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The Nun | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground The Nun  (2018)
Directed by: Corin Hardy
Cinematography by: Maxime Alexandre
Edited by: Michel Aller, Ken Blackwell
Cameras:
Lenses:
Bright | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground Bright  (2017)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: Aaron Brock, Geoffrey O'Brien, Michael Tronick
Cameras: , ,
Lenses:
Live by Night | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground Live by Night  (2016)
Directed by: Ben Affleck
Cinematography by: Robert Richardson
Edited by: William Goldenberg
Cameras:
Lenses: ,
Godzilla | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground Godzilla  (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ,
Lenses: , ,
Seventh Son | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground Seventh Son  (2014)
Directed by: Sergei Bodrov
Cinematography by: Newton Thomas Sigel
Edited by: Michael Kahn, Jim Page, Paul Rubell
Cameras:
The Amazing Spider-Man 2 | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground The Amazing Spider-Man 2  (2014)
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Cameras: , ,
Lenses: , , , ,
"Burn Notice" Nature of the Beast | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground 'Burn Notice' Nature of the Beast  (2013)
Directed by: Tawnia McKiernan
Cinematography by: Bart Tau
Edited by: Casey Brown
"Burn Notice" Exit Plan | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground 'Burn Notice' Exit Plan  (2013)
Directed by: Marc Roskin
Cinematography by: Bart Tau
Edited by: Casey Brown
"Burn Notice" Bitter Pill | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground 'Burn Notice' Bitter Pill  (2013)
Directed by: Bill Eagles
Cinematography by: Bart Tau
Edited by: Zack Arnold
"Burn Notice" Things Unseen | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground 'Burn Notice' Things Unseen  (2013)
Directed by: Craig Siebels
Cinematography by: Bart Tau
Edited by: Steven Lang
"Burn Notice" Tipping Point | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground 'Burn Notice' Tipping Point  (2013)
Directed by: Scott Peters
Cinematography by: Bart Tau
Edited by: Casey Brown, Scott van Beever
"Burn Notice" Sea Change | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground 'Burn Notice' Sea Change  (2013)
Directed by: Stephen Surjik
Cinematography by: Bart Tau
Edited by: Zack Arnold
"Burn Notice" All or Nothing | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground 'Burn Notice' All or Nothing  (2013)
Directed by: Jonathan Frakes
Cinematography by: Bart Tau
Edited by: Zack Arnold
"Burn Notice" Reckoning | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground 'Burn Notice' Reckoning  (2013)
Directed by: Matt Nix
Cinematography by: Bart Tau
Edited by: Steven Lang
"Burn Notice" Down Range | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground 'Burn Notice' Down Range  (2013)
Directed by: Scott Peters
Cinematography by: Bart Tau
Edited by: Paul Fontaine
"Burn Notice" Brothers in Arms | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground 'Burn Notice' Brother in Arms  (2013)
Directed by: Dennie Gordon
Cinematography by: Bart Tau
Edited by: Steven Lang
Bullet to the Head | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground Bullet to the Head  (2012)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Timothy Alverson
Cameras: , ,
Lenses:
The Amazing Spider-Man | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground The Amazing Spider-Man  (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Edited by: Alan Edward Bell, Michael McCusker, Pietro Scalia
Cameras:
Lenses:
Argo | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground Argo  (2012) oscar-icon
Directed by: Ben Affleck
Cinematography by: Rodrigo Prieto
Edited by: William Goldenberg
Cameras: , , ,
Lenses: , , , , , ,
Green Lantern | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground Green Lantern  (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: , ,
Lenses: , ,
Editing System:
I Am Number Four | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground I Am Number Four  (2011)
Directed by: D.J. Caruso
Cinematography by: Guillermo Navarro
Edited by: Vince Filippone, Jim Page
Cameras: , ,
Lenses: ,
Gulliver's Travels | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground Gulliver's Travels  (2010)
Directed by: Rob Letterman
Cinematography by: David Tattersall
Edited by: Alan Edward Bell, Nicolas De Toth, Dean Zimmerman
Cameras: , ,
Lenses:
Editing System:
Public Enemies | ShotOnWhat?
Visual Effects Compositor: Pixel Playground / Visual Effects Supervisor: Pixel Playground Public Enemies  (2009)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Edited by: Jeffrey Ford, Paul Rubell
Cameras: , , , ,
Lenses: , ,
G.I. Joe: The Rise of Cobra | ShotOnWhat?
Visual Effects Supervisor: PIxel Playground G.I. Joe: The Rise of Cobra  (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Edited by: Bob Ducsay, Kelly Matsumoto, Jim May
Cameras: , , ,
Night at the Museum: Battle of the Smithsonian | ShotOnWhat?
Visual Effects Supersivor: Pixel Playground Night at the Museum: Battle of the Smithsonian  (2009)
Directed by: Shawn Levy
Cinematography by: John Schwartzman
Edited by: Dean Zimmerman, Don Zimmerman
Cameras: , , ,
Lenses:
The Sensei | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground Inc. The Sensei  (2008)
Directed by: Diana Lee Inosanto
Cinematography by: Mark Rutledge
Edited by: Reine-Claire
Eagle Eye | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground Eagle Eye  (2008)
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Cameras: , ,
Lenses:
Jumper | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground Jumper  (2008)
Directed by: Doug Liman
Cinematography by: Barry Peterson
Edited by: Saar Klein, Dean Zimmerman, Don Zimmerman
Cameras: ,
The Ruins | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground The Ruins  (2008)
Directed by: Carter Smith
Cinematography by: Darius Khondji
Edited by: Jeff Betancourt
Cameras: ,
Lenses: , ,
Burn Notice | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground - 10 Episodes, 2013 Burn Notice  (2007)
Directed by: Stephen Surjik, Jeremiah S. Chechik, Dennie Gordon, John T. Kretchmer, Tim Matheson, Matt Nix, Scott Peters, Jonathan Frakes, Marc Roskin, Craig Siebels, Renny Harlin, Colin Bucksey, Paul Holahan, Jeffrey Donovan, Kevin Bray, Nick Gomez, Rod Hardy, Jeff Freilich, Ernest R. Dickerson, Michael Smith, Terry Miller, Tawnia McKiernan, Alfredo Barrios Jr., Jace Alexander, Sanford Bookstaver, Ken Girotti, Paul Shapiro, David Solomon, Bronwen Hughes, Félix Enríquez Alcalá, Bryan Spicer, Dirk Craft, Jeffrey G. Hunt, Peter Markle, Michael Zinberg, Henry Bronchtein, Ron Underwood, Bill Eagles, Larry Teng
Cinematography by: William Wages, Bart Tau, Roy H. Wagner, Dennis Hall, Tiko Pavoni, Paul Krumper
Edited by: Casey Brown, Steven Lang, Zack Arnold, Doug Hannah, James Kilton, Brad Schreiber, Paul Fontaine, Scott van Beever
Cameras: , ,
Lenses:
Fantastic Four: Rise of the Silver Surfer | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground Fantastic Four: Rise of the Silver Surfer  (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Edited by: Peter S. Elliot, William Hoy
Cameras: , , , ,
Lenses:
Editing System: ,
Poseidon | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground Poseidon  (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Cameras: , ,
Lenses:
Miami Vice | ShotOnWhat?
Lead Compositor: Pixel Playground / Visual Effects Supervisor: Pixel Playground Miami Vice  (2006)
Directed by: Michael Mann
Cinematography by: Dion Beebe
Edited by: William Goldenberg, Paul Rubell
Cameras:
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground Inc The Chronicles of Narnia: The Lion, the Witch and the Wardrobe  (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Edited by: Sim Evan-Jones, Jim May
Cameras: , ,
Lenses:
Editing System:
The Aviator | ShotOnWhat?
Visual Effects Compositor: Pixel Playground The Aviator  (2004)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ,
Lenses:
Editing System:
Torque | ShotOnWhat?
Digital Compositor Torque  (2004)
Directed by: Joseph Kahn
Cinematography by: Peter Levy
Edited by: David Blackburn, Howard E. Smith
Cradle 2 the Grave | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground Inc. Cradle 2 the Grave  (2003)
Directed by: Andrzej Bartkowiak
Cinematography by: Daryn Okada
Edited by: Derek Brechin
Cameras:
Seabiscuit | ShotOnWhat?
Inferno Artist: Pixel Playground Inc / Visual Effects Supervisor: Pixel Playground Inc Seabiscuit  (2003)
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Cameras: , ,
Lenses:
Editing System:
The Core | ShotOnWhat?
Head Compositor: CREO / Visual Effects Supervisor: CREO The Core  (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Cameras: ,
Lenses: , , ,
Terminator 3: Rise of the Machines | ShotOnWhat?
Digital Effects Supervisor: Digiscope Terminator 3: Rise of the Machines  (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Edited by: Nicolas De Toth, Neil Travis
Cameras:
Lenses:
Editing System:
Peter Pan | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground Peter Pan  (2003)
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Edited by: Garth Craven, Michael Kahn
Cameras: , ,
Lenses: ,
Paycheck | ShotOnWhat?
Visual Effects Supervisor: Pixel Playground Paycheck  (2003)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Edited by: Christopher Rouse, Kevin Stitt
Queen of the Damned | ShotOnWhat?
Digital Compositor Queen of the Damned  (2002)
Directed by: Michael Rymer
Cinematography by: Ian Baker
Edited by: Dany Cooper
Divine Secrets of the Ya-Ya Sisterhood | ShotOnWhat?
Digital Compositor Divine Secrets of the Ya-Ya Sisterhood  (2002)
Directed by: Callie Khouri
Cinematography by: John Bailey
Edited by: Andrew Marcus
Cameras:
Lenses:
Equilibrium | ShotOnWhat?
Inferno Artist: Post Logic Studios Equilibrium  (2002)
Directed by: Kurt Wimmer
Cinematography by: Dion Beebe
Edited by: Tom Rolf, William Yeh
Cameras: ,
Lenses:
Zoolander | ShotOnWhat?
Digital Compositor Zoolander  (2001)
Directed by: Ben Stiller
Cinematography by: Barry Peterson
Edited by: Greg Hayden
Cameras:
Lenses:
The Mummy Returns | ShotOnWhat?
Digital Compositor The Mummy Returns  (2001)
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Edited by: Bob Ducsay, Kelly Matsumoto
Cameras:
Lenses:
Swordfish | ShotOnWhat?
Digital Compositor Swordfish  (2001)
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Edited by: Stephen E. Rivkin
Ali | ShotOnWhat?
Digital Compositor: CREO Ali  (2001)
Directed by: Michael Mann
Cinematography by: Emmanuel Lubezki
Edited by: William Goldenberg, Lynzee Klingman, Stephen E. Rivkin, Stuart Waks
Cameras: , , ,
Lenses:
What Lies Beneath | ShotOnWhat?
Digital Compositor What Lies Beneath  (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras:
Lenses:
Inspector Gadget | ShotOnWhat?
Digital Compositor Inspector Gadget  (1999)
Directed by: David Kellogg
Cinematography by: Adam Greenberg
Edited by: Alan Cody, Thom Noble, Gerald B. Greenberg
Cameras: ,
The 13th Warrior | ShotOnWhat?
Digital Compositor The 13th Warrior  (1999)
Directed by: John McTiernan, Michael Crichton
Cinematography by: Peter Menzies Jr.
Edited by: John Wright
Cameras:
Lenses:
Pleasantville | ShotOnWhat?
Inferno Artist: Editel Pleasantville  (1998)
Directed by: Gary Ross
Cinematography by: John Lindley
Edited by: William Goldenberg
Cameras:
Lenses:
Star Trek: Insurrection | ShotOnWhat?
Digital Compositor Star Trek: Insurrection  (1998)
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: Peter E. Berger
Cameras:
Lenses:
Armageddon | ShotOnWhat?
Inferno Artist: Editel Armageddon  (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury
Cameras: , ,
Lenses: ,
Batman & Robin | ShotOnWhat?
Digital Compositor Batman & Robin  (1997)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Edited by: Mark Stevens, Dennis Virkler
Air Force One | ShotOnWhat?
Inferno Operator: Boss Film Studios Air Force One  (1997)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ,
Lenses:
Bloodsport 2 | ShotOnWhat?
Colorist Bloodsport 2  (1996)
Directed by: Alan Mehrez
Cinematography by: Jacques Haitkin
Edited by: J. Douglas Seelig
Eraser | ShotOnWhat?
Digital Compositor Eraser  (1996)
Directed by: Chuck Russell
Cinematography by: Adam Greenberg
Edited by: Michael Tronick
Cameras: ,
Lenses:
Jack | ShotOnWhat?
Digital Compositor Jack  (1996)
Directed by: Francis Ford Coppola
Cinematography by: John Toll
Edited by: Barry Malkin
Cameras:
A Time to Kill | ShotOnWhat?
Digital Compositor A Time to Kill  (1996)
Directed by: Joel Schumacher
Cinematography by: Peter Menzies Jr.
Edited by: William Steinkamp
Cameras:
Lenses: , ,
Executive Decision | ShotOnWhat?
Digital Compositor Executive Decision  (1996)
Directed by: Stuart Baird
Cinematography by: Alex Thomson
Edited by: Stuart Baird, Derek Brechin, Dallas Puett, Kevin Stitt, Frank J. Urioste
Batman Forever | ShotOnWhat?
Digital Compositing Supervisor: Composite Image Systems Batman Forever  (1995)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Edited by: Mark Stevens, Dennis Virkler
Cameras:
Lenses:
Editing System:
The Indian in the Cupboard | ShotOnWhat?
Digital Compositor The Indian in the Cupboard  (1995)
Directed by: Frank Oz
Cinematography by: Russell Carpenter
Edited by: Ian Crafford
Waterworld | ShotOnWhat?
Digital Compositor Waterworld  (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Cameras: , , , , ,
Lenses: , ,
Nick of Time | ShotOnWhat?
Digital Compositor Nick of Time  (1995)
Directed by: John Badham
Cinematography by: Roy H. Wagner
Edited by: Frank Morriss, Kevin Stitt
Blown Away | ShotOnWhat?
Digital Compositor Blown Away  (1994)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Tim Wellburn
Color of Night | ShotOnWhat?
Digital Compositor Color of Night  (1994)
Directed by: Richard Rush
Cinematography by: Dietrich Lohmann
Edited by: Jack Hofstra, Thom Noble
The Little Rascals | ShotOnWhat?
Digital Compositor The Little Rascals  (1994)
Directed by: Penelope Spheeris
Cinematography by: Richard Bowen
Edited by: Ross Albert, Peter Teschner
Naked Gun 33 1/3: The Final Insult | ShotOnWhat?
Digital Compositor Naked Gun 33 1/3: The Final Insult  (1994)
Directed by: Peter Segal
Cinematography by: Robert M. Stevens
Edited by: James R. Symons
Cameras:
Coneheads | ShotOnWhat?
Digital Compositor Coneheads  (1993)
Directed by: Steve Barron
Cinematography by: Francis Kenny
Edited by: Paul Trejo
Blink | ShotOnWhat?
Visual Effects Supervisor-compositing: Composite Image Systems Blink  (1993)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Last Action Hero | ShotOnWhat?
Digital Compositor Last Action Hero  (1993)
Directed by: John McTiernan
Cinematography by: Dean Semler
Edited by: Richard A. Harris, John Wright
Cameras:
Lenses: ,
Wayne's World | ShotOnWhat?
Digital Compositor Wayne's World  (1992)
Directed by: Penelope Spheeris
Cinematography by: Theo van de Sande
Edited by: Malcolm Campbell
Honey I Blew Up the Kid | ShotOnWhat?
Digital Compositor Honey, I Blew Up the Kid  (1992)
Directed by: Randal Kleiser
Cinematography by: John Hora
Edited by: Harry Hitner, Michael A. Stevenson
Cameras: ,
Lenses:
Ghost | ShotOnWhat?
Digital Compositor Ghost  (1990)
Directed by: Jerry Zucker
Cinematography by: Adam Greenberg
Edited by: Walter Murch
Cameras:
Hellraiser | ShotOnWhat?
Digital Compositor Hellraiser  (1987)
Directed by: Clive Barker
Cinematography by: Robin Vidgeon
Edited by: Richard Marden, Tony Randel
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