Movie
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Claire Simpson
Cameras: ARRI ALEXA XT Series Cameras
Lenses: Panavision Super Speed Lenses
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Directed by: Patrick Hughes
Cinematography by: Jules O'Loughlin
Edited by: Jake Roberts
Directed by: Shane Black
Cinematography by: Philippe Rousselot
Edited by: Joel Negron
Cameras: ARRI ALEXA XT Camera
Directed by: Andrea Arnold
Cinematography by: Robbie Ryan
Edited by: Joe Bini
Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Directed by: Sean Ellis
Cinematography by: Sean Ellis
Edited by: Richard Mettler
Cameras: ARRIFLEX 416 Camera
Lenses: Hawk V-Lite 16 Lens
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Edited by: Melanie Oliver
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Directed by: Christopher McQuarrie
Cinematography by: Robert Elswit
Edited by: Eddie Hamilton
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Directed by: Pierre Morel
Cinematography by: Flavio Martínez Labiano
Edited by: Frédéric Thoraval
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Lenses: Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Directed by: Joe Wright
Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Directed by: John Crowley
Cinematography by: Yves Bélanger
Edited by: Jake Roberts
Cameras: ARRI ALEXA XT Camera
Editing System: Avid Editing System
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Editing System: Avid Editing System
Directed by: Pascal Chaumeil
Cinematography by: Ben Davis
Cameras: ARRI ALEXA Camera
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: JC Bond
Editing System: Avid Editing System
Directed by: Paul King
Cinematography by: Erik Wilson
Edited by: Mark Everson
Cameras: ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera
Lenses: Cooke S4 Lenses
Directed by: Kristian Levring
Cinematography by: Jens Schlosser
Edited by: Pernille Bech Christensen
Cameras: ARRI ALEXA Plus Camera
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Jon Harris
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera
Editing System: Avid Editing System
Directed by: Amma Asante
Cinematography by: Ben Smithard
Cameras: Sony CineAlta F65 Camera
Directed by: James Watkins
Cinematography by: Tim Maurice-Jones
Edited by: Jon Harris
Directed by: Pete Travis
Cinematography by: Anthony Dod Mantle
Edited by: Mark Eckersley
Lenses: Zeiss Ultra Prime Lenses
Directed by: Paco Plaza
Cinematography by: Pablo Rosso
Edited by: David Gallart
Cameras: ARRI ALEXA Camera
Lenses: Hawk V-Lite Lenses
Directed by: Mabrouk El Mechri
Cinematography by: Remi Adefarasin
Edited by: Valerio Bonelli
Cameras: ARRIFLEX 435 Camera
Editing System: Avid Editing System
Directed by: Tim Burton
Cinematography by: Peter Sorg
Cameras: Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Directed by: Dustin Hoffman
Cinematography by: John de Borman
Edited by: Barney Pilling
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Lisa Gunning
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Directed by: Matthew Hope
Cinematography by: Philipp Blaubach
Edited by: Emma Gaffney
Directed by: Robin Hardy
Cinematography by: Jan Pester
Directed by: Oliver Parker
Cinematography by: Danny Cohen
Edited by: Guy Bensley
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Phantom Flex Camera, Phantom HD Gold Camera
Lenses: Zeiss Master Prime Lenses
Directed by: Kevin Macdonald
Cinematography by: Anthony Dod Mantle
Edited by: Justine Wright
Directed by: Lone Scherfig
Cinematography by: Benoît Delhomme
Edited by: Barney Pilling
Directed by: Yann Samuell
Cinematography by: Antoine Roch
Directed by: Ralph Fiennes
Cinematography by: Barry Ackroyd
Edited by: Nicolas Gaster
Cameras: Aaton Penelope Camera
Lenses: Angenieux Optimo Zoom Lenses
Directed by: Steve McQueen
Cinematography by: Sean Bobbitt
Edited by: Joe Walker
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke S4 Lenses
Directed by: Anton Corbijn
Cinematography by: Martin Ruhe
Edited by: Andrew Hulme
Directed by: Richard Loncraine
Cinematography by: Barry Ackroyd
Edited by: Melanie Oliver
Cameras: ARRICAM Lite (LT) Camera
Directed by: Rowan Joffe
Cinematography by: John Mathieson
Edited by: Joe Walker
Directed by: Mark Romanek
Cinematography by: Adam Kimmel
Edited by: Barney Pilling
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Directed by: John Landis
Cinematography by: John Mathieson
Edited by: Mark Everson
Directed by: Susanna White
Cinematography by: Mike Eley
Edited by: Sim Evan-Jones
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
Editing System: Avid Editing System
Directed by: Andrey Konchalovskiy
Cinematography by: Mike Southon
Directed by: Lone Scherfig
Cinematography by: John de Borman
Edited by: Barney Pilling
Cameras: ARRIFLEX 235 Camera
Lenses: Cooke Speed Panchro Lenses
Directed by: Oliver Parker
Cinematography by: Roger Pratt
Edited by: Guy Bensley
Lenses: Angenieux Lenses, Cooke S4 Lenses
Directed by: M.J. Bassett
Cinematography by: Dan Laustsen
Edited by: Andrew MacRitchie
Directed by: Daniel Barber
Cinematography by: Martin Ruhe
Edited by: Joe Walker
Cameras: Sony CineAlta F35 Camera
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Mick Audsley
Lenses: Zeiss Ultra Prime Lenses
Cinematography by: David Higgs
Edited by: Emma E. Hickox
Directed by: Christopher Smith
Cinematography by: Robert Humphreys
Edited by: Stuart Gazzard
Cameras: Panavision Genesis Camera
Directed by: Kirk Jones
Cinematography by: Henry Braham
Edited by: Andrew Mondshein
Cinematography by: Tim Suhrstedt
Edited by: Chris Gill
Directed by: Tom Hooper
Cinematography by: Ben Smithard
Edited by: Melanie Oliver
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Alex Rodríguez
Editing System: Autodesk Smoke Editing System
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Directed by: James Watkins
Cinematography by: Christopher Ross
Edited by: Jon Harris
Cinematography by: Matthew Aeberhard
Edited by: Nicolas Chaudeurge
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: Alexander Berner
Cameras: ARRI Cameras, Moviecam Cameras
Lenses: Angenieux Lenses, Zeiss Lenses
Cinematography by: Anthony Dod Mantle
Edited by: Chris Dickens
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 BL4s Camera, Canon EOS-1D Mark III Camera, Silicon Imaging SI-2K Mini Camera
Editing System: Avid Editing System
Directed by: Nuri Bilge Ceylan
Cinematography by: Gökhan Tiryaki
Directed by: Richard Eyre
Cinematography by: Haris Zambarloukos
Edited by: Tariq Anwar
Directed by: John Madden
Cinematography by: Caleb Deschanel
Directed by: Vadim Jean
Cinematography by: Gavin Finney
Cameras: ARRIFLEX D-21 Camera
Directed by: Vadim Jean
Cinematography by: Gavin Finney
Directed by: Vadim Jean
Cinematography by: Gavin Finney
Directed by: Richard Attenborough
Cinematography by: Roger Pratt
Edited by: Lesley Walker
Directed by: John Crowley
Cinematography by: Rob Hardy
Edited by: Lucia Zucchetti
Cameras: ARRIFLEX 416 Camera
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Directed by: Michael Hurst
Cinematography by: Erik Wilson
Edited by: Robin Hill
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Directed by: Doug Lefler
Cinematography by: Marco Pontecorvo
Edited by: Simon Cozens
Directed by: Asif Kapadia
Cinematography by: Roman Osin
Edited by: Ewa J. Lind
Directed by: Dan Reed
Cinematography by: Chris Seager
Edited by: Ewa J. Lind
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Neil Farrell
Directed by: Anya Camilleri
Cinematography by: John Lynch
Edited by: Andy McGraw
Directed by: Daniel Monzón
Cinematography by: Carles Gusi
Edited by: Simon Cozens
Directed by: Geoffrey Sax
Cinematography by: Chris Seager
Edited by: Andrew MacRitchie
Cameras: ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, ARRI / Zeiss Lenses
Directed by: Eric Styles
Cinematography by: Ed Mash
Edited by: Danny Tull
Directed by: Tony Bill
Cinematography by: Henry Braham
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Directed by: Robert Edwards
Cinematography by: Emmanuel Kadosh
Edited by: Ferne Pearlstein
Directed by: Rajko Grlic
Cinematography by: Slobodan Trninic
Edited by: Andrija Zafranovic
Directed by: Michael Caton-Jones
Cinematography by: Gyula Pados
Directed by: Kevin Reynolds
Cinematography by: Arthur Reinhart
Edited by: Peter Boyle
Directed by: Geoffrey Sax
Cinematography by: Chris Seager
Edited by: Nick Arthurs
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Directed by: Neil Jordan
Cinematography by: Declan Quinn
Edited by: Tony Lawson
Directed by: Vincent Ward
Cinematography by: Alun Bollinger
Edited by: Ewa J. Lind
Directed by: Breck Eisner
Cinematography by: Seamus McGarvey
Edited by: Andrew MacRitchie
Directed by: Garth Jennings
Cinematography by: Igor Jadue-Lillo
Edited by: Niven Howie
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Directed by: Kirk Jones
Cinematography by: Henry Braham
Directed by: Alexander Witt
Edited by: Eddie Hamilton
Directed by: Don Mancini
Cinematography by: Vernon Layton
Edited by: Chris Dickens
Directed by: Roger Michell
Cinematography by: Haris Zambarloukos
Edited by: Nicolas Gaster
Directed by: Beeban Kidron
Cinematography by: Adrian Biddle
Edited by: Greg Hayden
Directed by: Mel Smith
Cinematography by: Steven Chivers
Edited by: Chris Blunden
Directed by: Stuart Urban
Cinematography by: Sam McCurdy
Edited by: Julian Rodd
Directed by: John Hay
Cinematography by: John de Borman
Edited by: Oral Norrie Ottey
Directed by: Steve Barron
Cinematography by: Remi Adefarasin
Edited by: David Yardley
Cinematography by: Simon Jacobs, Andy MacCormack, Tristan Oliver, Frank Passingham, Dave Alex Riddett, Paul Smith
Directed by: Gillies MacKinnon
Cinematography by: Richard Greatrex
Edited by: Pia Di Ciaula
Directed by: Jonathan Glazer
Cinematography by: Ivan Bird
Cameras: ARRI ARRIFLEX Series Cameras
Lenses: ARRI Lenses
Directed by: Steve Barron
Cinematography by: Remi Adefarasin
Edited by: David Yardley
Directed by: Steve Barron
Cinematography by: Remi Adefarasin
Edited by: David Yardley
Directed by: Lynne Ramsay
Cinematography by: Alwin H. Küchler
Edited by: Lucia Zucchetti
Cameras: ARRIFLEX 16mm Cameras, ARRIFLEX 35mm Cameras
Lenses: Zeiss Lenses, Zeiss Variable Prime Lenses
Directed by: Mark Baker
Edited by: Annie Kocur
Directed by: Kirk Jones
Cinematography by: Henry Braham
Edited by: Alan Strachan
Cameras: Panavision Panaflex Gold II Camera
Directed by: Julien Temple
Cinematography by: John Mathieson
Edited by: Marie-Thérèse Boiché
Directed by: Peter Cattaneo
Cinematography by: John de Borman
Cameras: Moviecam Cameras
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Robin Sales
Directed by: Stuart Gordon
Cinematography by: Mac Ahlberg
Edited by: John Victor Smith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Jon Amiel
Cinematography by: László Kovács
Cameras: Panavision Panaflex Camera
Directed by: Terry Gilliam
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Cameras: Moviecam Cameras
Lenses: Cooke Lenses
Directed by: Michael Winterbottom
Cinematography by: Seamus McGarvey
Edited by: Trevor Waite
Directed by: Angela Pope
Cinematography by: Remi Adefarasin
Edited by: Dave King
Directed by: Milcho Manchevski
Cinematography by: Manuel Teran
Edited by: Nicolas Gaster
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Cameras: Panavision Panaflex Platinum Camera
Directed by: Mike Newell
Cinematography by: Michael Coulter
Edited by: Jon Gregory
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Jim Clark
Directed by: Bernardo Bertolucci
Cinematography by: Vittorio Storaro
Edited by: Pietro Scalia
Directed by: Danny Cannon
Cinematography by: Vernon Layton
Edited by: Alex Mackie
Directed by: Sally Potter
Cinematography by: Aleksey Rodionov
Edited by: Hervé Schneid
Directed by: Tim Burton
Cinematography by: Roger Pratt
Edited by: Ray Lovejoy