Les yeux d'un voleur

I'm sure it's going to be a great film as Najwa Najjar is the director i think she is from Nablus we saw her previous film "pomegranates and myrrh" and for this film she's working with "Abo El Nijja" hes a great actor I'm sure it's going to be a great film Wish to see it in Amman cinemas or Cairo cinemas. As the Palestinians film deserve more than the got i mean a lot of films won Oscar, can , academy and much more awards as they are such a great films but on the Arab TV , channels or cinemas we can't see them. I think you should work more for the support from Arabic channels Best of luck Najwa, and best of luck to all Palestinian directors and actors.

It's supposed to be the story of a father's search for his daughter who was adopted when he was taken prisoner in the siege of 2002 during the 2nd Intifada.

Tarek Khodor (Khaled Abol Naga) starts to do this until he travels to Nablus in the West Bank to look for his daughter. This quest is sidelined when he takes on the job of water engineer. While this development somehow enriches the plotline, it nonetheless veers away from the story's chief thrust without being able to resolve the main plot convincingly. The viewer is unsure whether Tarek recognizes Malak as his long lost daughter as events take precedence in his mind. For example, the climactic scene refers to something else while the final scene says as much. The message is muddled as a result. Thus, the question ultimately is who's the thief here? Perhaps, the film's title should be changed to be consistent with its main theme.

Having said these, the actors perform their roles credibly. Special mention goes to Malek Ermileh for a convincing performance as young Malak. A bonus to the viewer are glimpses/great shots of the ancient town of Nablus with its roots in biblical times.

The horror, brutality, and sickening abhorrence of criminal occupation, revealed in the resulting human drama: this is a quiet film about a man looking for his daughter amidst the forced destitution and impossible demands of Israeli domination over Palestine. Occasionally punctuated by tense moments of interrogation and jarring flashes of violence, the movie is mostly intent on imparting a definite narrative, yet also emphatically communicates the condition of Palestinean society under occupation. 'Eyes of a thief' is deeply engrossing.

The bulk of the active plot is not unfamiliar - interpersonal drama that's at turns heartwarming, awkward, frustrating, and heartbreaking. Other movies have told similar stories, but that doesn't inherently reduce the value of 'Eyes of a thief.' It's executed quite well here, with fine writing and camerawork from filmmaker Najwa Najjar that effectively conveys and captures every beat of story and emotion, no matter how great or small. For whatever we are plainly shown, much more is penned or depicted with a subtle hand that leaves it to the viewer to pick up the traces. Furthermore, Najjar has written characters with depth and complexity, and enough laxity as to allow her actors to inhabit the roles as they will.

The cast is up to the challenge. Star Khaled Abol Naga, as Tarek, carries a ponderous weight on his shoulders, tired yet determined. Co-star Souad Massi, as Leila, harbors an enormity of world-weariness only slightly less than Naga; hers is but a supporting role, yet she is still rather prominent, and handles the part well. Even young Malak Ermileh, featuring as the character of the same name, echoes the skills of her elders, including still other supporting figures. There's a dexterity and nuance in every performance that's transfixing; these characters are believable, sympathetic, and very real - nevermind that the movie is based on a true story.

Costume design, makeup, lighting, sound, and every other technical consideration is outstanding. The original score of Tamer Karawan ably lends to and maintains the mood throughout the picture, while specific songs included in the soundtrack - especially those from co-star Massi - are infectious in their own right. And it's very noteworthy that 'Eyes of a thief' was filmed in Palestine, completing the authenticity of the narrative.

And that setting is the detail that sets this movie apart. The story of the characters plays out in a time and place robbed of land, resources, wealth, identity, and youth. The occupation breaks families, restricts mobility literal and figurative, cuts power, steals water, corrupts public figures, and necessarily bloodies the hands of people trying to protect what remains of their home. One could strip away these aspects from the plot and have the bones of a feature, yet the glimpses of occupied Palestine are so essential to the real heart of 'Eyes of a thief' as to be that component that makes it whole. These aspects are only flourishes for much of the runtime, flavoring for the narrative or flashbacks to cement the background - yet in the last 20 or so minutes, the two halves of the picture become one, with profound gravity and emotional weight.

'Eyes of a thief' was selected as Palestine's entry for Best International Feature at the Academy Awards held in February 2015. I admit I've not had the opportunity to view the films that were nominated, yet having watched this, I find it hard to believe that its rejection wasn't purely out of dishonest Hollywood politics.

This is a heartfelt drama with consummating details that makes it ever more impactful. For the nature of the setting and conflict at hand, it may be a difficult watch for some viewers - yet that same quality makes it absolutely essential. 'Eyes of the thief' isn't just fantastic storytelling, but also substantively communicative of a dire message. In every film-making consideration it excels and deserves to be seen by a much wider audience. Bravo!

I went to see this film with low expectations and I was very pleasantly surprised. The casting of the main male character was excellent. He was a man of few words but his emotional state was easily understood. The children in the films were brilliant. The story kept me on my toes and I was surprised few times by its twist. The combination of Israeli soldiers harassments and the water theft are themes that were well picked as few of the ways Israel controls lives of Palestinians. The love story was not well developed but that is also symbolic of how Palestinian society has been stunted due to many decades of oppressive occupation. Editing, casting and dialogue were well executed. Overall I strongly recommend this film as a thriller and as a window to a reality that is unknown to many.

Eyes of a Thief (2014) is a Palestinian film written and directed by Najwa Najjar. Kal Naga is played by the Egyptian star Khaled Abol Naga. Kal, a water engineer, has spent ten years in an Israeli prison. He returns home to find that his wife is dead, and his daughter is missing.

With bitter determination, Kal tracks his daughter to her most likely location, and believes he has found her under the care of a woman named Lila (Souad Massi). His daughter is a tough, no-nonsense young woman. She is portrayed brilliantly by Malak Ermileh. The acting of all three leads was excellent.

What we all want is for Kal to marry Lila and live happily ever after with his daughter and his new wife. This isn't Hollywood, this is Occupied Palestine, which isn't a place where a happy ending is guaranteed from the start. The plot has twists and turns that we don't expect. You'll have to see the movie to find out what they are.

We saw the film at the excellent Little Theatre in Rochester, NY. It was shown as part of the wonderful Witness Palestine Rochester Film Festival. After the movie, there was Q&A with Khaled Abol Naga via Skype. Naga is perfectly fluent in English, and his remarks were very helpful. Even though he's not Palestinian, he understands and sympathizes with the Palestinian people. Every woman I spoke to admired his looks--comments ranged from "drop-dead gorgeous" to "impossibly handsome." The good news is that he can also really act.

This film will work well on the small screen. Watch it on DVD or BluRay if you can't see it in a theater. The movie has a modest IMDb rating of 6.9. It's much better than that.