Marybeth escapes the clutches of the bayou-butcher Victor Crowley and returns to the swamp with an army of hunters and gunmen, determined to end Crowley's reign of horror once and for all.Marybeth escapes the clutches of the bayou-butcher Victor Crowley and returns to the swamp with an army of hunters and gunmen, determined to end Crowley's reign of horror once and for all.Marybeth escapes the clutches of the bayou-butcher Victor Crowley and returns to the swamp with an army of hunters and gunmen, determined to end Crowley's reign of horror once and for all.
- Awards
- 4 nominations total
- Avery
- (as Alexis Peters)
- Jenna
- (as Joleigh Fioravanti)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Like the first Hatchet, this is a knowingly cartoonish version of this. The deaths are delightfully absurd. At some point the baddie in this, Vincent Crowley, shows up with a chainsaw six feet long. The film knows what part it plays in the tradition and has fun with it.
What is actually problematic about these films is that, for all the parody, they still posit themselves as straight slasher films. It doesn't work, the hackneyed plot above all where a band of mercenaries is hastily assembled to venture into the bayou. Or what they aim to do once there.
The Japanese as usual are more savvy about this kind of thing. In films like The Machine Girl, they put together all kinds of cultural stamps they have produced and obsessed over the years (video games, anime, martial arts, extreme violence, erotica) and obliterate one against the other.
Here, I assume the filmmaker doesn't have a grasp of how the pastiche can be made to work. Probably because he doesn't understand or care to anything other than this kind of film. The splatter works, what's around it not so much.
I enjoyed this movie all the time and I hope to see it again - uncut again!
Which is a shame, because this is not a torture movie or anything mental. It just tries to be a fun slasher. We might not get the whole story why it got withdrawn after just one weekend, but as it is, it's a sad testament of the current flow of cinema fodder we get.
Of course you might ask, if I say so many good things about the movie, why do I rate it quite low (3 points lower than the rating of the first movie)? This comes down to the story element of the movie. While Adam said himself, that people will criticize him for not delivering non-stop slasher, it comes down to the fact, that it just does not live up to the time it takes up.
In other words, it takes too long and the pacing seems off. Unfortunately one of the guys who was really funny (in Hatchet 1) is not back for more, but gets replaced by someone else who tries very hard to be funny, but just can't "cut" it (in my eyes).
But if you are in this for the kills and thrills, there is much to be had of those, especially in the second part of the movie. So if you don't mind the (disposable and sadly sometimes not very well acted) story element at the beginning ... go right ahead and watch this.
It is difficult to criticize something that just tries to be fun. And if you ever get a chance to meet Mr. Green in person, he is one hell of a guy. I can't wait to watch another one of his movies
Do plans ever work with freaky killers-No! So you get more blood and gore and skulls bashed in, plus some faces cut off.
FINAL VERDICT: If you never have your fill of slasher films, check it out.
The whole set up of the sequel is also a bit far-fetched. Marybeth's entire world has just been flipped upside down and she was nearly ripped to pieces by a deranged ghost-creature, yet she is willing to risk her life to go back to find him. I also find it strange that so many locals who know about the cursed swamps would actually go there all in the hopes that a well-known con-artist will pay them each $5,000. Green should have just kept Marybeth in the swamp and had a group of campers or tourists stumble onto her. I'm on the fence with the fact that they added an origin story to Victor Crowley and gave a reason for why Marybeth is connected to him. Most horror movies that try to go back and give an origin story for the villain usually end up being pretty bad, just look at Halloween 6. I wouldn't say it was a total fail because it was slightly interesting and for some reason it reminded me a little of Pumpkinhead. Some cameos you will undoubtedly notice are Mercedes McNab, Joleigh Fioravanti and Joel Murray (though it's only his voice). For anyone who saw Adam Green's other movie, Frozen, you might notice an Easter egg involving Emma Bell. If you haven't seen Frozen yet then I suggest you do that, great thriller. Shawn Ashmore and Joe Lynch also have some small cameos, so keep an eye out or you might miss them.
I guess Hatchet II could have been worse, though it's definitely not memorable like original. Some of the murders definitely stand out, but it's not an amazing sequel like many people are saying. I consider myself a big horror fan and it was only okay for me, but that is my opinion and others will have their own as well.
Did you know
- TriviaThe unrated version of the movie was shown in sixty theatres on its debut weekend across the United States and Canada. Most of the theaters were unaware of the extent of the extreme violence in the film, and nearly all of the theaters had stopped playing the movie by Monday morning.
- Quotes
Chad: Hey, man. Who's Victor Crowley?
Layton: Well, he's nothing. A local bogeyman story about a retarded maniac who haunts Honey Island. People just use it to keep kids away from the swamp.
Chad: You mean like a Jason Voorhees or something?
Layton: Something like that.
Chad: When I was eight, I lived in this town called Glen Echo. Our ghost story is about this man named Leslie Vernon...
- ConnectionsFeatured in Holliston: The Hooker: Part 1 (2012)
- SoundtracksJust One Fix
Written by Michael Balch, Al Jourgensen, Paul Barker and Bill Rieflin (as William Reiflin)
Performed by Ministry
Courtesy of Warner Bros. Records
By arrangement with Warner Music Group Film & TV Licensing
Published by Songs of Media Creature (BMI), Warner-Tamerline Publishing Corp. (BMI) o/b/o itself, 13th Planet Music Inc and Spurburn Music
Details
Box office
- Budget
- $800,000 (estimated)
- Gross US & Canada
- $52,604
- Opening weekend US & Canada
- $52,604
- Oct 3, 2010
- Gross worldwide
- $156,190
- Runtime
- 1h 25m(85 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1