Tags: writing

10 Thoughts On “AI,” February 2026 Edition | Whatever

1. I don’t and won’t use “AI” in the text of any of my published work.
2. I’m not worried about “AI” replacing me as a novelist.
3. People in general are burning out on “AI.”
4. I’m supporting human artists, including as they relate to my own work.
5. “AI” is Probably Sticking Around In Some Form.
6. “AI” is a marketing term, not a technical one, and encompasses different technologies.
7. There were and are ethical ways to have trained generative “AI” but because they weren’t done, the entire field is suspect.
8. The various processes lumped into “AI” are likely to be integrated into programs and applications that are in business and creative workflows.
9. It’s all right to be informed about the state of the art when it comes to “AI.”
10. Some people are being made to use “AI” as a condition of their jobs. Maybe don’t give them too much shit for it.

The Case for Blogging in the Ruins

Start a blog. Start one because the practice of writing at length, for an audience you respect, about things that matter to you, is itself valuable. Start one because owning your own platform is a form of independence that becomes more important as centralized platforms become less trustworthy. Start one because the format shapes the thought, and this format is good for thinking.

The Colonization of Confidence., Sightless Scribbles

I love the small web, the clean web. I hate tech bloat.

And LLMs are the ultimate bloat.

So much truth in one story:

They built a machine to gentrify the English language.

They have built a machine that weaponizes mediocrity and sells it as perfection.

They are strip-mining your confidence to sell you back a synthetic version of it.

Blog Alarm Clock | Brad Frost

See, I’ve always compared that building pressure of need-to-blog to being constipated (which makes the resultant blog post like having a very satisfying bowel movement), but maybe Brad’s analogy is better. Maybe.

Resonance | James’ Coffee Blog

Ah, the circle of life!

Life Is More Than an Engineering Problem | Los Angeles Review of Books

A great interview with Ted Chiang:

Predicting the most likely next word is different from having correct information about the world, which is why LLMs are not a reliable way to get the answers to questions, and I don’t think there is good evidence to suggest that they will become reliable. Over the past couple of years, there have been some papers published suggesting that training LLMs on more data and throwing more processing power at the problem provides diminishing returns in terms of performance. They can get better at reproducing patterns found online, but they don’t become capable of actual reasoning; it seems that the problem is fundamental to their architecture. And you can bolt tools onto the side of an LLM, like giving it a calculator it can use when you ask it a math problem, or giving it access to a search engine when you want up-to-date information, but putting reliable tools under the control of an unreliable program is not enough to make the controlling program reliable. I think we will need a different approach if we want a truly reliable question answerer.

22 – 26 September 2025 – Walknotes

God, I love the way that Denise writes:

On the train there’s an ad for Adobe Express: “Commercially safe AI. Trusted results”. The ad shows a photo slotting in to a design. Commercially safe for everyone but photographers and designers. I couldn’t get a seat facing forwards, so I head backwards into the future like some half-arsed AI metaphor.

I was going to save this announcement for later, but I’m just too excited: Harry Roberts will be speaking at Web Day Out!

Goddamn, that’s one fine line-up, and it isn’t even complete yet! Get your ticket if you haven’t already.

There’s a bit of a story behind the talk that Harry is going to give…

Earlier this year, Harry posted a most excellent screed in which he said:

The web as a platform is a safe bet. It’s un-versioned by design. That’s the commitment the web makes to you—take advantage of it.

• Opt into web platform features incrementally;
• Embrace progressive enhancement to build fast, reliable applications that adapt to your customers’ context;
• Write code that leans into the browser, not away from it.

Yes! Exactly!

Thing is, Harry posted this on LinkedIn. My indieweb sensibilities were affronted. So I harangued him:

You should blog this, Harry

My pestering paid off with an excellent blog post on Harry’s own site called Build for the Web, Build on the Web, Build with the Web:

The beauty of opting into web platform features as they become available is that your site becomes contextual. The same codebase adapts into its environment, playing to its strengths, rather than trying to build and ship your own environment from the ground up. Meet your users where they are.

That’s a pretty neat summation of the agenda for Web Day Out. So I thought, “Hmm …if I was able to pester Harry to turn a LinkedIn post into a really good blog post, I wonder if I could pester him to turn that blog post into a talk?”

I threw down the gauntlet. Harry accepted the challenge.

I’m sure you’re already familiar with Harry’s excellent work, but if you’re not, he’s basically Mr. Web Performance. That’s why I’m so excited to have him speak at Web Day Out—I want to hear the business case for leaning into what web browsers can do today, and he is most certainly the best person to bring receipts.

You won’t want to miss this, so be sure to get your ticket now; it’s only £225+VAT.

If you’re not ready to commit just yet, but you want to hear about more speaker announcements like this, you can sign up to the mailing list.

I read recently read two books that had writers as their main protagonists:

• Death Of The Author by Nnedi Okorafor, and
• Yellowface by Rebecca F Kuang.

They were both perfectly fine. But I found it hard to get really involved in either narrative. The stakes just never felt that high.

Not that high stakes a pre-requisite for a gripping narrative. I enjoyed the films The Social Network and Like A Complete Unknown. Those stakes couldn’t be lower. One is about a website that might’ve ripped off its idea from another website. The other is about someone who’d like to play different kinds of music but other people would rather he played the same music. It’s a credit to the writers and directors of both films that they could create compelling stories from such objectively unimportant subjects.

Getting back to those two books, maybe there’s something navel-gazey when writers write about writing. Then again, I really like non-fiction books about writing from Ann Lamott, Stephen King, and more.

Perhaps it’s not the writing part, but the milieu of publishing.

I’m trying to think if there are any great films about film-making (Inception doesn’t count). Living In Oblivion is pretty great. But a lot of its appeal is that it’s not taking itself too seriously.

All too often when a story is set in its own medium (a book about publishing; a film about film-making) it runs the risk of over-estimating its own importance.

The most eye-rolling example of this is The Morning Show, a television show about a television show. It genuinely tries to make the case for the super-important work being done by vacuous morning chat shows.

When All You Have Is a Robots.txt Hammer – Pixel Envy

I write here for you, not for the benefit of building the machines producing a firehose of spam, scams, and slop. The artificial intelligence companies have already violated the expectations of even a public web. Regardless of the benefits they have created — and I do believe there are benefits to these technologies — they have behaved unethically. Defensive action is the only control a publisher can assume right now.

I Am An AI Hater | moser’s frame shop

I wanted to quote an excerpt of this post, but honestly I couldn’t choose just one part—the whole thing is perfect. You should read it for the beauty of the language alone.

(This is Anthony Moser’s first blog post. I fear he has created his Citizen Kane.)

Ethan tagged me in a post. I didn’t feel a thing.

“I’d love to invite a few other folks to share their favorite newsletters”, he wrote.

My immediate thought was that I don’t actually subscribe to many newsletters. But then I remembered that most newsletters are available as RSS feeds, and I very much do subscribe to those.

Reading RSS and reading email feel very different to me. A new item in my email client feels like a task. A new item in my feed reader feels like a gift.

Anyway, I poked around in my subscriptions and found some newsletters in there that I can heartily recommend.

First and foremost, there’s The History Of The Web by Jay Hoffman. Each newsletter is a building block for the timeline of the web that he’s putting together. It’s very much up my alley.

On the topic of the World Wide Web, Matthias has a newsletter called Own Your Web:

Whether you want to get started with your own personal website or level up as a designer, developer, or independent creator working with the ever-changing material of the Web, this little email is for you. ❤✊

On the inescapable topic of “AI”, I can recommend Mystery AI Hype Theater 3000: The Newsletter by Professor Emily M. Bender and Doctor Alex Hanna.

Journalist Clive Thompson has a fun newsletter called The Linkfest:

The opposite of doomscrolling: Every two weeks (roughly) I send you a collection of the best Internet reading I’ve found — links to culture, technology, art and science that fascinated me.

If you like that, you’ll love The Whippet by McKinley Valentine:

A newsletter for the terminally curious

Okay, now there are three more newsletters that I like, but I’m hesitant to recommend for the simple reason that they’re on Substack alongside a pile of racist trash. If you decide you like any of these, please don’t subscribe by email; use the RSS feed. For the love of Jeebus, don’t give Substack your email address.

Age of Invention by Anton Howes is a deep, deep dive into the history of technology and industry:

I’m interested in everything from the exploits of sixteenth-century alchemists to the schemes of Victorian engineers.

Finally, there are two newsletters written by people whose music I listened to in my formative years in Ireland…

When We Were Young by Paul Page recounts his time in the band Whipping Boy in the ’90s:

This will be the story of Whipping Boy told from my perspective.

Toasted Heretic were making very different music around the same time as Whipping Boy. Their singer Julian Gough has gone on to write books, poems, and now a newsletter about cosmology called The Egg And The Rock:

The Egg and the Rock makes a big, specific argument (backed up by a lot of recent data, across many fields), that our universe appears to be the result of an evolutionary process at the level of universes.

There you go—quite a grab bag of newsletter options for you.

This website is for humans - localghost

This website is for humans, and LLMs are not welcome here.

Cosigned.

A human review | Trys Mudford

Following on from my earlier link about AI etiquette, what Trys experienced here is utterly deflating:

I spent a couple of hours working through my notes and writing up a review before sending it to my manager, awaiting their equivalent review for me.

However, the review I received back was, quite simply, quintessential AI slop.

When slopagandists talk about “AI” boosting productivity, this is the kind of shite they’re talking about.

It’s rude to show AI output to people | Alex Martsinovich

For the longest time, writing was more expensive than reading. If you encountered a body of written text, you could be sure that at the very least, a human spent some time writing it down. The text used to have an innate proof-of-thought, a basic token of humanity.

Now, AI has made text very, very, very cheap. … Any text can be AI slop. If you read it, you’re injured in this war. You engaged and replied – you’re as good as dead. The dead internet is not just dead it’s poisoned.

I think that realistically, our main weapon in this war is AI etiquette.

Craig Mod on the Creative Power of Walking ‹ Literary Hub

When I’m not talking, just walking (which is most of the time), I try to cultivate the most bored state of mind imaginable. A total void of stimulation beyond the immediate environment. My rules: No news, no social media, no podcasts, no music. No “teleporting,” you could say. The phone, the great teleportation device, the great murderer of boredom. And yet, boredom: the great engine of creativity. I now believe with all my heart that it’s only in the crushing silences of boredom—without all that black-mirror dopamine — that you can access your deepest creative wells. And for so many people these days, they’ve never so much as attempted to dip in a ladle, let alone dive down into those uncomfortable waters made accessible through boredom.

Are you looking for a book that explains why you should care about web accessibility?

This is not that book.

Manuel Matuzović has too much respect for your intelligence to waste time trying to convince you of something you already know. You already know that web accessibility is important.

What you really need is a guidebook, a handy companion to show you the way through a tangled landscape.

This is that book.

If you want, you can read it cover to cover. That’s what I did, and I enjoyed every moment of the journey.

But you might not have time for that. That’s okay. The way that this book is subdivided means you can deep into any chapter and it will make perfect sense by itself. It really is like a cookbook. Every chapter is like a standalone recipe.

Whether you read this book linearly or dip in and out of it is up to you. Either way, Manuel is going to massage your brain until something new takes shape in there. An understanding. Not just an understanding of web accessibility, but of the very building blocks of the web itself.

See, that’s the sneaky trick that Manuel has managed with this book. It’s supposed to be an accessibility cookbook but it’s also one of the best HTML tutorials you’ll ever find. Come for the accessibility recipe; stay for the deep understanding of markup.

Best of all, Manuel manages to do all this without wasting a word. Again, he has too much respect for you to waste your time. The only unnecessary words in your Accessibility Cookbook are the ones you’re reading now. So I’m going to follow Manuel’s example, respect your time, and let you explore this magnificent book for yourself.

Enjoy the journey!

P&B: Jeremy Keith – Manu

In which I answer questions about blogging.

I’ve put a copy of this on my own site too.

Let’s start from the basics: can you introduce yourself?

My name is Jeremy Keith. I’m from Ireland. Cork, like. Now I live in Brighton on the south coast of England.

I play traditional Irish music on the mandolin. I also play bouzouki in the indie rock band Salter Cane.

I also make websites. I made a community website all about traditional Irish music that’s been going for decades. It’s called The Session.

Back in 2005 I co-founded a design agency called Clearleft. It’s still going strong twenty years later (I mean, as strong as any agency can be going in these volatile times).

Oh, and I’ve written some nerdy books about making websites. The one I’m most proud of is called Resilient Web Design.

What’s the story behind your blog?

I was living in Freiburg in southern Germany in the 1990s. That’s when I started making websites. My first ever website was for a band I was playing in at the time. My second ever website was for someone else’s band. Then I figured I should have my own website.

I didn’t want the domain name to be in German but I also didn’t want it to be in English. So I got adactio.com.

To begin with, it wasn’t a blog. It was more of a portfolio-type professional site. Although if you look at it now, it looks anything other than professional. Would ya look at that—the frameset still works!

Anyway, after moving to Brighton at the beginning of the 21st century, I decided I wanted to have one of those blogs that all the cool kids had. I thought I was very, very late to the game. This was in November 2001. That’s when I started my blog, though I just called it (and continue to call it) a journal.

What does your creative process look like when it comes to blogging?

Sometimes a thing will pop into my head and I’ll blog it straight away. More often, it bounces around inside my skull for a while. Sometimes it’s about spotting connections, like if if I’ve linked to a few different things that have some kind of connective thread, I’ll blog in order to point out the connections.

I never write down those things bouncing around in my head. I know I probably should. But then if I’m going to take the time to write down an idea for a blog post, I might as well write the blog post itself.

I never write drafts. I just publish. I can always go back and fix any mistakes later. The words are written on the web, not carved in stone.

Do you have an ideal creative environment? Also do you believe the physical space influences your creativity?

I mostly just blog from home, sitting at my laptop like I’m doing now. I have no idea whether there’s any connection between physical space and writing. That said, I do like writing on trains.

A question for the techie readers: can you run us through your tech stack?

I use my own hand-rolled hodge-podge of PHP and MySQL that could only very generously be described as a content management system. It works for me. It might not be the most powerful system, but it’s fairly simple. I like having control over everything. If there’s some feature I want, it’s up to me to add it.

So yeah, it’s a nice boring LAMP stack—Linux Apache MySQL PHP. It’s currently hosted on Digital Ocean. I use DNSimple for all the DNS stuff and Fastmail for my email. I like keeping those things separate so that I don’t have a single point of failure.

I realise this all makes me sound kind of paranoid, but when you’ve been making websites for as long as I have, you come to understand that you can’t rely on anything sticking around in the long term so a certain amount of paranoia is justified.

Given your experience, if you were to start a blog today, would you do anything differently?

I’m not sure. I’m not entirely comfortable about using a database. It feels more fragile than just having static files. But I do cache the blog posts as static HTML too, so I’m not entirely reliant on the database. And having a database allows me to do fun relational stuff like search.

If I were starting from scratch, I probably wouldn’t end up making the same codebase I’ve got now, but I almost certainly would still be aiming to keep it as simple as possible. Cleverness isn’t good for code in the long term.

Financial question since the Web is obsessed with money: how much does it cost to run your blog? Is it just a cost, or does it generate some revenue? And what’s your position on people monetising personal blogs?

I’ve got hosting costs but that’s pretty much it. I don’t make any money from my website.

That Irish traditional music website I mentioned, The Session, that does accept donations to cover the costs. As well as hosting, there’s a newsletter to pay for, and third-party mapping services.

Time for some recommendations: any blog you think is worth checking out? And also, who do you think I should be interviewing next?

You should absolutely check out Walknotes by Denise Wilton.

It’s about going out in the morning to pick up litter before work. From that simple premise you get some of the most beautiful writing on the web. Every week there’s a sentence that just stops me in my tracks. I love it.

We wife, Jessica Spengler, also has a wonderful blog, but I would say that, wouldn’t I?

Final question: is there anything you want to share with us?

You know I mentioned that The Session is funded by donations? Well, actually, this month—April 2025—any donations go towards funding something different; bursary sponsorship places for young musicians to attend workshops at the Belfest Trad Fest who otherwise wouldn’t be able to go:

thesession.org/donate

So if you’ve ever liked something I’ve written on my blog, you can thank me by contributing a little something to that.

Cheers,
Jeremy

Beach daydreams, lost at sea (Interconnected)

Matt’s beach thoughts are like a satisfying susurrus in my RSS reader.