Tags: publishing

Accessibility For Everyone by Laura Kalbag

Laura’s classic book is now a web book that you can read for free online.

Blogs Are Back

A browser-based RSS reader that stores everything locally. There’s also a directory you can explore to get you started.

A Website To End All Websites | Henry From Online

Hand-coded, syndicated, and above all personal websites are exemplary: They let users of the internet to be autonomous, experiment, have ownership, learn, share, find god, find love, find purpose. Bespoke, endlessly tweaked, eternally redesigned, built-in-public, surprising UI and delightful UX. The personal website is a staunch undying answer to everything the corporate and industrial web has taken from us.

I was going to save this announcement for later, but I’m just too excited: Harry Roberts will be speaking at Web Day Out!

Goddamn, that’s one fine line-up, and it isn’t even complete yet! Get your ticket if you haven’t already.

There’s a bit of a story behind the talk that Harry is going to give…

Earlier this year, Harry posted a most excellent screed in which he said:

The web as a platform is a safe bet. It’s un-versioned by design. That’s the commitment the web makes to you—take advantage of it.

• Opt into web platform features incrementally;
• Embrace progressive enhancement to build fast, reliable applications that adapt to your customers’ context;
• Write code that leans into the browser, not away from it.

Yes! Exactly!

Thing is, Harry posted this on LinkedIn. My indieweb sensibilities were affronted. So I harangued him:

You should blog this, Harry

My pestering paid off with an excellent blog post on Harry’s own site called Build for the Web, Build on the Web, Build with the Web:

The beauty of opting into web platform features as they become available is that your site becomes contextual. The same codebase adapts into its environment, playing to its strengths, rather than trying to build and ship your own environment from the ground up. Meet your users where they are.

That’s a pretty neat summation of the agenda for Web Day Out. So I thought, “Hmm …if I was able to pester Harry to turn a LinkedIn post into a really good blog post, I wonder if I could pester him to turn that blog post into a talk?”

I threw down the gauntlet. Harry accepted the challenge.

I’m sure you’re already familiar with Harry’s excellent work, but if you’re not, he’s basically Mr. Web Performance. That’s why I’m so excited to have him speak at Web Day Out—I want to hear the business case for leaning into what web browsers can do today, and he is most certainly the best person to bring receipts.

You won’t want to miss this, so be sure to get your ticket now; it’s only £225+VAT.

If you’re not ready to commit just yet, but you want to hear about more speaker announcements like this, you can sign up to the mailing list.

I read recently read two books that had writers as their main protagonists:

• Death Of The Author by Nnedi Okorafor, and
• Yellowface by Rebecca F Kuang.

They were both perfectly fine. But I found it hard to get really involved in either narrative. The stakes just never felt that high.

Not that high stakes a pre-requisite for a gripping narrative. I enjoyed the films The Social Network and Like A Complete Unknown. Those stakes couldn’t be lower. One is about a website that might’ve ripped off its idea from another website. The other is about someone who’d like to play different kinds of music but other people would rather he played the same music. It’s a credit to the writers and directors of both films that they could create compelling stories from such objectively unimportant subjects.

Getting back to those two books, maybe there’s something navel-gazey when writers write about writing. Then again, I really like non-fiction books about writing from Ann Lamott, Stephen King, and more.

Perhaps it’s not the writing part, but the milieu of publishing.

I’m trying to think if there are any great films about film-making (Inception doesn’t count). Living In Oblivion is pretty great. But a lot of its appeal is that it’s not taking itself too seriously.

All too often when a story is set in its own medium (a book about publishing; a film about film-making) it runs the risk of over-estimating its own importance.

The most eye-rolling example of this is The Morning Show, a television show about a television show. It genuinely tries to make the case for the super-important work being done by vacuous morning chat shows.

When All You Have Is a Robots.txt Hammer – Pixel Envy

I write here for you, not for the benefit of building the machines producing a firehose of spam, scams, and slop. The artificial intelligence companies have already violated the expectations of even a public web. Regardless of the benefits they have created — and I do believe there are benefits to these technologies — they have behaved unethically. Defensive action is the only control a publisher can assume right now.

Rob Weychert | Art & Design

Rob has redesigned his site and it’s looking gorgeous.

I really like the categories he’s got for his blog.

You do not need “analytics” for your blog because you are neither a military surveillance unit nor a commodity trading company – This day’s portion

🎯

I Am An AI Hater | moser’s frame shop

I wanted to quote an excerpt of this post, but honestly I couldn’t choose just one part—the whole thing is perfect. You should read it for the beauty of the language alone.

(This is Anthony Moser’s first blog post. I fear he has created his Citizen Kane.)

Developing an alt text button for images on my website | James’ Coffee Blog

I like the idea of adding this to personal websites:

Mastodon shows an “Alt” button in the bottom right of images that have associated alt text. This button, when clicked, shows the alt text the author has written for the image.

This website is for humans - localghost

This website is for humans, and LLMs are not welcome here.

Cosigned.

We Are Still the Web - The History of the Web

The web is just people. Lots of people, connected across global networks. In 2005, it was the audience that made the web. In 2025, it will be the audience again.

Curate your own newspaper with RSS

I’m almost certainly preaching to the choir here because I bet you’re reading these very words in a feed reader, but what Molly White has written here is too good not to share:

RSS offers readers and writers a path away from unreliable, manipulative, and hostile platforms and intermediaries. In a media landscape dominated by algorithmic feeds that aim to manipulate and extract, sometimes the most radical thing you can do is choose to read what you want, when you want, without anyone watching over your shoulder.

You Should Probably Leave Substack | How to Leave Substack.

Substack willingly platforms and allows bad actors to monetize, hate speech and misinformation.

Says who?

Here are some well-reasoned pieces on the subject for you to educate yourself and decide.

Close to the metal: web design and the browser

It seems like the misguided perception of needing to use complex tools and frameworks to build a website comes from a thinking that web browsers are inherently limited. When, in fact, browsers have evolved to a tremendous degree

Are you looking for a book that explains why you should care about web accessibility?

This is not that book.

Manuel Matuzović has too much respect for your intelligence to waste time trying to convince you of something you already know. You already know that web accessibility is important.

What you really need is a guidebook, a handy companion to show you the way through a tangled landscape.

This is that book.

If you want, you can read it cover to cover. That’s what I did, and I enjoyed every moment of the journey.

But you might not have time for that. That’s okay. The way that this book is subdivided means you can deep into any chapter and it will make perfect sense by itself. It really is like a cookbook. Every chapter is like a standalone recipe.

Whether you read this book linearly or dip in and out of it is up to you. Either way, Manuel is going to massage your brain until something new takes shape in there. An understanding. Not just an understanding of web accessibility, but of the very building blocks of the web itself.

See, that’s the sneaky trick that Manuel has managed with this book. It’s supposed to be an accessibility cookbook but it’s also one of the best HTML tutorials you’ll ever find. Come for the accessibility recipe; stay for the deep understanding of markup.

Best of all, Manuel manages to do all this without wasting a word. Again, he has too much respect for you to waste your time. The only unnecessary words in your Accessibility Cookbook are the ones you’re reading now. So I’m going to follow Manuel’s example, respect your time, and let you explore this magnificent book for yourself.

Enjoy the journey!

P&B: Jeremy Keith – Manu

In which I answer questions about blogging.

I’ve put a copy of this on my own site too.

Let’s start from the basics: can you introduce yourself?

My name is Jeremy Keith. I’m from Ireland. Cork, like. Now I live in Brighton on the south coast of England.

I play traditional Irish music on the mandolin. I also play bouzouki in the indie rock band Salter Cane.

I also make websites. I made a community website all about traditional Irish music that’s been going for decades. It’s called The Session.

Back in 2005 I co-founded a design agency called Clearleft. It’s still going strong twenty years later (I mean, as strong as any agency can be going in these volatile times).

Oh, and I’ve written some nerdy books about making websites. The one I’m most proud of is called Resilient Web Design.

What’s the story behind your blog?

I was living in Freiburg in southern Germany in the 1990s. That’s when I started making websites. My first ever website was for a band I was playing in at the time. My second ever website was for someone else’s band. Then I figured I should have my own website.

I didn’t want the domain name to be in German but I also didn’t want it to be in English. So I got adactio.com.

To begin with, it wasn’t a blog. It was more of a portfolio-type professional site. Although if you look at it now, it looks anything other than professional. Would ya look at that—the frameset still works!

Anyway, after moving to Brighton at the beginning of the 21st century, I decided I wanted to have one of those blogs that all the cool kids had. I thought I was very, very late to the game. This was in November 2001. That’s when I started my blog, though I just called it (and continue to call it) a journal.

What does your creative process look like when it comes to blogging?

Sometimes a thing will pop into my head and I’ll blog it straight away. More often, it bounces around inside my skull for a while. Sometimes it’s about spotting connections, like if if I’ve linked to a few different things that have some kind of connective thread, I’ll blog in order to point out the connections.

I never write down those things bouncing around in my head. I know I probably should. But then if I’m going to take the time to write down an idea for a blog post, I might as well write the blog post itself.

I never write drafts. I just publish. I can always go back and fix any mistakes later. The words are written on the web, not carved in stone.

Do you have an ideal creative environment? Also do you believe the physical space influences your creativity?

I mostly just blog from home, sitting at my laptop like I’m doing now. I have no idea whether there’s any connection between physical space and writing. That said, I do like writing on trains.

A question for the techie readers: can you run us through your tech stack?

I use my own hand-rolled hodge-podge of PHP and MySQL that could only very generously be described as a content management system. It works for me. It might not be the most powerful system, but it’s fairly simple. I like having control over everything. If there’s some feature I want, it’s up to me to add it.

So yeah, it’s a nice boring LAMP stack—Linux Apache MySQL PHP. It’s currently hosted on Digital Ocean. I use DNSimple for all the DNS stuff and Fastmail for my email. I like keeping those things separate so that I don’t have a single point of failure.

I realise this all makes me sound kind of paranoid, but when you’ve been making websites for as long as I have, you come to understand that you can’t rely on anything sticking around in the long term so a certain amount of paranoia is justified.

Given your experience, if you were to start a blog today, would you do anything differently?

I’m not sure. I’m not entirely comfortable about using a database. It feels more fragile than just having static files. But I do cache the blog posts as static HTML too, so I’m not entirely reliant on the database. And having a database allows me to do fun relational stuff like search.

If I were starting from scratch, I probably wouldn’t end up making the same codebase I’ve got now, but I almost certainly would still be aiming to keep it as simple as possible. Cleverness isn’t good for code in the long term.

Financial question since the Web is obsessed with money: how much does it cost to run your blog? Is it just a cost, or does it generate some revenue? And what’s your position on people monetising personal blogs?

I’ve got hosting costs but that’s pretty much it. I don’t make any money from my website.

That Irish traditional music website I mentioned, The Session, that does accept donations to cover the costs. As well as hosting, there’s a newsletter to pay for, and third-party mapping services.

Time for some recommendations: any blog you think is worth checking out? And also, who do you think I should be interviewing next?

You should absolutely check out Walknotes by Denise Wilton.

It’s about going out in the morning to pick up litter before work. From that simple premise you get some of the most beautiful writing on the web. Every week there’s a sentence that just stops me in my tracks. I love it.

We wife, Jessica Spengler, also has a wonderful blog, but I would say that, wouldn’t I?

Final question: is there anything you want to share with us?

You know I mentioned that The Session is funded by donations? Well, actually, this month—April 2025—any donations go towards funding something different; bursary sponsorship places for young musicians to attend workshops at the Belfest Trad Fest who otherwise wouldn’t be able to go:

thesession.org/donate

So if you’ve ever liked something I’ve written on my blog, you can thank me by contributing a little something to that.

Cheers,
Jeremy

Once Again From the Top • Jason Santa Maria

Welcome back, Jason!

The web was always about redistribution of power. Let’s bring that back.

Many of us got excited about technology because of the web, and are discovering, latterly, that it was always the web itself — rather than technology as a whole — that we were excited about. The web is a movement: more than a set of protocols, languages, and software, it was always about bringing about a social and cultural shift that removed traditional gatekeepers to publishing and being heard.