Directed by: Malcolm D. Lee
Cinematography by: Greg Gardiner
Edited by: Paul Millspaugh
Cameras: ARRI ALEXA Plus 4:3 Camera
Directed by: Paul Johansson
Cinematography by: Ross Berryman
Cameras: Red One MX Camera
Directed by: Rick Famuyiwa
Cinematography by: Julio Macat
Edited by: Dirk Westervelt
Directed by: David Mickey Evans
Cinematography by: Dan Stoloff
Edited by: Harry Keramidas
Directed by: Matt Shakman, Fred Savage, Daniel Attias, Randall Einhorn, Todd Biermann, Richie Keen, Heath Cullens, Jerry Levine, Kat Coiro, John Fortenberry, Jamie Babbit, Rob McElhenney, Maurice Marable, Josh Drisko, LP, Glenn Howerton
Cameras: Panasonic AG-DVX100 Camera
Directed by: John Fortenberry
Cinematography by: Peter Smokler
Edited by: Robert Bramwell
Directed by: John Fortenberry
Cinematography by: Peter Smokler
Edited by: Robert Bramwell
Directed by: Daniel Attias
Cinematography by: Peter Smokler
Edited by: Josh Drisko
Directed by: Rob McElhenney
Cinematography by: Eric Zimmerman
Edited by: Josh Drisko
Directed by: Daniel Attias
Cinematography by: Peter Smokler
Edited by: Josh Drisko
Directed by: Daniel Attias
Cinematography by: Peter Smokler
Edited by: Robert Bramwell
Directed by: John Fortenberry
Cinematography by: Peter Smokler
Edited by: Josh Drisko
Directed by: Takashi Shimizu
Cinematography by: Hideo Yamamoto
Edited by: Jeff Betancourt
Directed by: Jared Hess
Cinematography by: Munn Powell
Edited by: Jeremy Coon
Cameras: Panavision Cameras
Editing System: Final Cut Pro Editing System
Directed by: Victor Salva
Cinematography by: Don E. FauntLeRoy
Edited by: Ed Marx
Directed by: Renny Harlin
Cinematography by: Mauro Fiore
Directed by: John Carney
Cinematography by: Eric Alan Edwards
Directed by: Rod Lurie
Cinematography by: Shelly Johnson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Gregor Jordan
Cinematography by: Oliver Stapleton
Edited by: Lee Smith
Cameras: Panavision Cameras
Directed by: Boaz Yakin
Cinematography by: Philippe Rousselot
Edited by: Michael Tronick
Directed by: Nick Gomez
Cinematography by: Bruce Douglas Johnson
Edited by: Richard Pearson
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Directed by: Peter Medak
Cinematography by: Matthew F. Leonetti
Edited by: Richard Nord
Directed by: Neil Abramson
Cinematography by: Russell j Lyster
Edited by: Suzanne Hines
Directed by: Maya Angelou
Cinematography by: William Wages
Edited by: Nancy Richardson
Cameras: Panavision Cameras
Directed by: Frederik Du Chau
Edited by: Stanford C. Allen
Directed by: Gore Verbinski
Cinematography by: Phedon Papamichael
Edited by: Craig Wood
Directed by: Bryan Spicer
Cinematography by: Buzz Feitshans IV
Edited by: Russell Denove
Directed by: Gary Fleder
Cinematography by: Aaron Schneider
Cameras: Panavision Panaflex Gold II Camera
Editing System: Lightworks Editing System
Directed by: Robert Kurtzman
Cinematography by: Jacques Haitkin
Edited by: David Handman
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Steven Kemper
Directed by: John Woo
Cinematography by: Oliver Wood
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Edward A. Warschilka
Directed by: Arlene Sanford
Cinematography by: Mac Ahlberg
Edited by: Anita Brandt Burgoyne
Directed by: John Schlesinger
Cinematography by: Amir Mokri
Edited by: Peter Honess
Directed by: Danny DeVito
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Platinum Camera
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: John W. Wheeler
Directed by: Peter Segal
Cinematography by: Victor J. Kemper
Edited by: William Kerr
Directed by: William Friedkin
Cinematography by: Andrzej Bartkowiak
Edited by: Augie Hess
Directed by: Betty Thomas
Cinematography by: Mac Ahlberg
Edited by: Peter Teschner
Directed by: John Badham
Cinematography by: Roy H. Wagner
Directed by: Frank Marshall
Cinematography by: Allen Daviau
Edited by: Anne V. Coates
Directed by: Harold Ramis
Cinematography by: Lauro Escorel
Directed by: Wes Craven
Cinematography by: Mark Irwin
Edited by: Patrick Lussier
Cameras: Moviecam Compact Camera
Directed by: Brett Leonard
Cinematography by: Gale Tattersall
Cameras: ARRIFLEX 535 B Camera, Moviecam Compact Camera
Directed by: Clive Barker
Cinematography by: Rohn Schmidt
Edited by: Alan Baumgarten
Directed by: Phillip Noyce
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Directed by: John Landis
Cinematography by: Mac Ahlberg
Edited by: Dale Beldin
Directed by: Mark Rydell
Cinematography by: Vilmos Zsigmond
Edited by: Mark Warner
Directed by: Peter Segal
Cinematography by: Robert M. Stevens
Edited by: James R. Symons
Cameras: Panavision Cameras
Directed by: Jan de Bont
Cinematography by: Andrzej Bartkowiak
Edited by: John Wright
Directed by: Stephen Surjik
Cinematography by: Francis Kenny
Edited by: Malcolm Campbell
Directed by: Phillip Noyce
Cinematography by: Vilmos Zsigmond
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Directed by: Steven Zaillian
Cinematography by: Conrad L. Hall
Edited by: Wayne Wahrman
Directed by: Steve Barron
Cinematography by: Francis Kenny
Edited by: Paul Trejo
Directed by: Robert Lieberman
Cinematography by: Bill Pope
Edited by: Steve Mirkovich
Cameras: Panavision Cameras
Directed by: Bruce Robinson
Cinematography by: Conrad L. Hall
Edited by: Conrad Buff IV
Cameras: Panavision Panaflex Platinum Camera
Directed by: Thom Eberhardt
Cinematography by: Daryn Okada
Edited by: Tina Hirsch
Directed by: John Mackenzie
Cinematography by: Phil Meheux
Edited by: Richard Trevor
Directed by: Phillip Noyce
Cinematography by: Donald McAlpine
Directed by: Penelope Spheeris
Cinematography by: Theo van de Sande
Edited by: Malcolm Campbell
Directed by: Richard Pearce
Cinematography by: Matthew F. Leonetti
Cinematography by: László Kovács
Cameras: Panavision Cameras
Directed by: Barry Sonnenfeld
Cinematography by: Owen Roizman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: David Zucker
Cinematography by: Robert M. Stevens
Directed by: Michael Hoffman
Cinematography by: Ueli Steiger
Edited by: Garth Craven
Directed by: Kenneth Branagh
Cinematography by: Matthew F. Leonetti
Edited by: Peter E. Berger
Cameras: Ultracam 35 Camera
Lenses: Cooke Lenses
Directed by: Nicholas Meyer
Cinematography by: Hiro Narita
Directed by: Terry Hughes
Cinematography by: Frank Tidy
Edited by: Donn Cambern
Directed by: Jon Avnet
Cinematography by: Geoffrey Simpson
Edited by: Debra Neil-Fisher
Directed by: Robert M. Young
Cinematography by: Curtis Clark
Edited by: Arthur Coburn
Cameras: Panavision Cameras
Directed by: Garry Marshall
Cinematography by: Dante Spinotti
Cameras: Panavision Cameras
Directed by: Francis Ford Coppola
Cinematography by: Gordon Willis
Directed by: Jack Nicholson
Cinematography by: Vilmos Zsigmond
Edited by: Anne Goursaud
Directed by: Paul Brickman
Cinematography by: Bruce Surtees
Edited by: Richard Chew
Directed by: Jerry Zucker
Cinematography by: Adam Greenberg
Edited by: Walter Murch
Cameras: ARRI ARRIFLEX Series Cameras
Directed by: Amy Heckerling
Cinematography by: Thomas Del Ruth
Edited by: Debra Chiate
Directed by: John Cornell
Cinematography by: Russell Boyd
Edited by: David Stiven
Directed by: Dave Thomas
Cinematography by: Ronnie Taylor
Edited by: Bud Molin
Directed by: Joe Pytka
Cinematography by: Curtis Wehr
Directed by: Jackie Chan
Cinematography by: Arthur Wong
Edited by: Peter Cheung
Cameras: ARRIFLEX 35 III Camera
Directed by: Eddie Murphy
Cinematography by: Woody Omens
Directed by: Ridley Scott
Cinematography by: Jan de Bont
Edited by: Tom Rolf
Cameras: Beaulieu Cameras, Panavision Cameras
Lenses: Panavision Lenses
Directed by: Joel Schumacher
Cinematography by: Ralf D. Bode
Edited by: Robert Brown
Directed by: Mary Lambert
Cinematography by: Peter Stein
Cameras: Panavision Cameras
Directed by: Roland Joffé
Cinematography by: Vilmos Zsigmond
Edited by: Françoise Bonnot
Directed by: Bud Yorkin
Cinematography by: Stephen H. Burum
Edited by: Michael Kahn
Directed by: David Zucker
Cinematography by: Robert M. Stevens
Edited by: Michael Jablow
Directed by: John Cornell
Cinematography by: Russell Boyd
Edited by: David Stiven
Directed by: Robert Redford
Cinematography by: Robbie Greenberg
Directed by: Taylor Hackford
Cinematography by: Stephen Goldblatt
Edited by: Don Zimmerman
Directed by: Alan Myerson
Cinematography by: James Pergola
Edited by: Hubert de La Bouillerie
Directed by: Henry Winkler
Cinematography by: Andrew Dintenfass
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Directed by: Stan Winston
Cinematography by: Bojan Bazelli
Edited by: Marcus Manton
Cameras: ARRI Cameras
Directed by: Jonathan Kaplan
Cinematography by: Ralf D. Bode
Cameras: Panavision Cameras
Directed by: Rick Rosenthal
Cinematography by: Ralf D. Bode
Edited by: Dennis Virkler
Directed by: Michael Dinner
Cinematography by: Victor J. Kemper
Cameras: Panavision Panaflex Gold Camera
Directed by: Gary Sherman
Cinematography by: Alex Nepomniaschy
Edited by: Ross Albert
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Directed by: Michael Cimino
Cinematography by: Alex Thomson
Edited by: Françoise Bonnot
Directed by: Carl Reiner
Cinematography by: David M. Walsh
Edited by: Bud Molin
Directed by: Charles Shyer
Cinematography by: William A. Fraker
Edited by: Lynzee Klingman
Cameras: Panavision Cameras
Directed by: Paul Verhoeven
Edited by: Frank J. Urioste
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
Directed by: Frank Oz
Cinematography by: Robert Paynter
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: James Mitchell
Directed by: Adrian Lyne
Cinematography by: Peter Biziou
Directed by: Jack Fisk
Cinematography by: Ralf D. Bode
Edited by: Edward Warschilka
Directed by: Randa Haines
Cinematography by: John Seale
Edited by: Lisa Fruchtman
Directed by: Lawrence Kasdan
Cinematography by: John Bailey
Edited by: Carol Littleton
Directed by: John Badham
Cinematography by: Donald Peterman
Directed by: Martin Ritt
Cinematography by: William A. Fraker
Edited by: Sidney Levin
Directed by: Joel Schumacher
Cinematography by: Stephen H. Burum
Edited by: Richard Marks
Directed by: Sylvester Stallone
Cinematography by: Bill Butler
Cameras: Panavision Panaflex Gold Camera
Directed by: Stanley Donen
Cinematography by: Reynaldo Villalobos
Directed by: Joseph Zito
Cinematography by: João Fernandes
Directed by: Gillian Armstrong
Cinematography by: Russell Boyd
Edited by: Nicholas Beauman
Directed by: Ivan Reitman
Cinematography by: László Kovács
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Douglas Day Stewart
Cinematography by: Andrew Laszlo
Edited by: Tom Rolf
Cameras: Panavision Cameras
Directed by: Willard Huyck
Cinematography by: Donald Peterman
Edited by: Sidney Wolinsky
Cameras: Panavision Cameras
Directed by: John Cassavetes
Cinematography by: Al Ruban
Edited by: George C. Villaseñor
Cameras: ARRI Cameras
Directed by: John Milius
Cinematography by: Ric Waite
Edited by: Thom Noble
Cameras: Panavision Cameras
Directed by: Marvin J. Chomsky
Cinematography by: Donald H. Birnkrant
Edited by: Donald R. Rode
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Michael Ritchie
Cinematography by: Billy Williams
Edited by: Richard A. Harris
Directed by: Stan Dragoti
Cinematography by: Victor J. Kemper
Edited by: Patrick Kennedy
Directed by: John Herzfeld
Cinematography by: Fred J. Koenekamp
Edited by: Jack Hofstra
Directed by: Bob Clark
Cinematography by: Reginald H. Morris
Edited by: Stan Cole
Directed by: Arthur Hiller
Cinematography by: David M. Walsh
Edited by: John C. Howard
Directed by: Tony Scott
Cinematography by: Stephen Goldblatt
Edited by: Pamela Power
Directed by: Jim McBride
Cinematography by: Richard H. Kline
Edited by: Robert Estrin
Cinematography by: Steven Poster
Edited by: Patrick McMahon
Cameras: Panavision Cameras
Directed by: Douglas Trumbull
Cinematography by: Richard Yuricich
Directed by: Richard Brooks
Cinematography by: Fred J. Koenekamp
Edited by: George Grenville
Directed by: Sylvester Stallone
Cinematography by: Bill Butler
Directed by: Tony Bill
Cinematography by: Michael D. Margulies
Edited by: Stu Linder
Directed by: Arthur Hiller
Cinematography by: Victor J. Kemper
Edited by: William Reynolds
Directed by: David S. Ward
Cinematography by: Sven Nykvist
Edited by: David Bretherton
Directed by: Richard Benjamin
Cinematography by: Gerald Hirschfeld
Edited by: Richard Chew
Directed by: Sidney Poitier
Cinematography by: Arthur J. Ornitz
Edited by: Harry Keller
Directed by: Barry Levinson
Cinematography by: Peter Sova
Edited by: Stu Linder
Cameras: Panavision Cameras
Directed by: Martin Scorsese
Cinematography by: Fred Schuler
Edited by: Thelma Schoonmaker
Cameras: ARRI ARRIFLEX Series Cameras
Directed by: Gabrielle Beaumont
Cinematography by: Emil Oster
Edited by: Morton Tubor
Directed by: Herbert Ross
Cinematography by: Gordon Willis
Edited by: Richard Marks
Directed by: John Badham
Cinematography by: Mario Tosi
Edited by: Frank Morriss
Directed by: Billy Wilder
Cinematography by: Harry Stradling Jr.
Edited by: Argyle Nelson Jr.
Directed by: John Huston
Cinematography by: Gerry Fisher
Edited by: Roberto Silvi
Cameras: Panavision Cameras
Directed by: George Cukor
Cinematography by: Donald Peterman
Edited by: John F. Burnett
Cameras: Panavision Cameras
Directed by: John Derek
Cinematography by: John Derek
Edited by: Jimmy Ling
Directed by: Robert Redford
Cinematography by: John Bailey
Edited by: Jeff Kanew
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Directed by: Michael Cimino
Cinematography by: Vilmos Zsigmond
Directed by: Chuck Barris
Cinematography by: Richard C. Glouner
Cinematography by: Victor J. Kemper
Edited by: Argyle Nelson Jr.
Directed by: Martin Davidson
Cinematography by: David M. Walsh
Edited by: David Garfield
Cameras: Panavision Cameras
Directed by: Samuel Fuller
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX Camera
Directed by: Martin Scorsese
Cinematography by: Michael Chapman
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 35 BL Camera
Directed by: Franco Zeffirelli
Cinematography by: Fred J. Koenekamp
Edited by: Michael J. Sheridan
Directed by: Milos Forman
Directed by: Sylvester Stallone
Cinematography by: Bill Butler
Edited by: Stanford C. Allen
Directed by: Mark Rydell
Cinematography by: Vilmos Zsigmond
Directed by: Arthur Hiller
Cinematography by: Charles Rosher Jr.
Edited by: John C. Howard
Directed by: Arthur Hiller
Cinematography by: David M. Walsh
Edited by: Robert Swink
Directed by: Norman Jewison
Cinematography by: Victor J. Kemper
Edited by: John F. Burnett
Cameras: Panavision Cameras
Directed by: Hal Ashby
Cinematography by: Caleb Deschanel
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Cinematography by: William A. Fraker
Directed by: Hal Needham
Cinematography by: Bobby Byrne
Edited by: Donn Cambern
Directed by: Jack Nicholson
Cinematography by: Néstor Almendros
Cameras: Panavision Cameras
Directed by: Herbert Ross
Cinematography by: David M. Walsh
Edited by: Michael A. Stevenson
Cameras: Panavision Cameras
Directed by: Herbert Ross
Cinematography by: David M. Walsh
Edited by: John F. Burnett
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Directed by: Michael Anderson
Cinematography by: Ernest Laszlo
Edited by: Bob Wyman
Cameras: ARRIFLEX Camera, Mitchell Cameras
Directed by: John G. Avildsen
Cinematography by: James Crabe
Lenses: Panavision Lenses