Nouvel ordre

Michel Franco's NEW ORDER assaults the viewer, and that's not completely 'out of order' for a movie about a Mexican revolution. Unfortunately, Franco mostly delivers body blows with little attention given to feed the heads of his audience.

The initial scenes of the underclass trying to overthrow the bourgeoisie (at a rich wedding, no less) have a certain kick. Sadly, Franco (who also wrote) does very little with that advantage. The wedding family is decently sketched out, but, the characters aren't used very well once the siege fully takes hold. They, like the Mexican people as a whole, become pawns in Franco's rage game.

What gives the opening at the wedding it's effectiveness is that you have come to know them as individuals (Naian Gonzalez Norvind is particularly good as the Bride), but, by the end (actually, significantly earlier), they are just part of the bloody landscape. The various 'sides' are murkily drawn. Whatever political thoughts Franco might have are negligible, if not downright cynical. There is no sign of wit, little dramatic tension and a lack of humanity. The final act should have been devastating, but instead just becomes another nasty set-piece. In a movie full of violence, abuse and torture, Franco's biggest offense is that he has nothing to say.

Despite the title and in-your-face political overtones, "New Order" doesn't really say anything much about class struggle, conflict, or wealth distribution with any specificity or insight. It just takes the ruthless divide between the haves and the have-nots in Mexico (I totally agree with criticisms that whatever it does try to say is shown from the point of view of the 1%) and uses it as a pretext to showcase expert craft in creating tension and bathing the screen in blood. I know that it seems like it has something political to say, but aside from a kind of undeveloped (and generally cheap) cynicism about the corruption of the ruling elites (kind of undermined by zero development of the oppressed), this is just a taut, expertly directed thriller that happens to be set during a fictional uprising and coup. The sights of Mexico's flag waving occasionally onscreen are part of the exploitation of political symbols for what is ultimately an entertaining, tense B-movie thriller, with stylistic flourishes of Michael Haneke. If you watch it with that in mind, you can admire its craft.

Greetings again from the darkness. "You say you want a revolution ... well, you know ... we all want to change the world." Writer-director Michel Franco hits head-on the always hot, and very current topic of the haves versus the have-nots, and I immediately thought of those Beatles' lyrics.

Chaos at a hospital and a pile of bodies informs us trouble is brewing on the streets of Mexico. We then cut to a lavish wedding event being held at the luxurious residential compound of the Novellos, a wealthy family whose daughter Marianne (Naian Gonzalez Norvind) is marrying her fiancé Alan (Dario Azbek). Her father Ivan (Roberto Medina) is an important businessman who invited other important people and dignitaries. As the attendees mingle, her mother Rebecca (Lisa Owen) is summoned to the gate to meet with Ronaldo (Eligio Melendez), a former employee who is asking for the money to pay for a surgery his ill wife needs. What follows is the mannered way in which the Novellos react. They give Ronaldo some money, but it's far short of the amount needed. It's Marianne who, even on her wedding day, tries desperately to help him.

Marianne has Cristian (Fernando Cuautle), the son of loyal housekeeper Marta (Monica Del Carman), drive her to where Ronaldo lives. Unbeknownst to Marianne, an insurgence has disrupted the wedding festivities and carnage has ensued at her house. Upon arrival at Ronaldo's house, masked soldiers take Marianne hostage. Her vibrant red outfit and the green paint used by protesters provide symmetry to the national flag of Mexico as the streets are under siege. Many of the elite rich have been killed, while others taken hostage for ransom and torture. Filmmaker Franco expertly captures the frenzy and terror brought on by the revolution.

As the uprising takes hold and the coup progresses, we quickly see the effects of power and greed. Most of the story is told from the viewpoint of the privileged, and that's likely to offend many. At times we are confused about just how many sides there are in this war, though it seems Franco's point is that there are no good guys. The film teeters on the line between social commentary and exploitation, due to the violence and greed - we even see the glee on a maid's face as she loots the valuables from her employer. We find little empathy for anyone here, except of course, for those being held captive and tortured. Certain elements thrive in chaos, and the situation turns to Authoritarianism. The cynical message is that entitlement and corruption exist regardless who is in charge. In other words, the more things change, the more they stay the same. The "New Order" is the same as the old - just with new faces. Franco has highlighted unrest specific to Mexico, but also nods to global issues.

"You say you got a real solution ... well, you know ... we'd all love to see the plan."

Releasing in theaters on May 21, 2021.

The revolution will be bathed in, uh, green. An odd choice, and one that may excite environmentalists until it becomes quite clear that "New Order" is all about class struggle, and not climate change.

In his visceral dystopian Mexico City tale, director Michel Franco pushes buttons, many, many buttons. Class discrepancy is on crystal clear display via the glamourous wedding reception opening, interrupted by a former employee's desperate plea of funds to save his dying wife. Greeted with faint empathy, some not so well-disguised contempt, and an unsatisfactory handout, he is briskly and discretely ushered off the premises. When the heart of gold princess bride to be gets a whiff of the events, she bolts the mansion to save the day. The disrupted nuptial festivities is soon the least of the elites' niggling problems, as revolutionaries storm the grounds and matters get nasty mighty quick.

Touching similar themes (and cinematic flare) as "Parasite", "New Order" captures the explosive desperation when the haves meet the have-nots on level ground. Digging deep to turn the classes upside down, the focus is on the inherent greed and situational compassion dichotomy lurking in most everyone. It is uncomfortable, disruptive, vicious, anxiety inducing, and bluntly shocking. But unlike "Parasite", there are no moments of levity. No amusing interludes. No time to digest the revolving, evolving struggle. Barely time to take a breath. Many factions are involved, taking turns ruling the day, with corruption and merciless brutality the only common threads. It is a bleak, ninety minute commentary on a world that doesn't seem too far away, creating a provocative, powerful film.

The dystopia of fiction past is unfortunately an unsettling present day proposition in many parts of the world. How it plays out is anyone's guess. Franco's is now on the big screen.

• hipCRANK.

The film is shown pretty much through the eyes of a young woman from a rich family. There is not much explanation of the situation in a country, you just see one after another events happening to the main character and build your own story out of it. The problem with this film is, you have a rich family which sort of doesn't care about anyone except the main character and you have the poor which are pretty much shown as mindless monkeys with weapons. Then there is the third side the military puppetmasters which are actually taking over the power forming a new dictatorship. So from the perspective of the creator of this film, there is just a constant struggle of who will be in power at the top and nothing can be changed about it, we are just supposed to comply or our corporate overlords will make it all even more dystopian. When in fact what is wrong with current society is that you have giant corporations and the rich totally avoiding taxes, governments maintaining inflation, so that the poor always stay poor. So when you get a film like this it's more like a message to the poor, just keep working for nothing or it will be even worse, which makes it a depressive film is it offers no ideas on the solution, it just shows a mindless wheel we are all running in...