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Después de Lucía

  • 2012
  • 12
  • 1h 43m
IMDb RATING
7.1/10
7.3K
YOUR RATING
Tessa Ia in Después de Lucía (2012)
Psychological DramaDrama

Alejandra and her dad Roberto have just moved to town. She is new at school, he has a new job. Starting over is sometimes complicated when you have left so much behind.Alejandra and her dad Roberto have just moved to town. She is new at school, he has a new job. Starting over is sometimes complicated when you have left so much behind.Alejandra and her dad Roberto have just moved to town. She is new at school, he has a new job. Starting over is sometimes complicated when you have left so much behind.

  • Director
    • Michel Franco
  • Writer
    • Michel Franco
  • Stars
    • Tessa Ia
    • Hernán Mendoza
    • Gonzalo Vega Jr.
  • See production info at IMDbPro
  • IMDb RATING
    7.1/10
    7.3K
    YOUR RATING
    • Director
      • Michel Franco
    • Writer
      • Michel Franco
    • Stars
      • Tessa Ia
      • Hernán Mendoza
      • Gonzalo Vega Jr.
    • 17User reviews
    • 53Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 6 wins & 19 nominations total

    Photos22

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    Top cast29

    Edit
    Tessa Ia
    Tessa Ia
    • Alejandra
    Hernán Mendoza
    Hernán Mendoza
    • Roberto
    Gonzalo Vega Jr.
    Gonzalo Vega Jr.
    • José
    • (as Gonzálo Vega Sisto)
    Tamara Yazbek
    • Camila
    Paco Rueda
    • Javier
    • (as Francisco Rueda)
    Paloma Cervantes
    • Irene
    Juan Carlos Barranco
    • Manuel
    Diego Canales
    • Diego
    Marco Treviño
    Marco Treviño
    • Director
    Humberto Busto
    Humberto Busto
    • Cocinero
    Carmen Beato
    Carmen Beato
    • Leticia
    Mónica Del Carmen
    Mónica Del Carmen
    • Maestra
    José María Torre
    José María Torre
    • Joaquín
    • (as Josemaría Torre Hütt)
    Nailea Norvind
    Nailea Norvind
    • Aseguradora
    María E. Sandoval
    • Mamá de José
    Salvador Sacal
    • Papá de José
    Ireri Solís
    • Cocinera
    Edgar Espinoza
    • Compañero de Escuela
    • Director
      • Michel Franco
    • Writer
      • Michel Franco
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews17

    7.17.2K
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    Featured reviews

    10SofiaMinAhJoensson

    Strong, terrible film! Moved my heart and soul and made me cry!

    Absolutely awful and terrible story!

    This film touched and moved me deeply in both heart and soul and I felt very sick both mentally and physically when I watched it!

    The happening in this film is totally and terribly wrong and terribly awful!

    The worst thing is, that things like this are ongoing daily everywhere out there in our (crazy) world! Humanity is really going in totally wrong direction!

    I hope it will wake some people up and also will help to prevent things like this to happen… - Let us all work together to fight against all forms of such horrifying things like in this film!
    9JvH48

    Disturbing film about high school bullying and loneliness

    I saw this film at the Ghent filmfestival 2012. A chef (Roberto) and his daughter (Alejandra) move to a city where both are new. Their wife resp. mother has recently died in a car accident, and their move seems a recipe to get some distance from what happened and an attempt to deal with their loss. Father and daughter follow their own path to get settled in their new environment.

    We see Roberto starting to work in a restaurant, but his depressive mood and sudden impatience hinders him from a fruitful working relationship with co-workers. He quits suddenly, but that solved nothing and he regrets this hasty decision. We see him later on working as a chef again. But the remembrance of his loss continues to haunt him. His depressions and anger are never taken out on his daughter, however.

    Alejandra seems to get along well with her new classmates, and integrates remarkably fast. That turns around when a film showing her being drunk and having sex during a party, happens to be published on Internet. That triggers an unbelievable amount of bullying by her classmates, often to such an extent that you eagerly want to look away. But you can't, while the camera is close by and does not let go.

    It is difficult to believe that the young players are all amateurs with no previous experience on stage or film-set. They have a significant part in the proceedings, be it the collective bullying of Alejandra, or the collective silence when interrogated by teachers about what is going on. The boys and the girls play equal roles in the bullying. I see them showing a very natural way of behaving, even with the camera very close.

    The collective mindset, all against one, is not easy to watch. Teachers nor parent have any idea that worrisome things are going on. You feel alone with Alejandra. With apparently no one to rescue her, it is all very disturbing to witness. Teachers are not aware, because these school kids are too old to need constant supervision, and have a lot of leeway to fill their own time. The parent (Roberto) is not aware that anything bad is happening with Alejandra. As a loving daughter she takes all trouble to shield her father from any bad news, observing his depressive moods. Not until very very late in the story we see involvement of teachers and parent.

    A few loose ends remain unexplained, maybe only to show Roberto's depressive mood and nothing else. Best example is that in the beginning of the film we see that he let a garage fully restore his wife's car after a crash, to subsequently abandon it somewhere with the keys inside to continue his journey on foot. Halfway the film we see the same car wrecked again after a disastrous joy riding. Similar inconsistencies I have with Roberto's job at a the restaurant where he works at first, then quits, and later on resumed working without much explanation. All things considered, these are minor details.

    The camera closes in on the story. The situation gets from bad to ugly, and without anyone on the rescue. I consider this a very strong feature of this film, letting us watch what happens from very close. You get involved, willingly or not. I scored a 5 (out of 5) for the audience award when leaving the theater. In hindsight, though not as bad as Alejandra, I feel a bit lonely too when seeing that this film ended on the 38th place for the audience award, in my opinion undeservedly surpassed by several films with much less qualities.
    9kostkyrolga

    People need to know about this.

    There are lots of people who have no idea about what some children go through in schools.

    This needs to be discussed in all homes and classrooms.

    It's not easy to watch this movie, especially if you can relate to it even at the tiniest extent. But it's truly worth it. We need to be exposed to this and be open about it, because this is the major problem: silence.
    9MarcosDeAnda

    As of the day I'm writing this review, these kinds of things are still happening

    As a Mexican, one can accept that our cinema is not the best and is very limited, but this film, which explores a very real and sensitive topic, portrays it in a raw and heartbreaking way. It's shocking to see how a single person can ruin your adolescence with just one act or rumor, and how this can escalate to a level that becomes sickening and inhumane. This happens in the daily lives of many young people. I feel this film should be shown in high schools and universities to raise awareness about bullying. This movie not only explores these stages but also shows how, after suffering humiliating experiences, people tend to shut themselves off even more from those close to them. So give this film an opportunity and prepare yourself to see a harsh reality. Seek help-you're not alone.
    8losindiscretoscine

    A pessimist but realistic and universal vision of the world, in which a simple action in the social media can make a durable impact in anyone's life

    Awarded with the prize "un certain regard" at the Cannes Film Festival, Michel Franco's second film deals with a social problem largely present in cinema: school bullying in the digital age. The shooting and the framing, specially the fix off-camera shots, as well as the long silences, immerse the public into the deepness of Alejandra's emotions (superbly played by Tessa Ia). Rough, bitter and cold, the harassment scenes come one after another and we enter a kind of vicious circle in which freedom does not exist. Any type of rationality, understanding or communication are in vain in this compulsory contemplation of violence whose origin is unknown by the victim and, maybe, even by the aggressors. The lack of communication and the sobriety of the photography provide more realism to the movie. Finally, the long sequence shot at the ending enhances the beauty and coldness of the whole. With "After Lucia", Michel France offers at the same time a pessimist but realistic and universal vision of the world, in which a simple action in the social media can make a durable impact in anyone's life. Full review on our blog Los Indiscretos : https://losindiscretos.org

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    Related interests

    Jim Carrey and Kate Winslet in Eternal Sunshine of the Spotless Mind (2004)
    Psychological Drama
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Most of the young supporting cast is played by Tessa Ia's real-life friends.
    • Soundtracks
      Get On Me
      Written by Letona, Olivera, and Pepe

      Performed by Mary L

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    FAQ16

    • How long is After Lucia?Powered by Alexa

    Details

    Edit
    • Release date
      • October 3, 2012 (France)
    • Countries of origin
      • Mexico
      • France
    • Official sites
      • Official Facebook
      • Official Facebook
    • Language
      • Spanish
    • Also known as
      • After Lucia
    • Filming locations
      • Puerto Vallarta, Jalisco, Mexico(Alejandra's home city, final scene at sea off the cost)
    • Production companies
      • Pop Films
      • Filmadora Nacional
      • Filmadora
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross worldwide
      • $2,401,169
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 43m(103 min)
    • Color
      • Color
    • Aspect ratio
      • 1.85 : 1

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