Después de Lucía

Just like all of us, who are adults, remember some childhood events and understand that these cruel events in childhood were simply because children lack life experience, that they don't really understand empathy because they haven't often been in difficult situations themselves. So, this movie serves as a good reminder of children's cruelty. It also makes one think about the modern permissiveness, where even parents can't intervene in such matters. Harsh.

Speaking about the movie itself, the script is very good. OK-filmed. The actors are good, not much to complain about, everything is understandable. At times, cruelty reaches a high level, but that's probably how life is sometimes. In any case, it makes you think.

There are lots of people who have no idea about what some children go through in schools.

This needs to be discussed in all homes and classrooms.

It's not easy to watch this movie, especially if you can relate to it even at the tiniest extent. But it's truly worth it. We need to be exposed to this and be open about it, because this is the major problem: silence.

Clichéd storyline of new girl getting picked on by ss at her new school. No mom, just dad trying to start a new job as a chef. Fairly good acting as father tries to juggle attending to daughter's needs; loss of wife (mom) and job. Fairly good acting on the daughter's part as the abuse at school goes too far. What makes this a little more interesting than other films of this type are the twists and the girl's passiveness which provokes the viewer into asking important questions including the role of the school's administration in monitoring it's ss. A second question was how the father and daughter went about dealing with their own problems. On a critical note I thought the ending could have been stronger/clearer.

An unrealistic approach to the issue of bullying. Too many mistakes here, after the second half the film gets boring with no dialogues and becomes a wanna be forced drama.

It's hard to watch Después de Lucía and don't get hit by a mix of feelings caused by it, like anguish, guilt, hatred and pity. And these are just a few that I felt when watching the movie. At least for me, the movie was pretty effective, mainly because I have witnessed situations just like the one shown in the movie.

The story follows the teenager Alejandra and her father Roberto moving to a new city after the death of the title character. In this new town, he starts working as a chef while Alejandra starts going to school. After something happens in a weekend party, she starts being bullied by the students.

Everything that her character goes through makes us feel really bad and powerless, seeing all that and without the capacity to help. And that's part of the superb direction of Michel Franco, which really carries the movie. Notice that almost all scenes have a static camera, and all the action perfectly fits within the frame. This gives us powerful scenes, like the one in the trip to Veracruz, where we can see students making out, others smoking marijuana, others drinking and two guys talking about something that one of them just made in the bathroom. Even with all this happening on the screen, we can't stop thinking about what happened outside of it, and it's hard to tell what just happened in that bathroom.

The camera is always far from the actors, trying to avoid us to make a connection with them. However, there is one scene with a close-up in Alejandra face, maybe to make us feel close to her. There is also only one scene (that I remember) where the camera moves, and that happens when Alejandra enters the classroom, and we see a 180 degree turn, maybe in an attempt of Franco to tell the public that the moment when the girl enters that room, her life is going to take a similar turn.

The director also made a good choice picking Tessa Ia e Hernán Mendoza for the main roles. When they're together, it's visible the indifference that reigns in their relationship. Roberto always tries to hide his suffering from Alejandra but when he is alone he cries and can't stand to drive the car in which his wife died. And even trying to show some love for Alejandra, he fails in some situations, like the one when he forgets her birthday, a fact that is not missed by her so called friends.

If it wasn't for the ending, which will irritate the politically correct, I wouldn't hesitate in show Después de Lucía to some students, trying to make them to see the dimension that bullying can reach. And let's make clear that I'm not a defender of Alejandra, mainly because the act that starts all of the bullying is caused by her recklessness. But, even knowing that she has some guilty in everything that happened, the reaction it caused was extremely unproportional.