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Showing posts with label Jack Harkaway. Show all posts
Showing posts with label Jack Harkaway. Show all posts

Tuesday, April 30, 2013

Jack Harkaway’s ‘father’ (1841-1901)


[1] The Harkaway Empire League — membership certificate.
   
by E.M. Sanchez-Saavedra

EVERY so often, what seems like a fairly straightforward project assumes a life of its own. The person who innocently inaugurated the endeavor becomes caught up in its momentum and swept along until it reaches its unique termination — the hobby-horse controlling the rider. Historical research is particularly addictive. It combines the seductive appeal of forensic detective work with treasure-hunting in long-forgotten documents. Most of the research materials pertaining to the study of 19th-century popular literature consist of the ephemeral publications themselves, in all their tattered and disintegrating glory. Until very recently, libraries and archives disdained to grant this ‘trash’ any shelf space, so researchers were obliged to collect it as best they could from flea markets, auctions and other collectors. This technique has been materially assisted by online venues, but it is still pretty hit-and-miss. Although most dime novels are not monetarily valuable, compared to ‘golden age’ comics or early baseball cards, their fairly low survival rate has made many issues very scarce indeed. And a distressingly high proportion of surviving novels are too fragile to read without destroying them.

[2] Jack Harkaway full-color front covers.
Back in the early 1990s I blithely decided to investigate a series of very popular Victorian-era adventure stories about a character with the catchy name of ‘Jack Harkaway.’ The stories were credited to someone with the improbable monicker of ‘Bracebridge Hemyng’ — obviously a pseudonym. At the time, I owned a stray Harkaway story in Frank Tousey’s Five Cent Wide Awake Library, a group of Street and Smith paperbacks in the Harkaway Library, and an odd hardback volume from the 15-book series published by M.A. Donohue & Co., Harkaway Series for Boys. My intent was to compile a short cross-indexed bibliography of the original fifteen stories, prefaced by an even shorter blurb about the obscure author. It seemed a fun thing to do. I expected the research to take a year or so and result in a modest article in Dime Novel Round-Up or a similar journal. Ha!

[3] Alternate portraits of author Bracebridge Hemyng whose real surname was Heming.
Two decades later, I have nearly 500 pages of typescript, an extensive collection of variant Harkaway editions and a couple of thousand pages of notes, including detailed biographical and genealogical information on the very real English writer Samuel Bracebridge Heming (signing as ‘Bracebridge Hemyng’) who lived from 1841 to 1901 in England and America. Not only did he pen the Harkaway stories, but also a wealth of adult and juvenile fiction and non-fiction.

[4] Portrait of Henry Dinham Chard, the other grandfather (in the Lyme Regis Museum).
Until James Bond and Harry Potter, the fictional schoolboy adventurer Jack Harkaway was the only major English publishing phenomenon for adolescents on both sides of the Atlantic. The original stories, written in 1871-80, spawned imitations, were ‘pirated’ extensively, were adapted for the stage (and an early silent film) and remained continuously in print until 1933. More recently, they have become available in e-reader formats and from ‘print-on-demand’ venues. They were praised by Graham Greene and excoriated by Rudyard Kipling. ‘Harkaway’ became a generic term for blood-and-thunder adolescent reading and formed the basis of at least one publisher’s fortune. ‘Jack Harkaway’s’ creator has begun to emerge from the oblivion of more than a century.

[5] Caldecote Manor near Nuneaton in Warwickshire.
Most English literary hacks, or ‘penny-a-liners,’ of the 19th century lived fairly anonymous lives: born into poor or lower middle class families, spending their days in rented rooms and pubs, and often dying young from alcoholism or malnutrition. Despite feats of literary athleticism that would exhaust modern writers, their labors were poorly rewarded – only a few earned as much as two pounds (approximately ten dollars) per week in flush times. In an act of bravado they called themselves ‘Bohemians.’ A few came from good homes (and very occasionally the minor gentry or nobility) and possessed more than a common education. These were the (non-inheriting) second or third sons, or inveterate gamblers or drinkers, who were unable to hold down a steady job. Some were just plain unlucky. Although they jumped through all the proper hoops, success in business or a profession eluded them at every turn.

[6] Fenton’s Hotel, in Tallis’s London Street Views, 1838-40, No. 14.
With the shining example of Charles Dickens, who rose from a wretched childhood to become the literary darling of the English-speaking world, as a goal, dozens of impoverished hacks dreamed of writing David Copperfield or Bleak House while churning out The Jolly Dogs of London or Lives of the Most Notorious Highwaymen, Footpads and Murderers. Many of their serials and novellas were exciting and entertaining. Many were poorly written, badly plotted and peopled by cardboard dummies. A superior ‘penn’orth’ of fiction was one that contained more words than its nearest competitor. Quantity was everything in the early days of the penny ‘bloods.’

[7] No. 63, St. James’ Street, London.
SAMUEL BRACEBRIDGE HEMING, if not born with the proverbial silver spoon, was born with a tastefully respectable plated article to a family of minor Warwickshire gentry. One grandfather, George Heming, was a well-to-do Jamaican sugar planter who married an heiress, Miss Amecia Bracebridge. The other grandfather, Henry Dinham Chard, was a master naval designer and shipbuilder.

[8] Seville Great House, St. Ann’s Bay in Jamaica.
Young Samuel’s parents were a May and December couple who saw four of their five children survive to maturity. His father, Dempster Heming, born in 1778, studied at St. Andrew’s University in Scotland and was called to the Bar in the Middle Temple in 1808. He set out for India in 1810, becoming the Registrar of the Supreme Court of Judicature in Kolkata (Calcutta), and returned in 1822 to his family estate of Caldecote, near Nuneaton, Warwickshire. He married for the first time at the age of sixty to one of his tenants, a lady half his age: Miss Rhoda Mary Chard. Their eldest son and heir was born in London on March 5, 1841. At some point, Dempster lost most of his fortune, and the family left Caldecote and moved to his elder brother Samuel’s Lindley estate in 1846. In 1856, following the Rev. Samuel’s death, Vincent Eyres purchased Lindley. Dempster Heming and his family moved to London, where he owned a house in Loughborough Street, Brixton, one in Bayswater and one at 70, Lower Harley Street, Cavendish Square, London. In 1860, his residence appears in the census as Barnes, Surrey.

[9] Caldecote Hall, Nuneaton. Advertisement for the alcoholism and drugs rehabilitation center.
Each of his three sons received a sound public school education – Samuel B. attended Eton College, Dempster, Jr. went to Winchester College, while Philip Henry studied at Harrow. While still in his teens, Samuel adopted the nom de plume ‘Bracebridge Hemyng’ for articles in the radical press. (His father held radical views and ran unsuccessfully for Parliament in 1832 on a radical platform.) He even penned a couple of amateurish novels and a scathing study of prostitution while studying for the Bar at the Middle Temple, to which he was admitted in 1862. So far, so good – a dutiful son who played by the rules and followed in his elderly father’s footsteps.

[10] St. James’ Church Weddington, in Nuneaton, Warwickshire.
For some reason, his legal career was a total flop and he soon became known as ‘Briefless Bracebridge.’ Thanks to an accident of geography, his empty chambers were adjacent to Fleet Street, home of the bustling cheap publishing trade. Barristers and ‘Grub Street hacks’ rubbed elbows at a score of pubs along with publishers and journalists. In this atmosphere, not a few unsuccessful barristers tried their hand at cheap fiction to eke out a living. Just as Arthur Conan Doyle would begin to write detective stories in his empty surgery in the 1880s, young Brace Heming filled up his idle hours with producing novels for the new genre of ‘railway literature’ – paperback novels sold at train station kiosks.

[11] The Inns of Court, 1833, as pictured in The Penny Magazine.
Bracebridge Hemyng, a gifted storyteller with a ready imagination and ferocious energy, turned out dozens of ‘yellowback’ novels, short stories and serials for a wide variety of publications. Most were respectable, but some drew on his earlier researches into prostitution. He established a reputation for reliability and was often called upon to complete missing serial installments for defaulting fellow authors. In 1871, while working for Boys of England publisher Edwin John Brett, he created the character of Jack Harkaway, which caught on with the public and became as popular as Harry Potter would become over a century later. Brett only paid him two pounds a week, so he was ready to leave should anything better should turn up. Something did in 1873.

[12] S.S. City of Brussels.
The flamboyant Anglo-American publisher Frank Leslie (born Henry Carter, in Ipswich, 1821) offered Heming $10,000.00 a year (he was then making about $500.00) to come to New York and write exclusively for him. From December 1873 to early 1880, Hemyng was a one-man fiction factory for Leslie publications, in addition to ghostwriting factual articles. In attempting to emulate Leslie’s gargantuan lifestyle, the barrister-turned-novelist ran through his huge salary. After Leslie went bankrupt in 1877 and died in 1880, Heming returned to London with no fanfare and returned to his two-pound-a-week drudgery for E.J. Brett and others. In the days before literary agents, he sold his work outright and received no royalties.

[13] S.S. City of Brussels in drydock.
In 1884, his health failed. Suffering from malaria and a facial neuralgia so severe as to cost him an eye, he soldiered on for the next fourteen years, dictating his stories to Bessie, his third wife, as he was forced to sell all his furniture and move to ever-poorer lodgings. On several occasions, he applied for relief from the charitable Royal Literary Fund. His final serials about ‘Harkaway the Third’ set his hero’s grandson in the Boer War of 1899-1900.

[14] Heming’s arrival at New York, in December 1873.
Heming died of paralysis on September 18, 1901 in a dingy flat in Fulham, London.

[15] New York’s Broadway in 1899 with Gilsey House at the right.
Besides the large volume of writings that he produced between 1860 and 1901, there are a surprising number of physical and documentary landmarks relevant to Samuel Bracebridge Heming’s life. Some of them exist to this day.

[16] Gilsey House, 1872, as pictured in Canadian Illustrated News.
Because past researchers were unable to locate a birth certificate, it had been speculated that he was born outside of the U.K., possibly India or Malaya. However, in the April, 1841, issue of The Gentleman’s Magazine, by Sylvanus Urban, Gent., Volume XV, New Series, MDCCCXLI, January to June Inclusive, p.143, we find the following terse item in the birth announcements under ‘Lately’ (i.e.: March, or early April, 1841):
In St. James’s-st. the wife of Dempster Heming, esq. of Caldecote-hall, Warw. a son and heir.
[17] Gilsey House cigar box label.
Thanks to the lag between birth and christening, the ‘son and heir’ is unnamed. In The Law Times; the Journal and Record of the Law and the Lawyers from November 1874 to April 1875 (London: Printed and Published by Horace Cox at the ‘Law Times’ Office, Wellington-Street, Strand, 1875). January 9, 1875, p.181, the obituary of Dempster Heming, Esq., clinches the identity of his first-born:
Mr. Heming married in 1839 Rhoda Mary, third daughter of the late Henry Dinham Chard, Esq., merchant, of Lyme Regis, Dorsetshire, by whom (who survives him) he has left a family of a daughter and three sons, the eldest of whom is the well-known novelist, Mr. Bracebridge Heming.
[18] The Gilsey House in New York today.
And thanks to some very recent discoveries in the archives of the Royal Literary Fund, now preserved in the British Library, we may pinpoint the place of his birth. Although his father was the squire of Caldecote manor, a ramshackle 17th-century Warwickshire manor house, he maintained law offices at Number 8, Duke Street, St. James, London, fairly near the Inns of Court. On March 5, 1841, his young wife Rhoda gave birth to a son and heir at Fenton’s Hotel, Number 63, St. James’ Street, a short walk from her husband’s office. Fenton’s Hotel, formerly ‘Pero’s’ or ‘Perault’s’ Bagnio, an 18th-century Turkish bath, was completely renovated in 1825. The current building was erected in 1886-87 as the Meistersinger’s Club. Its frontage exactly occupies the Fenton’s Hotel footprint and still bears the number 63.

[19] Frank Leslie’s Publishing House in 1882, Park Place, New York City.
The sugar plantation owned by his ancestors in St. Ann’s Bay since the 17th century still exists as a Jamaican Heritage property. Built originally by Captain Richard Heming (died 1692) on land once colonized by Columbus as ‘Sevilla la Nueva,’ the Seville Great House is a major archeological site and tourist attraction.

[20] Clifton Railroad Station, Staten Island, New York City.
Grandfather George Heming died in 1804, leaving Weddington and Lindley manors to his eldest son Samuel, and Caldecote to Dempster. A manor since 1086, the house was burned by Prince Rupert in 1642, when it was owned by Col. William Purefoy, a ‘Roundhead.’ Purefoy later signed King Charles’ death warrant. The Heming family home at Caldecote incorporated some of the original structure, but was extensively remodeled by Capt. Henry Townshend in 1880, during the ‘Gothick’ revival craze of the late 19th century. After Townshend’s death in 1896, it had a chequered career as a showplace residence, a C. of E. rest home for wealthy alcoholics, and ‘St. Chad’s’ school. It was severely damaged by fire in 1955. The East Wing is currently a posh condominium of 1 and 2 bedroom apartments. (See Country Life, August 4, 2005.)

St. James’ Church Weddington, in Nuneaton, where many of his family members are buried, still exists, although it also has undergone substantial remodeling. The Reverend Samuel Bracebridge Heming, the author’s uncle and namesake, served as its vicar. The earliest remains of an ecclesiastical building on the site date to the 14th century, but the baptismal font is a 12th century relic. The church was rebuilt in red brick in 1733 and heavily restored in 1881 with Gothic windows.

[21] John Ludlow poem Jack Harkaway, 1902.
In 1861, Heming studied law and dined at the Middle Temple, and was called to the bar on April 30, 1862, according to The Law Magazine and Law Review, or, Quarterly Journal of Jurisprudence, November 1861, to February, 1862, Vol. XIII (London: Butterworths, 7, Fleet St., 1862) p.381: ‘Calls to the Bar. Easter term 1862.’

The Middle Temple in London still looks much as it did when the briefless barrister twiddled his thumbs waiting for a solicitor to throw a case in his direction. Buildings damaged during the London Blitz have been painstakingly restored.

[22] Dempster Heming Sr.’ s grave, St. James’ Church Weddington, in Nuneaton, Warwickshire.
In December 1873 Bracebridge Heming and his bride embarked for New York aboard the Inman Line steamship ‘City of Brussels.’ Built in 1869, it was the first transatlantic steamer to be equipped with steam-powered steering gear. On January 7, 1883, she collided in the fog with the Kirby Hall of the Hall Line and sank in Liverpool Bay at the mouth of the River Mersey. Ten lives were lost in the disaster. Two years later, the Inman line sold out to the American and the Red Star steamship lines. The shipwreck not only still exists, but serves as a regular diving destination for the Merseyside Sub Aqua Club.

Upon their arrival in New York at the Inman Line pier, (which later burned in 1883,) to a riotous welcome stage-managed by Frank Leslie, the Hemings took up residence at the luxury Gilsey House hotel at Broadway and 29th Street in Manhattan’s ‘Tenderloin’ district. Other guests included ‘Diamond’ Jim Brady and George Armstrong Custer. The marble and cast iron showpiece, erected in 1871, has been restored to its former glory and, like Caldecote Manor, is currently a condominium.

[23] Lt. Col. Dempster Heming Jr.’ s gravestone; the brother of Bracebridge Heming.
After about a year at the Gilsey House, the Hemings moved to Staten Island, within sight of the Manhattan skyline. Briefly they resided at a boardinghouse run by an English family named Young. In 1875, the Youngs named their newborn son after the ‘famous author.’ The name ‘Bracebridge Hemyng Young’ has been passed down through the generations of the family. Their exact address, and that of the large house rented by the Hemings in Clifton, have not yet been pinpointed.

Frank Leslie’s Publishing House, located first at 537 Pearl St. and, after 1878, at Nos. 53-55-57 Park Place in lower Manhattan, was his nominal ‘office,’ although I doubt he spent much time at either location. Today, the Pearl Street neighborhood is dominated by the NYC Police Department HQ, the U.S. Marshals’ Services, the Metropolitan Correctional Center, the U.S. Justice Department and the NYC Supreme Court. Park Place is anchored to the east by the Woolworth Building and is the location of the Amish Market.

[24] Heming biographies in Frank Leslie’s Boys of America, and in The Young Englishman (published by Hogarth House, London).
After Heming’s ignominious return to London, specific places associated with him thin out rapidly. The ‘Olde Cheshire Cheese’ pub in Fleet Street was more than likely one of his haunts. Between extensive German bombing during the Second World War and massive postwar urban renewal, the Battersea and Fulham neighborhoods in which he spent his final years are unrecognizable. Battersea retains some of its industrial character, but erstwhile shabby Fulham has become extremely gentrified, fashionable and expensive.

AN APPEAL 
TO OUR READERSHIP!

Detective work consists of lots of routine procedural slogging. Many cases are solved only when a ‘tip’ is provided by an unexpected witness. After researching the life and works of ‘Bracebridge Hemyng’ for the past twenty years, a number of questions and mysteries about the author, his family and places associated with him still remain. Among them are:

Q. How did his father lose his fortune? A tantalizing reference in the July 8, 1882 issue of The Builder states: ‘The way Mr. Hemming’s [sic] large fortune was dissipated is a matter of notoriety amongst readers of causes célèbres,’ but provides no specifics. Dempster Heming and his wife’s brother, Henry Chard, were seriously involved with an association of Spanish bondholders (and even sent money to support a Carlist pretender to the throne of Spain.) The Spanish government defaulted on its debt. Perhaps this is the cause celebre? Historical tidbits can be maddeningly coy at times.

Q. Where did the Hemings live in Clifton, on Staten Island? Bracebridge Heming’s first wife, Jane, died during their increasingly grim life in New York. At present, the only accounts of her madness and death from hypothermia are pure hearsay and ‘fudge’ such details as the exact date. She is supposed to have become deranged, attacking Heming’s guests and passers-by, and finally wandering out on a cold night, dressed only in a flimsy gown. 

Q. Where is ‘Bracebridge Hemyng’ buried? In 1902, John Ludlow wrote in his poem in the New York Herald:

       And nowhere on the starry peaks
            And pinnacles of fame
       Has time a proud memorial raised
            To Bracebridge Hemyng’s name.


Too true. Surely, somewhere in London, a gravestone exists?

Q. Are there any  portraits of him and his family? Do any paintings, sketches or photographs exist of his parents, Dempster and Rhoda, or of his brothers, LTC Dempster Heming of the Madras Police, and Philip Henry Heming, Royal Navy? An oil painting of his grandfather Henry Dinham Chard, commissioned by Dempster Heming, now hangs in the Lyme Regis Philpot Museum.

Q. Does any photographic portrait of him exist? The half-dozen or so images of Bracebridge Heming are all woodcuts of varying quality.

If sharp-eyed readers of Yesterday’s Papers can answer any of the above questions, a communication would be most welcome. (A response qualifies the respondent for immediate lifetime membership in the Harkaway Empire League of Health and Good Habits — plus my undying gratitude of course.)

I would really like to finish the research and whip my manuscript into shape for publication in book form, so any assistance, however small, assumes major importance to me.

•¡•
Thanks to Mr. Joseph Rainone, Mr. Robert J. Kirkpatrick and Mr. John Adcock for their generous help.


Thursday, June 16, 2011

Corporal Punishment and Private Perversion

CORPORAL PUNISHMENT AND PRIVATE PERVERSION

By

E.M. Sanchez-Saavedra

A disturbing theme in many school stories that appeared in English boys’ journals was the spectre of flogging. The nineteenth century, despite Victorian genteel stereotypes, was full as brutal an era as those which had gone before. William Hogarth’s graphic “Four Stages of Cruelty” could easily have been redrawn with different costumes and lost none of their accuracy a century later. Both animals and people groaned under the whips, fists and boots of brutal masters. Horses, dogs sailors and slaves often died as a result.

Violence in many forms was perfectly acceptable in adventure yarns, but sexual topics were strictly taboo, except indirectly. Samuel Bracebridge Heming (1841-1901) had begun his career as a novelist with mildly racy adult fiction in the “Railway yellowbacks” after assisting sociologist Henry Mayhew with a penetrating study of London prostitution. Even after concentrating on juvenile adventure serials, Heming included elements of both sex and extreme sadism in his famous Jack Harkaway stories and other works.

Implied sex rears its head fairly often in the Harkaway saga. Jack and Emily have a son, Dick and Hilda have a daughter, Monday and Ada have a son, while Mr. Mole has several offspring by various non-caucasian wives. At least one illustration shows Mole and wife number three in bed together. Among the secondary characters, Smiffins/Bigamini is a fugitive bigamist. In continuations of the Harkaway series by Philip Richards and others, Captain Monastos seduces the wife of Petrus, while Thyra, a Greek dancing girl rescued from a Turkish harem, literally throws herself at Young Jack. Jokes about polygamy and Mormonism are plentiful in the series.

The initial story, Jack Harkaway’s School Days, contains some restrained and properly Victorian material about Jack’s estranged parents, but also some curiously sado-erotic scenes between adolescent Jack and his headmaster’s cruel wife. In consequence of careless stone throwing, Jack manages to injure Mrs. Crawcour’s hand and is condemned to a flogging by Mr. Mole, while Mrs. Crawcour watches. Mole trusses Jack to a wall and stretches him in the best style of a Torquemada:

“Get a cane out of Mr. Crawcour’s study. You shall punish him. I would do it myself if I could.”

Her face assumed the expression of a handsome but enraged tigress.

Mr. Mole...soon returned with a long, glistening, lithe-looking cane...

“Let him take off his jacket and waistcoat, and then tie his hands with that string, and haul it up tight, so that his hands will be over his head, and he will be standing upright and unable to escape you...”

...The cord ran through a brass ring firmly fixed in the wall about nine feet from the floor...Mr. Mole tied Jack’s wrists firmly together, and then hauled up the cord until his arms were drawn up over his head and he stood almost on tiptoe, so great was the tension.

The other end of the cord he made fast to a leg of the piano.

“He cannot move much now,” he said, with a grim smile.

“That will do,” replied Mrs. Crawcour, leaning back in the chair with an approving nod.

“Cane the little wretch as severely as you can, and go on until I tell you to leave off. It will be some satisfaction to me to see him suffer what he so well deserves.”

Jack’s face was to the wall, but he turned his head half round with a reproachful look.

How could one so lovely be so great a savage?

He could not understand it.

She made a sign to Mr. Mole to begin.

The senior master was a tall, thickset, well-built man, and a very strong blow from his hand was one which made itself felt,

He swung the cane round, and it descended upon Jack’s shoulders with a dull thud.

The boy set his teeth firmly together.

“She shall not have the satisfaction of hearing me cry,” he said to himself.

With well regulated sweep the cane descended time after time.

At every blow the victim’s frame quivered.

Still he did not cry out.

Mrs. Crawcour was annoyed at his fortitude.

“Harder,’ she said. “He doesn’t feel it. These boys have no feelings for themselves or others, it seems to me.”

Mr. Mole redoubled his exertions.

A low sob, and then another, which he could not repress, broke from Jack.

It seemed as if the tension of the rope was dragging his arms out of their sockets.

First one thin red line, and then others made their appearance.

It was blood which the cane had drawn forth.

Alarmed, Mr. Mole suggests stopping the flogging, but the headmaster’s wife is adamant. Finally, Jack faints.

“Dear me,” said Mrs. Crawcour, rising from her chair; “I had no idea that he was ill. How obstinate he is to be sure.”

Instead of feeling ill-used and vengeful, Jack falls in love with his tormentor. Jack Harkaway’s School Days is unique in that its obligatory punishment episode involves sexual gratification on the part of the headmaster’s wife. Mrs. Crawcour is described as

“...a very lady-like and not at all bad-looking woman, between thirty and forty years of age.

“Her hair was dark, her features regular and classic. “Her complexion pale, her eyes full, but wicked.

“Being a slight judge of character, Jack saw at a glance that she could be a firm friend, but a most determined enemy.

“It was a beautiful, but a very cold, cruel face.

“Yes; cruel is the word to be used in describing Mrs. Crawcour’s expression.”

This formidable succubus archetype recurs in much popular Victorian fiction, most notably as Ayesha, or “She Who Must Be Obeyed,” in H. Rider Haggard’s imaginative novel, She. She personally nurses the lad back to health, and he falls in love with her, (or at least becomes “spooney.”) At one point she confesses:

“Oh! if you only knew what a dreadful curse my temper has been to me all my life. Had it not been for my temper, I should not now be the wife of a schoolmaster in a country town.

“... I have been called a beautiful pythoness before now.

“She lowered her head, and her hair, escaping from a pin that held it, fell over her face, and she kissed his forehead.

“She smiled, and with rather a sad air, left the dormitory, her rich silk dress making music as it went along, and hanging gracefully about her symmetrical figure.”

Pretty hot stuff for a Victorian teenager!

In a later chapter, Jack breaks his collar bone in a football scrum against the rival boarding school and is nursed once again by the bewitching headmaster’s wife. She asks him,

“Have I been kind? Are you satisfied with me?”

“Oh, yes, ma’am. I should like to be ill forever, if I might always have so kind a nurse as yourself.”

She put her arms round his neck, and kissed his forehead, while she pushed back his curly chestnut hair from his temples.

“How would you like to have me for a mamma?” she asked.

“I would rather have you for--for----”

“Well, dear, for what? Speak out,” said Mrs. Crawcour in an encouraging tone.

“I was going to say for a sweetheart, ma’am.”

...”You are so lovely,” replied Jack.

“Am I lovely?” Mrs. Crawcour repeated, looking at her handsome and majestic figure in the glass with some satisfaction.

The hot blood mounted to Jack’s face, and made it burn.

“How you blush. Why do you blush so?” she asked.

“I don’t know, ma’am. It’s because I’m talking to you, I think.”

When combined with her husband’s fondness for his cane collection (about fifty of assorted sizes: “I call them my little persuaders,” he smirks,) these sequences are closer to Heming’s earlier boudoir yellowbacks than they are to Tom Brown’s Schooldays.

We have no record of the readers’ reactions to this kinky relationship, but it is never alluded to again. Jack goes on to rescue and woo Emily Scratchley (and rescue, and rescue her, ad infinitum) and finally to marry her after finishing his university course.

Interestingly, the flogging scene was not illustrated in any of Edwin Brett’s editions of the tale. In its first appearance in Frank Tousey’s Wide Awake Library, in 1879, the cover illustration depicted a scene that did not even apply to the story, showing a water fight in a school dormitory. Not until 1895, when Tousey reissued the Harkaway series, would the scene be illustrated, and never afterwards. Although stylized and almost mannered, the Wide Awake cover echoed a savage illustration for Boyhood’s Battles; or, the Ups and Downs of a Runaway (Hogarth House, ca. 1885,) showing “Mr. Hackchild” mercilessly beating an emaciated boy.

As at Eton schoolboy from 1853 to 1857, Bracebridge Heming was all too familiar with the frequent castigations administered by heavy-handed masters. On page 403 of Sir H. C. Maxwell Lyte’s A History of Eton College (1440-1898), published by Macmillan & Co., Ltd., London, 1899, appears a woodcut of the infamous birch and block upon which so many boys suffered.

Heming’s Dick Lightheart, The Scapegrace of the School, provided another example:

Whenever a boy was caned, it was Venner’s duty to “horse” him; that is to take him on his back and, holding his wrists around his own neck, keep him in a favourable position for the head master’s blows…

In an instant Venner gave a quick jerk, and Dick found himself perfectly helpless and tightly held.

Then Venner turned around, and took up a position in an open space, so as to give the professor’s arm full play.

Swish went the cane through the air, descending on the offender’s back with a dull thud.

At first these were the only sounds to be heard, but as the pain increased to positive torture, and the elastic cane bent double and twisted around his jacket, actually cutting the cloth, Dick began to add his cries to the noise.

At length he screamed with pain, and kicked violently, receiving the blows on the calves of his legs…and it was not until the cane broke off at the top, by coming in contact with the boy’s boots, that the professor desisted from his efforts.

Adding imprisonment to injury, Dick is thrust into a mouldy cell to reflect upon his conduct, the object being to bring him to a proper sense of the duty owed to those who are set in authority over him.


As one ex-schoolboy of the period (possibly Algernon Charles Swinburne) put it, English public schoolmasters,

“one and all, appealed to the very seat of honour...flogging, used with sound judgment, is the only fundamental principle upon which our large schools can be properly conducted. I am all the better for it and am, therefore,

ONE WHO HAS BEEN WELL SWISHED”

Bondage and “nursery games” have long been a mainstay of brothels. Public school corporal punishments seem to have created a burgeoning market for this form of gratification. To the schoolboy readers of Jack Harkaway, however, the subject probably struck too close to their own reality to be enjoyable as fiction. Later penny school stories retained the birching scenes, but concentrated on humorous schemes for avoiding the pain and “getting square” on the pedagogue.

George Emmett’s Hogarth House had "scooped" Edwin J. Brett in 1867 with the first true penny-dreadful school story entitled The Boys of Bircham School. This piece set the style for most other English boarding school serials, consisting of equal parts of adventure, cruel slapstick humor, and descriptions of more or less sadistic punishments administered by the faculty of "Birch ‘em” School. Later stories would feature "Thrashemwell College," “Stingwell School,” “Dr. Rodwell’s School,” “Dr. Whackley’s Lexicon College,” “Thrashem’s Public Grammar School,” "Scarum School," and so on, echoing Dickens' "Dotheboys (Do the boys) Hall" and its cruel master, Wackford Squeers (with the emphasis on “whack!”) from Nicholas Nickleby.

“Dominie Dobbs,” a schoolmaster character in Marryat’s Jacob Faithful (1834), observes:

In short, I have a...pleasure in hic, haec, hoc; and even the flourishing of the twigs of that tree of knowledge, the birch, hath become a pleasurable occupation to me, if not to those upon whom it is inflicted.

An early English poem, printed around the year 1500, called “The Birched School-Boy,” reveals the antiquity of floggings in the educational process:

I wold ffayne be a clarke

But yet hit is a strange werke;

the byrchen twyggis be so sharpe,

hit makith me haue a faynet harte...

My master pepered my ars with well good speede...

he wold not leve till it did blede.



Tuesday, May 17, 2011

Jack Harkaway Gallery


One last round-up of Harkaway images courtesy of E. M. Sanchez-Saavedra. The first series of Frank Leslie's Harkaway tales comprised five serials:

379-403. JACK HARKAWAY IN AMERICA (1/21/1874 - 7/11/1874)

404-433. JACK HARKAWAY OUT WEST AMONG THE INDIANS
(7/18/1874 - 2/6/1875)

446-466. JACK HARKAWAY AND HIS FRIENDS IN SEARCH OF THE MOUNTAIN OF GOLD
(5/8/1875 - 9/25/1875)

467-490. RED DOG, BLUE HORSE, AND GHOST-THAT-LIES-IN-THE- WOOD. BEING THE CONTINUATION OF “JACK HARKAWAY AND HIS FRIENDS IN SEARCH OF THE MOUNTAIN OF GOLD."
(10/2/1875 - 3/11/1876)

491-502. JACK HARKAWAY AND THE SECRET OF WEALTH; OR, THE MYSTERY OF THE ISLAND IN THE LAKE
(3/18/1876 - 6/3/1876)







Tuesday, May 10, 2011

Last of the Black Flag

This gruesome excerpt tells the tale of the death of Jack’s long-time nemesis Harry Hunston. There is nothing on “Jack Harkaway and his Father,” published by Hogarth House, in Peeps or any of the other reference works, but E. M. Sanchez-Saavedra, author of The Anglo-American Pulp Wars; Edwin Brett vs. Frank Leslie (1996), has this to offer:

“Believe it or not The Haunt of the Black Flag was by the master himself. The following titles are the last ones done while in Frank Leslie's employ. The numbers are the issues of Frank Leslie's Boys' and Girls' Weekly:

After exhausting the Black Hills gold rush centered around Deadwood, Heming returned to Indonesia and Malaya and the pirates he had introduced in After School Days. This time Jack becomes a long-term captive and Young Jack spends three volumes rescuing him. (The first volume's title of course alludes to Capt. Frederick Marryat's Japhet in Search of a Father.)”

Frank Leslie's Boys' and Girls' Weekly

594-602. YOUNG JACK HARKAWAY IN SEARCH OF HIS FATHER (3/9/1878 - 5/4/1878)

603-615. ALL AMONG THE PIRATES; OR, THE SEA FIENDS OF THE MOLUCCAS. Part 2 of "YOUNG JACK HARKAWAY IN SEARCH OF HIS FATHER." (5/11/1878 - 8/3/1878)

616-633. THE ISLE OF PALMS; OR, THE LAST STRONGHOLD OF THE BLACK FLAG. (8/10/1878 - 12/7/1878)

663-665. THE SLAVE OF THE MINE; OR, JACK HARKAWAY IN 'FRISCO. (7/5/1879 - 7/19/1879)