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Tag Archives: Museum of Old Newbury

The Woman Who Invented Christmas Decorating?

Everyone has their favorite Christmas movies, and most of mine are classics from the mid-twentieth century: there is the Barbara Stanwyck double feature of Christmas in Connecticut and Remember the Night followed by the Bing Crosby double feature of Holiday Inn and White Christmas and then I turn to Holiday Affair and The Bishop’s Wife. Very close to Christmas, I put on variations of A Christmas Carol, saving my favorite (the Reginald Owen one) for last. And that brings me to the one Christmas movie that is a family favorite in our house which is actually from our own time: The Man Who Invented Christmas. Both my husband and I love this film, and if we are hosting we force our guests to watch it. It’s all about Charles Dickens and his struggle to write A Christmas Carol, with its characters making regular appearances in his study. I wouldn’t say it’s a great film, but it’s certainly a joyous one. And the title gets you thinking. Those Victorians were definitely changemakers in many realms, including that of celebration. If Dickens “invented ” Christmas with his text, did his contemporaries pile on with their visual displays? Queen Victoria debuted her family’s German-inspired Christmas tree in the same decade (the 1840s), when the first commercially produced Christmas card also appeared. Several decades later, an American woman produced sketches which seem to have been quite influential in their representation of  “decking the halls” in the nineteenth century, at least on this side of the Atlantic: Lucy Ellen Merrill (1828-1886) of Newburyport, Massachusetts. Merrill’s pen and ink sketches of Christmas interiors, in the collection of the Museum of Old Newbury, often surface this time of year as inspiration for museum holiday decorating, and were published in 1961 as a portfolio in Christmas in the Good Old Days: A Victorian Album of Stories, Poems, and Pictures of the Personalities Who Rediscovered Christmas, edited by the prominent Salem author, Dan Foley. According to Foley, the sketches were produced around 1870 as illustrations for a planned publication by local poet Anna Gardner Hale to be entitled Merry Christmas, and they are featured alongside photographs of the decorations reproduced in 1958 at the Museum’s Cushing House in Newburyport.

Garlands everywhere! Apparently Merrill also included notes on which evergreens she used in her creations. Her sketch of a dining room is the most charming of her embellished interiors: you see it reproduced regularly, and a colored version is out there too (missing the large dog in the corner). Here garlands are draped around everything, even the place settings, with little stacks of presents adjacent: this particular arrangement/custom does not seem to have caught on. While many of Merrill’s creations seem a bit tortured, her advocacy for lush garlands still lives on today: the quest to find the perfect faux greenery has dominated my social media for weeks as my own search for decorating ideas for Christmas in Salem definitely triggered the algorithm.

Dan Foley deserves his own post. A native and lifelong resident of Salem, he was a garden and horticultural authority who designed the Colonial Revival garden at the House of the Seven Gables and authored over 20 books, including three bestselling Christmas classics: in addition to Christmas in the Good Old Days he published The Christmas Tree: An Evergreen Garland filled with History, Folklore, Symbolism, Traditions, Legends and Stories and Christmas the World Over in the 1960s. When I bought my house, two people told me that he had designed its garden and while I could never confirm that, I did buy an old copy of his 1972 book Gardening for Beginners to help me take care of it, and it remains my essential guide.


Escape to Old Newbury

I had yet another “symbol trauma” (I have no other way to refer to it) on Friday when people starting sending me images of little anime cats with notes indicating that this was the new official mascot for Salem’s 400th commemoration, Salem 400+. Was this a joke? Apparently not. Here’s the press release text and the cat (in front of 1910 City Hall just to emphasize his/her official status).

Mayor Dominick Pangallo has announced an exciting new community engagment opportunity: a naming context for Salem 400+’s black cat mascot! Salem 400+ has unveiled a charming black cat character designed to strengthen the program’s connection with the community and celebrate Salem’s unique identity. Salem students in 3d through 8th grade have been invited to participate in naming this special mascot through a district-wide contest that opened a few weeks ago. “There was so much positive community spirit and creativity when it came to naming our new trash truck, Chicken Nugget, we wanted to open up this opportunity to our students as well, said Mayor Pangallo, “the Salem 400+ black cat will help represent Salem and this special moment, and we want our young students to be part of bringing it to life.” 

So of course engaging students in a naming contest is great but I’m sorry: the choice of this AI anime cat is not. He (or she—we don’t know yet!) is everything that Salem is not: superficial, generic, silly, not serious. I understand the political reality here (the Chicken Nugget roll-out was intense—it was very clear that whoever got in between the trash truck and a Salem politician was in trouble if photographers were nearby), but I’m just so tired of the triviality. There are always these gestures in Salem that go 3/4 of the way but never all the way: a Remond Park with incorrect information about where Salem’s 19th century African American residents actually lived, a Forten Park which loses Charlotte between gaudy installations and pirate murals. But this is a whole new dimension of dissing Salem history. Even my long-suffering husband, who has to hear me rant nearly every day, said wow. There’s nothing anyone can do but disengage, so when I woke up Saturday morning, I knew I had to get out of town. Fortunately it was a grand weekend of Revolutionary remembrance in Essex County, so up to Newburyport I went. It happened that this was the 250th anniversary of Benedict Arnold’s Quebec Expedition, in which Newburport played a large role. So I headed north, because even Benedict Arnold looked good to me.

The Quebec Expedition (I think the first poster is rather old) was a spectacular failure. With the new Continental Army ensconced in Cambridge, Colonel Arnold approached General Washington with the idea of an eastern invasion force aimed at Quebec City in concert with General Richard Montgomery’s western expedition from New York. Washington gave Arnold 1110 men, who sailed from Newburyport on September 19, 1775. Their destination was the mouth of the Kennebec River, from which they would progress upriver to Fort Western (Augusta, ME) after which they would navigate water, marsh and land to the Chaudiere and St. Lawrence Rivers and Quebec. They encountered so many difficulties along the way that ultimately a quarter of the regiment turned back (taking essential provisions with them), and Arnold arrived in Quebec with 600+ exhausted and starving men. A New Year’s Eve battle was a disastrous defeat, resulting in the death of General Montgomery, the injury of Arnold, and the capture of Captain Daniel Morgan and hundreds of his riflemen. Nevertheless, Arnold was promoted to Brigadier General for his leadership of the expedition. The weekend’s activities were definitely focused on Newburyport’s “early and ardent embrace of the Revolutionary cause” rather than on Arnold himself.

Everywhere I went in Newburyport and adjoining Newbury I ran into people engaged in their history: the celebration of a new plaque recognizing the patriots of Newburyport at the Old South Church (above), a parade of participants making their way down High Street following a reenactment of the 1775 dedication for departing troops at the nearby First Parish Church, glanced from the doorway of Historic New England’s SwettIlsley House after the guide and I paused our tour. The Museum of Old Newbury set out its revolutionary artifacts in the rooms of its 1808 Cushing House, including a reconstructed Newburyport rum jug taken out of the ground in shards amidst the “Great Carrying Place,” a 13-mile portage trail between the Kennebec and Dead Rivers through which Arnold and his men passed 250 years ago. Actually, the jug was on a brief loan to the Museum from the Arnold Expedition Historical Society and Old Fort Western Museum and Executive Director Bethany Groff Dorau drove up to Maine to retrieve it for just this commemorative weekend., but the Museum is full of its own treasures and I’ve featured just a few of my favorites below. I’m looking forward to going back, and back again.

Rooms and Collections at the Swett-Ilsley and Cushing Houses in Newbury and Newburyport: that’s a portrait of Lafayette leading into the south parlor at Cushing—what a punch they made for him when he visited in 1824! And I am obsessed with the c. 1786 portrait of the Reverend John Murray by Christian Gullager. Great Liverpool jugs! The Museum is the historical sociey of Newbury, Newburyport, and West Newbury, so its collections are vast and varied.

And on the way home, I encountered a handtub muster on Newbury upper common! What could be better? Just a perfect day away.