A Gulf war veteran is wrongly sent to a mental institution for insane criminals, where he becomes the object of a doctor's experiments, and his life is completely affected by them.A Gulf war veteran is wrongly sent to a mental institution for insane criminals, where he becomes the object of a doctor's experiments, and his life is completely affected by them.A Gulf war veteran is wrongly sent to a mental institution for insane criminals, where he becomes the object of a doctor's experiments, and his life is completely affected by them.
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If you like stories nice and simple, stay away. If you like a challenge, The Jacket might fill the bill. It's not quite such a headbanging puzzle as Mulholland Drive, and it doesn't have the cutesiness of Donnie Darko, but it is in the realm of dark, weird and ultimately rather moving experimental film.
Brody is Mr quite nice guy Jack Starks, apparently shot dead at point blank range in the Gulf War - but hang on a minute, his eyelids blink before they pronounce him dead and he recovers - with amnesia but otherwise OK - then he gets committed to an asylum for the criminally insane fro a murder he didn't do, and we're talking 1990s when some pretty strange experimental psychotherapy went on behind closed doors. Enter the old doctor, played by Kris Kristofferson, who looks like he's had one too many acid trips and survived and believes he can think up new treatments for nutters like Jack Starks. During some pretty unconventional (not say unethical by today's standards) solitary 'treatment', Starks sees himself in 2007. The treatment is a combination of drugs and sensory deprivation - a sort of Neanderthal NLP the hard way. Each time he is locked up in 'The Jacket', Starks' projected timeline lets him interact with other characters in his dilemma. It gets continuingly creepier and the tension builds to an ending that leaves you shocked, horrified and filled with warmth at the same time.
Any film that involves time travel requires that you suspend belief, and "The Jacket" is no different. What makes "The Jacket" better than most sci-fi thrillers is the production quality. The scenes in the hospital are done in muted colors which look like hand painted black and white. The scenes in the future are done in super saturated colors. I thought the super close-ups added to the disorientation and claustrophobia of the protagonist.
The acting is first rate. Adrien Brody is convincingly haunted. Kiera Knightly does an acceptable American accent.
Fans of "The Twilight Zone" should like this one. It is rated "R" for language, nudity, sex, violence, and disturbing images in a mental hospital; so you are getting your money's worth. If you like good production quality and want to go for a thrill ride, check this one out.
It was well designed and intrigued storyline, which leaves warm feeling when the movie ends. Since such movies definitely tickle into my taste and my mind I have quite positive feedback on The Jacket.
Should be watched by anyone, who is into such movies, as Shutter Island etc.
The film really makes you think and I was disappointed not to be able to ask questions I had during the Q&A which followed the premiere. I think there are loads of things hidden in this film which you would have to see several times to catch. That is my idea of outstanding film making.
I could have done without the nudity which I saw no reason for. I think a love scene is much more erotic when you don't see anything. Body parts don't need to be shown. Most of us have decent imaginations. :-)
Chris
Did you know
- TriviaShots of Adrien Brody sobbing in the body drawer were real. Brody had asked director John Maybury to keep him locked in, even when they weren't filming, so he could get the feel of the character's despair. Eventually, Brody lost it during filming, and Maybury caught it.
- GoofsRegulation U.S. military dog tags do not have dates of birth on them.
- Quotes
[letter Jack writes to Jean]
Jack Starks: Sometimes I think we live through things only to be able to say that it happened. That it wasn't to someone else, it was to me. Sometimes we live to beat the odds. I'm not crazy even though they thought I was. I live in the same world as everyone else. I just saw more of it, as I'm sure you have. They'll find my body tomorrow. You can check it out if you don't believe me. I've seen life after my death, and I'm telling you this because it's the only way to help you and your daughter have a better life of your own. Jean, you're gonna pass out one day smoking a cigarette and burn to death. Your daughter grows up living the same life you're living right now. And she misses you so much. Sometimes life can only really begin with the knowledge of death. That it can all end, even when you least want it to. The important thing in life is to believe that while you're alive, it's never too late. I promise you, Jean, no matter how bad things look, they look better awake than they do asleep. When you die, there's only one thing you want to happen. You wanna come back.
- Alternate versionsThere are two continuations to the last scene where Jackie gives Jack a ride and the sun shines behind them. In one version, we hear Jack screaming as Dr. Becker gets him out of the drawer. In the second version, we see that Jack died in Iraq.
- ConnectionsFeatured in The Look of 'The Jacket': Influences from the Avant-Garde (2005)
- SoundtracksFleeting Smile
Written by Roger Eno
Performed by Roger Eno
Courtesy of Opal Ltd./All Saints Records
Under license from Opal Music, London/PRS except in N. America by Upala Music Inc. /BMI
Produced by Daniel Lanois
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Details
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- Also known as
- Regresiones de un hombre muerto
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Box office
- Budget
- $29,000,000 (estimated)
- Gross US & Canada
- $6,303,762
- Opening weekend US & Canada
- $2,723,682
- Mar 6, 2005
- Gross worldwide
- $21,733,230
- Runtime1 hour 43 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1