Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Adobe Premiere Editing System
Directed by: James Manera
Cinematography by: Gale Tattersall
Cameras: Canon EOS-C500 Camera
Lenses: Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon K35 135 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 85 mm T1.3 Lens, Canon Lenses
Editing System: Adobe Premiere Editing System, Avid Editing System
Cinematography by: Steven Douglas Smith
Edited by: Sam Seig
Cameras: ARRI ALEXA Camera
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Edited by: Emile Haris
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Tia Nolan
Cameras: Sony CineAlta F35 Camera, Sony Other Camera
Directed by: Francis Lawrence
Cinematography by: Rodrigo Prieto
Edited by: Alan Edward Bell
Editing System: Avid Editing System
Directed by: Marcos Siega
Cinematography by: Romeo Tirone
Edited by: Stewart Schill
Directed by: Paul Weiland
Cinematography by: Tony Pierce-Roberts
Edited by: Richard Marks
Cameras: Panavision Cameras
Directed by: Dennis Dugan
Cinematography by: Dean Semler
Edited by: Jeff Gourson
Cameras: Panavision Genesis Camera
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Directed by: Steve Shill
Cinematography by: Romeo Tirone
Edited by: Louis Cioffi
Directed by: Marcos Siega
Cinematography by: Romeo Tirone
Edited by: Chris Figler
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Directed by: Steve Shill
Cinematography by: Romeo Tirone
Edited by: Stewart Schill
Directed by: Marcos Siega
Cinematography by: Romeo Tirone
Edited by: Louis Cioffi
Directed by: Jake Kasdan
Cinematography by: Uta Briesewitz
Cameras: Panavision Genesis Camera
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Directed by: Tony Scott
Cinematography by: Paul Cameron
Directed by: John Dahl, Steve Shill, Keith Gordon, Marcos Siega, Ernest R. Dickerson, Romeo Tirone, Michael Cuesta, Tony Goldwyn, S.J. Clarkson, Stefan Schwartz, Robert Lieberman, Nick Gomez, Tim Hunter, Michael Lehmann, Holly Dale, Alik Sakharov, Adam Davidson, Jeremy Podeswa, Brian Kirk, Milan Cheylov, Seith Mann, Michael C. Hall
Directed by: Ken Kwapis
Cinematography by: Peter Smokler
Edited by: Kathryn Himoff
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Directed by: Paul Feig, Randall Einhorn, Ken Kwapis, Greg Daniels, Jeffrey Blitz, Ken Whittingham, David Rogers, Charles McDougall, Matt Sohn, Paul Lieberstein, B.J. Novak, Tucker Gates, Harold Ramis, Brent Forrester, Jennifer Celotta, Steve Carell, John Krasinski, Rainn Wilson, Troy Miller, Bryan Gordon, Dennie Gordon, Victor Nelli Jr., Jason Reitman, Julian Farino, Joss Whedon, Seth Gordon, Dean Holland, Lee Eisenberg, Gene Stupnitsky, Mindy Kaling, Ed Helms, Rodman Flender, Claire Scanlon, Amy Heckerling, Miguel Arteta, Roger Nygard, J.J. Abrams, Craig Zisk, Stephen Merchant, Reginald Hudlin, Asaad Kelada, Alex Hardcastle, Danny Leiner, John Scott, Marc Webb, Charlie Grandy, Michael Spiller, Eric Appel, Brian Baumgartner, Daniel Chun, Bryan Cranston, Kelly Cantley-Kashima, Jon Favreau, Lee Kirk, Jesse Peretz
Edited by: David Rogers, Claire Scanlon, Dean Holland, Rob Burnett, Stuart Bass, Rick Weis, Michael Zurer, Gary Levy, Josh Belson, Colin Johnson, Curtis Thurber, Kathryn Himoff, Richie Edelson, Grady Cooper
Cameras: Sony HDW-F900 Camera, Sony HDW-F900R Camera
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Directed by: Cameron Crowe
Cinematography by: John Toll
Edited by: David Moritz
Directed by: Joe Roth
Cinematography by: Don Burgess
Edited by: Nick Moore
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Directed by: Bruno Barreto
Cinematography by: Affonso Beato
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Directed by: Keenen Ivory Wayans
Cinematography by: Steven Bernstein
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Directed by: Brian Levant
Cinematography by: Jamie Anderson
Edited by: Kent Beyda
Directed by: Janusz Kaminski
Cinematography by: Mauro Fiore
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Edited by: Glen Scantlebury
Directed by: Jon Turteltaub
Cinematography by: Philippe Rousselot
Edited by: Richard Francis-Bruce
Directed by: Harold Becker
Cinematography by: Michael Seresin
Edited by: Peter Honess
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: James Haygood
Directed by: Richard Donner
Cinematography by: John Schwartzman
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Lenses: Zeiss Super Speed Lenses
Directed by: John Gray
Cinematography by: Rick Bota
Edited by: Donn Cambern
Directed by: James Foley
Cinematography by: Ian Baker
Edited by: Mark Warner
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Directed by: Chuck Russell
Cinematography by: Adam Greenberg
Edited by: Michael Tronick
Directed by: Danny DeVito
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Platinum Camera
Directed by: Mike Nichols
Cinematography by: Emmanuel Lubezki
Edited by: Arthur Schmidt
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: John Badham
Cinematography by: Roy H. Wagner
Directed by: Frank Oz
Cinematography by: Russell Carpenter
Edited by: Ian Crafford
Directed by: Joseph Ruben
Cinematography by: John Lindley
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Edited by: Steven Weisberg
Cameras: Panavision Panaflex Platinum Camera
Directed by: Stuart Orme
Cinematography by: Clive Tickner
Edited by: William Goldenberg
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Directed by: Steve Barron
Cinematography by: Francis Kenny
Edited by: Paul Trejo
Directed by: Luis Mandoki
Cinematography by: Lajos Koltai
Edited by: Lesley Walker
Cameras: ARRIFLEX Camera
Directed by: Francis Ford Coppola
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 535 Camera
Directed by: Irwin Winkler
Cinematography by: Michael Ballhaus
Edited by: Priscilla Nedd-Friendly