Directed by: Jeff Fowler
Cinematography by: Brandon Trost
Edited by: Jim May
Cameras: ARRI ALEXA Mini LF Camera
Editing System: Avid Editing System
Directed by: Jeff Fowler
Cinematography by: Stephen F. Windon
Lenses: Leitz Summilux-C Series Lenses
Directed by: Peter Farrelly
Cinematography by: Sean Porter
Edited by: Patrick J. Don Vito
Cameras: ARRI ALEXA Mini Camera
Lenses: Leitz Summilux-C Series Lenses
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Directed by: Susanna Fogel
Cinematography by: Barry Peterson
Edited by: Jonathan Schwartz
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Directed by: Chad Stahelski
Cinematography by: Dan Laustsen
Edited by: Evan Schiff
Cameras: ARRI ALEXA XT Plus Camera
Directed by: Michael Bay
Cinematography by: Jonathan Sela
Directed by: Ben Falcone
Cinematography by: Julio Macat
Edited by: Craig Alpert
Cameras: ARRI ALEXA 65 Camera
Lenses: Leitz Summilux-C Series Lenses
Directed by: David F. Sandberg
Cinematography by: Marc Spicer
Cameras: ARRI ALEXA Camera
Directed by: John Hamburg
Cinematography by: Kris Kachikis
Edited by: William Kerr
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Directed by: Sam Taylor-Johnson
Cinematography by: Seamus McGarvey
Cameras: ARRI ALEXA XT Plus Camera
Directed by: Adam McKay
Cinematography by: Barry Ackroyd
Edited by: Hank Corwin
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony CineAlta F65 Camera
Directed by: Gregory Jacobs
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red Epic Dragon Camera
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Directed by: Craig Gillespie
Cinematography by: Gyula Pados
Edited by: Tatiana S. Riegel
Directed by: Jonathan Liebesman
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Directed by: Tate Taylor
Cinematography by: Stephen Goldblatt
Edited by: Michael McCusker
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony PMW-F55 Camera
Editing System: Avid Editing System
Directed by: Scott Winant
Cinematography by: Evans Brown
Edited by: Louise Innes
Directed by: Howard Deutch
Cinematography by: Cort Fey
Edited by: Carol Stutz
Directed by: Jesse Warn
Cinematography by: Evans Brown
Edited by: Mark Hartzell
Directed by: Simon Jayes
Cinematography by: Cort Fey
Edited by: Louise Innes
Directed by: Angela Robinson
Cinematography by: Evans Brown
Edited by: Carol Stutz
Directed by: Howard Deutch
Cinematography by: Evans Brown
Edited by: Mark Hartzell
Directed by: Stephen Moyer
Cinematography by: David Klein
Edited by: Louise Innes
Directed by: Richard LaGravenese
Cinematography by: Philippe Rousselot
Edited by: David Moritz
Directed by: Scott Stewart
Cinematography by: David Boyd
Edited by: Peter Gvozdas
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo Zoom Lenses
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red Epic Camera
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera
Editing System: Avid Editing System
Directed by: Alexander Payne
Cinematography by: Phedon Papamichael
Edited by: Kevin Tent
Lenses: Panavision Anamorphic Telephoto Lenses, Panavision Anamorphic Zoom Lenses, Panavision C Anamorphic Flare Lenses, Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses
Editing System: Avid Editing System
Directed by: James DeMonaco
Cinematography by: Jacques Jouffret
Edited by: Peter Gvozdas
Cameras: ARRI ALEXA Plus Camera
Editing System: Avid Editing System
Directed by: James Wan
Cinematography by: John R. Leonetti
Edited by: Kirk M. Morri
Cameras: ARRI ALEXA Camera
Directed by: Scott Winant
Cinematography by: Romeo Tirone
Edited by: Louise Innes
Directed by: Michael Lehmann
Cinematography by: Evans Brown
Edited by: Mark Hartzell
Directed by: Romeo Tirone
Cinematography by: Uta Briesewitz
Directed by: Scott Winant
Edited by: Louise Innes
Directed by: Howard Deutch
Cinematography by: Evans Brown
Edited by: Mark Hartzell
Directed by: Anthony Hemingway
Cinematography by: Romeo Tirone
Edited by: Louise Innes
Directed by: Michael Ruscio
Cinematography by: David Klein
Edited by: Carol Stutz
Directed by: Howard Deutch
Cinematography by: David Klein
Edited by: Mark Hartzell
Directed by: Daniel Attias
Cinematography by: Romeo Tirone
Edited by: Michael Ruscio
Directed by: Stephen Moyer
Cinematography by: David Klein
Edited by: Louise Innes
Directed by: Larry Charles
Cinematography by: Lawrence Sher
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red Epic Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Directed by: David Bowers
Cinematography by: Anthony B. Richmond
Edited by: Troy Takaki
Directed by: Anne Fletcher
Cinematography by: Oliver Stapleton
Directed by: Michael Lehmann
Cinematography by: Romeo Tirone
Edited by: Louise Innes
Directed by: Lesli Linka Glatter
Cinematography by: David Klein
Edited by: Lynne Willingham
Directed by: Scott Winant
Cinematography by: Romeo Tirone
Directed by: Daniel Attias
Cinematography by: David Klein
Edited by: Louise Innes
Directed by: Stephen Moyer
Cinematography by: Romeo Tirone
Edited by: Lynne Willingham
Directed by: Michael Ruscio
Cinematography by: David Klein
Edited by: Mark Hartzell
Directed by: Daniel Attias
Cinematography by: Romeo Tirone
Edited by: Louise Innes
Directed by: Michael Lehmann
Cinematography by: David Klein
Edited by: Lynne Willingham
Directed by: Romeo Tirone
Cinematography by: Evans Brown
Directed by: David Petrarca
Cinematography by: David Klein
Edited by: Louise Innes
Directed by: Michael Lehmann
Cinematography by: Romeo Tirone
Edited by: Lynne Willingham
Directed by: Daniel Minahan
Cinematography by: David Klein
Edited by: Michael Ruscio
Directed by: Roland Joffé
Cinematography by: Gabriel Beristain
Edited by: Richard Nord
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras: Red One MX Camera
Lenses: Red Pro Prime Lenses
Directed by: Rupert Wyatt
Cinematography by: Andrew Lesnie
Cameras: ARRICAM Lite (LT) Camera
Directed by: Mark Waters
Cinematography by: Florian Ballhaus
Edited by: Bruce Green
Cameras: ARRI ALEXA Camera
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red One MX Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses
Directed by: Thor Freudenthal
Cinematography by: Jack N. Green
Edited by: Wendy Greene Bricmont
Cameras: Panavision Cameras
Directed by: Shawn Levy
Cinematography by: Dean Semler
Edited by: Dean Zimmerman
Cameras: Panavision Genesis Camera
Directed by: Edward Zwick
Cinematography by: Steven Fierberg
Edited by: Steven Rosenblum
Directed by: Tom Dey
Cinematography by: Greg Gardiner
Edited by: Don Zimmerman
Directed by: John Schultz
Cinematography by: Don Burgess
Edited by: John Pace
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red One MX Camera
Directed by: Gary Winick
Cinematography by: Frederick Elmes
Edited by: Susan Littenberg
Cameras: ARRI Cameras
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras: Red One Camera
Directed by: Rodrigo García
Cinematography by: Xavier Grobet
Edited by: Steven Weisberg
Directed by: Betty Thomas
Cinematography by: Anthony B. Richmond
Edited by: Matt Friedman
Lenses: Cooke S4 Lenses
Directed by: Tom Vaughan
Cinematography by: Matthew F. Leonetti
Edited by: Matt Friedman
Cameras: Panavision Cameras
Directed by: Carter Smith
Cinematography by: Darius Khondji
Edited by: Jeff Betancourt
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Pablo Zumárraga
Cameras: Red One Camera
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Pablo Zumárraga
Directed by: Michael Lehmann, Scott Winant, Daniel Minahan, Howard Deutch, John Dahl, Michael Ruscio, Anthony Hemingway, Alan Ball, Lesli Linka Glatter, David Petrarca, Romeo Tirone, Stephen Moyer, Daniel Attias, Nick Gomez, Nancy Oliver, Marcos Siega, Michael Cuesta, Adam Davidson, Jeremy Podeswa, Gregg Fienberg, Simon Jayes, Angela Robinson, Lee Rose, Jesse Warn
Cinematography by: Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz
Edited by: Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact Camera, Red Epic Dragon Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Directed by: Frederik Du Chau
Cinematography by: David Eggby
Edited by: Tom Finan
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Michael Tronick
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: Michael McCusker
Editing System: Avid Editing System
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Directed by: David L. Cunningham
Cinematography by: Joel Ransom
Cameras: Panavision Cameras
Directed by: Victor Salva
Cinematography by: Sharone Meir
Edited by: Ed Marx
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cinematography by: Charles Minsky
Directed by: Peyton Reed
Cinematography by: Eric Alan Edwards
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Edited by: Peter S. Elliot
Directed by: Ridley Scott
Cinematography by: Philippe Le Sourd
Cameras: ARRICAM Lite (LT) Camera
Directed by: Mel Gibson
Cinematography by: Dean Semler
Edited by: John Wright
Directed by: McG
Cinematography by: Shane Hurlbut
Directed by: Michael Apted
Cinematography by: Remi Adefarasin
Edited by: Rick Shaine
Cameras: ARRI Cameras
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
Directed by: John Polson
Cinematography by: Dariusz Wolski
Edited by: Jeffrey Ford
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: Michael McCusker
Directed by: Stephen Gaghan
Cinematography by: Robert Elswit
Edited by: Tim Squyres
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Directed by: Gregory Jacobs
Cinematography by: Chris Menges
Directed by: Donald Petrie
Cinematography by: Victor Hammer
Edited by: Debra Neil-Fisher
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Directed by: David Gordon Green
Cinematography by: Tim Orr
Directed by: Lodge Kerrigan
Cinematography by: John Foster
Edited by: Andrew Hafitz
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Directed by: Peter Hewitt
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Sarah Flack
Cameras: Canon XL1S Camera
Editing System: Final Cut Pro Editing System
Directed by: Marc Lawrence
Cinematography by: László Kovács
Edited by: Susan E. Morse
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Directed by: Kevin Donovan
Cinematography by: Stephen F. Windon
Edited by: Craig Herring
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Dody Dorn
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Cinematography by: Peter Deming
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Editing System: Avid Editing System
Cinematography by: Russell Carpenter
Edited by: Christopher Greenbury
Directed by: Penny Marshall
Cinematography by: Miroslav Ondrícek
Directed by: Steve Carr
Cinematography by: Daryn Okada
Edited by: Craig Herring
Directed by: Danny Leiner
Cinematography by: Robert M. Stevens
Edited by: Kimberly Ray
Directed by: Tom Dey
Cinematography by: Dan Mindel
Edited by: Richard Chew
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Directed by: McG
Cinematography by: Russell Carpenter
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Directed by: Raja Gosnell
Cinematography by: Michael D. O'Shea
Directed by: Donald Petrie
Cinematography by: László Kovács
Edited by: Billy Weber
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Directed by: Harold Ramis
Cinematography by: Bill Pope
Edited by: Craig Herring
Directed by: Christopher McQuarrie
Cinematography by: Dick Pope
Edited by: Stephen Semel
Directed by: Steven Soderbergh
Cinematography by: Edward Lachman
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Directed by: Steven Soderbergh
Cinematography by: Edward Lachman
Edited by: Sarah Flack
Directed by: István Szabó
Cinematography by: Lajos Koltai
Directed by: Raja Gosnell
Cinematography by: Alex Nepomniaschy
Directed by: Bronwen Hughes
Edited by: Craig Wood
Cameras: Panavision Cameras
Directed by: Andy Tennant
Cinematography by: Caleb Deschanel
Edited by: Roger Bondelli
Cameras: Panavision Cameras
Directed by: Danny Cannon
Cinematography by: Vernon Layton
Edited by: Peck Prior
Directed by: Betty Thomas
Cinematography by: Russell Boyd
Edited by: Peter Teschner
Directed by: Kevin Rodney Sullivan
Cinematography by: Jeffrey Jur
Edited by: George Bowers
Directed by: Steven Soderbergh
Cinematography by: Elliot Davis
Edited by: Anne V. Coates
Directed by: Rob Bowman
Cinematography by: Ward Russell
Edited by: Stephen Mark
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Directed by: Forest Whitaker
Cinematography by: Caleb Deschanel
Edited by: Richard Chew
Cameras: Panavision Cameras
Directed by: P.J. Hogan
Cinematography by: László Kovács
Cameras: Panavision Panaflex Camera
Directed by: Francis Ford Coppola
Cinematography by: John Toll
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Directed by: Andy Tennant
Cinematography by: Robbie Greenberg
Edited by: Roger Bondelli
Directed by: Jon Avnet
Cinematography by: Karl Walter Lindenlaub
Edited by: Peter E. Berger
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Jeff Freeman
Cameras: Moviecam Compact Camera
Lenses: Zeiss Lenses
Directed by: Ben Stiller
Cinematography by: Robert Brinkmann
Edited by: Steven Weisberg
Cameras: ARRIFLEX 535 Camera, Moviecam Compact Camera
Directed by: Robert Harling
Cinematography by: Don Burgess
Directed by: Harold Ramis
Cinematography by: László Kovács
Directed by: Matt Reeves
Cinematography by: Robert Elswit
Edited by: Stan Salfas
Directed by: Barbra Streisand
Edited by: Jeff Werner
Cameras: Panavision Panaflex Camera
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Directed by: Jerry Zucker
Cinematography by: Adam Greenberg
Edited by: Walter Murch
Directed by: Jessie Nelson
Cinematography by: Bruce Surtees
Edited by: Lee Percy
Directed by: Jonathan Kaplan
Cinematography by: Ralf D. Bode
Edited by: Jane Kurson
Directed by: Robert Allan Ackerman
Cinematography by: Ralf D. Bode
Edited by: Rick Shaine
Directed by: Russell Mulcahy
Cinematography by: Stephen H. Burum
Edited by: Peter Honess
Directed by: Paul Weiland
Cinematography by: Adrian Biddle
Directed by: Nick Castle
Cinematography by: Thomas E. Ackerman
Edited by: Alan Heim
Directed by: Russell Mulcahy
Cinematography by: Denis Crossan
Edited by: Peter Honess
Directed by: Joel Schumacher
Cinematography by: Andrzej Bartkowiak
Edited by: Paul Hirsch
Cameras: Panavision Panaflex Platinum Camera
Directed by: Duwayne Dunham
Cinematography by: Reed Smoot
Edited by: Jonathan P. Shaw
Directed by: Andrew Davis
Cinematography by: Michael Chapman
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Moviola Editing System
Directed by: John Badham
Cinematography by: Roy H. Wagner
Edited by: Frank Morriss
Directed by: Simon Wincer
Cinematography by: Robbie Greenberg
Edited by: O. Nicholas Brown
Directed by: Randa Haines
Cinematography by: Lajos Koltai
Edited by: Paul Hirsch
Directed by: Steven Soderbergh
Cinematography by: Elliot Davis
Edited by: Steven Soderbergh
Cameras: Panavision Cameras
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Tim Wellburn
Directed by: Herbert Ross
Cinematography by: Donald E. Thorin
Edited by: Priscilla Nedd-Friendly
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Freeman A. Davies
Directed by: Roger Spottiswoode
Cinematography by: Frank Tidy
Directed by: Mick Jackson
Cinematography by: Andrew Dunn
Directed by: Jonathan Kaplan
Cinematography by: Jamie Anderson
Edited by: Curtiss Clayton
Directed by: Stuart Gordon
Cinematography by: David Eggby
Edited by: Tim Wellburn
Directed by: Paul Verhoeven
Cinematography by: Jan de Bont
Edited by: Frank J. Urioste
Cameras: Panavision Panaflex Camera
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Cameras: Panavision Cameras
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Cameras: Panavision Cameras
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Cameras: Panavision Cameras
Directed by: John Singleton
Cinematography by: Charles Mills
Edited by: Bruce Cannon
Cameras: ARRI Cameras
Lenses: ARRI / Zeiss Lenses
Directed by: Wolfgang Petersen
Cinematography by: László Kovács
Directed by: Dan Aykroyd
Cinematography by: Dean Cundey
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Cameras: Panavision Panaflex Gold Camera
Directed by: Kevin Reynolds
Cinematography by: Douglas Milsome
Edited by: Peter Boyle
Cameras: ARRIFLEX Camera
Lenses: ARRI Lenses
Directed by: Michael Lehmann
Cinematography by: Dante Spinotti
Directed by: Russell Mulcahy
Cinematography by: Peter Levy
Edited by: Peter Honess
Directed by: Steven Soderbergh
Cinematography by: Walt Lloyd
Edited by: Steven Soderbergh
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Directed by: Jim Abrahams
Cinematography by: Bill Butler
Directed by: Michael Pressman
Cinematography by: Shelly Johnson
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Lenses: Panavision E35 35 mm T2.0 Lens
Editing System: K.E.M. Editing System
Directed by: Robert Resnikoff
Cinematography by: Theo van de Sande
Edited by: Michael Bloecher
Directed by: Chris Columbus
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Lenses: Cooke Speed Panchro Lenses, Zeiss Lenses
Cinematography by: Russell Carpenter
Edited by: Richard Trevor
Directed by: John Patrick Shanley
Cinematography by: Stephen Goldblatt
Directed by: Kevin Costner
Cinematography by: Dean Semler
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Edward Zwick
Cinematography by: Freddie Francis
Edited by: Steven Rosenblum
Cameras: Panavision Panaflex Gold II Camera
Directed by: Emile Ardolino
Cinematography by: William A. Fraker
Edited by: Harry Keramidas
Directed by: Joseph Ruben
Cinematography by: John Lindley
Edited by: George Bowers
Directed by: Danny DeVito
Cinematography by: Stephen H. Burum
Edited by: Lynzee Klingman
Cameras: Panavision Cameras
Directed by: Richard Benjamin
Cinematography by: Richard H. Kline
Edited by: Jacqueline Cambas
Cinematography by: Yuri Neyman
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses: Zeiss Super Speed Lenses
Directed by: Richard Donner
Cinematography by: Michael Chapman
Cameras: Panavision Panaflex Gold Camera
Directed by: Danny DeVito
Cinematography by: Barry Sonnenfeld
Edited by: Michael Jablow
Directed by: Paul Michael Glaser
Cinematography by: Thomas Del Ruth
Directed by: John Hughes
Cinematography by: Donald Peterman
Edited by: Paul Hirsch
Cameras: Panavision Cameras
Directed by: Chris Columbus
Cinematography by: Ric Waite
Directed by: George Miller
Cinematography by: Vilmos Zsigmond
Directed by: Penny Marshall
Cinematography by: Matthew F. Leonetti
Edited by: Mark Goldblatt
Directed by: Rob Reiner
Cinematography by: Thomas Del Ruth
Edited by: Robert Leighton
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Directed by: John Hughes
Cinematography by: Tak Fujimoto
Edited by: Paul Hirsch
Cameras: Panavision Cameras
Directed by: John Carpenter
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Directed by: John Huston
Cinematography by: Andrzej Bartkowiak
Directed by: Steven Lisberger
Cinematography by: Bruce Logan
Edited by: Jeff Gourson
Lenses: Panavision Lenses