IMDb RATING
6.1/10
1.1K
YOUR RATING
A tense and intricate web of deceit and betrayal entangles Archie, a wandering grifter who is hired by a traveling carnival owner to murder his beautiful wife.A tense and intricate web of deceit and betrayal entangles Archie, a wandering grifter who is hired by a traveling carnival owner to murder his beautiful wife.A tense and intricate web of deceit and betrayal entangles Archie, a wandering grifter who is hired by a traveling carnival owner to murder his beautiful wife.
George McArthur
- Borachov
- (as George 'The Giant' McArthur)
F.X. Vitolo
- Vladamir
- (as Frank Vitolo)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is a quirky heist/caper film, one that seems predictable at first then keeps surprising until the last scene. The protagonist is a grifter who goes to work in a little carnival, where he's paid to kill the manager's belly dancer wife Divana then ends up falling for her himself. She's alluring, tricky and deadly and she keeps disappearing and popping up again like some sort of magician's trick. The film's other props include her duplicitous husband/employer (played by the talented Armand Assante), some nasty Dominican mobsters and most important to the plot, a suitcase full of money. Just like the old "shell game," the one where you have to guess which one the pea's under, you'll be guessing who's got the money, and like the victims of the hucksters who run such games, you'll probably guess wrong. Dagma Dominczyk, as lovely Divana, is a talented performer and an eyeful, whether she's dancing with the huge snake around her shoulders or working her grift on all the unfortunate men in her orbit. Norman Reedus is fine as the young con who is flummoxed by the elusive beauty he was paid to kill. Don't count him out, however, for he turns out to be smarter than anyone gave him credit for. This oddball film is worth a look.
Savvy femme fatale (Dagmara Dominczyk) marries then tries to con the owner of a traveling carnival (Armand Assante) The plot thickens as she meets Archie, a traveling grifter (Norman Reedus) and then tries to con Stan, a wealthy gambler (Steve Comisar). Filmed in Mobile, Alabama, posing as New Orleans, this cool indie film has elements of the old film noir movies and everyone's acting is spot on. The film has a surprise ending that won't be spoiled here. But this reviewer strongly suggest that you go see Tough Luck because it is a really good movie. Whether it is an $8M indie movie, or or a $200M blockbuster, this is a really fast moving, exciting, and well acted movie. By Richard Corliss - Movie Reviewer Time Magazine.
I'll admit - I only watched this movie for Norman but, I ended up liking it. In the end, Norman's acting can make any movie appealing. But that wasn't the case with this one. He wasn't the only one doing a good job. I feel that most of the actors in this movie were up to par. The first thing that got my attention is that it takes place in Louisiana. Always cool to see people running around the French Quarter. Also very cool to see Mandeville pop up, you don't see that as often. I'm not quite sure that that part was actually filmed in Mandeville but still cool to see the name pop up at the bottom of the screen. I'm not usually into these types of movies but, I liked this one because it was twisty and the ending really did surprise me.
TOUGH LUCK follows a homeless drifter as he becomes entangled in the underground crime world of deception and chaos. Archie(Norman Reedus) has been released from prison and has nothing to lose. He is almost killed before the owner of a carnival named Ike(Armand Assante) hires him for work. Soon Ike discloses a strong desire for Archie to murder his mischievous wife, Divana(Dagmara Dominczyk), an erotic dancer for the Carnival. Things soon get complicated when Archie falls in love with Divana and warns her of the scheme. They become involved in a very steamy affair that leaves little to the imagination of the viewer, after which they soon make a plan. Together they plot to murder Ike, but things don't go quite as planned.
I would be lying if I said that this film didn't surprise me. I was, personally, blown away by how good this film was. Upon renting it several years back, I was expecting another cliché thriller with a lot of the typical elements and themes that are shown in a lot of films of that type these days. Within minutes I was hooked and found myself quite involved with the world of this film. It's the kind of film, much like BUFFALO '66, that just sucks you in and transports you into the style and the feeling of paranoia. It is a film that really pulls it off in stunning fashion. One thing I particularly appreciated was how the film depicted it's characters. The film isn't as easy and clear cut as it may appear in the plot summary. These are characters that you actually grow to care about and are fascinated by, including the characters that are supposed to be the bad guys. In truth, there are no good guys or bad guys in this film. All of the characters are flawed in ways that are realistic and incredibly true-to-life. There aren't many films that manage to accomplish this task as flawlessly as this film does, but it's definitely a film style that I like and I want to see more of from films today. There were quite a few crime films that were like that back in the early 50s, but there hasn't been one as gripping and unique as this ever since!
In terms of flaws, I have mostly very minor gripes. The film itself isn't exactly original. However, I doubt that most folks would expect it to be original. The film's editing style also may be irritating to some folks as it tends to have a camcorder type of shaky cam throughout. While I wasn't bothered by it and actually felt that it added to the atmosphere, I'm sure most viewers will not be as enthralled by it and may find it generally off-putting. Despite the minor flaws, however, this is one of the most underrated films of the 2000s. It's so refreshing to get lucky and watch an unknown film that turns out to be good. It seems as if this film was a direct-to-video release, though this film is far better than that. Had it been put in theaters, it wouldn't have won any awards nor would it have been seen much, but it would have a lot more recognition than it has today. Recognition that this film deserves. TOUGH LUCK is an astounding, entertaining, and twisted neo-noir thriller with a real sense of class and style juxtapose and with enough substance to make the average moviegoer more than simply satisfied.
I would be lying if I said that this film didn't surprise me. I was, personally, blown away by how good this film was. Upon renting it several years back, I was expecting another cliché thriller with a lot of the typical elements and themes that are shown in a lot of films of that type these days. Within minutes I was hooked and found myself quite involved with the world of this film. It's the kind of film, much like BUFFALO '66, that just sucks you in and transports you into the style and the feeling of paranoia. It is a film that really pulls it off in stunning fashion. One thing I particularly appreciated was how the film depicted it's characters. The film isn't as easy and clear cut as it may appear in the plot summary. These are characters that you actually grow to care about and are fascinated by, including the characters that are supposed to be the bad guys. In truth, there are no good guys or bad guys in this film. All of the characters are flawed in ways that are realistic and incredibly true-to-life. There aren't many films that manage to accomplish this task as flawlessly as this film does, but it's definitely a film style that I like and I want to see more of from films today. There were quite a few crime films that were like that back in the early 50s, but there hasn't been one as gripping and unique as this ever since!
In terms of flaws, I have mostly very minor gripes. The film itself isn't exactly original. However, I doubt that most folks would expect it to be original. The film's editing style also may be irritating to some folks as it tends to have a camcorder type of shaky cam throughout. While I wasn't bothered by it and actually felt that it added to the atmosphere, I'm sure most viewers will not be as enthralled by it and may find it generally off-putting. Despite the minor flaws, however, this is one of the most underrated films of the 2000s. It's so refreshing to get lucky and watch an unknown film that turns out to be good. It seems as if this film was a direct-to-video release, though this film is far better than that. Had it been put in theaters, it wouldn't have won any awards nor would it have been seen much, but it would have a lot more recognition than it has today. Recognition that this film deserves. TOUGH LUCK is an astounding, entertaining, and twisted neo-noir thriller with a real sense of class and style juxtapose and with enough substance to make the average moviegoer more than simply satisfied.
I like Armand Assante & my cable company's summary sounded interesting, so I watched it, twice already, and probably will again.
The early part is difficult to follow, but later it clears up. I believe the screenwriter did a good job of tying up the loose ends.
Some of the acting is unconvincing, but maybe that's because I was always expecting some kind of double-cross. In that case, the poor acting would be the insincerity of the characters interacting with each other, so it fits very well.
The important theme is the carnival owner (Assante) is laundering money for a local casino & his snake-charmer wife (Dagmara Dominczyk) wants to steal it. She complains to "Archie" (Reedus) how terrible her life is, and how he could help her get out of it.
There are 3 or 4 plot twists (which is probably the reason for all of those loose ends), and just when you think you have solved the mystery, something else will happen.
My 8/10 score is mostly for the plot.
I won't say any more - I don't like spoilers, so I don't want to be one, but I believe this film is worth your time.
The early part is difficult to follow, but later it clears up. I believe the screenwriter did a good job of tying up the loose ends.
Some of the acting is unconvincing, but maybe that's because I was always expecting some kind of double-cross. In that case, the poor acting would be the insincerity of the characters interacting with each other, so it fits very well.
The important theme is the carnival owner (Assante) is laundering money for a local casino & his snake-charmer wife (Dagmara Dominczyk) wants to steal it. She complains to "Archie" (Reedus) how terrible her life is, and how he could help her get out of it.
There are 3 or 4 plot twists (which is probably the reason for all of those loose ends), and just when you think you have solved the mystery, something else will happen.
My 8/10 score is mostly for the plot.
I won't say any more - I don't like spoilers, so I don't want to be one, but I believe this film is worth your time.
Did you know
- TriviaVanessa Guild's debut.
- GoofsAfter Divana's trailer explodes, the police car that responds is a City of Mobile (Alabama) cruiser instead of a New Orleans cruiser, which is where the film takes place.
- SoundtracksThe King of Love
Performed, written, & produced by Hal Ketchum
- How long is Tough Luck?Powered by Alexa
Details
- Runtime1 hour 28 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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