellency

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Screenshot_20200310-102651_ChromeEmbroidery by the book and bursting outside of the book—and the frame— by Peruvian artist Ana Teresa Barboza.

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ABOVE: More traditional pieces from Chloe Giordano: a pine marten and a fox. The Swedish textile artist Britta MargaretaLabba explores Sámi culture–and wildlife–in her creations; Moscow artist Roza Andreeva’s pieces are a bit more domesticated but no less intricate, and Lithuanian embroiderer Aušra Merkelytė (@velvetmeadow) works with the hoop…and tulle, and dandelions, and Queen Anne’s Lace.

BELOW: Two popular Japanese embroidery artists: Yumiko Higuchi and Hiroko Kubota, whose embroidered cat shirts are wildly popular.

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BELOW: just two of Paulina Bartnik’s embroidered birds at embirdery.com: she has also created a beautiful world on Instagram (@paulina.bart). And let’s go up in the air for the “aerial embroidery” of British artist Victoria Richards, depicting her Devon countryside in thread (I could teach the history of enclosure with these works!)

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And finally, a few pieces by the popular and prolific New York artist Richard Saja, who takes his inspiration from traditional toile and then embellishes through embroidery to create completely new scenes: check out his blog Historically Inaccurate for much, much more. Always current: Love is Blind and George Washington.

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Colonialesque Christmas

The twentieth-century American artist Walter Ernest Tittle (1883-1966) was sought after on both sides of the Atlantic for his etchings, illustrations, and contemporary portraits. Among his diverse works are magazine covers, presidential portraits, and a whole series of drypoint “international dignatories” rendered in the 1920s, but also two slim volumes—advertised as “gift books”— in which he merged both original and historical texts and images to create a “lost” world of colonial holidays:  The First Nantucket Tea Party (1907) and Colonial Holidays (1910).

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These books are gorgeous, even though the images inside are a bit…….overwrought. I’m willing to leaf past some of the colorful colonial “belles” just so I can see Tittle’s fonts and illuminations: everything works together. As its subtitle reveals, Colonial Holidays is a compilation of historical references to Christmas and other holidays, embedded in Tittle’s gilded pages. He wishes the Puritans were more joyous in their celebrations, but “time brings change” and William Pynchon’s diary reveals some holiday merrymaking in Salem during the Revolutionary War. The new Assembly Room seems to have been very busy during the extended Christmas season with concerts and dances; “the elders shake their heads with, What are we coming to?” And so many sleds in the streets of Salem!

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Tory that he is, Pynchon is not interested in George Washington’s Christmas, but patriot that he is, Tittle shows us Mount Vernon at Christmas—-no Valley Forge for his illuminated pages, but rather Christmas with the President and Mrs. Washington in 1795 and another reference to 1799–though Washington would have just died so certainly that was no festive occasion. The First Nantucket Tea Party does not have a Christmas setting per se but is also all about Colonial festivity, on the particular occasion of the return of Captain Nathaniel Starbuck Jr. from his “late long” voyage to China supplied with a chest of Chinese tea. Everyone is very excited about the tea, but for me it’s all about the amazing font used throughout the text. Merry Christmas!

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Several Proofs of Separation

When the American Revolution began to escalate in the late spring of 1775, people wanted to see images of its leaders: Englishmen and -women in particular, were eager to see the “rebel officers” that dared to defy the Empire. So English publishers began issuing printed portraits of George Washington, Israel Putnam, Charles Lee, Benedict Arnold, John Hancock and others which were imaginative, to say the least. The mezzotints issued by London publisher “C. Shepherd” were particularly so, and particularly popular, both in Great Britain and on the Continent, where a succession of publishers took even further license. Supposedly Shepherd’s images of General Washington were based on original drawings by one “Alexander Campbell of Williamsburg in Virginia”, but Washington himself commented “Mr. Campbell whom I never saw (to my knowledge) has made a very formidable figure giving him a sufficient portion of Terror in his Countenance”.

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Rebel Officers George Washington on Horseback MAIN

I love these prints! Both the idea and the reality of them. At the British Museum, you can see a representative sampling of the original 1775 prints, but there were many variations issued over the next three years, investing them with increasing currency. And then they found their way into illustrated texts after the Revolution: only in the later nineteenth century have I see the word “spurious” attached to them. Also “curious”. As you can see below, Major General Charles Lee looks remarkably similar to General George Washington….and now that I look at him, Israel Putnam too! All those Americans look alike.

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Rebel Officers Israel Putnam

Colonel Benedict Arnold looks similar, presented while still “rebellious” by one of  C. Shepherd’s competitors, John Morris. Even General William Howe, whose image was published coincidentally with these rebel officers, looks familiar, though I am distinguishing him here by presenting him in color. John Hancock’s bust portrait is the only really distinctive image among these prints: perhaps because he was not a soldier. Supposedly it was “done from an Original Picture Painted by Littleford”, but no one seems to know who Littleford was. More likely the 1774 portrait of Copley was the source although it doesn’t look very Copley-esque.

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Rebel Officers Hancock

I was drawn to these prints this weekend when I spotted two French derivatives in an upcoming Swann auction: their embellishment made them even more charming, but at the same time they are even more removed from their original subjects. And something is altered in the translation: Hancock is President of the “Congrés Englo-Amériquain” and Putnam “Chief at the engagement of Bunc-Kershill near Boston 17 June 1775”.

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Putnam SwannPrints published by C. Shepherd and John Morris, 1775-1777 © Trustees of the British Museum; French prints of Hancock and Putnam, Swann Auction Galleries


Scary Busts

I have several odd phobias including busts: I can’t stand to look at a sculpted portrait busts. They look like severed heads to me—even if they are beautiful. And many are: particularly classical ones, also Renaissance and Baroque ones, but after that I think we should have just left that genre to past masters. My distaste for these disembodied sculptures is a perennial problem because I’m a historian, so I often find myself in rare book libraries, which always feature busts. I just sit myself down as far as I can get away from them, and then get down to business. I think my dislike of busts is very consistent, so much so that when the art historian daughter of a colleague brought two busts by Salem’s iconic master woodcarver/architect Samuel McIntire, the namesake of my neighborhood, to my attention, my reaction was not: wow! but instead oh no. Here they are: busts of John Winthrop, the first governor of Massachusetts Bay, and Voltaire, both commissioned by the Reverend William Bentley in 1798-99 and later donated to the American Antiquarian Society.

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Maybe I could be in the presence of Voltaire (right) for a few moments, but that John Winthrop bust is simply frightening! You only have the profile above: here he is, face forward: really scary, even in a lovely watercolor of the actual bust made by Joseph Goldberg for the Index of American Art in the 1930s. We are separated by several degrees, but I’m still afraid.

Bust Winthrop Index of American Design NGA

I did not feel very good about disliking, even fearing, something made by McIntire, who is revered here in Salem of course, until I read the entry in William Bentley’s diary on the day that he received the commissioned work: MacIntire returned to me my Winthrop. I cannot say that he has expressed in the bust anything that agrees with the Governor. So he didn’t like it either! Nevertheless, he accepted it and paid McIntire his $8.00 fee. But it’s not McIntire, it’s me: even the works of the greatest sculptor of that era, Jean Antoine Houdon, are off-putting to me. Houdon’s Voltaire? Horrifying–much more so than McIntire’s. I will say that the famous Houdon bust of Washington seems less alarming to me, although this multi-perspective video creeps me out.

Voltaire collage

Even the most handsome Salemite, Nathaniel Hawthorne, as carved by the most gifted sculptor of his generation, Daniel Chester French, is scary. Granted French chose to depict Hawthorne later in life rather than in his splendid youth, but still: sad and scary. Quite conversely, a bust that was crafted to repel, Gian Lorenzo Bernini’s Anima Damnata (1619), I find far less threatening: one expects a Damned Soul to be scary, but not Nathaniel Hawthorne or John Winthrop.

Bust of Hawthorne NYPL

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Ghosts of Presidents Past

When a ghost appears, you know that something is not right: restless spirits always have a mission. Sometimes it is inspiration; sometime censure, but one always has to take notice. The relationship between the dead and the living depends on the historical context but in general, the former are often demanding something from the latter: prayers, respect, fortitude, compensation, correction. Medieval people were expected to compensate, in forms of religious ritual, for the premature, unexpected, and “bad” deaths of their dearly departed, while modern people are generally expected to learn from the spectres that haunt them, in one way or another: Dickens’ Christmas ghosts being prime examples. And then there are political ghosts, who have vast powers of assessment and judgement and can be utilized as a supreme moral compass: I don’t think it will be long before we see some of these spectral appearances! Looking through some digitized periodicals in preparation for my Presidents’ Day post last week, first very casually and then more intently, I came across quite a few presidential ghosts: Presidents Washington and Lincoln are clearly the most powerful (and summoned) apparitions, but they were not the only spirits roused from the dead because of compelling earthly concerns. In this first image from Punch (a periodical which utilizes ghosts to put forth its point of view fairly often) King George III asks George Washington what he thinks of his “fine republic” now (1863–in the midst of the Civil War), to which the President can only respond “humph!”.

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Punch, or the London Charivari, January 10, 1863.

This is an unusual presidential ghost sighting; usually we do not go to “Spirit-Land” (which appears to be populated with jellyfish as well as prominent people), spirits descend down to our realm. Much more common are these pair of cartoons commenting on the contentious election of 1884 between two scandal-ridden candidates: James G. Blaine and Grover Cleveland: The Honor of our Country in Danger (again, Puck) and The Honor of our Country Maintained (George Yost Coffin, “respectfully adapted” from the Puck cartoon). The assembled ghostly presidents Washington, Lincoln and Garfield (recently assassinated so at the height of his power) are clearly the monitors of “honor”, before and after the election. The narrow winner of this contest, Grover Cleveland, clearly needs all the spiritual guidance he can get, as the ghosts of his predecessors appear regularly throughout his term(s).

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“Honor” cartoons relating to the presidential election of 1884, Library of Congress;  “The Lesson of the Past”, Puck, July 1887: Lincoln inspires Cleveland to assert “I will not fail”.

Theodore Roosevelt inspires lots of ghostly visitations too, including a whole entourage of past presidents in Puck’s July 1910 cover cartoon: “Just Luck”. Washington, Lincoln, Jefferson and Jackson wonder how did we ever run the country without him? while observing an industrious Teddy by the light of the moon. A couple of years later, however, there is a more censorious visitation by Washington when Roosevelt rescinded his pledge not to run for a third term in 1912. This Washington looks positively Dickensian!

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Just LuckcoverPuck, July, 1910; “Anti-Third-Term Principle” cartoon by Clifford Berryman, 1912, U.S. National Archives.

War-time presidents, or those on the verge of war, need lots of encouragement (as do nations), so the ultimate war-time president, Abraham Lincoln, appears behind Woodrow Wilson on the eve of World War I, and several decades later the latter returns the favor for Franklin Roosevelt. In the interim, we have a rare sighting of Warren G. Harding, wishing his successor Calvin Coolidge “Good Bye and Good Luck” and encouraging him to “write his own book”. This strikes me as a bit of over-reach for this device: did we really need to summon the ghost of Warren G. Harding?

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Ghostly back-up in 1917 and 1935, New York Times and Library of Congress; J.N. “Ding” Darling cartoon from 1923, © 1999 J.N. “Ding” Darling Foundation and Calvin Coolidge Presidential Foundation.


Ephemeral Elms

Every day, I’m thankful to live on my street because of its amazing architecture: I wake up in the morning, look out the window, and feel both wowed and grateful. But I’m also thankful because about halfway down Chestnut Street there is an elm tree: a graceful survivor, one of a handful in Salem. I walk down and touch it every day. Elm trees are touchstones for us now because they are so rare, of course, but I think it is useful to remember that even before the dreaded Dutch Elm Disease elms were always BIG: majestic, legendary, historical. I have a particular Massachusetts point of view here–the American elm is our state tree–but elms seem to have been held in high esteem wherever they have flourished and perished. Massachusetts had several George Washington elms and an assortment of “Great” elms and it was duly noted whenever they came down—in storms of 1876, 1923 or 1938–well before the tree plague came to our shores. The archives are full of stories about these trees, as well as prints and photographs: I particularly like those captured by international plant hunter Ernest Wilson on his Sanderson camera in the 1920s, part of the collection of the Arnold Arboretum. The first picture below is relatively rare; Wilson preferred to take pictures in the late fall or winter to reveal the trees’ “architecture”, and often posed his wife and/or car–or some nearby boy–in proximity so we can see their great scale.

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Great Elms in Lancaster, Holliston, Hingham (+sign) and Framingham, Ernest Wilson, Arnold Arboretum Collection.

There were two notable “George Washington Elms” in Massachusetts, one in Cambridge and the other in Palmer. Both were captured by Wilson as well as many other photographers: these were famous trees, even though there does not seem to be much verifiable truth behind their legends (particularly the Cambridge tree–whose remains or “relics” were scattered about after its death in 1923: you can read much more about it here). The Palmer tree came down in the Hurricane of 1938.

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Elm Cambridge Wilson AA

Elm Cambridge destruction 1938 Leslie Jones

“George Washington” elm trees in Palmer and Cambridge by Ernest Wilson; the remains of the latter, Leslie Jones Collection, Boston Public Library.

An elm tree didn’t have to have Washington or Revolutionary connections to become “great” in Massachusetts: every town seems to have its beloved tree with an “ancient” name or association: the great “Queen Elm” in Lancaster (a town famous for its elms), the “Gulliver Elm” in Milton, the “Winning Elm” in Chelmsford and many “big” and “old” elms, like the stately elm on Boston Common which came down in 1876. In Salem we had the old “Bertram Elm” in front of the Salem Public Library (the former home of John Bertram) and many, many, more–now sadly gone, except for a few singular survivors, like our Chestnut Street tree. I believe there were a few new elms planted this summer, though–so things are looking up.

Elm Boston Common DC card 1876

Elm Salem Bertram postcard

Chestnut Street Elm